Harrisburg is the capital city of the Commonwealth of Pennsylvania in the United States, the county seat of Dauphin County. With a population of 49,192, it is the 15th largest city in the Commonwealth, it lies on the east bank of the Susquehanna River, 107 miles west of Philadelphia. Harrisburg is the anchor of the Susquehanna Valley metropolitan area, which had a 2017 estimated population of 571,903, making it the fourth most populous in Pennsylvania and 96th most populous in the United States. Harrisburg played a notable role in American history during the Westward Migration, the American Civil War, the Industrial Revolution. During part of the 19th century, the building of the Pennsylvania Canal and the Pennsylvania Railroad allowed Harrisburg to become one of the most industrialized cities in the Northeastern United States; the U. S. Navy ship USS Harrisburg, which served from 1918 to 1919 at the end of World War I, was named in honor of the city. In the mid-to-late 20th century, the city's economic fortunes fluctuated with its major industries consisting of government, heavy manufacturing and food services.
The Pennsylvania Farm Show, the largest free indoor agriculture exposition in the United States, was first held in Harrisburg in 1917 and has been held there every early-to-mid January since then. Harrisburg hosts an annual outdoor sports show, the largest of its kind in North America, an auto show, which features a large static display of new as well as classic cars and is renowned nationwide, Motorama, a two-day event consisting of a car show, motocross racing, remote control car racing, more. Harrisburg is known for the Three Mile Island accident, which occurred on March 28, 1979, near Middletown. In 2010 Forbes rated Harrisburg as the second best place in the U. S. to raise a family. Despite the city's recent financial troubles, in 2010 The Daily Beast website ranked 20 metropolitan areas across the country as being recession-proof, the Harrisburg region landed at No. 7. The financial stability of the region is in part due to the high concentration of state and federal government agencies.
Harrisburg's site along the Susquehanna River is thought to have been inhabited by Native Americans as early as 3000 BC. Known to the Native Americans as "Peixtin", or "Paxtang", the area was an important resting place and crossroads for Native American traders, as the trails leading from the Delaware to the Ohio rivers, from the Potomac to the Upper Susquehanna intersected there; the first European contact with Native Americans in Pennsylvania was made by the Englishman, Captain John Smith, who journeyed from Virginia up the Susquehanna River in 1608 and visited with the Susquehanna tribe. In 1719, John Harris, Sr. an English trader, settled here and 14 years secured grants of 800 acres in this vicinity. In 1785, John Harris, Jr. made plans to lay out a town on his father's land, which he named Harrisburg. In the spring of 1785, the town was formally surveyed by William Maclay, a son-in-law of John Harris, Sr. In 1791, Harrisburg became incorporated, in October 1812 it was named the Pennsylvania state capital, which it has remained since.
The assembling here of the sectional Harrisburg Convention in 1827 led to the passage of the high protective-tariff bill of 1828. In 1839, Harrison and Tyler were nominated for President of the United States at the first national convention of the Whig Party of the United States, held in Harrisburg. Before Harrisburg gained its first industries, it was a scenic, pastoral town, typical of most of the day: compact and surrounded by farmland. In 1822, the impressive brick capitol was completed for $200,000, it was Harrisburg's strategic location. It was settled as a trading post in 1719 at a location important to Westward expansion; the importance of the location was. The Susquehanna River flowed west to east at this location, providing a route for boat traffic from the east; the head of navigation was a short distance northwest of the town, where the river flowed through the pass. Persons arriving from the east by boat had to exit at Harrisburg and prepare for an overland journey westward through the mountain pass.
Harrisburg assumed importance as a provisioning stop at this point where westward bound pioneers transitioned from river travel to overland travel. It was because of its strategic location that the state legislature selected the small town of Harrisburg to become the state capital in 1812; the grandeur of the Colonial Revival capitol dominated the quaint town. The streets were orderly and platted in grid pattern; the Pennsylvania Canal was coursed the length of the town. The residential houses were situated on only a few city blocks stretching southward from the capitol, they were one story. No factories were present but there were blacksmith shops and other businesses. During the American Civil War, Harrisburg was a significant training center for the Union Army, with tens of thousands of troops passing through Camp Curtin, it was a major rail center for the Union and a vital link between the Atlantic coast and the Midwest, with several railroads running through the city and spanning the Susquehanna River.
