Literature, most generically, is any body of written works. More restrictively, literature refers to writing considered to be an art form or any single writing deemed to have artistic or intellectual value due to deploying language in ways that differ from ordinary usage, its Latin root literatura/litteratura was used to refer to all written accounts. The concept has changed meaning over time to include texts that are spoken or sung, non-written verbal art forms. Developments in print technology have allowed an ever-growing distribution and proliferation of written works, culminating in electronic literature. Literature is classified according to whether it is fiction or non-fiction, whether it is poetry or prose, it can be further distinguished according to major forms such as short story or drama. Definitions of literature have varied over time: it is a "culturally relative definition". In Western Europe prior to the 18th century, literature denoted all writing. A more restricted sense of the term emerged during the Romantic period, in which it began to demarcate "imaginative" writing.
Contemporary debates over what constitutes literature can be seen as returning to older, more inclusive notions. The value judgment definition of literature considers it to cover those writings that possess high quality or distinction, forming part of the so-called belles-lettres tradition; this sort of definition is that used in the Encyclopædia Britannica Eleventh Edition when it classifies literature as "the best expression of the best thought reduced to writing." Problematic in this view is that there is no objective definition of what constitutes "literature": anything can be literature, anything, universally regarded as literature has the potential to be excluded, since value judgments can change over time. The formalist definition is. Jim Meyer considers this a useful characteristic in explaining the use of the term to mean published material in a particular field, as such writing must use language according to particular standards; the problem with the formalist definition is that in order to say that literature deviates from ordinary uses of language, those uses must first be identified.
Etymologically, the term derives from Latin literatura/litteratura "learning, a writing, grammar," "writing formed with letters," from litera/littera "letter". In spite of this, the term has been applied to spoken or sung texts. Literary genre is a mode of categorizing literature. A French term for "a literary type or class". However, such classes are subject to change, have been used in different ways in different periods and traditions; the history of literature follows the development of civilization. When defined as written work, Ancient Egyptian literature, along with Sumerian literature, are considered the world's oldest literatures; the primary genres of the literature of Ancient Egypt—didactic texts and prayers, tales—were written entirely in verse. Most Sumerian literature is poetry, as it is written in left-justified lines, could contain line-based organization such as the couplet or the stanza, Different historical periods are reflected in literature. National and tribal sagas, accounts of the origin of the world and of customs, myths which sometimes carry moral or spiritual messages predominate in the pre-urban eras.
The epics of Homer, dating from the early to middle Iron age, the great Indian epics of a later period, have more evidence of deliberate literary authorship, surviving like the older myths through oral tradition for long periods before being written down. Literature in all its forms can be seen as written records, whether the literature itself be factual or fictional, it is still quite possible to decipher facts through things like characters' actions and words or the authors' style of writing and the intent behind the words; the plot is for more than just entertainment purposes. Studying and analyzing literature becomes important in terms of learning about human history. Literature provides insights about how society has evolved and about the societal norms during each of the different periods all throughout history. For instance, postmodern authors argue that history and fiction both constitute systems of signification by which we make sense of the past, it is asserted that both of these are "discourses, human constructs, signifying systems, both derive their major claim to truth from that identity."
Literature provides views of life, crucial in obtaining truth and in understanding human life throughout history and its periods. It explores the possibilities of living in terms of certain values under given social and historical circumstances. Literature helps us understand references made in more modern literature because authors reference mythology and other old religious texts to describe ancient civi
Biblioteca Nacional de España
The Biblioteca Nacional de España is a major public library, the largest in Spain, one of the largest in the world. It is located on the Paseo de Recoletos; the library was founded by King Philip V in 1712 as the Palace Public Library. The Royal Letters Patent that he granted, the predecessor of the current legal deposit requirement, made it mandatory for printers to submit a copy of every book printed in Spain to the library. In 1836, the library's status as Crown property was revoked and ownership was transferred to the Ministry of Governance. At the same time, it was renamed the Biblioteca Nacional. During the 19th century, confiscations and donations enabled the Biblioteca Nacional to acquire the majority of the antique and valuable books that it holds. In 1892 the building was used to host the Historical American Exposition. On March 16, 1896, the Biblioteca Nacional opened to the public in the same building in which it is housed and included a vast Reading Room on the main floor designed to hold 320 readers.
In 1931 the Reading Room was reorganised, providing it with a major collection of reference works, the General Reading Room was created to cater for students and general readers. During the Spanish Civil War close to 500,000 volumes were collected by the Confiscation Committee and stored in the Biblioteca Nacional to safeguard works of art and books held until in religious establishments and private houses. During the 20th century numerous modifications were made to the building to adapt its rooms and repositories to its expanding collections, to the growing volume of material received following the modification to the Legal Deposit requirement in 1958, to the numerous works purchased by the library. Among this building work, some of the most noteworthy changes were the alterations made in 1955 to triple the capacity of the library's repositories, those started in 1986 and completed in 2000, which led to the creation of the new building in Alcalá de Henares and complete remodelling of the building on Paseo de Recoletos, Madrid.
