1.
Dusty Springfield
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Mary Isobel Catherine Bernadette OBrien, OBE, better known as Dusty Springfield, was an English pop singer and record producer whose career extended from the late 1950s to the 1990s. She is a member of the US Rock and Roll and UK Music Halls of Fame, international polls have named Springfield among the best female rock artists of all time. Her image, supported by a peroxide blonde bouffant hairstyle, evening gowns, born in West Hampstead to a family that enjoyed music, Springfield learned to sing at home. In 1958 she joined her first professional group, The Lana Sisters and her solo career began in 1963 with the upbeat pop hit, I Only Want to Be with You. Among the hits that followed were Wishin and Hopin , I Just Dont Know What to Do with Myself, You Dont Have to Say You Love Me, and Son of a Preacher Man. Although she was never considered a Northern Soul artist in her own right and she was the first UK singer to top the New Musical Express readers poll for Female Singer. To boost her credibility as a soul artist, Springfield went to Memphis, Tennessee, to record Dusty in Memphis, an album of pop and soul music with the Atlantic Records main production team. Released in 1969, it has ranked among the greatest albums of all time by the US magazine Rolling Stone and in polls by VH1 artists, New Musical Express readers. The album was awarded a spot in the Grammy Hall of Fame. Despite its current recognition, the album did not sell well and after its release, however, in collaboration with Pet Shop Boys, she returned to the Top 10 of the UK and US charts in 1987 with What Have I Done to Deserve This. Two years later, she had two other UK hits on her own with Nothing Has Been Proved and In Private, subsequently, in the mid-1990s, owing to the inclusion of Son of a Preacher Man on the Pulp Fiction soundtrack, interest in her early output was revived. Springfield was born Mary Isobel Catherine Bernadette OBrien on 16 April 1939 in West Hampstead and her older brother, Dionysius P. A. OBrien, was later known as Tom Springfield. Springfields father, who had raised in British India, worked as a tax accountant and consultant. Her mother came from an Irish family, originally from Tralee, County Kerry, Springfield was brought up in High Wycombe, Buckinghamshire until the early 1950s, and later lived in Ealing. She attended St Annes Convent School, Northfields, a traditional all-girl school, Springfield and her brother were both prone to food-throwing as adults. She was given the nickname Dusty for playing football with boys in the street, Springfield was raised in a music-loving family. Her father would tap out rhythms on the back of her hand and she listened to a wide range of music, including George Gershwin, Rodgers and Hart, Rodgers and Hammerstein, Cole Porter, Count Basie, Duke Ellington, and Glenn Miller. A fan of American jazz and the vocalists Peggy Lee and Jo Stafford, at the age of twelve, she made a recording of herself performing the Irving Berlin song When the Midnight Choo Choo Leaves for Alabam at a local record shop in Ealing
2.
Casino Royale (1967 film)
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Casino Royale is a 1967 spy comedy film originally produced by Columbia Pictures starring an ensemble cast of directors and actors. It is loosely based on Ian Flemings first James Bond novel, the film stars David Niven as the original Bond, Sir James Bond 007. Forced out of retirement to investigate the deaths and disappearances of international spies, he battles the mysterious Dr. Noah. The films slogan, Casino Royale is too much, Charles K. Broccoli and Harry Saltzman, failed to come to terms. Believing that he could not compete with the Eon series, Feldman resolved to produce the film as a satire, the budget escalated as various directors and writers got involved in the production, and actors expressed dissatisfaction with the project. Casino Royale was released on 13 April 1967, two prior to Eons fifth Bond movie, You Only Live Twice. The film was a success, grossing over $41.7 million worldwide. Critical reception to Casino Royale, however, was negative, some critics regarded it as a baffling. Since 1999, the rights have been held by Metro-Goldwyn-Mayer. All implore Bond to come out of retirement to deal with SMERSH who have been eliminating agents, when Bond continues to stand firm, his mansion is destroyed by a mortar attack at the orders of M, who is, however, killed in the explosion. Bond travels to Scotland to return Ms remains to the grieving widow, however, the real Lady Fiona has been replaced by SMERSHs Agent Mimi. The rest of the household have been replaced, with SMERSH’s aim to discredit Bond by destroying his celibate image. Attempts by a bevy of beauties to seduce Bond fail, but Mimi/Lady Fiona becomes so impressed with Bond that she changes loyalties, on his way back to London, Bond survives another attempt on his life. Bond is promoted to the head of MI6 and he learns that many British agents around the world have been eliminated by enemy spies because of their inability to resist sex. Bond is also told that the sex maniac who was given the name of James Bond when the original Bond retired has gone to work in television and he then orders that all remaining MI6 agents will be named James Bond 007, to confuse SMERSH. He also creates a programme to train male agents to ignore the charms of women. Moneypenny recruits Coop, an expert who begins training to resist seductive women. Bond then hires Vesper Lynd, a retired agent turned millionaire, to recruit baccarat expert Evelyn Tremble, having embezzled SMERSHs money, Le Chiffre is desperate for money to cover up his theft before he is executed
3.
Recording studio
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A recording studio is a facility for sound recording and mixing. Ideally both the recording and monitoring spaces are designed by an acoustician or audio engineer to achieve optimum acoustic properties. The engineers and producers listen to the music and the recorded tracks on monitor speakers and/or headphones. Major recording studios typically have a range of large, heavy, Isolation booths are small sound-insulated rooms with doors, designed for instrumentalists. This equipment may interfere with the recording process, Recording studios are carefully designed around the principles of room acoustics to create a set of spaces with the acoustical properties required for recording sound with precision and accuracy. This will consist of both room treatment and soundproofing to prevent sound from leaving the property. Even though sound isolation is a key goal, the musicians, singers, audio engineers and record producers still need to be able to see other, to see cue gestures. As such, the room, isolation booths, vocal booths. Some smaller studios do not have instruments, and bands and artists are expected to bring their own instruments, having musical instruments and equipment in the studio creates additional costs for a studio, as pianos have to be tuned and instruments need to be maintained. However, it makes it convenient for recording artists, as they do not have to bring in large. As well, less costly studio time is spent moving in gear, drummers bring their own snare drum, cymbals and sticks/brushes. The types and brands of equipment owned by a studio depends on the styles of music for the bands. A studio that mainly records heavy metal music will be likely to have large, powerful guitar amp heads, in contrast, a studio which mainly records country bands will likely have a selection of small, vintage combo amps. A studio that records a lot of 1970s-style funk may have an electric piano. General purpose computers have rapidly assumed a role in the recording process. A computer thus outfitted is called a Digital Audio Workstation, or DAW, other software applications include Ableton Live, Mixcraft, Cakewalk Sonar, ACID Pro, FL Studio, Adobe Audition, Auto-Tune, Audacity, and Ardour. While Apple Macintosh is used for most studio work, there is a breadth of available for Microsoft Windows. If no mixing console is used and all mixing is done using only a keyboard and mouse, the OTB is used when mixing with other hardware and not just the PC software
4.
Pop music
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Pop music is a genre of popular music that originated in its modern form in the United States and United Kingdom during the mid 1950s. The terms popular music and pop music are used interchangeably, although the former describes all music that is popular. Pop and rock were synonymous terms until the late 1960s, when they were used in opposition from each other. Although pop music is seen as just the singles charts, it is not the sum of all chart music. Pop music is eclectic, and often borrows elements from other such as urban, dance, rock, Latin. Identifying factors include generally short to medium-length songs written in a format, as well as the common use of repeated choruses, melodic tunes. David Hatch and Stephen Millward define pop music as a body of music which is distinguishable from popular, jazz, according to Pete Seeger, pop music is professional music which draws upon both folk music and fine arts music. Although pop music is seen as just the singles charts, it is not the sum of all chart music, the music charts contain songs from a variety of sources, including classical, jazz, rock, and novelty songs. Pop music, as a genre, is seen as existing and developing separately, pop music continuously evolves along with the terms definition. The term pop song was first recorded as being used in 1926, Hatch and Millward indicate that many events in the history of recording in the 1920s can be seen as the birth of the modern pop music industry, including in country, blues and hillbilly music. The Oxford Dictionary of Music states that while pops earlier meaning meant concerts appealing to a wide audience. Since the late 1950s, however, pop has had the meaning of non-classical mus, usually in the form of songs, performed by such artists as the Beatles. Grove Music Online also states that, in the early 1960s pop music competed terminologically with beat music, while in the USA its coverage overlapped with that of rock and roll. From about 1967, the term was used in opposition to the term rock music. Whereas rock aspired to authenticity and an expansion of the possibilities of music, pop was more commercial, ephemeral. It is not driven by any significant ambition except profit and commercial reward, and, in musical terms, it is essentially conservative. It is, provided from on high rather than being made from below, pop is not a do-it-yourself music but is professionally produced and packaged. The beat and the melodies tend to be simple, with limited harmonic accompaniment, the lyrics of modern pop songs typically focus on simple themes – often love and romantic relationships – although there are notable exceptions
5.
