1.
Norse mythology
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The cosmos in Norse mythology consists of Nine Worlds that flank a central cosmological tree, Yggdrasil. Units of time and elements of the cosmology are personified as deities or beings, various forms of a creation myth are recounted, where the world is created from the flesh of the primordial being Ymir, and the first two humans are Ask and Embla. These worlds are foretold to be reborn after the events of Ragnarök, there the surviving gods will meet, and the land will be fertile and green, and two humans will repopulate the world. Norse mythology has been the subject of scholarly discourse since the 17th century, by way of comparative mythology and historical linguistics, scholars have identified elements of Germanic mythology reaching as far back as Proto-Indo-European mythology. In the modern period, the Romanticist Viking revival re-awoke an interest in the subject matter, the myths have further been revived in a religious context among adherents of Germanic Neopaganism. The majority of these Old Norse texts were created in Iceland and this occurred primarily in the 13th century. The Prose Edda was composed as a manual for producing skaldic poetry—traditional Old Norse poetry composed by skalds. Originally composed and transmitted orally, skaldic poetry utilizes alliterative verse, kennings, the Prose Edda presents numerous examples of works by various skalds from before and after the Christianization process and also frequently refers back to the poems found in the Poetic Edda. The Poetic Edda consists almost entirely of poems, with some prose narrative added, in comparison to skaldic poetry, Eddic poetry is relatively unadorned. Numerous further texts, such as the sagas, provide further information, the saga corpus consists of thousands of tales recorded in Old Norse ranging from Icelandic family histories to Migration period tales mentioning historic figures such as Attila the Hun. By way of historical linguistics and comparative mythology, comparisons to other attested branches of Germanic mythology may also lend insight, wider comparisons to the mythology of other Indo-European peoples by scholars has resulted in the potential reconstruction of far earlier myths. Of the mythical tales and poems that are presumed to have existed during the Middle Ages, Viking Age, Migration Period, numerous gods are mentioned in the source texts. In the mythology, Thor lays waste to numerous jötnar who are foes to the gods or humanity, the god Odin is also frequently mentioned in surviving texts. One-eyed, wolf and raven-flanked, and spear in hand, Odin pursues knowledge throughout the worlds, Odin has a strong association with death, Odin is portrayed as the ruler of Valhalla, where valkyries carry half of those slain in battle. Odins wife is the powerful goddess Frigg who can see the future but tells no one, and together they have a beloved son, Baldr. After a series of dreams had by Baldr of his death, his death is engineered by Loki, and Baldr thereafter resides in Hel. Odin must share half of his share of the dead with a powerful goddess and she is beautiful, sensual, wears a feathered cloak, and practices seiðr. She rides to battle to choose among the slain, and brings her chosen to her afterlife field Fólkvangr, Freyja weeps for her missing husband Óðr, and seeks after him in far away lands
2.
Old Norse
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Old Norse was a North Germanic language that was spoken by inhabitants of Scandinavia and inhabitants of their overseas settlements during about the 9th to 13th centuries. These dates, however, are not absolute, since written Old Norse is found well into the 15th century, Old Norse was divided into three dialects, Old West Norse, Old East Norse and Old Gutnish. Old West and East Norse formed a continuum, with no clear geographical boundary between them. For example, Old East Norse traits were found in eastern Norway, although Old Norwegian is classified as Old West Norse, most speakers spoke Old East Norse in what is present day Denmark and Sweden. Old Gutnish, the more obscure dialectal branch, is included in the Old East Norse dialect due to geographical associations. It developed its own features and shared in changes to both other branches. The 12th century Icelandic Gray Goose Laws state that Swedes, Norwegians, Icelanders and Danes spoke the same language, another term used, used especially commonly with reference to West Norse, was norrœnt mál. In some instances the term Old Norse refers specifically to Old West Norse, the Old East Norse dialect was spoken in Denmark, Sweden, settlements in Kievan Rus, eastern England, and Danish settlements in Normandy. The Old Gutnish dialect was spoken in Gotland and in settlements in the East. In the 11th century, Old Norse was the most widely spoken European language, in Kievan Rus, it survived the longest in Veliky Novgorod, probably lasting into the 13th century there. Norwegian is descended from Old West Norse, but over the centuries it has heavily influenced by East Norse. Old Norse also had an influence on English dialects and Lowland Scots and it also influenced the development of the Norman language, and through it and to a smaller extent, that of modern French. Various other languages, which are not closely related, have heavily influenced by Norse, particularly the Norman dialects, Scottish Gaelic. The current Finnish and Estonian words for Sweden are Ruotsi and Rootsi, of the modern languages, Icelandic is the closest to Old Norse. Written modern Icelandic derives from the Old Norse phonemic writing system, contemporary Icelandic-speakers can read Old Norse, which varies slightly in spelling as well as semantics and word order. However, pronunciation, particularly of the phonemes, has changed at least as much as in the other North Germanic languages. Faroese retains many similarities but is influenced by Danish, Norwegian, although Swedish, Danish and the Norwegian languages have diverged the most, they still retain asymmetric mutual intelligibility. Speakers of modern Swedish, Norwegian and Danish can mostly understand each other without studying their neighboring languages, the languages are also sufficiently similar in writing that they can mostly be understood across borders
3.
Freyja
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In Norse mythology, Freyja is a goddess associated with love, sex, beauty, fertility, gold, seiðr, war, and death. Along with her brother Freyr, her father Njörðr, and her mother, stemming from Old Norse Freyja, modern forms of the name include Freya, Freyia, and Freja. Freyja rules over her heavenly afterlife field Fólkvangr and there receives half of those that die in battle, whereas the other half go to the god Odins hall, within Fólkvangr is her hall, Sessrúmnir. Freyjas husband, the god Óðr, is frequently absent and she cries tears of red gold for him, and searches for him under assumed names. Freyja has numerous names, including Gefn, Hörn, Mardöll, Sýr, Valfreyja, Freyjas name appears in numerous place names in Scandinavia, with a high concentration in southern Sweden. Various plants in Scandinavia once bore her name, but it was replaced with the name of the Virgin Mary during the process of Christianization, rural Scandinavians continued to acknowledge Freyja as a supernatural figure into the 19th century, and Freyja has inspired various works of art. The name Freyja is transparently lady and ultimately derives from Proto-Germanic *frawōn, Freyja is cognate with, for example, Old Saxon frūa lady, mistress and Old High German frouwa. The theonym Freyja is thus considered to have been an epithet in origin, in the Poetic Edda, Freyja is mentioned or appears in the poems Völuspá, Grímnismál, Lokasenna, Þrymskviða, Oddrúnargrátr, and Hyndluljóð. Völuspá contains a stanza that mentions Freyja, referring to her as Óðs girl, Freyja being the wife of her husband, the stanza recounts that Freyja was once promised to an unnamed builder, later revealed to be a jötunn and subsequently killed by Thor. In the poem Grímnismál, Odin tells the young Agnar that every day Freyja allots seats to half of those that are slain in her hall Fólkvangr, while Odin owns the other half. In the poem Lokasenna, where Loki accuses nearly every female in attendance of promiscuity and/or unfaithfulness, the introduction to the poem notes that among other gods and goddesses, Freyja attends a celebration held by Ægir. Loki tells her to be silent, and says that he knows all about her—that Freyja is not lacking in blame, for each of the gods and elves in the hall have been her lover. She says that Loki is lying, that he is just looking to blather about misdeeds, and since the gods and goddesses are furious at him, he can expect to go home defeated. Loki tells Freyja to be silent, calls her a malicious witch, Njörðr interjects—he says that a woman having a lover other than her husband is harmless, and he points out that Loki has borne children, and calls Loki a pervert. The poem Þrymskviða features Loki borrowing Freyjas cloak of feathers and Thor dressing up as Freyja to fool the lusty jötunn Þrymr, in the poem, Thor wakes up to find that his powerful hammer, Mjöllnir, is missing. Thor tells Loki of his hammer, and the two go to the beautiful court of Freyja. Thor asks Freyja if she will lend him her cloak of feathers, Freyja agrees, Loki flies away in the whirring feather cloak, arriving in the land of Jötunheimr. He spies Þrymr sitting on top of a mound, Þrymr reveals that he has hidden Thors hammer deep within the earth and that no one will ever know where the hammer is unless Freyja is brought to him as his wife
4.