As a result of this importance, it was a target of General Robert E. Lee's Army of Northern Virginia during its two invasions; the first time during the 1862 Maryland Campaign, when Lee planned to capture the city after taking Harpers Ferry, West Virginia, but was prevented from d
United States Congress
The United States Congress is the bicameral legislature of the Federal Government of the United States. The legislature consists of two chambers: the House of the Senate; the Congress meets in the United States Capitol in Washington, D. C.. Both senators and representatives are chosen through direct election, though vacancies in the Senate may be filled by a gubernatorial appointment. Congress has 535 voting members: 100 senators; the House of Representatives has six non-voting members representing Puerto Rico, American Samoa, the Northern Mariana Islands, the U. S. Virgin Islands, the District of Columbia in addition to its 435 voting members. Although they cannot vote in the full house, these members can address the house and vote in congressional committees, introduce legislation; the members of the House of Representatives serve two-year terms representing the people of a single constituency, known as a "district". Congressional districts are apportioned to states by population using the United States Census results, provided that each state has at least one congressional representative.
Each state, regardless of population or size, has two senators. There are 100 senators representing the 50 states; each senator is elected at-large in their state for a six-year term, with terms staggered, so every two years one-third of the Senate is up for election. To be eligible for election, a candidate must be aged at least 25 or 30, have been a citizen of the United States for seven or nine years, be an inhabitant of the state which they represent; the Congress was created by the Constitution of the United States and first met in 1789, replacing in its legislative function the Congress of the Confederation. Although not mandated, in practice since the 19th century, Congress members are affiliated with the Republican Party or with the Democratic Party and only with a third party or independents. Article One of the United States Constitution states, "All legislative Powers herein granted shall be vested in a Congress of the United States, which shall consist of a Senate and House of Representatives."
The House and Senate are equal partners in the legislative process—legislation cannot be enacted without the consent of both chambers. However, the Constitution grants each chamber some unique powers; the Senate ratifies treaties and approves presidential appointments while the House initiates revenue-raising bills. The House initiates impeachment cases. A two-thirds vote of the Senate is required before an impeached person can be forcibly removed from office; the term Congress can refer to a particular meeting of the legislature. A Congress covers two years; the Congress ends on the third day of January of every odd-numbered year. Members of the Senate are referred to as senators. Scholar and representative Lee H. Hamilton asserted that the "historic mission of Congress has been to maintain freedom" and insisted it was a "driving force in American government" and a "remarkably resilient institution". Congress is the "heart and soul of our democracy", according to this view though legislators achieve the prestige or name recognition of presidents or Supreme Court justices.
One analyst argues that it is not a reactive institution but has played an active role in shaping government policy and is extraordinarily sensitive to public pressure. Several academics described Congress: Congress reflects us in all our strengths and all our weaknesses, it reflects our regional idiosyncrasies, our ethnic and racial diversity, our multitude of professions, our shadings of opinion on everything from the value of war to the war over values. Congress is the government's most representative body... Congress is charged with reconciling our many points of view on the great public policy issues of the day. Congress is changing and is in flux. In recent times, the American south and west have gained House seats according to demographic changes recorded by the census and includes more minorities and women although both groups are still underrepresented. While power balances among the different parts of government continue to change, the internal structure of Congress is important to understand along with its interactions with so-called intermediary institutions such as political parties, civic associations, interest groups, the mass media.
The Congress of the United States serves two distinct purposes that overlap: local representation to the federal government of a congressional district by representatives and a state's at-large representation to the federal government by senators. Most incumbents seek re-election, their historical likelihood of winning subsequent elections exceeds 90 percent; the historical records of the House of Representatives and the Senate are maintained by the Center for Legislative Archives, a part of the National Archives and Records Administration. Congress is directly responsible for the governing of the District of Columbia, the current seat of the federal government; the First Continental Congress was a gathering of representatives from twelve of the thirteen British Colonies in North America. On July 4, 1776, the Second Continental Congress adopted the Declaration of Independence, referring to the new nation as the "United States of America"; the Articles of Confederation in 1781 created the Congress of the Confederation, a
The fourth wall is a performance convention in which an invisible, imagined wall separates actors from the audience. While the audience can see through this "wall", the convention assumes, the actors act as if they cannot. From the 16th century onwards, the rise of illusionism in staging practices, which culminated in the realism and naturalism of the theatre of the 19th century, led to the development of the fourth wall concept; the metaphor suggests a relationship to the mise-en-scène behind a proscenium arch. When a scene is set indoors and three of the walls of its room are presented onstage, in what is known as a box set, the "fourth" of them would run along the line dividing the room from the auditorium; the "fourth wall", though, is a theatrical convention, rather than of set design. The actors ignore the audience, focus their attention on the dramatic world, remain absorbed in its fiction, in a state that the theatre practitioner Konstantin Stanislavski called "public solitude". In this way, the fourth wall exists regardless of the presence of any actual walls in the set, or the physical arrangement of the theatre building or performance space, or the actors' distance from or proximity to the audience."Breaking the fourth wall" is any instance in which this performance convention, having been adopted more in the drama, is violated.
