Sharp (music)

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In music, sharp, dièse (from French), or diesis (from Greek)[a] means higher in pitch. More specifically, in musical notation, sharp means "higher in pitch by one semitone (half step)". Sharp is the opposite of flat, which is a lowering of pitch.

There is an associated sharp symbol, , which may be found in key signatures or as an accidental, for instance, the music below has a key signature with three sharps (indicating either A major or F minor) and the note, A, has a sharp accidental.

\relative c'' { 
  \clef treble \key a \major \time 4/4 \hide Staff.TimeSignature ais1

Moreover, under twelve-tone equal temperament, B, for instance, sounds the same as, or is enharmonically equivalent to, C natural (C), and E is enharmonically equivalent to F. In other tuning systems, such enharmonic equivalences in general do not exist. To allow extended just intonation, composer Ben Johnston uses a sharp to indicate a note is raised 70.6 cents (ratio 25:24), or a flat to indicate a note is lowered 70.6 cents.[1]

In intonation, sharp can also mean "slightly higher in pitch" (by some unspecified amount). If two simultaneous notes are slightly out-of-tune, the higher-pitched one (assuming the lower one is properly pitched) is "sharp" with respect to the other. Furthermore, the verb sharpen means to raise the pitch of a note, typically by a small musical interval.


Double sharps also exist—indicated by the symbol double sharp and raise a note by two semitones, or one whole tone. They should not be confused with a ghost note.

\relative c'' { 
  \clef treble \key c \major \time 4/4 \hide Staff.TimeSignature bisis1

Less often (in for instance microtonal music notation) a score indicates other types of sharps. A half sharp raises a note by a quarter tone = 50 cents (About this sound Play ), and may be marked with various symbols including half sharp. A sharp-and-a-half (or three-quarter-tone sharp) raises a note by three quarter tones = 150 cents (About this sound Play ) and may be denoted three quarter sharp.

\relative c'' { 
  \clef treble \key c \major \time 4/4 \hide Staff.TimeSignature dih1 eisih

Although very uncommon, a triple sharp (triple sharp) can sometimes be found. It raises a note by three semitones.[2][3]

Correctly drawing and printing the sharp sign[edit]

The sharp symbol () resembles the number (hash or pound) sign (#). Both signs have two sets of parallel double-lines. However, a correctly drawn sharp sign has two slanted parallel lines that rise from left to right, to avoid obscuring the staff lines, the number sign, in contrast, has two completely horizontal strokes in this place. In addition, while the sharp also always has two perfectly vertical lines, the number sign (#) may or may not contain perfectly vertical lines (according to typeface and writing style).[citation needed]

Order of sharps[edit]

The order of sharps in key signature notation is F, C, G, D, A, E, B, each extra sharp being added successively in the following sequence of major keys: C→G→D→A→E→B→F→C. (These are sometimes learned using an acrostic phrase as a mnemonic, for example Father Charles Goes Down And Ends Battle.) Similarly the order of flats is based on the same natural notes in reverse order: B, E, A, D, G, C, F (Battle Ends And Down Goes Charles's Father.), encountered in the following series of major keys: C→F→B→E→A→D→G→C.

In the above progression, key of C major (with seven sharps) may be more conveniently written as the harmonically equivalent key D major (with five flats), and likewise C major (with seven flats) written as B major (with five sharps). Nonetheless, it is possible to extend the order of sharp keys yet further, through C→G→D→A→E→B→Fdouble sharp→Cdouble sharp, adding the double-sharped notes Fdouble sharp, Cdouble sharp, Gdouble sharp, Ddouble sharp, Adouble sharp, Edouble sharp and finally Bdouble sharp, and similarly for the flat keys, but with progressively decreasing convenience and usage.


in Unicode, assigned sharp signs are as follows:


See also[edit]


  1. ^ For the etymology of the words diese and diesis, see Diesis.


  1. ^ John Fonville. "Ben Johnston's Extended Just Intonation – A Guide for Interpreters", p.109, Perspectives of New Music, Vol. 29, No. 2 (Summer, 1991), pp. 106-137. "...the 25/24 ratio is the sharp () ratio...this raises a note approximately 70.6 cents."
  2. ^ Ayrton, William (1827). The Harmonicon. V. Samuel Leigh. p. 47. ISBN 1276309457. 
  3. ^ Extremes of Conventional Music Notation.