John Hoyt was an American film and television actor. Hoyt was born John McArthur Hoysradt in Bronxville, New York, the son of Warren J. Hoysradt, an investment banker, his wife, Ethel Hoysradt, née Wolf, he attended the Hotchkiss School and Yale University, where he served on the editorial board of campus humor magazine The Yale Record. He received a master's degree from Yale, he worked as a history instructor at the Groton School for two years. Hoyt made his Broadway debut in 1931 in William Bolitho's play Overture; some of his other Broadway credits in the early 1930s include Miracle at Verdun, Lean Harvest, Clear All Wires. He performed with several regional theater groups, before joining Orson Welles's Mercury Theatre in 1937. Hoyt would continue to perform in more Broadway productions throughout the remainder of the 1930s and into the 1940s. In that period he was cast in a broad range of plays, such as Valley Forge, Ziegfeld Follies of 1936, The Masque of Kings, Storm Over Patsy and Caesar.
He worked as a standup nightclub comedian, sometimes both acting and doing comedy on the same day. His impersonation of Noël Coward was so remarkable that he was hired for the original cast of the Broadway comedy The Man Who Came to Dinner, in which he played Beverley Carlton. Hoyt shortened his surname in 1945, the year before his film debut in O. S. S, he played the strict Principal Warneke in the 1955 film Blackboard Jungle. He played an industrialist in the 1951 film. Hoyt appeared in one Shakespearean film, MGM's Julius Caesar, reprising the role of Decius Brutus, whom he had played in the 1937 Mercury Theatre production. In 1952 he played Cato in the Lion. In 1953, he portrayed Elijah in the biblical film Sins of Jezebel. Hoyt played Colonel Barker in The Adventures of Rin Tin Tin, Grandpa Stanley Kanisky, Dolph Sweet's onscreen father, in Gimme a Break!,:393 J. L. Patterson in Hey, Mulligan.:456 Martin Peyton in Return to Peyton Place,:890 and Dr. Kievoy in Tom and Mary.:1092 On the western television series Gunsmoke, in a 1957 episode titled "Bureaucrat", Hoyt played the part of Rex Propter, a government agent sent to Dodge City, Kansas, to determine why the town had such a bad reputation for gun violence.
Hoyt made five guest appearances on CBS's Perry Mason, including in the role of defendant Joseph Harrison in the 1958 episode "The Case of the Prodigal Parent", as C. Philip Reynolds in the 1958 episode " The Case of the Curious Bride", as the title character and defendant William Harper Caine in the 1961 episode "The Case of the Resolute Reformer," and as Darwin Norland in the 1963 episode "The Case of the Libelous Locket." He guest-starred as well on the religion anthology series Crossroads. Hoyt in 1958 was cast as a rancher, Clete Barron, in the episode "Trouble in Paradise Valley" of the syndicated western series Frontier Doctor. In 1958 and 1959 he performed in two episodes of the CBS crime drama Richard Diamond, Private Detective, appearing as Burnison in "The George Dale Case" and as Harding, Sr. in "Murder at the Mansion". In 1959, on NBC's Laramie western series, Hoyt portrayed a mentally troubled military officer, Colonel Brandon, in "The General Must Die"; that same year he was cast as Antoine Rigaud in the episode "About Roger Mowbray" on another NBC western series, Riverboat.
In 1959, Hoyt was cast as John Cavanagh in "The Mourning Cloak", an episode of the ABC/Warner Brothers crime drama Bourbon Street Beat. About this time, he guest-starred too on the ABC/WB western series The Alaskans and in Grant Sullivan's syndicated western series Pony Express. In 1959, Hoyt was cast in an episode of The Rifleman, playing the character Gus Fremont, the cruel uncle of Johnny Clover. In 1960 and 1961, he appeared in the episodes "Burnett's Woman" and "The Salvation of Killer McFadden" of another ABC-WB dramatic series, The Roaring 20s. Hoyt appeared on The Untouchables in the 1960 episode "The Big Squeeze". Hoyt guest-starred on at least three CBS sitcoms, Bringing Up Buddy, Hogan's Heroes, Petticoat Junction, he was cast as Dr. Philip Boyce in the pilot episode of NBC's Star Trek, he performed as the KAOS agent Conrad Bunny in the Get Smart episode "Our Man in Toyland", as General Beeker in ABC's Voyage to the Bottom of the Sea episode "Hail to the Chief," and as Dr. Mendoza on NBC's The Monkees, in the series' episode "I Was a Teenage Monster."