This can be done through either directly referencing the audience, the play as a play, or the characters' fictionality. The temporary suspension of the convention in this way draws attention to its use in the rest of the performance; this act of drawing attention to a play's performance conventions is metatheatrical. A similar effect of metareference is achieved when the performance convention of avoiding direct contact with the camera used by actors in a television drama or film, is temporarily suspended; the phrase "breaking the fourth wall" is used to describe such effects in those media. Breaking the fourth wall is possible in other media, such as video games and books; the concept is attributed to the philosopher and dramatist Denis Diderot. The term itself was used by Molière; the presence of the fourth wall is an established convention of modern realistic theatre, which has led some artists to draw direct attention to it for dramatic or comic effect when a boundary is "broken", when an actor or character addresses the audience directly.
Breaking the fourth wall is common in pantomime and children's theatre where, for example, a character might ask the children for help, as when Peter Pan appeals to the audience to applaud in an effort to revive the fading Tinker Bell. Many Shakespearian plays use this technique for comic effect; the acceptance of the transparency of the fourth wall is part of the suspension of disbelief between a work of fiction and an audience, allowing them to enjoy the fiction as though they were observing real events. Critic Vincent Canby described it in 1987 as "that invisible scrim that forever separates the audience from the stage"; the earliest recorded breaking of the fourth wall in serious cinema was in Mary MacLane's revolutionary 1918 silent film Men Who Have Made Love to Me, in which the enigmatic authoress - who portrays herself - interrupts the vignettes onscreen to address the audience directly. In 1918, in A Dog's Life, written and starring Charlie Chaplin, after finding a wallet with money in it, "The Tramp", Chaplin's most famous character, looks right at the audience with his signature eyebrow raised.
Oliver Hardy was one of the first notable examples of breaking the fourth wall in his films with Stan Laurel, when he would stare directly at the camera to seek sympathy from viewers. Groucho Marx spoke directly to the audience in Animal Crackers, Horse Feathers, in the film advising them to "go out to the lobby" during Chico Marx's piano interlude. Comedy films by Mel Brooks, Monty Python, Zucker and Zucker broke the fourth wall, such that with these films, "the fourth wall is so flimsy and so shattered that it might as well not exist", according to The A. V. Club. In Akira Kurosawa's 1957 adaptation of Gorky's The Lower Depths, the film abruptly ends with Kōji Mitsui breaking the fourth wall to utter a callous remark about a fellow slum dweller's suicide. By having Mitsui use the startling technique, Kurosawa not only stresses his character's victorious nihilism but suggests the film's theatrical origins. Breaking the fourth wall is an integral part of the ending of Alejandro Jodorowsky's 1973 film The Holy Mountain.
In the Mel Brooks film Blazing Saddles, the characters break the fourth wall. Woody Allen broke the fourth wall several times in his movie Annie Hall, as he explained, "because I felt many of the people in the audience had the same feelings and the same problems. I wanted to talk to them directly and confront them." His 1985 film The Purple Rose of Cairo features the breaking of the fourth wall as a central plot point. The John Hughes movie Ferris Bueller's Day Off, is another well-known fourth-wall-breaking movie. Bueller, played by Matthew Broderick turns to the camera without breaking character to tell his thought process or explain his reasoning. Another Chicago area fourth-wall-breaking film, High Fidelity, has John Cusack's character Rob intimately sharing his life struggles and confessions with the audience. Two more recent examples are the 2016 film Deadpool, in which it is used as a comic device between the main character and the audience and the 2017 film I, where Tonya Harding and the
John David Landis is an American film director, screenwriter and producer. He is best known for the comedy films that he has directed, such as National Lampoon's Animal House, The Blues Brothers, An American Werewolf in London, Trading Places, Three Amigos, Coming to America and Beverly Hills Cop III, for directing Michael Jackson's music videos for "Thriller" and "Black or White". Landis was born into a Jewish family in Chicago, the son of Shirley Levine and Marshall Landis, an interior designer and decorator. Landis and his parents relocated to Los Angeles. Though spending his childhood in California, Landis still refers to Chicago as his hometown, is a big fan of the Chicago White Sox baseball team; when Landis was a young boy, he watched The 7th Voyage of Sinbad which inspired him to become a director: I had complete suspension of disbelief—really, I was eight years old and it transported me. I was on that beach running from that dragon, it just dazzled me, I bought it completely. And so, I sat through it twice and when I got home, I asked my mom, "Who does that?