Ship
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Historically, a ship was a sailing vessel with at least three square-rigged masts and a full bowsprit. Ships are generally distinguished from boats, based on size, shape, Ships have been important contributors to human migration and commerce. They have supported the spread of colonization and the trade, but have also served scientific, cultural. After the 16th century, new crops that had come from, Ship transport is responsible for the largest portion of world commerce. As of 2016, there were more than 49,000 merchant ships, of these 28% were oil tankers, 43% were bulk carriers, and 13% were container ships. Military forces operate vessels for naval warfare and to transport and support forces ashore, the top 50 navies had a median fleet of 88 surface vessels each, according to various sources. There is no definition of what distinguishes a ship from a boat. Ships can usually be distinguished from boats based on size and the ability to operate independently for extended periods. A legal definition of ship from Indian case law is a vessel that carries goods by sea, a common notion is that a ship can carry a boat, but not vice versa. American and British 19th Century maritime law distinguished vessels from other craft, ships and boats fall in one legal category, a number of large vessels are usually referred to as boats. Other types of vessel which are traditionally called boats are Great Lakes freighters, riverboats. Though large enough to carry their own boats and heavy cargoes, in most maritime traditions ships have individual names, and modern ships may belong to a ship class often named after its first ship. The first known vessels date back about 10,000 years ago, the first navigators began to use animal skins or woven fabrics as sails. Affixed to the top of a pole set upright in a boat and this allowed men to explore widely, allowing for the settlement of Oceania for example. By around 3000 BC, Ancient Egyptians knew how to assemble wooden planks into a hull and they used woven straps to lash the planks together, and reeds or grass stuffed between the planks helped to seal the seams. Sneferus ancient cedar wood ship Praise of the Two Lands is the first reference recorded to a ship being referred to by name, the ancient Egyptians were perfectly at ease building sailboats. A remarkable example of their skills was the Khufu ship. Aksum was known by the Greeks for having seaports for ships from Greece, a panel found at Mohenjodaro depicted a sailing craft
5.
Prose Edda
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The Prose Edda, also known as the Younger Edda, Snorris Edda or, historically, simply as Edda, is an Old Norse work of literature written in Iceland in the early 13th century. The work is assumed to have been written, or at least compiled, by the Icelandic scholar. It begins with a euhemerized Prologue, a section on the Norse cosmogony, pantheon and this is followed by three distinct books, Gylfaginning, Skáldskaparmál and Háttatal. Seven manuscripts, dating from around 1300 to around 1600, have independent textual value, Sturluson planned the collection as a textbook. It was to enable Icelandic poets and readers to understand the subtleties of alliterative verse, at that time, versions of the Edda were well known in Iceland, but scholars speculated that there once was an Elder Edda which contained the poems which Snorri quotes in his Edda. The etymology of Edda remains uncertain, there are many hypotheses, and little agreement. Some argue that the word derives from the name of Oddi, Edda could therefore mean book of Oddi. However, this assumption is generally rejected, Faulkes in his English translation of the Prose Edda commented that this is unlikely, both in terms of linguistics and history since Snorri was no longer living at Oddi when he composed his work. Another connection was made with the word óðr, which means poetry or inspiration in Old Norse, Edda also means great-parent, a word used by Snorri himself in the Skáldskaparmál. That is, with the meaning, the name of a character in the Rigsthula. A final hypothesis is derived from the Latin edo, meaning I write and it relies on the fact that the word kredda is certified and comes from the Latin credo, I believe. It seems likely Snorri would have been able to invent the word, Edda in this case could be translated as Poetic Art. This is the meaning that the word was given in the Middle Ages. The name Sæmundar Edda was given by the Bishop Brynjólfur Sveinsson to the collection of poems contained in the Codex Regius, many of which are quoted by Snorri. Brynjólfur, along many others of his time incorrectly believed that they were collected by Sæmundr fróði. Seven manuscripts of the Edda have survived, six compositions of the Middle Ages, no one manuscript is complete, and each has variations. In addition to three fragments, the four manuscripts are Codex Regius, Codex Wormianus, Codex Trajectinus. Codex Upsaliensis, was composed in the first quarter of the century and is the oldest manuscript preserved of the Edda of Snorri
6.
Snorri Sturluson
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Snorri Sturluson was an Icelandic historian, poet, and politician. He was elected twice as lawspeaker at the Icelandic parliament, the Althing and he was also the author of the Heimskringla, a history of the Norwegian kings that begins with legendary material in Ynglinga saga and moves through to early medieval Scandinavian history. For stylistic and methodological reasons, Snorri is often taken to be the author of Egils saga, as a historian and mythographer, Snorri is remarkable for proposing the hypothesis that mythological gods begin as human war leaders and kings whose funeral sites develop cults. As people call upon the war leader as they go to battle, or the dead king as they face tribal hardship. Eventually, the king or warrior is remembered only as a god and he also proposed that as tribes defeat others, they explain their victory by proposing that their own gods were in battle with the gods of the others. Snorri Sturluson was born in Hvammur into the wealthy and powerful Sturlungar family of the Icelandic Commonwealth and his parents were Sturla Þórðarson the elder of Hvammur and his second wife, Guðný Böðvarsdóttir. He had two brothers, Þórðr Sturluson and Sighvatr Sturluson, two sisters and nine half-siblings. By a quirk of circumstance Snorri was raised from the age of three by Jón Loftsson, a relative of the Norwegian royal family, in Oddi, Iceland. The resulting settlement would have beggared Páll, but Jón Loftsson intervened in the Althing to mitigate the judgment and, to compensate Sturla, offered to raise, Snorri therefore received an excellent education and made connections that he might not otherwise have made. He attended the school of Sæmundr fróði, grandfather of Jón Loftsson, at Oddi and his father died in 1183 and his mother as guardian soon wasted Snorris share of the inheritance. The two families arranged an marriage in 1199 between Snorri and Herdís, the daughter of Bersi Vermundarson. From her father, Snorri inherited an estate at Borg and a chieftainship and he soon acquired more property and chieftainships. Snorri and Herdís were together for four years at Borg and they had at least two children, Hallbera and Jón. The marriage succumbed to Snorris philandering, and in 1206, he settled in Reykholt as manager of an estate there and he made significant improvements to the estate, including a hot outdoor bath. The bath and the buildings have preserved to some extent. During the initial years at Reykholt he fathered five children by three different women, Guðrún Hreinsdóttir, Oddný, and Þuríður Hallsdóttir, Snorri quickly became known as a poet, but was also a successful lawyer. In 1215, he became lawspeaker of the Althing, the public office of the Icelandic commonwealth. In the summer of 1218, he left the position and sailed to Norway
7.