Jazz
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Jazz is a music genre that originated amongst African Americans in New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in Blues and Ragtime. Since the 1920s jazz age, jazz has become recognized as a form of musical expression. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms, Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Although the foundation of jazz is deeply rooted within the Black experience of the United States, different cultures have contributed their own experience, intellectuals around the world have hailed jazz as one of Americas original art forms. As jazz spread around the world, it drew on different national, regional, and local musical cultures, New Orleans jazz began in the early 1910s, combining earlier brass-band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. In the 1930s, heavily arranged dance-oriented swing big bands, Kansas City jazz, bebop emerged in the 1940s, shifting jazz from danceable popular music toward a more challenging musicians music which was played at faster tempos and used more chord-based improvisation. Cool jazz developed in the end of the 1940s, introducing calmer, smoother sounds and long, modal jazz developed in the late 1950s, using the mode, or musical scale, as the basis of musical structure and improvisation. Jazz-rock fusion appeared in the late 1960s and early 1970s, combining jazz improvisation with rock rhythms, electric instruments. In the early 1980s, a form of jazz fusion called smooth jazz became successful. Other styles and genres abound in the 2000s, such as Latin, the question of the origin of the word jazz has resulted in considerable research, and its history is well documented. It is believed to be related to jasm, a term dating back to 1860 meaning pep. The use of the word in a context was documented as early as 1915 in the Chicago Daily Tribune. Its first documented use in a context in New Orleans was in a November 14,1916 Times-Picayune article about jas bands. In an interview with NPR, musician Eubie Blake offered his recollections of the slang connotations of the term, saying, When Broadway picked it up. That was dirty, and if you knew what it was, the American Dialect Society named it the Word of the Twentieth Century. Jazz has proved to be difficult to define, since it encompasses such a wide range of music spanning a period of over 100 years. Attempts have been made to define jazz from the perspective of other musical traditions, in the opinion of Robert Christgau, most of us would say that inventing meaning while letting loose is the essence and promise of jazz. As Duke Ellington, one of jazzs most famous figures, said, although jazz is considered highly difficult to define, at least in part because it contains so many varied subgenres, improvisation is consistently regarded as being one of its key elements
6.
Colgems Records
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Colgems Records was a record label that existed from 1966 to 1971. It was a joint venture between Screen Gems, the division of Columbia Pictures, and RCA Records to issue records by the Monkees. The label would also issue soundtrack recordings for Screen Gems and Columbia Pictures productions, RCA acted as manufacturer and distributor for Colgems. An earlier label, Colpix Records, was dissolved to make way for the new company, even before the Monkees began, Colpix had signed two future members – Davy Jones, recruited to Screen Gems by Ward Sylvester, and Michael Nesmith, who recorded as Michael Blessing. Eventually, the Colpix catalog was sold to Roulette Records, today, the Colpix catalog is owned jointly by Rhino/Warner and EMI. The non-Monkees Colgems roster included Sally Field, Jewel Akens, Sajid Khan, Paula Wayne, limited, the Hung Jury, Fountain of Youth, The Lewis & Clarke Expedition, Hoyt Axton, Alex Keenan and comedian Rich Little. In Cold Blood, Head and Guess Whos Coming to Dinner were also released on Colgems, Colgems Records slumped after the critical and commercial failure of the final Monkees album Changes, which featured only Davy Jones and Micky Dolenz. The labels last release, titled Barrel Full of Monkees and showcasing its flagship act, appeared in 1971, Colgems then closed, and its master recordings and artists were folded into the Bell Records family, which, unlike Colgems, was wholly owned by Columbia Pictures. Bell itself was closed, and Columbias music division was reorganized into Arista Records. In 1979, Columbia Pictures sold Arista to BMG-owned Ariola Records, six years later, Ariolas parent company, BMG, merged with RCA Records. Today, the assets of Colgems Records is controlled by Sony Music Entertainment, the parent company, Sony, acquired Columbia Pictures in 1989. All of The Monkees recordings are currently owned by Rhino Records, Rhino acquired the entire Monkees audio catalog, The Monkees TV series, their 1968 feature film Head, and the rights to The Monkees name and logo, in August 1994. SME merged Arista into RCA Records in 2011, a label related to Colgems was SGC Records. SGC issued albums by Nazz through Atlantic Records in a deal similar to the one Screen Gems held with RCA. List of record labels The Colpix/Colgems story
7.
Composer
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A composer is a person who creates or writes music, which can be vocal music, instrumental music or music which combines both instruments and voices. The core meaning of the term refers to individuals who have contributed to the tradition of Western classical music through creation of works expressed in written musical notation, many composers are also skilled performers, either as singers, instrumentalists, and/or conductors. Examples of composers who are well known for their ability as performers include J. S. Bach, Mozart. In many popular genres, such as rock and country. For a singer or instrumental performer, the process of deciding how to perform music that has previously composed and notated is termed interpretation. Different performers interpretations of the work of music can vary widely, in terms of the tempos that are chosen. Composers and songwriters who present their own music are interpreting, just as much as those who perform the music of others, although a musical composition often has a single author, this is not always the case. A piece of music can also be composed with words, images, or, in the 20th and 21st century, a culture eventually developed whereby faithfulness to the composers written intention came to be highly valued. This musical culture is almost certainly related to the esteem in which the leading classical composers are often held by performers. The movement might be considered a way of creating greater faithfulness to the original in works composed at a time that expected performers to improvise. In Classical music, the composer typically orchestrates her own compositions, in some cases, a pop songwriter may not use notation at all, and instead compose the song in her mind and then play or record it from memory. In jazz and popular music, notable recordings by influential performers are given the weight that written scores play in classical music. The level of distinction between composers and other musicians varies, which issues such as copyright and the deference given to individual interpretations of a particular piece of music. In the development of European classical music, the function of composing music initially did not have greater importance than that of performing it. The preservation of individual compositions did not receive attention and musicians generally had no qualms about modifying compositions for performance. In as much as the role of the composer in western art music has seen continued solidification, for instance, in certain contexts the line between composer and performer, sound designer, arranger, producer, and other roles, can be quite blurred. The term composer is often used to refer to composers of music, such as those found in classical, jazz or other forms of art. In popular and folk music, the composer is usually called a songwriter and this is distinct from a 19th-century conception of instrumental composition, where the work was represented solely by a musical score to be interpreted by performers
8.
Burt Bacharach
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Burt Freeman Bacharach is an American composer, songwriter, record producer, pianist, and singer. As of 2014, Bacharach had written 73 US and 52 UK Top 40 hits, in 1997 he was the subject of a PBS Great Performances biography. And in recent years a number of albums and concerts have helped introduce his music to younger audiences. Among them was a 2009 concert by Dutch singer Trijntje Oosterhuis, in 2012 Bacharach and David received the Library of Congress Gershwin Prize for Popular Song, the first time the honor has been given to a songwriting team. The ceremony was hosted by President Obama, and included a concert performed with various stars, Bacharach was born in Kansas City, Missouri, and grew up in the Forest Hills section of New York City, graduating from Forest Hills High School in 1946. His family was Jewish, but he says that they didnt practice or give attention to their religion. But the kids I knew were Catholic, he adds, I was Jewish but I didnt want anybody to know about it. Bacharach showed a keen interest in jazz as a teenager, disliking his classical piano lessons and he got to hear bebop musicians such as Dizzy Gillespie and Count Basie, whose style would later influence his songwriting. Bacharach studied music at Montreals McGill University, under Helmut Blume, at the Mannes School of Music, during this period he studied a range of music, including jazz harmony, which has since been important to songs which are generally considered pop music. His composition teachers included Darius Milhaud, Henry Cowell, and Bohuslav Martinů, Bacharach cites Milhaud as his biggest influence, under whose guidance he wrote a Sonatina for Violin, Oboe and Piano. Following his tour of duty in the United States Army, Bacharach spent the three years as a pianist and conductor for popular singer Vic Damone. Damone recalls, Burt was clearly bound to go out on his own and he was an exceptionally talented, classically trained pianist, with very clear ideas on the musicality of songs, how they should be played, and what they should sound like. He later worked in similar capacity for other singers, including Polly Bergen, Steve Lawrence. When he was unable to better jobs, Bacharach worked at resorts in the Catskill Mountains of New York. In 1956, at age 28, Bacharachs productivity increased when composer Peter Matz recommended him to Marlene Dietrich and he then became part-time music director for Dietrich, a German actress and singer who had been an international screen star in the 1930s. They toured worldwide off and on until the early 1960s, when they werent touring, as a result of his collaboration with Dietrich, he gained his first major recognition as a conductor and arranger. In her autobiography, she remembered that Bacharach loved touring in Russia and Poland because the violinists were extraordinary and he liked Edinburgh and Paris, along with the Scandinavian countries, and he also felt at home in Israel, she says, where music was similarly much revered. By the early 1960s, after five years with Dietrich
9.