Who makes the movie?" Landis began his film career working as a mailboy at 20th Century Fox. He worked as a "go-fer" and as an assistant director during filming MGM's Kelly's Heroes in Yugoslavia in 1969. During that time Landis became acquainted with actors Don Rickles and Donald Sutherland, both of whom would work in his films. Following Kelly's Heroes, Landis worked on several films that were shot in Europe, including Once Upon a Time in the West, El Condor and A Town Called Bastard. Landis worked as a stunt double. I worked on all kind of movies. French foreign movies. I worked on a movie called Red Sun where Toshiro Mifune kills me, puts a sword through me.... I worked as a stunt guy. I worked as a dialogue coach. I worked as an actor. I worked as a production assistant. Landis made his directorial debut with Schlock, he was 21 years old. The film, which he wrote and appeared in, is a tribute to monster movies; the gorilla suit for the film was made by Rick Baker—the beginning of a long-term collaboration between Landis and Baker.
Though complete in 1971, it was not released until 1973 that Schlock was released after it caught the attention of Johnny Carson. Carson was a fan of the film and invited Landis as a guest on The Tonight Show, showing clips from the film and in the process bringing attention to it. Schlock has since gained a cult following, but Landis has described the film as "terrible". Landis was hired to directed The Kentucky Fried Movie after David Zucker saw his Tonight Show appearance; the film was inspired by the satirical sketch comedy of shows like Monty Python, Free the Army, The National Lampoon Radio Hour and Saturday Night Live. It is notable for being the first film written by the Zucker and Zucker team, who would have success with Airplane! and The Naked Gun trilogy. Sean Daniel, an assistant to Universal executive Thom Mount, saw The Kentucky Fried Movie and recommend Landis to direct Animal House based on that. Landis says of the screenplay, "It was literally one of the funniest things I read.
It had a nasty edge like National Lampoon. I told him it was wonderful smart and funny, but everyone’s a pig for one thing." While it received mixed reviews, it was a massive financial success, earning over $120 million at the domestic box office, making it the highest grossing comedy film of its time. It's success started the gross out film genre, it featured the screen debuts of John Belushi, Karen Allen and Kevin Bacon. In 1980, he co-wrote and directed The Blues Brothers, a comedy starring John Belushi and Dan Aykroyd, it featured musical numbers by R&B and soul legends James Brown, Cab Calloway, Aretha Franklin, Ray Charles and John Lee Hooker. It was, at the time, one of the most expensive films made, costing $30 million, it is speculated that Spielberg and Landis engaged in a rivalry, the goal of, to make the more expensive movie. The rivalry might have been a friendly one, as Spielberg makes a cameo appearance in Blues Brothers and Landis had made a cameo in 1941 as a messenger. In 1981, Landis wrote and directed another cult-status movie, the comedy-horror An American Werewolf in London.