In 1986, when Spain's main bibliographic institutions - the National Newspaper Library, the Spanish Bibliographic Institute and the Centre for Documentary and Bibliographic Treasures - were incorporated into the Biblioteca Nacional, the library was established as the State Repository of Spain's Cultural Memory, making all of Spain's bibliographic output on any media available to the Spanish Library System and national and international researchers and cultural and educational institutions. In 1990 it was made an Autonomous Entity attached to the Ministry of Culture; the Madrid premises are shared with the National Archaeological Museum. The Biblioteca Nacional is Spain's highest library institution and is head of the Spanish Library System; as the country's national library, it is the centre responsible for identifying, preserving and disseminating information about Spain's documentary heritage, it aspires to be an essential point of reference for research into Spanish culture. In accordance with its Articles of Association, passed by Royal Decree 1581/1991 of October 31, 1991, its principal functions are to: Compile and conserve bibliographic archives produced in any language of the Spanish state, or any other language, for the purposes of research and information.
Promote research through the study and reproduction of its bibliographic archive. Disseminate information on Spain's bibliographic output based on the entries received through the legal deposit requirement; the library's collection consists of more than 26,000,000 items, including 15,000,000 books and other printed materials, 4,500,000 graphic materials, 600,000 sound recordings, 510,000 music scores, more than 500,000 microforms, 500,000 maps, 143,000 newspapers and serials, 90,000 audiovisuals, 90,000 electronic documents, 30,000 manuscripts. The current director of the Biblioteca Nacional is Ana Santos Aramburo, appointed in 2013. Former directors include her predecessors Glòria Pérez-Salmerón and Milagros del Corral as well as historian Juan Pablo Fusi and author Rosa Regàs. Given its role as the legal deposit for the whole of Spain, since 1991 it has kept most of the overflowing collection at a secondary site in Alcalá de Henares, near Madrid; the Biblioteca Nacional provides access to its collections through the following library services: Guidance and general information on the institution and other libraries.
Bibliographic information about its collection and those held by other libraries or library systems. Access to its automated catalogue, which contains close to 3,000,000 bibliographic records encompassing all of its collections. Archive consultation in the library's reading rooms. Interlibrary loans. Archive reproduction. Biblioteca Digital Hispánica, digital library launched in 2008 by the Biblioteca Nacional de España List of libraries in Spain Media related to Biblioteca Nacional de España at Wikimedia Commons Official site Official web catalog
Royal Library of the Netherlands
The Royal Library of the Netherlands is based in The Hague and was founded in 1798. The mission of the Royal Library of the Netherlands, as presented on the library's web site, is to provide "access to the knowledge and culture of the past and the present by providing high-quality services for research and cultural experience"; the initiative to found a national library was proposed by representative Albert Jan Verbeek on August 17 1798. The collection would be based on the confiscated book collection of William V; the library was founded as the Nationale Bibliotheek on November 8 of the same year, after a committee of representatives had advised the creation of a national library on the same day. The National Library was only open to members of the Representative Body. King Louis Bonaparte gave the national library its name of the Royal Library in 1806. Napoleon Bonaparte transferred the Royal Library to The Hague as property, while allowing the Imperial Library in Paris to expropriate publications from the Royal Library.
In 1815 King William I of the Netherlands confirmed the name of'Royal Library' by royal resolution. It has been known as the National Library of the Netherlands since 1982, when it opened new quarters; the institution became independent of the state in 1996, although it is financed by the Department of Education and Science. In 2004, the National Library of the Netherlands contained 3,300,000 items, equivalent to 67 kilometers of bookshelves. Most items in the collection are books. There are pieces of "grey literature", where the author, publisher, or date may not be apparent but the document has cultural or intellectual significance; the collection contains the entire literature of the Netherlands, from medieval manuscripts to modern scientific publications. For a publication to be accepted, it must be from a registered Dutch publisher; the collection is accessible for members. Any person aged 16 years or older can become a member. One day passes are available. Requests for material take 30 minutes.
The KB hosts several open access websites, including the "Memory of the Netherlands". List of libraries in the Netherlands European Library Nederlandse Centrale Catalogus Books in the Netherlands Media related to Koninklijke Bibliotheek at Wikimedia Commons Official website
Integrated Authority File
The Integrated Authority File or GND is an international authority file for the organisation of personal names, subject headings and corporate bodies from catalogues. It is used for documentation in libraries and also by archives and museums; the GND is managed by the German National Library in cooperation with various regional library networks in German-speaking Europe and other partners. The GND falls under the Creative Commons Zero licence; the GND specification provides a hierarchy of high-level entities and sub-classes, useful in library classification, an approach to unambiguous identification of single elements. It comprises an ontology intended for knowledge representation in the semantic web, available in the RDF format; the Integrated Authority File became operational in April 2012 and integrates the content of the following authority files, which have since been discontinued: Name Authority File Corporate Bodies Authority File Subject Headings Authority File Uniform Title File of the Deutsches Musikarchiv At the time of its introduction on 5 April 2012, the GND held 9,493,860 files, including 2,650,000 personalised names.