Hal David
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Harold Lane Hal David was an American lyricist. He grew up in Brooklyn, New York City and he was best known for his collaborations with composer Burt Bacharach and his association with Dionne Warwick. David was born in New York City, a son of Austrian Jewish immigrants Lina and Gedalier David, who owned a delicatessen in Brooklyn and he is credited with popular music lyrics, beginning in the 1940s with material written for bandleader Sammy Kaye and for Guy Lombardo. He worked with Morty Nevins of The Three Suns on four songs for the feature film Two Gals, in 1957, David met composer Burt Bacharach at Famous Music in the Brill Building in New York. The two teamed up and wrote their first hit The Story of My Life, recorded by Marty Robbins in 1957, J. Thomas, Gene Pitney, Tom Jones, Jackie DeShannon and others. In addition, Dont Make Me Over, Close to You and Walk On By have been inducted into the Grammy Hall of Fame. A. with Albert Hammond, recorded by Hammond and later Art Garfunkel. With Paul Hampton, David co-wrote the country standard Sea of Heartbreak, David and Bacharach were awarded the 2011 Gershwin Prize for Popular Song, bestowed by the Library of Congress, the first time a songwriting team was given the honor. David was recuperating from a recent illness and was unable to attend the Washington D. C. presentation ceremony in May 2012, David died in the morning hours of September 1,2012, of a stroke. He is interred in the Forest Lawn Memorial Park beside his first wife, Anne, Hal David at Find a Grave Hal David Interview - NAMM Oral History Library
10.
Record producer
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A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu
11.
Phil Ramone
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The success of the original A&R Recording allowed it to expand into several studios and a record production company. He was described by Billboard as legendary, and the BBC as a CD pioneer, Ramone was born in South Africa and grew up in Brooklyn, New York, USA. As a child in South Africa, Ramone was a musical prodigy, in the late 1940s he trained as a classical violinist at the Juilliard School, where one of his classmates was Phil Woods. Ramone opened his own recording studio before he was 20 and he became a naturalized citizen of the United States on December 14,1953. In 1959, Ramone established an independent recording studio A & R Recording, later the partnership which owned the studio consisted of Brooks Arthur owning half while Ramone, Donald Frey and Arthur Downs Ward owned the other fifty percent. In the studio he quickly gained a reputation as a sound engineer and music producer. He is also credited with having recorded Marilyn Monroes intoxicated version of Happy Birthday, in 1972, management of A & R included Robert Gerics, Nick Diminno, and Irving Joel. The studios were located at 799 7th Avenue and 322 West 48th Street and he won his first production Grammy for his work on 1975s Still Crazy After All These Years by Paul Simon. He produced Billy Joels 1977 album The Stranger and began a collaboration with Joel producing a string of hit albums throughout the rest of the 1970s and 1980s. In 1993, he produced Duets, Frank Sinatras comeback album, Ramone was a founding member of META. October 1,2016, marked the anniversary of the worlds first commercially marketed compact disc. On that date in 1982, A & R Recording released a compact disc version of Billy Joels 52nd Street in Japan. Ramone introduced optical surround sound for movies and his book, Making Records, The Scenes Behind the Music, written with Chuck Granata, was released on October 9,2007. Also in October 2007, Ramone produced a limited engagement performance of Richard Veteres Be My Love, the play was directed by Charles Messina and co-produced by Sonny Grosso. It premiered at The Tilles Center in Greenvale, New York, a champion of music educational programs, Ramone served on the boards of the National Mentoring Partnership and Berklee College of Music. On July 8,2008, Columbia records released The Stranger 30th Anniversary and this box set includes a remastered version of the 1977 Billy Joel album, The Stranger by Ramone. The following summer, Ramone produced Gershwin Across America, an album to the music of George. The album features Jewel, Jason Mraz, Darius Rucker, in 2011, Ramone worked with George Michael, during his 2011 Symphonica Tour
12.
Popular music
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Popular music is music with wide appeal that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training and it stands in contrast to both art music and traditional or folk music. Art music was historically disseminated through the performances of music, although since the beginning of the recording industry. Traditional music forms such as blues songs or hymns were passed along orally, or to smaller. The original application of the term is to music of the 1880s Tin Pan Alley period in the United States, although popular music sometimes is known as pop music, the two terms are not interchangeable. Popular music songs and pieces typically have easily singable melodies, in the 2000s, with songs and pieces available as digital sound files, it has become easier for music to spread from one country or region to another. Some popular music forms have become global, while others have an appeal within the culture of their origin. Through the mixture of genres, new popular music forms are created to reflect the ideals of a global culture. The examples of Africa, Indonesia and the Middle East show how Western pop music styles can blend with local traditions to create new hybrid styles. Sales of recordings or sheet music are one measure, middleton and Manuel note that this definition has problems because multiple listens or plays of the same song or piece are not counted. Manuel states that one criticism of music is that it is produced by large media conglomerates and passively consumed by the public. He claims that the listeners in the scenario would not have been able to make the choice of their favorite music, moreover, understandings of popular music have changed with time. A societys popular music reflects the ideals that are prevalent at the time it is performed or published, david Riesman states that the youth audiences of popular music fit into either a majority group or a subculture. The majority group listens to the commercially produced styles while the subcultures find a minority style to transmit their own values and this allows youth to choose what music they identify with, which gives them power as consumers to control the market of popular music. Form in popular music is most often sectional, the most common sections being verse, chorus or refrain, other common forms include thirty-two-bar form, chorus form *, and twelve-bar blues. Popular music songs are rarely composed using different music for each stanza of the lyrics, the verse and chorus are considered the primary elements. Each verse usually has the melody, but the lyrics change for most verses. The chorus usually has a phrase and a key lyrical line which is repeated
13.
James Bond
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The James Bond series focuses on a fictional British Secret Service agent created in 1953 by writer Ian Fleming, who featured him in twelve novels and two short-story collections. The latest novel is Trigger Mortis by Anthony Horowitz, published in September 2015, additionally Charlie Higson wrote a series on a young James Bond, and Kate Westbrook wrote three novels based on the diaries of a recurring series character, Moneypenny. The character has also adapted for television, radio, comic strip, video games. As of 2017, there have been twenty-four films in the Eon Productions series, the most recent Bond film, Spectre, stars Daniel Craig in his fourth portrayal of Bond, he is the sixth actor to play Bond in the Eon series. There have also two independent productions of Bond films, Casino Royale and Never Say Never Again. In 2015, the franchise was estimated to be worth $19.9 billion, the Bond films are renowned for a number of features, including the musical accompaniment, with the theme songs having received Academy Award nominations on several occasions, and two wins. Other important elements which run through most of the films include Bonds cars, his guns, the films are also noted for Bonds relationships with various women, who are sometimes referred to as Bond girls. Ian Fleming created the character of James Bond as the central figure for his works. Bond is an officer in the Secret Intelligence Service, commonly known as MI6. Bond is known by his number,007, and was a Royal Naval Reserve Commander. Among those types were his brother, Peter, who had involved in behind-the-lines operations in Norway. Aside from Flemings brother, a number of others also provided some aspects of Bonds make up, including Conrad OBrien-ffrench, Patrick Dalzel-Job and Bill Biffy Dunderdale. The name James Bond came from that of the American ornithologist James Bond, a Caribbean bird expert and author of the definitive field guide Birds of the West Indies. He further explained that, When I wrote the first one in 1953, I wanted Bond to be a dull, uninteresting man to whom things happened. When I was casting around for a name for my protagonist I thought by God, is the dullest name I ever heard. On another occasion, Fleming said, I wanted the simplest, dullest, plainest-sounding name I could find, James Bond was much better than something more interesting, like Peregrine Carruthers. Exotic things would happen to and around him, but he would be a neutral figure—an anonymous, likewise, in Moonraker, Special Branch Officer Gala Brand thinks that Bond is certainly good-looking. Rather like Hoagy Carmichael in a way and that black hair falling down over the right eyebrow
14.