Gylfaginning
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Gylfaginning, is the first part of Snorri Sturlusons Prose Edda after Prologue. The Gylfaginning deals with the creation and destruction of the world of the Norse gods, the second part of the Prose Edda is called the Skáldskaparmál and the third Háttatal. This is why he journeys to Asgard, but on the way he is tricked by the gods and arrives in some other place, inside the palace he encounters a man who asks Gylfis name and so king Gylfi introduces himself as Gangleri. Gangleri then is taken to the king of the palace and comes upon three men, High, Just-As-High, and Third, Gangleri is then challenged to show his wisdom by asking questions, as is the custom in many Norse sagas. Each question made to High, Just-As-High, and Third is about an aspect of the Norse mythology or its gods, in the end all the palace and its people just vanish and Gylfi is left standing on empty ground. It is then implied that as Gylfi returns to his nation and it can be argued that Snorri used this narrative device as a means of being able to safely document a vanishing and largely oral tradition within a Christian context. Gylfaginning in Old Norse at heimskringla. no Text of all original manuscripts The text with modern Icelandic spelling English translation
8.
Gylfi
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In Norse mythology, Gylfi, Gylfe, Gylvi, or Gylve was the earliest recorded king in Scandinavia. He often uses the name Gangleri when appearing in disguise, the traditions on Gylfi deal with how he was tricked by the gods and his relations with the goddess Gefjon. The Ynglinga saga section of Snorris Heimskringla and the Eddic poem Ragnarsdrápa tell a legend of how Gylfi was seduced by the goddess Gefjon to give her as much land as she could plow in one night. Gefjon transformed her four sons into oxen and took enough land to create the Danish island of Zealand, Gylfi and the remaining older bronze-age inhabitants of the land then supposedly adopted the religion of the Æsir and began to live under their rule. Snorri presents an outline of Norse mythology through a dialogue between Gylfi and three rulers of the Æsir and it is possible that Snorris account is based on an old tradition tracing particular beliefs or foundations of particular Norse cults to this legendary Gylfi. However, it is more likely that the Historic King Gylfi was simply already a follower of the Ancient Norse Religion. In one version of Hervarar saga, king Gylfi married his daughter Heiðr to Sigrlami, Heiðr and Sigrlami had the son Svafrlami who forced the two dwarves Dvalin and Durin to forge the magic sword Tyrfing
9.
Stone ship
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The stone ship or ship setting was an early burial custom in Scandinavia, Northern Germany and the Baltic states. The grave or cremation burial was surrounded by slabs or stones in the shape of a ship. The ships vary in size and were erected from c.1000 BC to 1000 AD. Stone ship were a burial custom, characteristically Scandinavian but also found in Northern Germany. The grave or cremation burial was surrounded by tightly or loosely fit slabs or stones in the outline of a ship and they are often found in grave fields, but are sometimes far from any other archaeological remains. Ship settings are of varying sizes, some of monumental proportions, the largest known is the mostly destroyed Jelling stone ship in Denmark, which was at least 170 m long. In Sweden, the size varies from 67 m to only a few metres, inside, they can be cobbled or filled with stones, or have raised stones in the positions of masts. The illusion of being ships has often been reinforced by larger stones at the ends, scattered examples are found in Northern Germany and along the coast of the Baltic States. Excavations have shown that they are usually from the part of the Nordic Bronze Age, c.1000 BC –500 BC or from the Germanic Iron Age, the Vendel Period. One puzzling feature is that sometimes occur at the base of a barrow. 800 m north of Bække there is a 45 m ship which dates to the Viking Age. Under the southern mound in Jelling, Denmark, which is associated with Queen Thyra, remains of a giant Viking Age stone ship have been found, by far the largest known, kerteminde fjord, Denmark, a 20 m ship which dates to the Viking Age. An approximately 80 m ship of 28 stones, the ship was cleared in 1921 by a landowner, but some local people interested in history succeeded in saving the stones. The highest concentration of well-preserved stone ships, altes Lager near Anklam, Western Pomerania, Germany. The stone ships date back to the 9th century, ales Stones is a stone ship in southernmost Sweden. It is 67 m long and 19 m wide, Anundshög double stone ship at Anundshög has a total length of 100 m and one of the ships is 25 m wide. In the same there are several smaller stone ships. Askeberga stone ships is Swedens second largest stone ship, measuring 55 m in length and it is, however, the most remarkable one as it is made of 24 enormous boulders, weighing about 25 tonnes each. The stone ship at Blomsholm near Strömstad in Bohuslän measures more than 40 m in length, the bow and stern are about 4 m high
10.
Tacitus
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Publius Cornelius Tacitus was a senator and an historian of the Roman Empire. The surviving portions of his two major works—the Annals and the Histories—examine the reigns of the Roman emperors Tiberius, Claudius, Nero, and those who reigned in the Year of the Four Emperors. These two works span the history of the Roman Empire from the death of Augustus, in AD14, to the years of the First Jewish–Roman War, There are substantial lacunae in the surviving texts, including a gap in the Annals that is four books long. Tacitus is considered to be one of the greatest Roman historians, details about his personal life are scarce. What little is known comes from scattered hints throughout his work, the letters of his friend and admirer Pliny the Younger, and an inscription found at Mylasa in Caria. Tacitus was born in 56 or 57 to an equestrian family, one scholars suggestion of Sextus has gained no approval. Most of the aristocratic families failed to survive the proscriptions which took place at the end of the Republic. The claim that he was descended from a freedman is derived from a speech in his writings which asserts that many senators and knights were descended from freedmen, but this is generally disputed. His father may have been the Cornelius Tacitus who served as procurator of Belgica and Germania, Pliny the Elder mentions that Cornelius had a son who aged rapidly, which implies an early death. There is no mention of Tacitus suffering such a condition, the friendship between the younger Pliny and Tacitus leads some scholars to conclude that they were both the offspring of wealthy provincial families. The province of his birth remains unknown, though various conjectures suggest Gallia Belgica, Gallia Narbonensis and his marriage to the daughter of Narbonensian senator Gnaeus Julius Agricola implies that he came from Gallia Narbonensis. Tacitus dedication to Fabius Iustus in the Dialogus may indicate a connection with Spain, no evidence exists, however, that Plinys friends from northern Italy knew Tacitus, nor do Plinys letters hint that the two men had a common background. Pliny Book 9, Letter 23 reports that, when he was asked if he was Italian or provincial, he gave an unclear answer, since Pliny was from Italy, some infer that Tacitus was from the provinces, probably Gallia Narbonensis. His ancestry, his skill in oratory, and his depiction of barbarians who resisted Roman rule have led some to suggest that he was a Celt. This belief stems from the fact that the Celts who had occupied Gaul prior to the Roman invasion were famous for their skill in oratory, and had been subjugated by Rome. As a young man, Tacitus studied rhetoric in Rome to prepare for a career in law and politics, like Pliny, in 77 or 78, he married Julia Agricola, daughter of the famous general Agricola. Little is known of their life, save that Tacitus loved hunting. He started his career under Vespasian, but entered political life as a quaestor in 81 or 82 under Titus
11.