He guest-starred as Colonel Hollis in the 1965 episode "Military School" on The Beverly Hillbillies. In 1964, Hoyt appeared in an episode of The Outer Limits, "The Bellero Shield", he played the role of an extraterrestrial with large eyes who says, "In all the universes, in all the unities beyond the universes, all who have eyes have eyes that speak." Less than two weeks after that episode's broadcast, alleged alien abductees Betty and Barney Hill provided a description of their alien abductors. Skeptic Martin Kottmeyer notes that the description is notably similar to Hoyt's appearance as the extraterrestrial on the show, he was a guest player in "The 14-Karat Gold Trombone" episode of The George Burns and Gracie Allen Show on CBS. Because of his stern demeanor, the writers had him play opposite to the befuddled way strangers reacted to Gracie Allen'
The Last Flight (The Twilight Zone)
"The Last Flight" is episode 18 of the American television anthology series The Twilight Zone. Part of the production was filmed on location at Norton Air Force Base in San Bernardino, California; the vintage 1918 Nieuport 28 biplane was both owned and flown by Frank Gifford Tallman, had appeared in many World War I motion pictures. Flight Lieutenant William Terrance "Terry" Decker of 56 Squadron Royal Flying Corps lands his Nieuport biplane on an American airbase in France, after flying through a strange cloud, he is taken into custody and questioned by the American base commander, Major General Harper, his provost marshal, Major Wilson. Decker identifies himself and his squadron and claims that the date is March 5, 1917, he is informed that it is March 5, 1959. Decker tells the officers that he and his comrade Alexander "Old Leadbottom" Mackaye were fighting seven German aircraft; the Americans tell him that Mackaye is alive and is an Air Vice Marshal in the Royal Air Force, a war hero from World War II who saved hundreds, if not thousands of lives by shooting down German bombers over London.
The American officers add that Air Vice Marshal Mackaye, in addition to being alive and well, is coming to the base that day for an inspection. Major Wilson tries to help Decker remember. Decker confesses that he has avoided combat throughout his service, that he deliberately abandoned the outnumbered Mackaye when the two were attacked by the German fighters, he refuses to believe. When Wilson suggests that someone else helped Mackaye, Decker realizes that he has been given a second chance, he tells the American officer that there was no one within fifty miles who could have come to Mackaye's aid, so if Mackaye survived, it had to be because Decker went back himself. Knowing he cannot have much time to go back to 1917, Decker pleads with Wilson to release him from custody; when Wilson refuses, Decker escapes. Running outside, he locates his plane, punches a mechanic who tries to get in his way, starts the plane's engine, he is about to take off when Wilson puts a pistol to his head. Decker tells Wilson he will have to shoot him to stop him, as he would rather die than remain a coward.
After hesitating, Wilson allows him to escape and Decker flies his plane into white clouds and vanishes. Major Wilson is rebuked by Major General Harper for believing such a fantastic story and for allowing Decker to escape; when Mackaye arrives, Wilson asks he. Mackaye, says Decker saved his life. In March 1917, Mackaye and Decker were attacked. Decker flew off into a cloud, Mackaye believed at first that Decker had abandoned him. Decker came diving out of the cloud, proceeded to shoot down three of the German planes before being shot down himself. General Harper shows Mackaye Decker's badge and personal effects, startling Mackaye, who remarks that those items had never been returned by the Germans. Major Wilson suggests that "Old Leadbottom"—a nickname known only by Mackaye's comrades back in World War I—sit down while it is explained how these items came into the Americans' possession; this was the first episode of The Twilight Zone scripted by Richard Matheson. Rod Serling had adapted the episode "And When the Sky Was Opened" from a short story of Matheson's.
The United States Air Force major general refers to Mackaye as "sir", suggests that he is a superior officer inspecting the air base. However, Mackaye is ranked as an air vice marshal, a Royal Air Force rank equivalent to major general, thereby making the two officers equals – unless the American general was junior in rank by date of commission; the Royal Flying Corps never flew the Nieuport 28, which did not enter service until 1918. The death of Georges Guynemer is mentioned by Decker but Guynemer died in September 1917, six months after Decker's last flight. 56 Squadron was not deployed until April 1917, at which point it flew the S. E.5 aircraft. The rank of flight lieutenant existed in the Royal Naval Air Service and in the RAF but it never was used in the Royal Flying Corps. However, the only reference to "flight lieutenant" is during Mr. Serling's introduction. However, "Second lieutenant" the most junior commissioned officer rank is equal to a "Pilot Officer" in the RAF. Flight Lieutenant is equal to the Army rank of Captain.