40th Academy Awards
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The 40th Academy Awards honored film achievements of 1967. The Best Picture nominees were a group of films reflecting the chaos of their era. The event was the first one since the 1948 awards show to feature clips from the Best Picture nominated films. This years nominations also marked the first time three different films were nominated for the Top Five Academy Awards, Best Picture, Director, Actor, Actress. The three films were Bonnie and Clyde, The Graduate and Guess Whos Coming to Dinner, however, the winner of Best Picture was producer Walter Mirisch and director Norman Jewisons thriller/mystery film, In the Heat of the Night. The Graduate is, as of the 88th Academy Awards, the last film to win Best Director, due to an all-out push by Academy President Gregory Peck,18 of the 20 acting nominees were present at the ceremony. Only Katharine Hepburn and the late Spencer Tracy, who was nominated posthumously, were missing, winners are listed first, highlighted in boldface and indicated with a double dagger. Gregory Peck Alfred Hitchcock Arthur Freed was presented for distinguished service to the Academy, prior to the postponement, Jack Lemmon was announced as a replacement for Poitier, and Shirley Jones for Davis, but once the event was delayed, the original quartet returned. Alfred Hitchcocks acceptance speech is on record for the shortest in Academy Awards history and this was the only year in which two films received nominations in all four acting categories. Legendary film composer John Williams received his first nomination for scoring Valley of the Dolls and he would go on to receive 49 more nominations, winning 5. The following individuals, listed in order of appearance, presented awards or performed musical numbers
15.
Ursula Andress
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Ursula Andress is a Swiss film and television actress, former model and sex symbol, who has appeared in American, British and Italian films. She is best known for her role as Bond girl Honey Ryder in the first James Bond film. She later starred as Vesper Lynd in the Bond-parody Casino Royale and her other films include Fun in Acapulco, She, The Blue Max, Perfect Friday, The Sensuous Nurse, Slave of the Cannibal God, The Fifth Musketeer and Clash of the Titans. He disappeared during World War II and she has a brother and four sisters. At 18, Andress left Switzerland and went to Rome, Italy where she had parts in three Italian films. Within a year she came to California and was signed to a contract with Paramount Pictures, Andress became famous as Honey Ryder, a shell diver and James Bonds woman of desire in Dr. No, the first Bond movie. In what became a moment in cinematic and fashion history. Due to her heavy Swiss-German accent, the voice was provided by Nikki van der Zyl. The scene made Andress a quintessential Bond girl, Andress later said that she owed her career to that white bikini, This bikini made me into a success. As a result of starring in Dr, No as the first Bond girl, I was given the freedom to take my pick of future roles and to become financially independent. The bikini she wore in the film sold at auction in 2001 for £41,125, in 2003, in a UK Survey by Channel 4, her entrance in Dr. No was voted #1 in the 100 Greatest Sexy Moments, Andress won the Golden Globe Award for New Star of the Year in 1964 for her appearance in the film. She also appeared in the Bond satire Casino Royale as Vesper Lynd, later, she worked with fellow former Bond girls Claudine Auger in Anyone Can Play, Barbara Bach in Stateline Motel, and Luciana Paluzzi in The Sensuous Nurse. In 1965, she posed nude for Playboy, it would be the first of seven times she was pictured in the magazine over the fifteen years. When asked why she had agreed to do the Playboy shoot, Andress replied coolly and she went on to appear nude or semi-nude in nearly all of her film roles between 1969 and 1979, earning her the nickname Ursula Undress. She played Aphrodite in 1981s Clash of the Titans, where she worked with Laurence Olivier, during the making of the film, Andress linked up with leading man Harry Hamlin, who became the father of her child. In 1982, she portrayed Mabel Dodge in the adventure-drama film Red Bells, since the beginning of the 1990s, her acting appearances have been rare. In 1995, Andress was chosen by Empire magazine as one of the 100 Sexiest Stars in film history and her last role to date was playing Madonna in the low-budget 2005 Swiss feature Die Vogelpredigt oder Das Schreien der Mönche
16.
Stan Getz
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Stanley Stan Getz was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as The Sound because of his warm, lyrical tone, his influence being the wispy, mellow timbre of his idol. Coming to prominence in the late 1940s with Woody Hermans big band, Getz was born on February 2,1927, at St. Vincents Hospital in Philadelphia. In 1913, Harris and Beckie emigrated to the United States with their three sons Al, Phil, and Ben after their son Louis Gayetski in 1912. The Getz family first settled in Philadelphia, but during the depression the family moved to New York City, Getz worked hard in school, receiving straight As, and finished sixth grade close to the top of his class. Getzs major interest was in musical instruments and he played a number of them before his father bought him his first saxophone at the age of 13. Even though his father also got him a clarinet, Getz instantly fell in love with the saxophone and he attended James Monroe High School in the Bronx. In 1941, he was accepted into the All City High School Orchestra of New York City and this gave him a chance to receive private, free tutoring from the New York Philharmonics Simon Kovar, a bassoon player. He also continued playing the saxophone and he eventually dropped out of school in order to pursue his musical career, but was later sent back to the classroom by the school systems truancy officers. In 1943 at the age of 16, he was accepted into Jack Teagardens band, Getz also played along with Nat King Cole and Lionel Hampton. With Herman, he had a hit with Early Autumn and after Getz left The Second Herd he was able to launch his solo career and he was the leader on almost all of his recording sessions after 1950. Getzs reputation was enhanced by his featured status on Johnny Smiths 1952 album Moonlight in Vermont. The single of the tune became a hit that stayed on the charts for months. In the mid to late 1950s working from Scandinavia, Getz became popular playing cool jazz with Horace Silver, Johnny Smith, Oscar Peterson, and many others. His first two quintets were notable for their personnel, including Charlie Parkers rhythm section of drummer Roy Haynes, pianist Al Haig, a 1953 line-up of the Dizzy Gillespie/Stan Getz Sextet featured Gillespie, Getz, Peterson, Herb Ellis, Ray Brown and Max Roach. Returning to the U. S. from Europe in 1961, teaming with guitarist Charlie Byrd, who had just returned from a U. S. State Department tour of Brazil, Getz recorded Jazz Samba in 1962 and it quickly became a hit. Getz won the Grammy for Best Jazz Performance of 1963 for Desafinado and it sold over one million copies, and was awarded a gold disc. His second bossa nova album, also recorded in 1962, was Big Band Bossa Nova with composer and arranger Gary McFarland, as a follow-up, Getz recorded the album, Jazz Samba Encore. with one of the originators of bossa nova, Brazilian guitarist Luiz Bonfá
17.
A-side and B-side
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The terms A-side and B-side refer to the two sides of 78,45, and 33 1/3 rpm phonograph records, whether singles, extended plays, or long-playing records. Creedence Clearwater Revival had hits with both A-side and B-side releases, others took the opposite approach, producer Phil Spector was in the habit of filling B-sides with on-the-spot instrumentals that no one would confuse with the A-side. With this practice, Spector was assured that airplay was focused on the side he wanted to be the hit side, the earliest 10-inch,78 rpm, shellac records were single sided. Double-sided recordings, with one song on side, were introduced in Europe by Columbia Records. There were no record charts until the 1930s, and radio stations did not play recorded music until the 1950s, in this time, A-sides and B-sides existed, but neither side was considered more important, the side did not convey anything about the content of the record. The term single came into use with the advent of vinyl records in the early 1950s. At first, most record labels would randomly assign which song would be an A-side, under this random system, many artists had so-called double-sided hits, where both songs on a record made one of the national sales charts, or would be featured on jukeboxes in public places. As time wore on, however, the convention for assigning songs to sides of the record changed. By the early sixties, the song on the A-side was the song that the company wanted radio stations to play. It was not until 1968, for instance, that the production of albums on a unit basis finally surpassed that of singles in the United Kingdom. In the late 1960s stereo versions of pop and rock songs began to appear on 45s. The majority of the 45s were played on AM radio stations, by the early 1970s, double-sided hits had become rare. Album sales had increased, and B-sides had become the side of the record where non-album, non-radio-friendly, with the advent of cassette and compact disc singles in the late 1980s, the A-side/B-side differentiation became much less meaningful. With the decline of cassette singles in the 1990s, the A-side/B-side dichotomy became virtually extinct, as the dominant medium. However, the term B-side is still used to refer to the tracks or coupling tracks on a CD single. With the advent of downloading music via the Internet, sales of CD singles and other media have declined. B-side songs may be released on the record as a single to provide extra value for money. There are several types of material released in this way, including a different version, or, in a concept record
18.