Germania
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Germania was the Roman term for the geographical region in north-central Europe inhabited mainly by Germanic peoples. It extended from the Danube in the south to the Baltic Sea, the Roman portions formed two provinces of the Empire, Germania Inferior to the north, and Germania Superior to the south. Germania was inhabited mostly by Germanic tribes, but also Celts, early Slavs, Balts, the population mix changed over time by assimilation, and especially by migration. The ancient Greeks were the first to mention the tribes in the area, later, Julius Caesar wrote about warlike Germanic tribesmen and their threat to Roman Gaul, and there were military clashes between the Romans and the indigenous tribes. Tacitus wrote the most complete account of Germania that still survives, the origin of the term Germania is uncertain, but was known by Caesars time, and may be Gallic in origin. The name came into use after Julius Caesar and whether it was used widely before him amongst Romans is unknown, the term may be Gallic in origin. Tacitus wrote in AD98, For the rest, they affirm Germania to be a recent word, for those who first passed the Rhine and expulsed the Gauls, and are now named Tungrians, were then called Germani. Names of Germany in English and some languages are derived from Germania, but German speakers call it Deutschland. Several modern languages use the name Germania, including Hebrew, Italian, Albanian, Bulgarian, Maltese, Greek, Germania extended from the Rhine eastward to the Vistula river, and from the Danube river northward to the Baltic Sea. The areas west of the Rhine were mainly Celtic and became part of the Roman Empire in the first century BC, the Roman parts of Germania, Lesser Germania, eventually formed two provinces of the empire, Germania Inferior, Lower Germania and Germania Superior. Important cities in Lesser Germania included Besançon, Strasbourg, Wiesbaden, the geography of Magna Germania was comprehensively described in Ptolemys Geography of around 150 C. E. via geographical coordinates of the main cities. Germania was inhabited by different tribes, most of them Germanic but also some Celtic, proto-Slavic, Baltic, the tribal and ethnic makeup changed over the centuries as a result of assimilation and, most importantly, migrations. The Germanic people spoke several different dialects, classical records show little about the people who inhabited the north of Europe before the 2nd century BC. In the 5th century BC, the Greeks were aware of a group they called Celts, herodotus also mentioned the Scythians but no other tribes. At around 320 BC, Pytheas of Massalia sailed around Britain and along the northern coast of Europe and he may have been the first Mediterranean to distinguish the Germanic people from the Celts. Contact between German tribes and the Roman Empire did take place and was not always hostile, Caesar described the cultural differences between the Germanic tribesmen, the Romans, and the Gauls. He said that the Gauls, although warlike, could be civilized and his accounts of barbaric northern tribes could be described as an expression of the superiority of Rome, including Roman Gaul. Caesars accounts portray the Roman fear of the Germanic tribes and the threat they posed, the perceived menace of the Germanic tribesmen proved accurate
12.
Everyman's Library
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Everymans Library is a series of reprinted classic literature currently published in hardback by Random House. It was originally an imprint of J. M. Dent, J. M. Dent and Company began to publish the series in 1906. Dent followed the principles and to a certain extent the style established by William Morris in his Kelmscott Press. This was later replaced in 1935 by Eric Raviliouss designs, Everymans Library books were pocket-sized hardcovers that sold initially for what was then the remarkably low price of a shilling apiece. The original U. S. distribution rights were granted to New York City publishers, in 1910,500 books had been published under the Everyman trademark, and in 1956 the thousandth volume was published, with Aristotles Metaphysics selected for the honour. By 1975, Dents vision had been surpassed, as Everymans Library consisted of 994 titles published in 1,239 volumes. The appropriate genre was printed inside and used to organize lists of the series issued from time to time, Knopf in the United States—a move which was praised by many notable authors. Control of Everymans Library passed to US-based Random House in 2002, the current membership of the Honorary Editorial Committee includes Harold Bloom, Henry Louis Gates, Jr. Toni Morrison, Cynthia Ozick and Simon Schama. J. M. Dent & Sons was acquired by Weidenfeld & Nicolson in 1988, itself acquired by the Orion Publishing Group in 1991, now both part of Hachette Livre. Not to be confused with Everymans Library, Orion continues to publish Everyman Classics in paperback under the J. M. Dent imprint in the UK and through Charles E. Tuttle Co. in the US. The name of the series was suggested by poet and editor Ernest Rhys, who was named head editor of the series initially. This quotation appears on the page of all Everymans Library. A notable addition to the library was an encyclopedia, which was added to the range in 1913. Individual volumes could be purchased separately, enabling the set to be budgeted over time, the fifth edition was published in 1967, by which time it consisted of 12 volumes, containing 7763 pages. The page size was 9 by 5 inches, but as the printing was 8 point, as a volume only weighed about 1¼ kg, it was considered a better size for use by children. Dictionary catalogue of the first 505 volumes of Everymans Library, london, J. M. Dent, New York, E. P. Annotated catalog of first 505 titles, buying and Selling Everymans Library, A Primer Complete Everymans Library Catalog, author list, dust jacket images, and other useful Everymans Library information
13.
International Standard Book Number
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The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
14.
University of Helsinki
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The University of Helsinki is a university located in Helsinki, Finland since 1829, but was founded in the city of Turku in 1640 as the Royal Academy of Åbo, at that time part of the Swedish Empire. It is the oldest and largest university in Finland with the widest range of disciplines available, around 36,500 students are currently enrolled in the degree programs of the university spread across 11 faculties and 11 research institutes. As of August 1,2005, the University complies with the structure of the Europe-wide Bologna Process and offers Bachelor, Master, Licenciate. Admission to degree programmes is determined by entrance examinations, in the case of bachelors degrees. It has been ranked a top 100 university in the according to the 2016 ARWU, QS. The university is bilingual, with teaching officially provided both in Finnish and Swedish, generally speaking, however, the university is monolingual Finnish, as courses taught in Swedish are very few and far apart. Teaching in English is extensive throughout the university at Master, Licentiate, remaining true to its traditionally strong Humboldtian ethos, the University of Helsinki places heavy emphasis on high-quality teaching and research of a top international standard. It is a member of various prominent international university networks, such as Europaeum, UNICA, the Utrecht Network, the first predecessor of the university, The Cathedral School of Åbo, was presumably founded in 1276 for education of boys to become servants of the Church. It was the university founded in the Swedish Empire, following Uppsala University. The second period of the Universitys history covers the period when Finland was a Grand Duchy of the Russian Empire, as Finland became part of the Russian Empire in 1809, Emperor Alexander I expanded the University and allocated substantial funds to it. In the capital the primary task of the University was to educate the Grand Duchy’s civil servants, the University became a community subscribing to the new Humboldtian ideals of science and culture, studying humanity and its living environment by means of scientific methods. The Alexander University was a centre of life that promoted the birth of an independent Finnish State. The great men of 19th century Finland, Johan Vilhelm Snellman, Johan Ludvig Runeberg, Elias Lönnrot, in the 19th century university research changed from being collection-centred to being experimental, empirical, and analytical. The more scientific approach of the university led to specialisation and created new disciplines, as the scientific disciplines developed, Finland received ever more scholarly knowledge and highly educated people, some of whom entered rapidly evolving industry or the government. The third period of the universitys history began with the creation of the independent Republic of Finland in 1917, once Finland gained her independence in 1917 the University was given a crucial role in building the nation state and, after World War II, the welfare state. Members of the community promoted the international relations of the new state. Furthermore, they were involved in national politics and the struggle for equality. In the 20th century, scholarly research at the University of Helsinki reached the level of the European elite in many disciplines. I, virtanen and the Nobel Prize in Medicine shared by Professor Ragnar Granit