It was Landis's most personal project. It was another commercial success for Landis and inspired studios to put comedic elements in their horror films. On July 23, 1982, during the filming of Twilight Zone, actor Vic Morrow and child extras Myca Dinh Le and Renee Shin-Yi Chen were killed in an accident involving an out-of-control helicopter; the three were caught under the aircraft. The National Transportation Safety Board reported in October 1984: The probable cause of the accident was the detonation of debris-laden high temperature special effects explosions too near a low-flying helicopter leading to foreign object damage to one rotor blade and delamination due to heat to the other rotor blade, the separation of the helicopter's tail rotor assembly, the uncontrolled descent of the helicopter; the proximity of the helicopter to the special effects explosions was due to the failure to establish direct communications and coordination between the pilot, in command
A box office or ticket office is a place where tickets are sold to the public for admission to an event. Patrons may perform the transaction at a countertop, through a hole in a wall or window, or at a wicket. By extension, the term is used in the context of the film industry, as a synonym for the amount of business a particular production, such as a film or theatre show, receives. Box office business can be measured in the terms of the number of tickets sold or the amount of money raised by ticket sales; the projection and analysis of these earnings is important for the creative industries and a source of interest for fans. This is predominant in the Hollywood movie industry; the term is attested since 1786 from sales of boxes. The sense of "total sales" is attested from 1904. A folk etymology is that this derives from Elizabethan theatre, where theatre admission was collected in a box attached to a long stick, passed around the audience. However, first attestation is about 200 years making this unlikely.
There are numerous websites that monitor box-office receipts, such as BoxOffice, Box Office India, Box Office Mojo, ShowBIZ Data and The Numbers which provide detailed information for many movies but have less and incomplete data for older movies due to the history of how box office reporting evolved in the U. S. and the availability of this information prior to the introduction of the internet. Although other publications have published box office data over the years, the longevity and regular reporting of Variety makes it a significant source for older box office reporting for the US market and US films. During the 1920s, Variety reported box office grosses for films by theatre for certain U. S. cities. In 1946, they started to publish a weekly National Box Office survey on page 3 indicating the performance of the week's hits and flops based on the box office results of 25 key U. S. cities. During the 1930s, Variety published charts of the top performing films of the year and has maintained this tradition annually since.
In 1946, they published a list of All-Time Top Grossers with a list of films that had achieved or gave promise of earning $4,000,000 or more in domestic rentals. They would publish an updated all-time list annually for over 50 years in their anniversary edition each January; the anniversary edition would normally contain the list of the top performing films of the year. Some publications such as BoxOffice magazine published box office performance expressed as a percentage compared to regular films Some of the early annual reports from Variety used this format. From the 1930s, BoxOffice magazine published a Barometer issue in January giving the performance of movies for the year expressed as percentages; the first issue of The Motion Picture Almanac in 1929 used this format to rank money makers. In the late 1960s, Variety used an IBM 360 computer to collate the grosses from their weekly reports of 22 to 24 U. S. cities from January 1, 1968. The data came from up to 800 theatres which represented around 5% of the U.
S. cinema population at the time but around one-third of the total U. S. box office grosses. In 1969, they started to publish the computerized box office compilation of the top 50 grossing films of the week based on this data. "The Love Bug" was the number one in the first chart published for the week ending April 16, 1969. The chart was discontinued in 1990. In 1976, Marcy Polier, an employee of the Mann theater chain, set up Centralized Grosses to collate U. S. daily box office data on a centralized basis rather than each theater chain collating their own numbers from other theater chains. The company became National Gross Service Entertainment Data, Inc.. Except for disclosures by the studios on successful films, total domestic box office gross information for films was not available until National Gross Service started to collate this data around 1981; the collation of grosses led to wider reporting of domestic box office grosses for films. Arthur D. Murphy at Variety was one of the first to organize and chart that information and report it in a meaningful form.
During the 1980s, Daily Variety started to publish a weekly chart of the domestic box office grosses of films as compared to the Top 50 chart in Variety, based on a sample of key markets. The focus of a film's performance became its box office gross rather than the rentals that Variety continued to report annually. Prior to the tracking of these grosses, domestic or worldwide box office grosses is not available for many earlier films so the only domestic or worldwide data available is still the rental figures. In 1984, EDI started to report Canadian grosses as well and by 1985 was reporting data for 15,000 screens. In 1987, EDI set up a database of box office information which included data on certain films back to 1970. By 1991, all U. S. studios had agreed to share their complete data reports with EDI. In 1990, EDI opened an office in the UK, moved into Germany in 1993 and Spain in 1995 reporting box office data for those markets. EDI were acquired by ACNielsen Corporation in 1997 for $26 million and became Nielsen EDI.