Claudine Longet
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Claudine Georgette Longet is a French singer, actress, dancer and recording artist who was popular during the 1960s and 1970s. Born in Paris, France, Longet was married to pop singer Andy Williams from 1961 until 1975 and she has maintained a private profile since 1977, following her conviction for misdemeanor negligent homicide in connection with the death of her boyfriend, former Olympic skier Spider Sabich. Her first appearances as an actress on television were in two 1963 episodes of the comedy series McHales Navy and she also acted in the 1964 theatrical feature film of the same title. Many of her roles during the 1960s were in episodes of television adventure series that included Twelve OClock High. The Name of the Game, The Rat Patrol and Hogans Heroes Episode #20, Longet was cast as Sharhri Javid in the 1965 episode, The Silent Dissuaders, of the NBC education drama series, Mr. Novak, starring James Franciscus. She appeared many times on The Andy Williams Show series and specials and she also occasionally appeared as a singer on other variety and music programs, including those of singers Bobby Darin and Tom Jones. Williams called Longet — a beautiful, athletic, slender, petite brunette with large doe eyes — my favorite French singer and her career breakthrough occurred in 1966. She had a role in the season-one finale of the NBC television adventure series Run for Your Life. The episode was first broadcast on 16 May 1966, A&M Records cofounder Herb Alpert was among the viewers whom Longet charmed with her performance of Meditation. When Alpert met Longet by happenstance at a club in New Orleans later in 1966, Longet recorded singles, and five albums, for A&M Records between 1966 and 1970. Meditation was Longets first single release for A&M, other Jobim compositions that she has recorded include A Felicidade, How Insensitive, and Dindi. In 1968, Longet costarred with Peter Sellers in the MGM motion picture The Party, a box office hit that Blake Edwards wrote, produced, Longet sang Nothing to Lose in the film. In 1971, she joined Williams Barnaby Records label and she released singles and two albums for Barnaby, Weve Only Just Begun in 1971 and Lets Spend the Night Together in 1972. She also recorded songs for a third album for Barnaby that went unreleased. In 1975, she appeared as The Flower with Richard Burton, Jonathan Winters, the album won the Grammy Award for Best Album for Children in 1976. She has enjoyed success on the popularity charts. Her 1967 debut album, Claudine, peaked at #11 on the Billboard pop albums chart in the United States, Claudine became a RIAA-certified gold album, selling more than 500,000 copies. He also arranged her other two albums on A&M, Colours and Run Wild, Run Free, and Weve Only Just Begun on Barnaby and she also has had hit singles in America on the Billboard Adult Contemporary chart
19.
Lainie Kazan
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Lainie Kazan is an American actress and singer. She had previously received a Golden Globe Award nomination for the version of My Favorite Year. Her other film appearances include The Delta Force, Harry and the Hendersons, Beaches, My Big Fat Greek Wedding, Kazan was born Lanie Levine in Brooklyn, New York City, the daughter of Carole and Ben Levine. Her mother was from a Sephardic Jewish family from Jerusalem, and her father, of Russian Ashkenazi Jewish descent, Kazan has described her mother as neurotic, fragile and artistic. She graduated from Hofstra University in Hempstead, New York and she married Peter Daniels in 1971. In a segment of Celebrity Ghost Stories she revealed that she was widowed in 1989 when Daniels died of lung cancer, with him, Kazan has one child, Jennifer, and is a grandmother. Kazan serves on the boards of the Young Musicians’ Foundation, AIDS Project LA, Kazan suffered from deep vein thrombosis, and has dedicated time to educating the public about the condition. On April 9,2016, Kazan was injured in a collision in Los Angeles. Kazan made her Broadway debut in The Happiest Girl in the World in 1961 followed by Bravo Giovanni and she served as understudy to Barbra Streisand in Funny Girl, finally getting to go on 18 months into the run when the star was ill with a serious throat problem. Both had attended the high school, Erasmus Hall High School in Brooklyn. Kazan’s mother alerted the press and, encouraged by rave reviews for her performance, she quit the show, as her popularity increased, Kazan posed nude for a spread in the October 1970 issue of Playboy, which was reused in Pocket Playboy #4, issued in 1974. Her Playboy photographs also inspired the look of Jack Kirby’s DC Comics superheroine Big Barda, Kazan appeared in numerous supper clubs across the country, and she guested on Dean Martin’s variety series 26 times. She appeared in a scene as the mother of Adam Sandler’s character in I Now Pronounce You Chuck and Larry and it is, however, included in the special features on disc. Prior to this film, she had appeared with its co-star Kevin James in two episodes of his The King of Queens TV series as the once-renowned singer Ava St. Clair. A life member of The Actors Studio, Kazan returned to Broadway to recreate her role for the musical adaptation of My Favorite Year. She completed a stint in The Vagina Monologues and she has also appeared in regional productions of A Little Night Music, Man of La Mancha, Gypsy, Who’s Afraid of Virginia Woolf. Hello, Dolly. and Fiddler on the Roof, among others, in 1984, she made a guest appearance on the Faerie Tale Theatre episode “Pinocchio” as Sophia the Blue Fairy. She appeared in an episode of Ugly Betty, playing the mother of Bobby and she appeared in one episode, Fire and Nice
20.
Nina Simone
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Nina Simone was an American singer, songwriter, pianist, arranger, and activist in the Civil Rights Movement. Simone employed a range of musical styles including classical, jazz, blues, folk, R&B, gospel. Born in North Carolina, the child of a preacher. With the help of the few supporters in her hometown of Tryon, North Carolina, Waymon then applied for a scholarship to study at the prestigious Curtis Institute of Music in Philadelphia, where she was denied despite a well-received audition. Waymon became fully convinced this rejection had been due to her race. Years later, two days before her death, the Curtis Institute of Music bestowed on her an honorary degree, to make a living, Eunice Waymon changed her name to Nina Simone. The change related to her need to disguise herself from family members and she was told in the nightclub that she would have to sing to her own accompaniment, and this effectively launched her career as a jazz vocalist. Simone recorded more than forty albums, mostly between 1958, when she made her debut with Little Girl Blue, and 1974, and had a hit in the United States in 1958 with I Loves You, Porgy. Simones musical style fused gospel and pop with music, in particular Johann Sebastian Bach. Simone was born Eunice Kathleen Waymon in North Carolina and raised in Tryon, the sixth of eight children in a poor family, she began playing piano at age three, the first song she learned was God Be With You, Till We Meet Again. Demonstrating a talent with the instrument, she performed at her local church, but her concert debut, a classical recital, was given when she was 12. Simone later said that during this performance, her parents, who had taken seats in the front row, were forced to move to the back of the hall to make way for white people. She said that she refused to play until her parents were moved back to the front, Simones mother, Mary Kate Waymon, was a Methodist minister and a housemaid. Simones father, John Divine Waymon, was a handyman who at one time owned a dry cleaning business, Simones music teacher helped establish a special fund to pay for her education. Subsequently, a fund was set up to assist her continued education. With the help of this scholarship money she was able to attend Allen High School for Girls in Asheville, North Carolina. After her graduation, Simone spent the summer of 1950 at the Juilliard School, as a student of Carl Friedberg, discouraged, she took private piano lessons with Vladimir Sokoloff, a professor at Curtis, but never re-applied to the institution. She took a job as an assistant, but also found work as an accompanist at Arlene Smiths vocal studio
21.
Silk & Soul
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Silk & Soul is the thirteenth studio album by American musician Nina Simone released in October 1967 by RCA Victor. It features the cuts Go To Hell and a cover of I Wish I Knew How It Would Feel To Be Free, in 1968, Simone got a Grammy nomination for Best Female R&B Vocal Performance for the song Youll Go to Hell from this album. It Bes That Way Sometime, a written by Ninas brother Sam Waymon. The Look of Love, a song by Burt Bacharach, originally written for the movie Casino Royale, I Wish I Knew How It Would Feel to Be Free, this song was written by Billy Taylor. It was later recorded by Solomon Burke and Levon Helm, turning Point, which at first seems to be a childs song about making a new friend, later turns into a song questioning the origins of racism. Consummation is a song written by Nina Simone. Nina Simone - piano, vocals Gene Taylor - bass Sammy Lowe - arrangements, conductor Ray Hall - engineer
22.