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Orion Publishing Group
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Orion Publishing Group Ltd. is a UK-based book publisher. It is owned by Hachette Livre, the groups imprints include, Allen & Unwin Cassell Military Paperbacks Cassells National Library J. M. Books distributed through Littlehampton book services, list of largest UK book publishers UK childrens book publishers Orionbooks. co. uk
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Baldr
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Baldr is a god in Norse mythology, who is given a central role in the mythology. His precise function is, however, disputed and he is often interpreted as the god of love, peace, forgiveness, justice, light or purity, but he was not directly attested as a god of such. He is the son of Odin and the goddess Frigg. His twin brother is the blind god Höðr, jacob Grimm in his Teutonic Mythology identifies Old Norse Baldr with the Old High German Baldere, Palter, Paltar and with Old English bealdor, baldor lord, prince, king. Old Norse shows this usage of the word as an honorific in a few cases, as in baldur î brynju and herbaldr, both epithets of heroes in general. Grimm traces the etymology of the name to *balþaz, whence Gothic balþs, Old English bald, Old High German pald, all meaning white, but the interpretation of Baldr as the brave god may be secondary. Baltic has a word meaning the white, the good, in continental Saxon and Anglo-Saxon tradition, the son of Woden is called not Bealdor but Baldag and Bældæg, Beldeg, which shows association with day, possibly with Day personified as a deity. This, as Grimm points out, would agree with the shining one, white one. Grimms etymology is endorsed by modern research, according to Rudolf Simek, the original name for Baldr must be understood as shining day. One of the two Merseburg Incantations names Baldere, but also mentions a figure named Phol, considered to be a byname for Baldr and this interpretation is linked to the presupposition that the figure in question is a companion of Wodan, the upper god. In a different interpretation, phol is just another form of folon mentioned in the next line, in the Poetic Edda the tale of Baldrs death is referred to rather than recounted at length. Among the visions which the Völva sees and describes in the known as the Völuspá is one of the fatal mistletoe, the birth of Váli. Yet looking far into the future the Völva sees a vision of a new world. The Eddic poem Baldrs Dreams mentions that Baldr has bad dreams which the gods then discuss, Odin rides to Hel and awakens a seeress, who tells him Höðr will kill Baldr but Vali will avenge him. In Gylfaginning, Baldur is described as follows, Apart from this description Baldr is known primarily for the story of his death and his death is seen as the first in the chain of events which will ultimately lead to the destruction of the gods at Ragnarök. Baldr will be reborn in the new world, according to Völuspá and he had a dream of his own death and his mother had the same dreams. Since dreams were usually prophetic, this depressed him, so his mother Frigg made every object in every realm vow never to hurt Baldr, all objects made this vow except mistletoe. When Loki, the mischief-maker, heard of this, he made a spear from this plant
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Bragi
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Bragi is the skaldic god of poetry in Norse mythology. Bragi is generally associated with bragr, the Norse word for poetry, the name of the god may have been derived from bragr, or the term bragr may have been formed to describe what Bragi does. A connection between the name Bragi and Old English brego chieftain has been suggested but is now discounted. A connection between Bragi and the bragarfull promise cup is sometimes suggested, as bragafull, a form of the word. Snorri Sturluson writes in the Gylfaginning after describing Odin, Thor, and Baldr, One is called Bragi, he is renowned for wisdom, and most of all for fluency of speech and skill with words. He knows most of skaldship, and after him skaldship is called bragr, and from his name that one is called bragr-man or -woman, in Skáldskaparmál Snorri writes, How should one periphrase Bragi. By calling him husband of Iðunn, first maker of poetry, and the long-bearded god and that Bragi is Odins son is clearly mentioned only here and in some versions of a list of the sons of Odin. But wish-son in stanza 16 of the Lokasenna could mean Odins son and is translated by Hollander as Odins kin, Bragis mother is possibly the giantess Gunnlod. In that poem Bragi at first forbids Loki to enter the hall but is overruled by Odin, Loki then gives a greeting to all gods and goddesses who are in the hall save to Bragi. Bragi responds that if they were outside the hall, he would have Lokis head, when Bragis wife Iðunn attempts to calm Bragi, Loki accuses her of embracing her brothers slayer, a reference to matters that have not survived. It may be that Bragi had slain Iðunns brother, the meaning of this is obscure. The first part of Snorri Sturlusons Skáldskaparmál is a dialogue between Ægir and Bragi about the nature of poetry, particularly skaldic poetry, Bragi tells the origin of the mead of poetry from the blood of Kvasir and how Odin obtained this mead. He then goes on to discuss various poetic metaphors known as kennings, Snorri Sturluson clearly distinguishes the god Bragi from the mortal skald Bragi Boddason, whom he often mentions separately. Compare the appearance of the Welsh Taliesin in the branch of the Mabinogi. Legendary chronology sometimes does become muddled, whether Bragi the god originally arose as a deified version of Bragi Boddason was much debated in the 19th century, especially by the scholars Eugen Mogk and Sophus Bugge. In the poem Eiríksmál Odin, in Valhalla, hears the coming of the dead Norwegian king Eric Bloodaxe and his host, Bragi is then mentioned, questioning how Odin knows that it is Eric and why Odin has let such a king die. In the poem Hákonarmál, Hákon the Good is taken to Valhalla by the valkyrie Göndul and Odin sends Hermóðr, in these poems Bragi could be either a god or a dead hero in Valhalla. Attempting to decide is further confused because Hermóðr also seems to be sometimes the name of a god and that Bragi was also the first to speak to Loki in the Lokasenna as Loki attempted to enter the hall might be a parallel
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Dellingr
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In Norse mythology, Dellingr is a god. Dellingr is attested in the Poetic Edda, compiled in the 13th century from traditional sources. In both sources, Dellingr is described as the father of Dagr, the personified day, the Prose Edda adds that, depending on manuscript variation, he is either the third husband of Nótt, the personified night, or the husband of Jörð, the personified earth. Dellingr is also attested in the legendary saga Hervarar saga ok Heiðreks, scholars have proposed that Dellingr is the personified dawn, and his name may appear both in an English surname and place name as well as German surnames. Dellingr is referenced in the Poetic Edda poems Vafþrúðnismál and Hávamál, in stanza 24 of Vafþrúðnismá, the god Odin asks the jötunn Vafþrúðnir from where the day comes, and the night and its tides. In stanza 25, Vafþrúðnir responds, Delling hight he who the father is, but night was of Nörvi born. In Hávamál, the dwarf Þjóðrœrir is stated as having recited a spell before Dellings doors. Strength he sang to the Æsir, and to the Alfar prosperity, in the poem Fjölsvinnsmál, Svipdagr asks What one of the gods has made so great the hall I behold within. Fjölsviðr responds with a list of names, including Dellingr, in a stanza of the poem Hrafnagaldr Óðins, the appearance of Dagr, horse, and chariot are described, and Dagr himself is referred to as the son of Delling. In chapter 10 of the Prose Edda book Gylfaginning, the figure of High states that Dellingr is a god. The couple have Dagr, who carries the features of his fathers people, Odin placed both Dellingrs son, Dagr, and Dellingrs wife, Nótt, in the sky, so that they may ride across it with their horses and chariots every 24 hours. However, scholar Haukur Thorgeirsson points out that the four manuscripts of Gylfaginning vary in their descriptions of the relations between Nótt, Jörð, Dagr, and Dellingr. In other words, depending on the manuscript, either Jörð or Nótt is the mother of Dagr, the results of this accident made their way into the Icelandic poetic tradition. Five riddles found in the poem Heiðreks gátur contained in the legendary saga Hervarar saga ok Heiðreks employ the phrase Dellings doors once each and this riddle ponder, O prince Heidrek. Your riddle is good, Gestumblindi, said the king, I have guessed it and it is the leek, its head is fast in the ground, but it forks as it grows up. Jacob Grimm states that Dellingr is the form of Deglingr. Benjamin Thorpe says that Dellingr may be dawn personified, similarly to his son Dagr, regarding the references to Dellings door as used in Hervarar saga ok Heiðreks, Christopher Tolkien says that, What this phrase meant to the maker of these riddles is impossible to say. As regarding dǫglings for Dellings in H, and Dǫglingar were the descendants of Dagr, john Lindow says that some confusion exists about the reference to Dellingr in Hávamál