In December 2009, with its acquisition of Nielsen EDI for $15 million, measurement company Rentrak became the sole provider of worldwide box office ticket sales revenue and attendance information, used by many of the websites noted above. For a list of films which are major box-office hits, see List of highest-grossing films. Films that are considered to have been unsuccessful at the box office are called box office bombs or box off
Los Angeles Times
The Los Angeles Times is a daily newspaper, published in Los Angeles, since 1881. It has the fourth-largest circulation among United States newspapers, is the largest U. S. newspaper not headquartered on the East Coast. The paper is known for its coverage of issues salient to the U. S. West Coast, such as immigration trends and natural disasters, it has won more than 40 Pulitzer Prizes for its coverage of other issues. As of June 18, 2018, ownership of the paper is controlled by Patrick Soon-Shiong, the executive editor is Norman Pearlstine. In the nineteenth century, the paper was known for its civic boosterism and opposition to unions, the latter of which led to the bombing of its headquarters in 1910; the paper's profile grew in the 1960s under publisher Otis Chandler, who adopted a more national focus. In recent decades, the paper's readership has declined and it has been beset by a series of ownership changes, staff reductions, other controversies. In January 2018, the paper's staff voted to unionize, in July 2018 the paper moved out of its historic downtown headquarters to a facility near Los Angeles International Airport.
The Times was first published on December 4, 1881, as the Los Angeles Daily Times under the direction of Nathan Cole Jr. and Thomas Gardiner. It was first printed at the Mirror printing plant, owned by Jesse Yarnell and T. J. Caystile. Unable to pay the printing bill and Gardiner turned the paper over to the Mirror Company. In the meantime, S. J. Mathes had joined the firm, it was at his insistence that the Times continued publication. In July 1882, Harrison Gray Otis moved from Santa Barbara to become the paper's editor. Otis made the Times a financial success. Historian Kevin Starr wrote that Otis was a businessman "capable of manipulating the entire apparatus of politics and public opinion for his own enrichment". Otis's editorial policy was based on civic boosterism, extolling the virtues of Los Angeles and promoting its growth. Toward those ends, the paper supported efforts to expand the city's water supply by acquiring the rights to the water supply of the distant Owens Valley; the efforts of the Times to fight local unions led to the October 1, 1910 bombing of its headquarters, killing twenty-one people.
Two union leaders and Joseph McNamara, were charged. The American Federation of Labor hired noted trial attorney Clarence Darrow to represent the brothers, who pleaded guilty. Otis fastened a bronze eagle on top of a high frieze of the new Times headquarters building designed by Gordon Kaufmann, proclaiming anew the credo written by his wife, Eliza: "Stand Fast, Stand Firm, Stand Sure, Stand True." Upon Otis's death in 1917, his son-in-law, Harry Chandler, took control as publisher of the Times. Harry Chandler was succeeded in 1944 by his son, Norman Chandler, who ran the paper during the rapid growth of post-war Los Angeles. Norman's wife, Dorothy Buffum Chandler, became active in civic affairs and led the effort to build the Los Angeles Music Center, whose main concert hall was named the Dorothy Chandler Pavilion in her honor. Family members are buried at the Hollywood Forever Cemetery near Paramount Studios; the site includes a memorial to the Times Building bombing victims. The fourth generation of family publishers, Otis Chandler, held that position from 1960 to 1980.
Otis Chandler sought legitimacy and recognition for his family's paper forgotten in the power centers of the Northeastern United States due to its geographic and cultural distance. He sought to remake the paper in the model of the nation's most respected newspapers, notably The New York Times and The Washington Post. Believing that the newsroom was "the heartbeat of the business", Otis Chandler increased the size and pay of the reporting staff and expanded its national and international reporting. In 1962, the paper joined with The Washington Post to form the Los Angeles Times–Washington Post News Service to syndicate articles from both papers for other news organizations, he toned down the unyielding conservatism that had characterized the paper over the years, adopting a much more centrist editorial stance. During the 1960s, the paper won four Pulitzer Prizes, more than its previous nine decades combined. Writing in 2013 about the pattern of newspaper ownership by founding families, Times reporter Michael Hiltzik said that: The first generations bought or founded their local paper for profits and social and political influence.
Their children enjoyed both profits and influence, but as the families grew larger, the generations found that only one or two branches got the power, everyone else got a share of the money. The coupon-clipping branches realized that they could make more money investing in something other than newspapers. Under their pressure the companies split apart, or disappeared. That's the pattern followed over more than a century by the Los Angeles Times under the Chandler family; the paper's early history and subsequent transformation was chronicled in an unauthorized history Thinking Big, was one of four organizations profiled by David Halberstam in The Powers That Be. It has been the whole or partial subject of nearly thirty dissertations in communications or social science in the past four decades; the Los Angeles Times began a decline with Los Angeles itself with the decline in military production at the end of the Cold War. It faced hiring freezes in 1991-1992. Another major decision at the same time was to cut the range of circulation.