Morgana King
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Morgana King is an American jazz singer and actress. Her best-known role was that of Carmela Corleone in The Godfather, King was born Maria Grazia Morgana Messina in Pleasantville, New York. Her parents were from Fiumefreddo di Sicilia, Province of Catania and she grew up in New York City with five siblings. Her father, who owned a coal and ice business, played the piano and her family experienced a difficult financial period after her father died. Around the age of thirteen her vocal gifts were recognized when she was singing the aria Ill See You Again from Noël Cowards operetta Bitter Sweet. At age 16 she developed a love for big bands, a scholarship to the Metropolitan School of Music soon followed. Her professional singing career began at age sixteen as Morgana King, when she sang in a Greenwich Village nightclub in 1953, a record label executive took interest after being impressed with the unique phrasing and multi-octave range. Three years later in 1956, her first album, For You, For Me, in the first appearance of Leonard G. Feathers Encyclopedia of Jazz, Morgana King stated that her ambition was … to become a dramatic actress. She began her career in The Godfather, directed by Francis Ford Coppola, as Carmela Corleone. In the film, she sang the song Luna mezzo mare, King appeared as herself in the television documentary The Godfather, Behind the Scenes. She reprised the role in The Godfather, Part II, where her character dies aged 62, while performing in Lisbon, Portugal, she was interviewed by the television show host Henrique Mendes at the television station RTP. Her repertoire contains more than two hundred songs on more than thirty albums, most of her recordings and re-issues have not remained in the catalogs. In 1964, she received a Grammy Award nomination for Best New Artist, the UCLA Music Librarys Jimmy Van Heusen papers include a letter dated September 5,1965 pertaining to songs… to be given to Morgana King. She recorded three songs by Van Heusen, Heres That Rainy Day, Like Someone in Love and Imagination, kings 1967 single I Have Loved Me A Man appeared in the US Easy Listening survey and the Australian Top 20, according to the Kent Music Report. Morgana King appeared in five films, including The Godfather Parts I, beginning with The Andy Williams Show and The Hollywood Palace in 1964. For more than a decade she performed on television talk and variety shows including The Mike Douglas Show, The Dean Martin Show and The David Frost Show. King announced her retirement from performing during an engagement at the Cotton Club in Chicago on Friday, December 10,1993 and she continued to perform after that date at the Ballroom, Maxims, Mirage Night Club, and Roosevelt Hotels Cinegrill. Her last film appearance was in the film A Brooklyn State of Mind and her first marriage was to jazz trumpeter Tony Fruscella, which ended in divorce after nine years, they had a daughter, Graysan
23.
Single (music)
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In music, a single or record single is a type of release, typically a song recording of fewer tracks than an LP record, an album or an EP record. This can be released for sale to the public in a variety of different formats, in most cases, a single is a song that is released separately from an album, although it usually also appears on an album. Typically, these are the songs from albums that are released separately for promotional uses such as digital download or commercial radio airplay and are expected to be the most popular, in other cases a recording released as a single may not appear on an album. As digital downloading and audio streaming have become prevalent, it is often possible for every track on an album to also be available separately. Nevertheless, the concept of a single for an album has been retained as an identification of a heavily promoted or more popular song within an album collection. Despite being referred to as a single, singles can include up to as many as three tracks on them. The biggest digital music distributor, iTunes, accepts as many as three tracks less than ten minutes each as a single, as well as popular music player Spotify also following in this trend. Any more than three tracks on a release or longer than thirty minutes in total running time is either an Extended Play or if over six tracks long. The basic specifications of the single were made in the late 19th century. Gramophone discs were manufactured with a range of speeds and in several sizes. By about 1910, however, the 10-inch,78 rpm shellac disc had become the most commonly used format, the inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century.26 rpm. With these factors applied to the 10-inch format, songwriters and performers increasingly tailored their output to fit the new medium, the breakthrough came with Bob Dylans Like a Rolling Stone. Singles have been issued in various formats, including 7-inch, 10-inch, other, less common, formats include singles on digital compact cassette, DVD, and LD, as well as many non-standard sizes of vinyl disc. Some artist release singles on records, a more common in musical subcultures. The most common form of the single is the 45 or 7-inch. The names are derived from its speed,45 rpm. The 7-inch 45 rpm record was released 31 March 1949 by RCA Victor as a smaller, more durable, the first 45 rpm records were monaural, with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 rpm records were produced in stereo by the early 1970s
24.
Bossa nova
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Bossa nova is a genre of Brazilian music, which developed and was popularized in the 1950s and 1960s and is today one of the best-known Brazilian music genres abroad. The phrase bossa nova means literally new trend, a lyrical fusion of samba and jazz, bossa nova acquired a large following in the 1960s, initially among young musicians and college students. In Brazil, the word bossa is a slang for something that is done with particular charm. As early as 1932, Noel Rosa used the word in a samba, O samba, the exact origin of the term bossa nova remained unclear for many decades, according to some authors. Within the artistic culture of the late 1950s in Rio de Janeiro. In his book Bossa Nova, Brazilian author Ruy Castro asserts that bossa was already in use in the 1950s by musicians as a word to characterize someones knack for playing or singing idiosyncratically. Castro claims that the term bossa nova might have first been used in public for a given in 1957 by the Grupo Universitário Hebraico do Brasil. The authorship of the bossa nova is attributed to the then-young journalist Moyses Fuks. That group consisted of Sylvia Telles, Carlos Lyra, Nara Leão, Luizinho Eça, Roberto Menescal, mr. Fukss description, fully supported by most of the bossa nova members, simply read HOJE. SYLVIA TELLES E UM GRUPO BOSSA NOVA, since Sylvia Telles was the most famous musician in the group at that time, in 1959, Nara Leão also participated in more than one embryonic display of bossa nova. These include the 1st Festival de Samba Session, conducted by the student union of Pontifícia Universidade Católica and this session was chaired by Carlos Diegues, latter a prominent Cinema Novo film director, a law student whom Leão ultimately married. Bossa nova is most commonly performed on the classical guitar. Its purest form could be considered unaccompanied guitar with vocals, as created, pioneered, even in larger, jazz-like arrangements for groups, there is almost always a guitar that plays the underlying rhythm. Gilberto basically took one of the several rhythmic layers from an ensemble, specifically the tamborim. As in samba, the plays a ostinato figure on the downbeat of beat one, the ah of beat one. The clave pattern sounds very similar to the two-three or three-two son clave of Cuban styles such as mambo but is dissimilar in that the two side of the clave is pushed by an eighth note. Also important in the section for bossa nova is the cabasa. These parts are easily adaptable to the set, which makes bossa nova a rather popular Brazilian style for drummers
25.
A&M Records
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A&M Records was an American record label founded as an independent label by Herb Alpert and Jerry Moss in 1962. Due to the success of the discography A&M released, the label garnered interest and was acquired by PolyGram in 1989. Today, A&Ms catalog releases are managed by Verve Records, Universal Music Enterprises, A&M Records was formed in 1962 by Herb Alpert and Jerry Moss. Their first choice for a name was Carnival Records, under which they released two singles before discovering another label had already taken the Carnival name, the company was subsequently renamed A&M, after Alperts and Mosss initials. From 1966 to 1999, the headquarters were on the grounds of the historic Charlie Chaplin Studios at 1416 North La Brea Avenue. Marc Benno, Liza Minnelli, Rita Coolidge, Wes Montgomery, Paul Desmond, Bobby Tench, Hummingbird, Toni Basil, folk artists Joan Baez, Phil Ochs and Gene Clark also recorded for the label during the 1970s. Billy Preston joined the label in 1971, followed by Andre Popp, in the 1970s, under its manufacturing and distribution agreement with Ode Records, A&M released albums by Carole King and the comedy duo Cheech & Chong. On March 10,1977, A&M signed the Sex Pistols after the band had dropped by EMI. However, A&M dropped the band within a week, within a decade of its inception, A&M became the worlds largest independent record company. A&M releases were issued in the United Kingdom by EMIs Stateside Records label. From 1969, A&M set up their own UK base appointing John Deacon as General Manager - a post he held until 1979, A&M releases were also issued in Australia through Festival Records until 1989. A&M Records Ltd. was established in 1970, with distribution handled by other labels with a presence in Europe, A&M Records of Canada Ltd. was also formed in 1970, and A&M Records of Europe in 1977. In 1979, A&M entered an agreement with RCA Records in the USA. A&M was bought by PolyGram in 1989, Alpert and Moss continued to manage the label until 1993. In 1998, Alpert and Moss sued PolyGram for breach of the integrity clause, in 1991, A&M launched Perspective Records as a joint venture with producing team Jimmy Jam and Terry Lewis. Jam and Lewis stepped down as CEOs of the imprint in 1997, in 1999, the label was absorbed into A&M. In the mid-1990s, A&M began distributing its PolyGram sister label Polydor Records in the USA, ceCe Peniston, Intelligent Hoodlum, Dred Scott, Ridel High and the Gin Blossoms. The company released the soundtracks Robin Hood, Prince of Thieves, The Three Musketeers, Sabrina, The Living Sea, Demolition Man, and Lethal Weapon 3
26.