DeVoe, Bill.. Trivia from The Twilight Zone. Albany, GA: Bear Manor Media. ISBN 978-1-59393-136-0 Grams, Martin.. The Twilight Zone: Unlocking the Door to a Television Classic. Churchville, MD: OTR Publishing. ISBN 978-0-9703310-9-0 "The Last Flight" on IMDb
The Twilight Zone (1959 TV series)
The Twilight Zone is an American anthology television series created and presented by Rod Serling, which ran for five seasons on CBS from 1959 to 1964. Each episode presents a stand-alone story in which characters find themselves dealing with disturbing or unusual events, an experience described as entering "the Twilight Zone," ending with a surprise ending and a moral. Although predominantly science-fiction, the show's paranormal and Kafkaesque events leaned the show towards fantasy and horror; the phrase “twilight zone,” inspired by the series, is used to describe surreal experiences. The series featured both established stars and younger actors who would become much better known later. Serling served as executive head writer, he was the show's host and narrator, delivering monologues at the beginning and end of each episode. Serling's opening and closing narrations summarize the episode's events encapsulating how and why the main character had entered the Twilight Zone. In 1997, the episodes "To Serve Man" and "It's a Good Life" were ranked at 11 and 31 on TV Guide's 100 Greatest Episodes of All Time.
Serling himself stated that his favorite episodes of the series were "The Invaders" and "Time Enough at Last". In 2016, the series was ranked No. 7 on Rolling Stone's list of the 100 greatest shows of all time. In 2002, The Twilight Zone was ranked No. 26 on TV Guide's 50 Greatest TV Shows of All Time. In 2013, the Writers Guild of America ranked it as the third best-written TV series and TV Guide ranked it as the fourth greatest drama and the fifth greatest show of all time. By the late 1950s, Rod Serling was a prominent name in American television, his successful television plays included Patterns and Requiem for a Heavyweight, but constant changes and edits made by the networks and sponsors frustrated Serling. In Requiem for a Heavyweight, the line "Got a match?" had to be struck because the sponsor sold lighters. But according to comments in his 1957 anthology Patterns, Serling had been trying to delve into material more controversial than his works of the early 1950s; this led to Noon on Doomsday for the United States Steel Hour in 1956, a commentary by Serling on the defensiveness and total lack of repentance he saw in the Mississippi town where the murder of Emmett Till took place.
His original script paralleled the Till case was moved out of the South and the victim changed to a Jewish pawnbroker, watered down to just a foreigner in an unnamed town. Despite bad reviews, activists sent numerous wires protesting the production. Serling thought that a science-fictional setting, with robots and other supernatural occurrences, would give him more freedom and less interference in expressing controversial ideas than more realistic settings. "The Time Element" was Serling's 1957 pilot pitch for his show, a time travel adventure about a man who travels back to Honolulu in 1941 and unsuccessfully tries to warn everyone about the impending attack on Pearl Harbor. The script, was rejected and shelved for a year until Bert Granet discovered and produced it as an episode of Desilu Playhouse in 1958; the show was a great success and enabled Serling to begin production on his anthology series, The Twilight Zone. Serling's editorial sense of ironic fate in the writing done for the series was identified as significant to its success by the BFI Film Classics library which stated that for Serling "the cruel indifference and implacability of fate and the irony of poetic justice" were recurrent themes in his plots.
There is a fifth dimension, beyond that, known to man. It is a dimension as timeless as infinity, it is the middle ground between light and shadow, between science and superstition, it lies between the pit of man's fears and the summit of his knowledge. This is the dimension of imagination, it is an area. The Twilight Zone premiered the night of October 1959, to rave reviews. "Twilight Zone is about the only show on the air that I look forward to seeing. It's the one series that I will let interfere with other plans", said Terry Turner for the Chicago Daily News. Others agreed. Daily Variety ranked it with "the best, accomplished in half-hour filmed television" and the New York Herald Tribune found the show to be "certainly the best and most original anthology series of the year"; as the show proved popular to television's critics, it struggled to find a receptive audience of television viewers. CBS was banking on a rating of at least 21 or 22; the series' future was jeopardized when its third episode, "Mr. Denton on Doomsday" earned a 16.3 rating.