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Forseti
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Forseti is an Æsir god of justice and reconciliation in Norse mythology. He is generally identified with Fosite, a god of the Frisians, grimm took Forseti, praeses, to be the older form of the name, first postulating an unattested Old High German equivalent *forasizo. But later preferring a derivation from fors, a stream or cataract, connected to the spring. It is plausible that Fosite is the name and Forseti a folk etymology. The Greek traveller Pytheas of Massalia, who describes the amber trade, is known to have visited the region around 325 BC, according to Snorri Sturluson in the Prose Edda, Forseti is the son of Baldr and Nanna. His home is Glitnir, its name, meaning shining, refers to its ceiling and golden pillars. His is the best of courts, all those who come before him leave reconciled and this suggests skill in mediation and is in contrast to his fellow god Týr, who is not called a reconciler of men. However, as de Vries points out, the basis for associating Forseti with justice seems to have been his name. Puts to sleep all suits or stills all strifes may have been an addition to the strophe Snorri cites. The first element in the name Forsetlund, a farm in the parish of Onsøy, in eastern Norway, seems to be the case of Forseti. According to Alcuins Life of St. Willebrord, the saint visited an island between Frisia and Denmark that was sacred to Fosite and was called Fositesland after the god worshipped there. There was a spring from which water had to be drawn in silence. Willebrord defiled the spring by baptizing people in it and killing a cow there, altfrid tells the same story of St. Liudger. Adam of Bremen retells the story and adds that the island was Heiligland, there is also a late-medieval legend of the origins of written Frisian laws. Wishing to assemble written lawcodes for all his subject peoples, Charlemagne summoned twelve representatives of the Frisian people, the Āsegas, when they could not do so after several days, he let them choose between death, slavery, or being set adrift in a rudderless boat. They chose the last and prayed for help, whereupon a thirteenth man appeared and he steered the boat to land with the axe, then threw it ashore, a spring appeared where it landed. He taught them laws and then disappeared, the stranger and the spring have traditionally been identified with Fosite and the sacred spring of Fositesland. Modern scholarship, however, is critical about this hypotheses, as the attribute of the axe is normally associated with Thor
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Heimdallr
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In Norse mythology, Heimdallr is a god who possesses the resounding horn Gjallarhorn, owns the golden-maned horse Gulltoppr, has gold teeth, and is the son of Nine Mothers. Heimdallr is said to be the originator of social classes among humanity, Heimdallr and Loki are foretold to kill one another during the events of Ragnarök. Heimdallr is additionally referred to as Rig, Hallinskiði, Gullintanni, two lines of an otherwise lost poem about the god, Heimdalargaldr, survive. Heimdallr also appears as Heimdalr and Heimdali, the etymology of the name is obscure, but the one who illuminates the world has been proposed. Heimdallr may be connected to Mardöll, one of Freyjas names, Heimdallr and its variants are sometimes modernly anglicized as Heimdall or Heimdal. Heimdallr is attested as having three other names, Hallinskiði, Gullintanni, and Vindlér or Vindhlér, the name Hallinskiði is obscure, but has resulted in a series of attempts at deciphering it. Gullintanni literally means the one with the golden teeth, Vindlér translates as either the one protecting against the wind or wind-sea. All three have resulted in theories about the god. A lead spindle whorl bearing an Old Norse Younger Futhark inscription that mentions Heimdallr was discovered in Saltfleetby, the spindle whorl itself is dated from the year 1000 to 1100 AD. On the inscription, the god Heimdallr is mentioned alongside the god Odin and Þjálfi, in the Poetic Edda, Heimdallr is attested in six poems, Völuspá, Grímnismál, Lokasenna, Þrymskviða, Rígsþula, and Hrafnagaldr Óðins. Heimdallr is mentioned thrice in Völuspá, in the first stanza of the poem, the undead völva reciting the poem calls out for listeners to be silent and refers to Heimdallr, This stanza has led to various scholarly interpretations. The holy races have been considered variously as either humanity or the gods, the notion of humanity as Heimdallrs sons is otherwise unattested and has also resulted in various interpretations. Some scholars have pointed to the introduction to the poem Rígsþula. Later in Völuspá, the völva foresees the events of Ragnarök, schach details that Heimdallar hljóð has aroused much speculation. Snorri seems to have confused this word with gjallarhorn, but there is no attestation of the use of hljóð in the sense of horn in Icelandic. Various scholars have read this as hearing rather than horn, larrington says that Odin exchanged one of his eyes for wisdom from Mimir, guardian of the well, while Heimdall seems to have forfeited his ear. In the poem Grímnismál, Odin, tortured, starved and thirsty, in the poem Lokasenna, Loki flyts with various gods who have met together to feast. At one point during the exchanges, the god Heimdallr says that Loki is drunk and witless, and asks Loki why he wont stop speaking
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Loki
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In Norse mythology, Loki, Loptr, or Hveðrungr is a god or jötunn. Loki is the son of Fárbauti and Laufey, and the brother of Helblindi, by the jötunn Angrboða, Loki is the father of Hel, the wolf Fenrir, and the world serpent Jörmungandr. By his wife Sigyn, Loki is the father of Narfi and/or Nari, by the stallion Svaðilfari, Loki is the mother—giving birth in the form of a mare—to the eight-legged horse Sleipnir. In addition, Loki is referred to as the father of Váli in Prose Edda, though this also refers to Odin as the father of Váli twice. Lokis relation with the gods varies by source, Loki sometimes assists the gods, Loki is a shape shifter and in separate incidents he appears in the form of a salmon, a mare, a fly, and possibly an elderly woman named Þökk. Lokis positive relations with the end with his role in engineering the death of the god Baldr. In both the Poetic Edda and the Prose Edda, the goddess Skaði is responsible for placing a serpent above him while he is bound, Loki may be depicted on the Snaptun Stone, the Kirkby Stephen Stone, and the Gosforth Cross. Lokis origins and role in Norse mythology, which scholars have described as that of a trickster god, have been much debated by scholars. Loki has been depicted in or is referenced in a variety of media in popular culture. The etymology of the name Loki has yet to be solved and it may be related to Old Norse luka, meaning close, shut. The name Hveðrungr is also used in reference to Loki, occurring in names for Hel, in the Poetic Edda, Loki appears in the poems Völuspá, Lokasenna, Þrymskviða, Reginsmál, Baldrs draumar, and Hyndluljóð. In stanza 35 of the Poetic Edda poem Völuspá, a völva tells Odin that, among other things, she sees Sigyn sitting very unhappily with her bound husband, Loki. In stanza 54, after consuming Odin and being killed by Odins son Víðarr, the poem Lokasenna centers around Loki flyting with other gods, Loki puts forth two stanzas of insults while the receiving figure responds with a single stanza, and then another figure chimes in. The poem begins with an introduction detailing that Ægir, a figure associated with the sea, is hosting a feast in his hall for a number of the gods. There, the gods praise Ægirs servers Fimafeng and Eldir, Loki could not bear to hear that, and kills the servant Fimafeng. In response, the gods grab their shields, shrieking at Loki, the gods then return to the hall, and continue drinking. Entrance and rejection Loki comes out of the woods, and meets Eldir outside of the hall, Loki greets Eldir with a demand that Eldir tell him what the gods are discussing over their ale inside the hall. Eldir responds that they discuss their weapons and their prowess in war, Loki says that he will go into the feast, and that, before the end of the feast, he will induce quarrelling among the gods, and mix their mead with malice
