Taking Lives (film)

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Taking Lives
A woman with a man behind her, his arm wrapped around her.
Theatrical release poster
Directed byD. J. Caruso
Produced byMark Canton
Bernie Goldmann
Written byJon Bokenkamp
Based onTaking Lives
by Michael Pye
StarringAngelina Jolie
Ethan Hawke
Kiefer Sutherland
Olivier Martinez
Tchéky Karyo
Jean-Hugues Anglade
Gena Rowlands
Music byPhilip Glass
CinematographyAmir Mokri
Edited byAnne V. Coates
Production
company
Distributed byWarner Bros. Pictures
Release date
  • March 19, 2004 (2004-03-19)
Running time
103 minutes
CountryUnited States
LanguageEnglish
French
Budget$45 million[1]
Box office$65.4 million

Taking Lives is a 2004 American psychological thriller film directed by D. J. Caruso and starring Angelina Jolie and Ethan Hawke, with supporting roles by Kiefer Sutherland, Olivier Martinez, Tchéky Karyo, Jean-Hugues Anglade, and Gena Rowlands. Loosely adapted from the novel of the same name by Michael Pye, the film centers on an enigmatic serial killer who takes on the identities of his victims.

The film was shot on-location in Montréal and Quebec City, Quebec; the original music score was composed by Philip Glass and the main title's theme was composed by Walter Werzowa of the electronica group Edelweiss.

The film was released in the United States on March 19, 2004 by Warner Bros. Pictures, where it received mixed-to-negative reviews.[2]

Plot[edit]

In the early 1980s, teenagers Martin Asher and Matt Soulsby meet on a bus to Mont-Laurier, Quebec; the bus breaks down, and the two acquire a car, which soon blows a tire. As Matt changes the tire, Martin comments that they are about the same height, and kicks him into the path of an oncoming truck, killing Matt and the driver. Taking Matt's guitar and clothes, Martin continues on foot, singing in a voice similar to Matt's.

Twenty years later, FBI profiler Illeana Scott is summoned by Inspector Leclair to help Montreal authorities in apprehending a serial killer who assumes his victims’ identities, enabling him to travel undetected across North America. Illeana interviews art dealer James Costa, an eyewitness to the killer’s most recent murder. James makes a drawing of the killer and the authorities track down the suspect's apartment, finding a decaying corpse chained in the ceiling. Martin's mother Rebecca claims to have seen her son – believed dead in Matt’s place years earlier – alive on a ferry to Quebec City, leading to the body buried as Martin being exhumed for forensic examination, and he becomes the primary suspect. At Rebecca's home, Illeana questions her about her son, learning that Martin was an unwanted child who became unstable after the death of his favored twin brother. Illeana discovers a hidden passageway behind a cabinet leading to Martin’s secret room, where she is attacked by a hidden assailant, who escapes before she can identify him.

Illeana deduces that Asher targets his victims to live as someone different than himself, and that his latest target is James after his apartment is ransacked. James is used in a sting operation to lure Asher, but the trap fails. During a show at his gallery, James is attacked by an assailant, presumed to be Asher, whom Illeana tries to apprehend but loses in the crowd; the police prepare to move James out of town, but he is confronted by the assailant, who attacks him and kills his police escort before driving away with James at gunpoint. Illeana gives chase, and causes the car to crash and explode just as James manages to escape.

James visits Illeana’s hotel room where, having grown close over the course of the investigation, they make passionate love surrounded by gruesome crime scene photos. Illeana awakes to find herself covered in James’ blood, but he has merely popped the stitches he received after the car chase.

As James’ stitches are repaired in the hospital, Illeana is called to the morgue, where Rebecca is unable to identify the charred body of the assailant, and Illeana realizes that Asher must still be alive. Before Illeana can reach her, Rebecca enters the elevator and is confronted by James, revealing himself as the real Martin Asher, he kills his mother, and Illeana is shocked to see him covered in blood before the elevator doors close again, and he escapes the hospital. The police determine that the assailant killed in the car chase was Christopher Hart, a drug addict and art thief to whom Asher owed money. In the struggle in his apartment, Asher killed Hart and staged being taken hostage. Pursued by the police, Asher escapes by train and selects his next victim, taunting Illeana by phone before disappearing. Admitting to having consensual sex with Asher, Illeana is fired from the FBI.

Seven months later, Illeana is living alone in a desolate farmhouse in Carlisle, Pennsylvania, apparently heavily pregnant with Asher's twins, she is confronted by Asher, who declares that they can start over and live together as a family, but Illeana refuses. Enraged, Asher beats her and prepares to choke her into unconsciousness, seizing a pair of scissors from her when she defends herself and stabbing her in the belly. Illeana stabs Asher in the heart with the same scissors and removes her prosthetic pregnant belly, explaining that the past months were a carefully planned trap. Asher dies, and Illeana informs Leclair the ordeal is over.

Cast[edit]

Story and writing credit[edit]

The film is based on the novel of the same title by Michael Pye. Numerous hands had a part in the screenplay as script doctors; the cover page of the screenplay credits Jon Bokenkamp with the original draft, Nicholas Kazan with subsequent revisions, Hilary Seitz with more revisions, and David Ayer with the last revisions (to February 28, 2003).[3] The WGA screenwriting credit system ultimately awarded screenplay and adaptation credit to Bokenkamp alone.

Reception[edit]

Critical response[edit]

The film has received mostly poor reviews; Rotten Tomatoes gives the film a score of 22% based on reviews from 157 critics.[4] Film critic Roger Ebert gave it three out of four stars, describing it as "an effective thriller, on its modest but stylish level".[5] Total Film, a UK film magazine, gave it two stars out of five with the verdict: "Starting off well but rapidly losing its way, Taking Lives is more serial-killer flick than serial killer -- we've been fed this mush a thousand times."[6]

Angelina Jolie earned a Razzie Award nomination for Worst Actress for her performance in the movie (also for Alexander), but lost the trophy to Halle Berry for Catwoman.

Ethan Hawke called the film "terrible"[7] but has stated that he enjoyed working with Angelina Jolie and she was also his best on-screen kisser.[8]

Box office[edit]

Taking Lives grossed $32,682,342 in the United States and $65,470,529 worldwide.[1]

References[edit]

  1. ^ a b "Taking Lives (2004)". Box Office Mojo. Retrieved 17 May 2010.
  2. ^ "Taking Lives Reviews". Rotten Tomatoes. San Francisco, California: Fandango Media. Retrieved June 20, 2019.
  3. ^ "Taking Lives by Jon Bokenkamp based on the novel by Michael Pye; previous revisions by Nicholas Kazan, H. Seitz and David Ayer" (PDF). Dailyscript.com. Retrieved 23 September 2017.
  4. ^ "Taking Lives". Rotten Tomatoes. San Francisco, California: Fandango Media. Retrieved December 21, 2009.
  5. ^ Ebert, Roger (March 19, 2004). "Taking Lives Reviews". Chicago Sun-Times. Sun-Times Media Group. Retrieved December 21, 2009.
  6. ^ "Review of Taking Lives". Totalfilm.com. Retrieved December 21, 2009.
  7. ^ Shone, Tom (8 February 2012). "Ethan Hawke: 'Nothing went the way I thought it would'". The Guardian. London, England: Guardian Media Group. Retrieved 23 September 2017.
  8. ^ Emery, Debbie (2 June 2013). "'Angelina Jolie was born to make men weak!' Ethan Hawke reveals former co-star was his 'best ever' kiss". Daily Mail. London, England: Daily Mail and General Trust. Retrieved 29 March 2015.

External links[edit]