Still, the show attracted a large enough audience to survive a brief hiatus in November, after which it surpassed its competition on ABC and NBC and convinced its sponsors to stay on until the end of the season. With one exception, the first season featured scripts written only by Rod Serling, Charles Beaumont or Richard Matheson; these three were responsible for 127 of the 156 episodes in the series. Additionally, with one exception, Serling never appeared on camera during any first-season episode (as he woul
Christmas is an annual festival, commemorating the birth of Jesus Christ, observed on December 25 as a religious and cultural celebration among billions of people around the world. A feast central to the Christian liturgical year, it is preceded by the season of Advent or the Nativity Fast and initiates the season of Christmastide, which in the West lasts twelve days and culminates on Twelfth Night. Christmas Day is a public holiday in many of the world's nations, is celebrated religiously by a majority of Christians, as well as culturally by many non-Christians, forms an integral part of the holiday season centered around it; the traditional Christmas narrative, the Nativity of Jesus, delineated in the New Testament says that Jesus was born in Bethlehem, in accordance with messianic prophecies. When Joseph and Mary arrived in the city, the inn had no room and so they were offered a stable where the Christ Child was soon born, with angels proclaiming this news to shepherds who further disseminated the information.
Although the month and date of Jesus' birth are unknown, the church in the early fourth century fixed the date as December 25. This corresponds to the date of the solstice on the Roman calendar. Most Christians celebrate on December 25 in the Gregorian calendar, adopted universally in the civil calendars used in countries throughout the world. However, some Eastern Christian Churches celebrate Christmas on December 25 of the older Julian calendar, which corresponds to a January date in the Gregorian calendar. For Christians, the belief that God came into the world in the form of man to atone for the sins of humanity, rather than the exact birth date, is considered to be the primary purpose in celebrating Christmas; the celebratory customs associated in various countries with Christmas have a mix of pre-Christian and secular themes and origins. Popular modern customs of the holiday include gift giving, completing an Advent calendar or Advent wreath, Christmas music and caroling, lighting a Christingle, viewing a Nativity play, an exchange of Christmas cards, church services, a special meal, pulling Christmas crackers and the display of various Christmas decorations, including Christmas trees, Christmas lights, nativity scenes, wreaths and holly.
In addition, several related and interchangeable figures, known as Santa Claus, Father Christmas, Saint Nicholas, Christkind, are associated with bringing gifts to children during the Christmas season and have their own body of traditions and lore. Because gift-giving and many other aspects of the Christmas festival involve heightened economic activity, the holiday has become a significant event and a key sales period for retailers and businesses; the economic impact of Christmas has grown over the past few centuries in many regions of the world. "Christmas" is a shortened form of "Christ's mass". The word is recorded as Crīstesmæsse in 1038 and Cristes-messe in 1131. Crīst is from Greek Khrīstos, a translation of Hebrew Māšîaḥ, "Messiah", meaning "anointed"; the form Christenmas was historically used, but is now considered archaic and dialectal. Xmas is an abbreviation of Christmas found in print, based on the initial letter chi in Greek Khrīstos, "Christ", though numerous style guides discourage its use.
In addition to "Christmas", the holiday has been known by various other names throughout its history. The Anglo-Saxons referred to the feast as "midwinter", or, more as Nātiuiteð. "Nativity", meaning "birth", is from Latin nātīvitās. In Old English, Gēola referred to the period corresponding to December and January, equated with Christian Christmas. "Noel" entered English in the late 14th century and is from the Old French noël or naël, itself from the Latin nātālis meaning "birth". The gospels of Luke and Matthew describe Jesus as being born in Bethlehem to the Virgin Mary. In Luke and Mary travel from Nazareth to Bethlehem for the census, Jesus is born there and laid in a manger. Angels proclaimed him a savior for all people, shepherds came to adore him. Matthew adds that the magi follow a star to Bethlehem to bring gifts to Jesus, born the king of the Jews. King Herod orders the massacre of all the boys less than two years old in Bethlehem, but the family flees to Egypt and returns to Nazareth.