They cut circulation in California's Central Valley, Nevada and the San Diego ed
Entertainment Weekly is an American magazine, published by Meredith Corporation, that covers film, music, Broadway theatre and popular culture. Different from celebrity-focused publications like Us Weekly, In Touch Weekly, EW concentrates on entertainment media news and critical reviews. However, unlike Variety and The Hollywood Reporter, which are aimed at industry insiders, EW targets a more general audience; the first issue was published on February 16, 1990. Created by Jeff Jarvis and founded by Michael Klingensmith, who served as publisher until October 1996, the magazine's original television advertising soliciting pre-publication subscribers portrayed it as a consumer guide to popular culture, including movies and book reviews, sometimes with video game and stage reviews, too.. In 1996, the magazine won the coveted National Magazine Award for General Excellence from the American Society of Magazine Editors. EW won the same award again in 2002. In September 2016, in collaboration with People, Entertainment Weekly launched the People/Entertainment Weekly Network.
The network is "a free, ad-supported online-video network carries short- and long-form programming covering celebrities, pop culture and human-interest stories". It was rebranded as PeopleTV in September 2017; the magazine features celebrities on the cover and addresses topics such as television ratings, movie grosses, production costs, concert ticket sales, ad budgets, in-depth articles about scheduling, showrunners, etc. It publishes several "double issues" each year; the magazine numbers its issues sequentially, it counts each double issue as "two" issues so that it can fulfil its marketing claim of 52 issues per year for subscribers. Entertainment Weekly follows a typical magazine format by featuring a letters to the editor and table of contents in the first few pages, while featuring advertisements. While many advertisements are unrelated to the entertainment industry, the majority of ads are related to up-and-coming television, film or music events; these beginning articles open the magazine and as a rule focus on current events in pop culture.
The whole section runs eight to ten pages long, features short news articles, as well as several specific recurring sections: "Sound Bites" opens the magazine. It’s a collage of media personalities. "The Must List" is a two-page spread highlighting ten things. "First Look", subtitled "An early peek at some of Hollywood's coolest projects", is a two-page spread with behind-the-scenes or publicity stills of upcoming movies, television episodes or music events. "The Hit List", written each week by critic Scott Brown, highlights ten major events, with short comedic commentaries by Brown. There will be some continuity to the commentaries; this column was written by Jim Mullen and featured twenty events each week, Dalton Ross wrote an abbreviated version. "The Hollywood Insider" is a one-page section. It gives details, in the separate columns, on the most-current news in television and music. "The Style Report" is a one-page section devoted to celebrity style. Because its focus is on celebrity fashion or lifestyle, it is graphically rich in nature, featuring many photographs or other images.
The page converted to a new format: five pictures of celebrity fashions for the week, graded on the magazine's review "A"-to-"F" scale. A spin-off section, "Style Hunter", which finds reader-requested articles of clothing or accessories that have appeared in pop culture appears frequently. "The Monitor" is a two-page spread devoted to major events in celebrity lives with small paragraphs highlighting events such as weddings, arrests, court appearances, deaths. Deaths of major celebrities are detailed in a one-half- or full-page obituary titled "Legacy"; this feature is nearly identical to sister publication People's "Passages" feature. The "celebrity" column, the final section of "News and Notes", is devoted to a different column each week, written by two of the magazine's more-prominent writers: "The Final Cut" is written by former executive editor and author Mark Harris. Harris' column focuses on analyzing current popular-culture events, is the most serious of the columns. Harris has written among other topics.
"Binge Thinking" was written by screenwriter Diablo Cody. After several profiles of Cody in the months leading up to and following the release of her debut film, she was hired to write a column detailing her unique view of the entertainment business. If You Ask Me..." Libby Gelman-Waxer was brought in to write his former Premiere column for Entertainment Weekly in 2011. There are four to six major articles within the middle pages of the magazine; these articles are most interviews, but there are narrative articles as well as lists. Feature articles tend to focus on movies and television and less on books and the theatre. In the magazine's history, there have only been a few cover stories devoted to authors. There are seven sections of reviews in the back pages of each issue (together enc