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Odin
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In Germanic mythology, Odin is a widely revered god. In the modern period, Odin continued to be acknowledged in the folklore of Germanic Europe. Forms of his name appear frequently throughout the Germanic record, though narratives regarding Odin are mainly found in Old Norse works recorded in Iceland and these texts make up the bulk of modern understanding of Norse mythology. In Old Norse texts, Odin is depicted as one-eyed and long-bearded, frequently wielding a spear named Gungnir, and wearing a cloak, Odin is attested as having many sons, most famously the god Baldr with Frigg, and is known by hundreds of names. Odin has an association with Yule, and mankinds knowledge of both the runes and poetry is also attributed to him. In Old Norse texts, Odin is given primacy over female beings associated with the battlefield—the valkyries—and oversees Valhalla, where he receives half of those who die in battle, the other half are chosen by the goddess Freyja for her afterlife location, Fólkvangr. In later folklore, Odin appears as a leader of the Wild Hunt and he has also been associated with charms and other forms of magic, particularly in Old English and Old Norse texts. Odin has been a frequent subject of study in Germanic studies, in the modern period, Odin has inspired numerous works of poetry, music, and other forms of media. He is venerated in most forms of the new religious movement Heathenry, together with other gods venerated by the ancient Germanic peoples, some branches focus particularly on him. The Old Norse theonym Óðinn and its cognates, including Old English Wōden, Old Saxon Wōden, the masculine noun *wōđanaz developed from the Proto-Germanic adjective *wōđaz, related to Latin vātēs and Old Irish fáith, both meaning seer, prophet. Adjectives stemming from *wōđaz include Gothic woþs possessed, Old Norse óðr, mad, frantic, furious, additionally the Old Norse noun æði rage, fury and Old High German wuotī madness derive from the feminine noun *wōđīn, from *wōđaz. Over 170 names are recorded for the god Odin and these names are variously descriptive of attributes of the god, refer to myths involving him, or refer to religious practices associated with the god. This multitude of names makes Odin the god with the most names known among the Germanic peoples, the weekday name Wednesday derives from Old English wōdnesdæg. Cognate terms are found in other Germanic languages, such as Middle Low German wōdensdach, all of these terms derive from Proto-Germanic *Wodensdag, itself a Germanic interpretation of Latin Dies Mercurii. However, in Old High German, the derived from Odins was replaced by a translation of Church Latin media hebdomas. The earliest records of the Germanic peoples were recorded by the Romans and they regard it as a religious duty to offer to him, on fixed days, human as well as other sacrificial victims. Hercules and Mars they appease by animal offerings of the permitted kind, in this instance, Tacitus refers to the god Odin as Mercury, Thor as Hercules, and Týr as Mars, and the identity of the Isis of the Suebi has been debated. But their rankings in their respective religious spheres may have very different
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Thor
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In Norse mythology, Thor is a hammer-wielding god associated with thunder, lightning, storms, oak trees, strength, the protection of mankind, and also hallowing and fertility. The cognate deity in wider Germanic mythology and paganism was known in Old English as Þunor and in Old High German as Donar, into the modern period, Thor continued to be acknowledged in rural folklore throughout Germanic regions. Thor is frequently referred to in place names, the day of the week Thursday bears his name, in Norse mythology, largely recorded in Iceland from traditional material stemming from Scandinavia, numerous tales and information about Thor are provided. With Sif, Thor fathered the goddess Þrúðr, with Járnsaxa, he fathered Magni, with a mother whose name is not recorded, he fathered Móði, and he is the stepfather of the god Ullr. The same sources list Thor as the son of the god Odin and the earth, Jörð. Thor has two servants, Þjálfi and Röskva, rides in a cart or chariot pulled by two goats, Tanngrisnir and Tanngnjóstr, and is ascribed three dwellings. Thor wields the mountain-crushing hammer, Mjölnir, wears the belt Megingjörð and the iron gloves Járngreipr, Thor has inspired numerous works of art and references to Thor appear in modern popular culture. Like other Germanic deities, veneration of Thor is revived in the period in Heathenry. The name of the god is the origin of the weekday name Thursday, by employing a practice known as interpretatio germanica during the Roman Empire period, the Germanic peoples adopted the Roman weekly calendar, and replaced the names of Roman gods with their own. Latin dies Iovis was converted into Proto-Germanic *Þonares dagaz, from which stems modern English Thursday, beginning in the Viking Age, personal names containing the theonym Thórr are recorded with great frequency. Prior to the Viking Age, no examples are recorded, thórr-based names may have flourished during the Viking Age as a defiant response to attempts at Christianization, similar to the wide scale Viking Age practice of wearing Thors hammer pendants. They regard it as a duty to offer to him, on fixed days. Hercules and Mars they appease by animal offerings of the permitted kind, in this instance, Tacitus refers to the god Odin as Mercury, Thor as Hercules, and the god Týr as Mars, and the identity of the Isis of the Suebi has been debated. In Thors case, the identification with the god Hercules is likely at least in part due to similarities between Thors hammer and Hercules club. In his Annals, Tacitus again refers to the veneration of Hercules by the Germanic peoples, Donar, the southern Germanic form of the gods name. According to an account, the Christian missionary Saint Boniface felled an oak tree dedicated to Jove in the 8th century. Around the second half of the 8th century, Old English mentions of a figure named Thunor are recorded, gabriel Turville-Petre saw this as an invented origin for the placename demonstrating loss of memory that Thunor had been a gods name. Adam details that Thor, they reckon, rules the sky, he governs thunder and lightning, winds and storms, fine weather and fertility and that Thor, with his mace, looks like Jupiter
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Ullr
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The medieval Norse word was Latinized as Ollerus. The Modern Icelandic form is Ullur, in the mainland Scandinavian languages the modern form is Ull. The Thorsberg chape bears an Elder Futhark inscription, one of the earliest known altogether, owlþuþewaz / niwajmariz The first element owlþu, for wolþu-, means glory, glorious one, Old Norse Ullr, Old English wuldor. The second element, -þewaz, means slave, servant, the whole compound is a personal name or title, servant of the glorious one, servant/priest of Ullr. Ollerus ruled under the name Odin for ten years until the true Odin was called back, Ullr is mentioned in the poem Grímnismál where the homes of individual gods are recounted. The English versions shown here are by Thorpe, the name Ýdalir, meaning yew dales, is not otherwise attested. The yew was an important material in the making of bows, and it seems likely that the name Ýdalir is connected with the idea of Ullr as a bow-god. Another strophe in Grímnismál also mentions Ullr, the strophe is obscure but may refer to some sort of religious ceremony. It seems to indicate Ullr as an important god, the last reference to Ullr in the Poetic Edda is found in Atlakviða, Both Atlakviða and Grímnismál are often considered to be among the oldest extant Eddic poems. It may not be a coincidence that they are the ones to refer to Ullr. Again we seem to find Ullr associated with some sort of ceremony, this time that of swearing an oath by a ring, Snorri informs his readers that Ullr can be called ski-god, bow-god, hunting-god and shield-god. In turn a shield can be called Ullrs ship, despite these tantalising tidbits Snorri relates no myths about Ullr. It seems likely that he didnt know any, the god having faded from memory, while the origin of this kenning is unknown it could be connected with the identity of Ullr as a ski-god. Early skis, or perhaps sleds, might have been reminiscent of shields, a late Icelandic composition, Laufás-Edda, offers the prosaic explanation that Ullrs ship was called Skjöldr, Shield. The name of Ullr is also common in warrior kennings, where it is used as other god names are, Ullrs name appears in several important Norwegian and Swedish place names. This indicates that Ullr had at some point a religious importance in Scandinavia that is greater than what is apparent from the scant surviving textual references. It is also significant that the placenames referring to this god are often found close to placenames referring to another deity, Njörðr in Sweden. Some of the Norwegian placenames have a variant form, Ullinn and it has been suggested that this is the remnant of a pair of twin gods and further that there may have been a female Ullin, on the model of divine pairs such as Fjörgynn and Fjörgyn