The nativity stories recounted in Matthew and Luke prompted early Christian writers to suggest various dates for the anniversary. Although no date is indicated in the gospels, early Christians connected Jesus to the Sun through the use of such phrases as "Sun of righteousness." The Romans marked the winter solstice on December 25. The first recorded Christmas celebration was in Rome on December 25, 336. Christmas played a role in the Arian controversy of the fourth century. After this controversy was played out, the prominence of the holiday declined; the feast regained prominence after 800. Associating it with drunkenness and other misbehavior, the Puritans banned Christmas during the Reformation, it remained disreputable. In the early 19th century, Christmas was reconceived by Washington Irving, Charles Dickens, other authors as a holiday emphasizing family, kind-heartedness, gift-giving, Santa Claus. Christmas does not appear on th
CBS is an American English language commercial broadcast television and radio network, a flagship property of CBS Corporation. The company is headquartered at the CBS Building in New York City with major production facilities and operations in New York City and Los Angeles. CBS is sometimes referred to as the Eye Network, in reference to the company's iconic symbol, in use since 1951, it has been called the "Tiffany Network", alluding to the perceived high quality of CBS programming during the tenure of William S. Paley, it can refer to some of CBS's first demonstrations of color television, which were held in a former Tiffany & Co. building in New York City in 1950. The network has its origins in United Independent Broadcasters Inc. a collection of 16 radio stations, purchased by Paley in 1928 and renamed the Columbia Broadcasting System. Under Paley's guidance, CBS would first become one of the largest radio networks in the United States, one of the Big Three American broadcast television networks.
In 1974, CBS dropped its former full name and became known as CBS, Inc. The Westinghouse Electric Corporation acquired the network in 1995, renamed its corporate entity to the current CBS Broadcasting, Inc. in 1997, adopted the name of the company it had acquired to become CBS Corporation. In 2000, CBS came under the control of Viacom, formed as a spin-off of CBS in 1971. In late 2005, Viacom split itself into two separate companies and re-established CBS Corporation – through the spin-off of its broadcast television and select cable television and non-broadcasting assets – with the CBS television network at its core. CBS Corporation is controlled by Sumner Redstone through National Amusements, which controls the current Viacom. CBS operated the CBS Radio network until 2017, when it merged its radio division with Entercom. Prior to CBS Radio provided news and features content for its portfolio owned-and-operated radio stations in large and mid-sized markets, affiliated radio stations in various other markets.
While CBS Corporation owns a 72% stake in Entercom, it no longer owns or operates any radio stations directly, though CBS still provides radio news broadcasts to its radio affiliates and the new owners of its former radio stations. The television network has more than 240 owned-and-operated and affiliated television stations throughout the United States; the company ranked 197th on the 2018 Fortune 500 of the largest United States corporations by revenue. The origins of CBS date back to January 27, 1927, with the creation of the "United Independent Broadcasters" network in Chicago by New York City talent-agent Arthur Judson; the fledgling network soon needed additional investors though, the Columbia Phonograph Company, manufacturers of Columbia Records, rescued it in April 1927. Columbia Phonographic went on the air on September 18, 1927, with a presentation by the Howard L. Barlow Orchestra from flagship station WOR in Newark, New Jersey, fifteen affiliates. Operational costs were steep the payments to AT&T for use of its land lines, by the end of 1927, Columbia Phonograph wanted out.
In early 1928 Judson sold the network to brothers Isaac and Leon Levy, owners of the network's Philadelphia affiliate WCAU, their partner Jerome Louchheim. None of the three were interested in assuming day-to-day management of the network, so they installed wealthy 26-year-old William S. Paley, son of a Philadelphia cigar family and in-law of the Levys, as president. With the record company out of the picture, Paley streamlined the corporate name to "Columbia Broadcasting System", he believed in the power of radio advertising since his family's "La Palina" cigars had doubled their sales after young William convinced his elders to advertise on radio. By September 1928, Paley bought out the Louchhheim share of CBS and became its majority owner with 51% of the business. During Louchheim's brief regime, Columbia paid $410,000 to A. H. Grebe's Atlantic Broadcasting Company for a small Brooklyn station, WABC, which would become the network's flagship station. WABC was upgraded, the signal relocated to 860 kHz.
The physical plant was relocated – to Steinway Hall on West 57th Street in Manhattan, where much of CBS's programming would originate. By the turn of 1929, the network could boast to sponsors of having 47 affiliates. Paley moved right away to put his network on a firmer financial footing. In the fall of 1928, he entered into talks with Adolph Zukor of Paramount Pictures, who planned to move into radio in response to RCA's forays into motion pictures with the advent of talkies; the deal came to fruition in September 1929: Paramount acquired 49% of CBS in return for a block of its stock worth $3.8 million at the time. The agreement specified that Paramount would buy that same stock back by March 1, 1932 for a flat $5 million, provided CBS had earned $2 million during 1931 and 1932. For a brief time there was talk that the network might be renamed "Paramount Radio", but it only lasted a month – the 1929 stock market crash sent all stock value tumbling, it galvanized Paley and his troops, who "had no alternative but to turn the network around and earn the $2,000,000 in two years....