Songwriter
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A songwriter is an individual who writes the lyrics, melodies and chord progressions for songs, typically for a popular music genre such as rock or country music. A songwriter can also be called a composer, although the term tends to be used mainly for individuals from the classical music genre. The pressure from the industry to produce popular hits means that songwriting is often an activity for which the tasks are distributed between a number of people. For example, a songwriter who excels at writing lyrics might be paired with a songwriter with a gift for creating original melodies, pop songs may be written by group members from the band or by staff writers – songwriters directly employed by music publishers. Some songwriters serve as their own publishers, while others have outside publishers. The old-style apprenticeship approach to learning how to write songs is being supplemented by university degrees and college diplomas, a knowledge of modern music technology, songwriting elements and business skills are necessary requirements to make a songwriting career in the 2010s. Several music colleges offer songwriting diplomas and degrees with music business modules, the legal power to grant these permissions may be bought, sold or transferred. This is governed by international copyright law, song pitching can be done on a songwriters behalf by their publisher or independently using tip sheets like RowFax, the MusicRow publication and SongQuarters. Skills associated with song-writing include entrepreneurism and creativity, songwriters who sign an exclusive songwriting agreement with a publisher are called staff writers. In the Nashville country music scene, there is a staff writer culture where contracted writers work normal 9-to-5 hours at the publishing office and are paid a regular salary. This salary is in effect the writers draw, an advance on future earnings, the publisher owns the copyright of songs written during the term of the agreement for a designated period, after which the songwriter can reclaim the copyright. In an interview with HitQuarters, songwriter Dave Berg extolled the benefits of the set-up, unlike contracted writers, some staff writers operate as employees for their respective publishers. Under the terms of work for hire agreements, the compositions created are fully owned by the publisher. In Nashville, young writers are often encouraged to avoid these types of contracts. Staff writers are common across the industry, but without the more office-like working arrangements favored in Nashville. All the major publishers employ writers under contract, songwriter Allan Eshuijs described his staff writer contract at Universal Music Publishing as a starter deal. His success under the arrangement eventually allowed him to found his own publishing company, so that he could. keep as much as possible, songwriters are also often skilled musicians. In addition to selling their songs and musical concepts for other artists to sing, songwriters need to create a number of elements for a song
27.
Isaac Hayes
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Isaac Lee Hayes Jr. was an American singer-songwriter, actor, voice actor and producer. Hayes was also a 2002 inductee into the Rock and Roll Hall of Fame. The song Soul Man, written by Hayes and Porter and first performed by Sam & Dave, has recognized as one of the most influential songs of the past 50 years by the Grammy Hall of Fame. It was also honored by The Rock and Roll Hall of Fame, by Rolling Stone magazine, during the late 1960s, Hayes also began a career as a recording artist. He had several successful albums such as Hot Buttered Soul. In addition to his work in music, he worked as a composer of musical scores for motion pictures. He was well known for his score for the film Shaft. For the Theme from Shaft, he was awarded the Academy Award for Best Original Song in 1972 and he became the third African-American, after Sidney Poitier and Hattie McDaniel, to win an Academy Award in any competitive field covered by Academy of Motion Picture Arts and Sciences. He also won two Grammy Awards for that same year, later, he was given his third Grammy for his music album Black Moses. In recognition of his work there Hayes was crowned honorary king of the Ada. He acted in motion pictures and television, such as in the movies Truck Turner and Im Gonna Git You Sucka and he voiced the character Chef from the animated Comedy Central series South Park from its debut in 1997 until 2005. On August 5,2003, Hayes was honored as a BMI Icon at the 2003 BMI Urban Awards for his influence on generations of music makers. Throughout his songwriting career, Hayes received five BMI R&B Awards, as of 2008, his songs generated more than 12 million performances. Isaac Hayes, Jr. was born in Covington, Tennessee and he was the second child of Eula and Isaac Hayes, Sr. After his mother died young and his father abandoned his family, Isaac, Jr. was raised by his grandparents, Mr. and Mrs. Willie Wade. The child of a family, he grew up working on farms in Shelby County, Tennessee. At age five Hayes began singing at his church, he taught himself to play the piano, the Hammond organ, the flute. Hayes dropped out of school, but his former teachers at Manassas High School in Memphis encouraged him to complete his diploma
28.
Funk
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Funk is a music genre that originated in the mid- 1960s when African American musicians created a rhythmic, danceable new form of music through a mixture of soul music, jazz, and rhythm and blues. Like much of African-inspired music, funk typically consists of a groove with rhythm instruments playing interlocking grooves. Funk uses the same richly-colored extended chords found in jazz, such as minor chords with added sevenths and elevenths. Other musical groups, including Sly and the Family Stone and Parliament-Funkadelic, soon began to adopt, Funk samples have been used extensively in genres including hip hop, house music, and drum and bass. It is also the influence of go-go, a subgenre associated with funk. The word funk initially referred to a strong odor and it is originally derived from Latin fumigare via Old French fungiere and, in this sense, it was first documented in English in 1620. In 1784 funky meaning musty was first documented, which, in turn, in early jam sessions, musicians would encourage one another to get down by telling one another, Now, put some stank on it. At least as early as 1907, jazz songs carried titles such as Funky, as late as the 1950s and early 1960s, when funk and funky were used increasingly in the context of jazz music, the terms still were considered indelicate and inappropriate for use in polite company. According to one source, New Orleans-born drummer Earl Palmer was the first to use the word funky to explain to other musicians that their music should be made more syncopated, the style later evolved into a rather hard-driving, insistent rhythm, implying a more carnal quality. This early form of the set the pattern for later musicians. The music was identified as slow, sexy, loose, riff-oriented, a great deal of funk is rhythmically based on a two-celled onbeat/offbeat structure, which originated in sub-Saharan African music traditions. New Orleans appropriated the bifurcated structure from the Afro-Cuban mambo and conga in the late 1940s, New Orleans funk, as it was called, gained international acclaim largely because James Browns rhythm section used it to great effect. Funk creates an intense groove by using strong guitar riffs and bass lines, like Motown recordings, funk songs used bass lines as the centerpiece of songs. Slap basss mixture of thumb-slapped low notes and finger popped high notes allowed the bass to have a rhythmic role. In funk bands, guitarists typically play in a style, often using the wah-wah sound effect. Guitarist Ernie Isley of The Isley Brothers and Eddie Hazel of Funkadelic were notably influenced by Jimi Hendrixs improvised solos, Eddie Hazel, who worked with George Clinton, is one of the most notable guitar soloists in funk. Ernie Isley was tutored at an age by Jimi Hendrix himself. Jimmy Nolen and Phelps Collins are famous funk rhythm guitarists who both worked with James Brown, on Browns Give It Up or Turnit a Loose, Jimmy Nolens guitar part has a bare bones tonal structure
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Soul
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In many religious, philosophical and mythological traditions, the soul is the incorporeal essence of a living being. Depending on the system, a soul can either be mortal or immortal. In Judeo-Christianity, only human beings have immortal souls, for example, the Catholic theologian Thomas Aquinas attributed soul to all organisms but argued that only human souls are immortal. Other religions hold that all organisms have souls, as did Aristotle, while some teach that even non-biological entities possess souls. The latter belief is called animism, Greek philosophers, such as Socrates, Plato, and Aristotle, understood that the soul must have a logical faculty, the exercise of which was the most divine of human actions. Anima mundi is the concept of a world soul connecting all living organisms on planet Earth, the Modern English word soul, derived from Old English sáwol, sáwel, was first attested in the 8th-century poem Beowulf v.2820 and in the Vespasian Psalter 77.50. Further etymology of the Germanic word is uncertain, the Koine Greek word ψυχή psychē, life, spirit, consciousness, is derived from a verb meaning to cool, to blow, and hence refers to the breath, as opposed to σῶμα, meaning body. Vulgate, et nolite timere eos qui occidunt corpus animam autem non possunt occidere sed potius eum timete qui potest et animam et corpus perdere in gehennam. Authorized King James Version And fear not them which kill the body, but are not able to kill the soul, vulgate Creavitque Deus cete grandia, et omnem animam viventem atque motabilem. KJV And God created great whales, and every living creature that moveth, Paul of Tarsus used ψυχή and πνεῦμα specifically to distinguish between the Jewish notions of נפש nephesh and רוח ruah. The ancient Greeks used the word alive for the concept of being ensouled, the soul was considered the incorporeal or spiritual breath that animates the living organism. Francis M. Cornford quotes Pindar by saying that the soul sleeps while the limbs are active, but when one is sleeping, the soul is active and reveals an award of joy or sorrow drawing near in dreams. Erwin Rohde writes that an early pre-Pythagorean belief presented the soul as lifeless when it departed the body, drawing on the words of his teacher Socrates, Plato considered the psyche to be the essence of a person, being that which decides how we behave. He considered this essence to be an incorporeal, eternal occupant of our being, Socrates says that even after death, the soul exists and is able to think. He believed that as bodies die, the soul is reborn in subsequent bodies and Plato believed this as well, however. Thymos is located near the chest region and is related to anger, eros is located in the stomach and is related to ones desires. Plato also compares the three parts of the soul or psyche to a caste system. According to Platos theory, the soul is essentially the same thing as a states class system because, to function well
30.