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Eir
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In Norse mythology, Eir is a goddess and/or valkyrie associated with medical skill. Scholars have theorized about whether these three sources refer to the figure, and debate whether Eir may have been originally a healing goddess and/or a valkyrie. In addition, Eir has been theorized as a form of the goddess Frigg and has compared to the Greek goddess Hygieia. The exchange between the hero Svipdagr and Fjölsviðr mentioning Eir is as follows, After the exchange, Svipdagr asks if these figures will give aid if blóts are made to them. Fjölsviðr responds that Svipdagr is correct, In chapter 35 of the Prose Edda book Gylfaginning, High lists Eir third, and says no more about her other than noting that she is an extremely good physician. In chapter 75 of the Prose Edda book Skáldskaparmál Eir appears within a list of valkyrie names, in skaldic poetry, the name Eir is frequent in kennings for women. A sample construction is Eir aura, occurring in Gísla saga, the name is already used in this way by the 10th century poets Kormákr Ögmundarson and Hallfreðr vandræðaskáld. Similarly, the name Eir is used in a kenning in a runic inscription inscribed on a stick from Bergen. The stick records a common mercantile transaction followed by a verse from a displeased scribe, Eir of mackerels ground takes often and much sleep from me. The name remained frequently used in woman kennings in rímur poetry, john Lindow is skeptical of there having been a belief in Eir as a goddess, stating that whether we should trust Snorri and imagine the existence of a goddess Eir is problematic. Rudolf Simek says that Eir may originally have been simply a valkyrie rather than a goddess, davidson adds that no satisfactory conclusions have been drawn from her name, and considers all mentions of Eir as of the same figure. They could be akin to protective spirits of the house, guarding men and women. She additionally draws a link between these spirits and Lyfjaberg, Lyfjaberg is where the goddess sits surrounded by her helpful spirits, henry Adams Bellows proposes a relationship between Eir and the place name Lyfjaberg, which he translates as hill of healing. Bellows notes that manuscripts vary about the spelling of the name. Bellows states that the stanza mentioning Lyfjaberg implies that Mengloth is a goddess of healing, in stanza 54, Eir appears as one of Mengloths handmaidens, and Eir, according to Snorri is herself the Norse Hygeia. Compare this stanza to stanza 32
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Frigg
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In Germanic mythology, Frigg, Frija, Frea, and Frige is a goddess. In nearly all sources, she is described as the wife of the god Odin, in Old High German and Old Norse sources, she is also connected with the goddess Fulla. The English weekday name Friday bears her name, Frigg is described as a goddess associated with foreknowledge and wisdom in Norse mythology, the northernmost branch of Germanic mythology and most extensively attested. The children of Frigg and Odin include the gleaming god Baldr, due to significant thematic overlap, scholars have proposed a particular connection to the goddess Freyja. After Christianization, mention of Frigg continued to occur in Scandinavian folklore, in modern times, Frigg has appeared in modern popular culture, has been the subject of art, and receives modern veneration in Germanic Neopaganism. The theonyms Frigg and Frija are cognate forms—linguistic siblings of the same origin—that descend from a substantivized feminine of Proto-Germanic *frijaz, *frijaz descends from the same source as the feminine Sanskrit noun priyā and the feminine Avestan noun fryā. In the modern period, an -a suffix is applied to denote femininity. This spelling also serves the purpose of distancing the goddess from the English word frig, the connection with and possible earlier identification of the goddess Freyja with Frigg in the Proto-Germanic period is a matter of scholarly debate. The name Freyja is not attested outside of Scandinavia, like the name of the group of gods to which Freyja belongs, the Vanir. This is in contrast to the name of the goddess Frigg, who is attested as a common among the Germanic peoples. The best that can be done is to survey the arguments for and against their identity, the English weekday name Friday comes from Old English Frīges Day and is cognate with Old High German frîatac. Both weekday names are result of interpretatio germanica that occurred at or before the 3rd or 4th century CE, several place names refer to Frigg in what are now Norway and Sweden, although her name is altogether absent in recorded place names in Denmark. According to this legend, a people known as the Winnili were ruled by a woman named Gambara who had two sons, Ybor and Agio. The Vandals, ruled by Ambri and Assi, came to the Winnili with their army, Ybor, Agio, and their mother Gambara rejected their demands for tribute. Ambra and Assi then asked the god Godan for victory over the Winnili, to which Godan responded, Whom I shall first see when at sunrise, meanwhile, Ybor and Agio called upon Frea, Godans wife. Frea counseled them that at sunrise the Winnil should come, at sunrise, Frea turned Godans bed around to face east and woke him. Godan saw the Winnili, including their women, and asked who are those Long-beards. Frea responded to Godan, As you have given them a name, Godan did so, so that they should defend themselves according to his counsel and obtain the victory
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Fulla
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In Germanic mythology, Fulla or Volla is a goddess. In Norse mythology, Fulla is described as wearing a band and as tending to the ashen box and the footwear owned by the goddess Frigg. Fulla is attested in the Poetic Edda, compiled in the 13th century from traditional sources, the Prose Edda, written in the 13th century by Snorri Sturluson. Scholars have proposed theories about the implications of the goddess, in the prose introduction to the Poetic Edda poem Grímnismál, Frigg makes a wager with her husband—the god Odin—over the hospitality of their human patrons. Frigg sends her servant maid Fulla to warn the king Geirröd—Friggs patron—that a magician will visit him. Fulla meets with Geirröd, gives the warning, and advises to him a means of detecting the magician, In chapter 35 of the Prose Edda book Gylfaginning, High provides brief descriptions of 16 ásynjur. High lists Fulla fifth, stating that, like the goddess Gefjun, Fulla is a virgin, High describes that Fulla carries Friggs eski, looks after Friggs footwear, and that in Fulla Frigg confides secrets. In chapter 49 of Gylfaginning, High details that, after the death of the deity couple Baldr and Nanna, the god Hermóðr wagers for their return in the underworld location of Hel. Hel, ruler of the location of the name, tells Hermóðr a way to resurrect Baldr. Hel does, however, allow Baldr and Nanna to send gifts to the living, Baldr sends Odin the ring Draupnir, and Nanna sends Frigg a robe of linen, of these other gifts sent, the only specific item that High mentions is a finger-ring for Fulla. The first chapter of the Prose Edda book Skáldskaparmál, Fulla is listed among eight ásynjur who attend an evening drinking banquet held for Ægir. In chapter 19 of Skáldskaparmál, poetic ways to refer to Frigg are given, in chapter 32, poetic expressions for gold are given, one of which includes Fullas snood. In chapter 36, a work by the skald Eyvindr skáldaspillir is cited that references Fullas golden headgear, Fulla receives a final mention in the Prose Edda in chapter 75, where Fulla appears within a list of 27 ásynjur names. One of the two Merseburg Incantations, recorded in Old High German, mentions Volla, the incantation describes how Phol and Wodan rode to a wood, and there Balders foal sprained its foot. Sinthgunt sang charms, her sister Sunna sang charms, Friia sang charms, her sister Volla sang charms, the charm reads, Phol and Wodan went to the forest. Then Balders horse sprained its foot, john Lindow says that since the name Fulla seems to have something to do with fullness, it may also point to an association with fertility. Simek adds that it is unclear as to who Fulla actually is, john Knight Bostock says that theories have been proposed that the Fulla may at one time have been an aspect of Frigg. On the other hand, Davidson notes that it is possible that these goddesses are viewable as aspects of a single Great Goddess