This is the atmosphere in which the CBS of today was born." The near-bankrupt movie studio sold its CBS shares back to CBS in 1932. In the first year of Paley's wa
Television City, alternatively CBS Television City, is an American television studio complex located in the Fairfax District of Los Angeles at 7800 Beverly Boulevard, at the corner of Fairfax Avenue. The studio along with Culver Studios is owned by Hackman Capital Partners. Designed by architect William Pereira, it is one of two CBS television studios in southern California — the other is CBS Studio Center, located in the Studio City section of the San Fernando Valley, which houses additional production facilities and the network's Los Angeles local television operations. Since 1961, it has served as the master control facility for CBS's west coast television network operations which were based at Columbia Square. Since its inauguration in 1952, numerous TV shows have been broadcast live or taped at Television City, including many shows not aired on CBS, it has been the production site of several films such as the 1996 feature That Thing You Do!, starring Tom Hanks and Liv Tyler. During the opening credits of many of the shows taped here, a voice-over announced the phrase "from Television City in Hollywood".
The complex houses a total of eight separate studios. The facility infrequently conducts backstage tours led by a CBS page. CBS planned to move most of its entertainment operations to the Los Angeles area in 1950; as they needed additional space beyond its Columbia Square complex on Sunset Boulevard, CBS purchased the property at Fairfax Avenue and Beverly Boulevard that year. Hiring architect William Pereira, the company reported spend $7 million on the studio. Television City opened on November 16, 1952, it was built on the site of Gilmore Stadium. Before the stadium, it was an oil field. Studio 43 was equipped with RCA TK-40A color cameras in 1954, with cables allowing any of the original four studios to use those cameras. In 1956, Studio 41 was equipped with RCA TK-41s. However, CBS color broadcasts decreased in frequency until the following decade, when the 1964 production of Rodgers and Hammerstein's Cinderella was recorded. CBS programs were, in general, in black-and-white until Norelco PC-60s were installed starting in 1964.
Studio 33 is the current home of the long-running CBS game show The Price Is Right and the HBO late-night series Real Time with Bill Maher. This soundstage was the home of The Carol Burnett Show for its entire 1967–1978 run, The Red Skelton Show prior to that, as well as the notable game shows Match Game, The $25,000/$100,000 Pyramid, Hollywood Squares, Wheel of Fortune, the 1986–1989 revival of Card Sharks, the 1988–1995 run of Family Feud. On April 9, 1998, on the 5000th episode of The Price Is Right, CBS named Studio 33 as the Bob Barker Studio in honor of the show's longtime host and executive producer; when it became standard for sitcoms to tape in front of a studio audience in the 1970s, many shows were recorded on soundstages at Television City, such as All in the Family and Good Times. The ABC sitcoms Three's Company and Welcome Back, Kotter were taped at Television City. CBS Television City is home to CBS' visual effects studio, CBS Digital, the CBS Records music label. "Television City" is a registered trademark of CBS for its TV production facilities.
In September 2017, CBS investigated selling the property due to a development boom in the Fairfax District. As a result of this possibility, the city of Los Angeles is taking steps to declare the facility a historic and cultural monument. CBS Corp. sold Television City to Los Angeles real estate investment company Hackman Capital Partners for $750 million in a deal finalized in mid-December 2018. The deal gives the buyer the right to use the Television City name. Programs produced at Television City, including The Price Is Right, The Young and the Restless and The Late Late Show with James Corden will continue to be based at Television City, as will the headquarters of the CBS international unit; the stark modern architecture at Television City consists of black and white planes meeting at razor-sharp corners, with accents of dazzling red, the work of Pereira & Luckman of Los Angeles. The studio facility was built to handle the larger production needs for the network, most of which took place at the rather cramped Columbia Square.
The building's black and white color scheme was used to identify areas where it was designed to be expanded. Black walls and glass walls indicated "temporary" structure that could be removed during expansion, while white areas were "permanent"; the building held four soundstages, but a renovation in the late 1980s added two new soundstages to the east of the original building, plus additional office/storage space and technical facilities. Another renovation further added two more studios in what had been rehearsal halls in the original building; the original plans for Television City called for 24 soundstages, before CBS executives deciding to settle with just the initial four. Below is a partial list of programs that have broadcast live at Television City. Official website