There are seven main types of GND entities: LIBRIS Virtual International Authority File Information pages about the GND from the German National Library Search via OGND Bereitstellung des ersten GND-Grundbestandes DNB, 19 April 2012 From Authority Control to Linked Authority Data Presentation given by Reinhold Heuvelmann to the ALA MARC Formats Interest Group, June 2012
Système universitaire de documentation
The système universitaire de documentation or SUDOC is a system used by the libraries of French universities and higher education establishments to identify and manage the documents in their possession. The catalog, which contains more than 10 million references, allows students and researcher to search for bibliographical and location information in over 3,400 documentation centers, it is maintained by the Bibliographic Agency for Higher Education. Official website
A literary magazine is a periodical devoted to literature in a broad sense. Literary magazines publish short stories and essays, along with literary criticism, book reviews, biographical profiles of authors and letters. Literary magazines are called literary journals, or little magazines, terms intended to contrast them with larger, commercial magazines. Nouvelles de la république. Literary magazines became common in the early part of the 19th century, mirroring an overall rise in the number of books and scholarly journals being published at that time. In Great Britain, critics Francis Jeffrey, Henry Brougham and Sydney Smith founded the Edinburgh Review in 1802. Other British reviews of this period included the Westminster Review, The Spectator, Athenaeum. In the United States, early journals included the Philadelphia Literary Magazine, the Monthly Anthology, which became the North American Review, the Yale Review, The Knickerbocker and the New Orleans-based De Bow's Review. Several prominent literary magazines were published in Charleston, South Carolina, including The Southern Review and Russell's Magazine.
The North American Review, founded in 1815, is the oldest American literary magazine. However, it had its publication suspended during World War II, the Yale Review did not. Begun in 1889, Poet Lore is considered the oldest journal dedicated to poetry. By the end of the century, literary magazines had become an important feature of intellectual life in many parts of the world. Among the literary magazines that began in the early part of the 20th century is Poetry magazine. Founded in 1912, it published T. S. Eliot's first poem, "The Love Song of J. Alfred Prufrock." Other important early-20th century literary magazines include The Times Literary Supplement, Southwest Review, Virginia Quarterly Review, Southern Review, New Letters. The Sewanee Review, although founded in 1892, achieved prominence thanks to Allen Tate, who became editor in 1944. Two of the most influential—though radically different—journals of the last-half of the 20th century were The Kenyon Review and the Partisan Review; the Kenyon Review, edited by John Crowe Ransom, espoused the so-called New Criticism.
Its platform was avowedly unpolitical. Although Ransom came from the South and published authors from that region, KR published many New York-based and international authors; the Partisan Review was first associated with the American Communist Party and the John Reed Club, however, it soon broke ranks with the party. Politics remained central to its character, while it published significant literature and criticism; the middle-20th century saw a boom in the number of literary magazines, which corresponded with the rise of the small press. Among the important journals which began in this period were Nimbus: A Magazine of Literature, the Arts, New Ideas, which began publication in 1951 in England, the Paris Review, founded in 1953, The Massachusetts Review and Poetry Northwest, which were founded in 1959, X Magazine, which ran from 1959–62, the Denver Quarterly, which began in 1965; the 1970s saw another surge in the number of literary magazines, with a number of distinguished journals getting their start during this decade, including Columbia: A Journal of Literature and Art, The Iowa Review, Agni, The Missouri Review, New England Review.
Other regarded print magazines of recent years include The Threepenny Review, The Georgia Review, Shenandoah, The Greensboro Review, ZYZZYVA, Glimmer Train, Tin House, Half Mystic Journal, the Canadian magazine Brick, the Australian magazine HEAT, Zoetrope: All-Story. Some short fiction writers, such as Steve Almond, Jacob M. Appel and Stephen Dixon have built national reputations in the United States through publication in literary magazines; the Committee of Small Magazine Editors and Presses was founded by Hugh Fox in the mid-1970s. It was an attempt to organize the energy of the small presses. Len Fulton and founder of Dustbook Publishing and published the first real list of these small magazines and their editors in the mid-1970s; this made it possible for poets to pick and choose the publications most amenable to their work and the vitality of these independent publishers was recognized by the larger community, including the National Endowment for the Arts, which created a committee to distribute support money for this burgeoning group of publishers called the Coordinating Council of Literary Magazines.
This organisation evolved into the Council of Literary Presses. Many prestigious awards exist for works published in literary magazines including the Pushcart Prize and the O. Henry Awards. Literary magazines provide many of the pieces in The Best American Short Stories and The Best American Essays annual volumes. SwiftCurrent, created in 1984, was the first online literary magazine, it functioned as more of a database of literary works than a literary publication. In 1995, the Mississippi Review was the first large literary magazine to launch a online issue. By 1998, Fence and Timothy McSweeney's Quarterly Concern were published and gained an audience. Around 1996, literary magazines began to appear more online. At first, some writers and readers dismissed online literary magazines as not equal in quality or prestige to their print counterparts, while others said that these