Academy Awards
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The various category winners are awarded a copy of a golden statuette, officially called the Academy Award of Merit, which has become commonly known by its nickname Oscar. The awards, first presented in 1929 at the Hollywood Roosevelt Hotel, are overseen by AMPAS, the awards ceremony was first broadcast on radio in 1930 and televised for the first time in 1953. It is now live in more than 200 countries and can be streamed live online. The Academy Awards ceremony is the oldest worldwide entertainment awards ceremony and its equivalents – the Emmy Awards for television, the Tony Awards for theater, and the Grammy Awards for music and recording – are modeled after the Academy Awards. The 89th Academy Awards ceremony, honoring the best films of 2016, were held on February 26,2017, at the Dolby Theatre, in Los Angeles, the ceremony was hosted by Jimmy Kimmel and was broadcast on ABC. A total of 3,048 Oscars have been awarded from the inception of the award through the 88th, the first Academy Awards presentation was held on May 16,1929, at a private dinner function at the Hollywood Roosevelt Hotel with an audience of about 270 people. The post-awards party was held at the Mayfair Hotel, the cost of guest tickets for that nights ceremony was $5. Fifteen statuettes were awarded, honoring artists, directors and other participants in the industry of the time. The ceremony ran for 15 minutes, winners were announced to media three months earlier, however, that was changed for the second ceremony in 1930. Since then, for the rest of the first decade, the results were given to newspapers for publication at 11,00 pm on the night of the awards. The first Best Actor awarded was Emil Jannings, for his performances in The Last Command and he had to return to Europe before the ceremony, so the Academy agreed to give him the prize earlier, this made him the first Academy Award winner in history. With the fourth ceremony, however, the system changed, for the first six ceremonies, the eligibility period spanned two calendar years. At the 29th ceremony, held on March 27,1957, until then, foreign-language films had been honored with the Special Achievement Award. The 74th Academy Awards, held in 2002, presented the first Academy Award for Best Animated Feature, since 1973, all Academy Awards ceremonies always end with the Academy Award for Best Picture. The Academy also awards Nicholl Fellowships in Screenwriting, see also § Awards of Merit categories The best known award is the Academy Award of Merit, more popularly known as the Oscar statuette. The five spokes represent the branches of the Academy, Actors, Writers, Directors, Producers. The model for the statuette is said to be Mexican actor Emilio El Indio Fernández, sculptor George Stanley sculpted Cedric Gibbons design. The statuettes presented at the ceremonies were gold-plated solid bronze
31.
Lani Hall
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Lani Hall is an American singer, lyricist, author, and the wife of Herb Alpert. From 1966 to 1971 she performed as lead vocalist for Sérgio Mendes & Brasil 66, in 1972 she released her first solo album Sundown Lady, but she may be best known for her rendition of the theme song to the 1983 James Bond film Never Say Never Again. In 1986 she was awarded her first Grammy Award for Es Fácil Amar as Best Latin Pop Performance, after that year she largely retired, resurfacing in 1998 with the solo album Brasil Nativo. She received her second Grammy Award in 2013 as producer for the album and her first public appearance occurred at The Centaur, a coffee house in Old Town, Chicago in 1965. She was heard by Brazilian pianist and bandleader Sérgio Mendes, who was on tour in Chicago and he first heard her perform at a benefit at Mother Blues, another club in Old Town. His group, Brasil 65 was disbanding, and he invited Hall to come to Los Angeles to be the singer of his new project. She agreed, and six months later the group signed a contract with A&M Records, unlike the previous incarnation, Brasil 66 was an instant success - making a significant impact on the charts with its first single, a version of the Brazilian song Mas Que Nada. Much of the appeal was due to Hall’s distinctive, multi-tracked vocals. A series of popular interpretations followed, including their take on The Beatles The Fool on the Hill, the band was the opening act that toured alongside A&M label mates Herb Alpert and the Tijuana Brass in 1966. Mid-way through the production of the concept album Stillness she left Brasil 66 in 1971. In December 1973, Hall married Herb Alpert at their Malibu home, with Alpert assuming production duties, Hall embarked on a solo career, beginning with 1972s Sun Down Lady and following up with Hello Its Me in 1975. She recorded regularly throughout the 1970s and 1980s, including singing the song to the James Bond film Never Say Never Again, in 1983, produced by Mendes. She recorded Corazón Encadenado with Camilo Sesto in 1984, ironically, the vocalist doesnt speak Spanish. In the mid-1980s, Hall contracted a case of Epstein–Barr virus and was forced to take a break from performing. She returned in 1998 with the album Brasil Nativo on the Windham Hill label, in 2008, she reunited with Mendes again, performing the song Dreamer on his album Encanto, which also featured Herb Alpert on trumpet. As a young girl, Hall began writing poetry and she started writing short stories in 1982 while on tour in Mexico City. In 2012 she published her book, Emotional Memoirs & Short Stories, written over the course of more than thirty years, the book contains fiction and nonfiction stories that describe women coping with the vicissitudes of life. Hall enjoys spending time with her three children and six grandchildren, and she lives with her husband in California, official website Lani Hall at AllMusic Lani Hall discography, forum, and marketplace at Discogs Lani Hall at the Internet Movie Database
32.
Andy Williams
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Howard Andrew Andy Williams was an American popular music singer. He recorded 44 albums in his career,15 of which have been gold-certified and he was also nominated for six Grammy Awards. He hosted The Andy Williams Show, a variety show, from 1962 to 1971. The Andy Williams Show garnered three Emmy awards, the Moon River Theatre in Branson, Missouri, is named after the song he is most known for singing—Johnny Mercer and Henry Mancinis Moon River. He sold more than 100 million records worldwide, including 10.5 million certified units in the United States, Williams was born in Wall Lake, Iowa, the son of Jay Emerson and Florence Williams. While living in Cheviot, Ohio, Williams attended Western Hills High School in Cincinnati and he finished high school at University High School, in West Los Angeles, because of his familys move to California. Williams had three older brothers—Bob, Don, and Dick Williams and his first performance was in a childrens choir at the local Presbyterian church. Moving to Los Angeles in 1943, the Williams Brothers sang with Bing Crosby on the hit record Swinging on a Star and they appeared in four musical films, Janie, Kansas City Kitty, Something in the Wind and Ladies Man. A persistent myth is that as a teenager the future singing star dubbed the singing for Lauren Bacall in the 1944 feature film To Have and Have Not, according to authoritative sources, including Howard Hawks and Bacall herself, this was not true. Williams and some female singers were tested to dub for Bacall, but those fears were overshadowed by the desire to have Bacall do her own singing despite her less-than-perfect vocal talent. This myth is refuted in Leonard Maltins Movie Guide in the entry for this film, when Bob completed his military service, Kay hired all four brothers to sing on the soundtrack to Good News. They made their debut in Las Vegas in 1947 and became an overnight sensation, within a year, they were the highest paid nightclub act in the world, breaking records wherever they appeared. Williams revealed in his memoir Moon River and Me that he and Thompson became romantically involved while on tour, the act broke up in 1949 but reunited for another hugely successful tour from the fall of 1951 through the summer of 1953. After that, the four went their separate ways. A complete itinerary of both tours is listed on the Kay Thompson biography website, Williams and Thompson, however, remained very close, both personally and professionally. She mentored his emergence as a singing star. She coached him, wrote his arrangements, and composed songs that he recorded. Using her contacts in the business, Thompson helped Williams land his breakthrough television gig as a singer for two-and-a-half years on The Tonight Show starring Steve Allen
33.
Four Tops
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The Four Tops are an American vocal quartet from Detroit, Michigan who helped to define the citys Motown sound of the 1960s. The groups repertoire has included music, R&B, disco, adult contemporary, doo-wop, jazz. They were notable for having Stubbs, a baritone, as their singer, whereas most male. The group was the male vocal group for the highly successful songwriting and production team of Holland–Dozier–Holland. These included two Billboard Hot 100 number-one hits for the Tops, I Cant Help Myself in 1965, after Holland-Dozier-Holland left Motown in 1967, the Four Tops were assigned to a number of producers, primarily Frank Wilson, but generally with less success. When Motown left Detroit in 1972 to move to Los Angeles, California, in the 1980s, the Four Tops recorded for Casablanca Records, Arista Records and Motown, returning to that label on two occasions for brief stays. Apart from their album Indestructible, Universal Music Group controls the rights to their entire catalog and also their 1956 single. A change of lineup was forced on the group when Lawrence Payton died on June 20,1997, the group initially continued as a three-piece under the name the Tops, before Theo Peoples was recruited as the new fourth member. Peoples eventually took over the role of lead singer when Stubbs suffered a stroke in 2000, on July 1,2005, Benson died of lung cancer. Paytons son Roquel Payton replaced him, Levi Stubbs died on October 17,2008. Fakir, McNeir, Roquel Payton, and Harold Spike Bonhart, Fakir is the only surviving founding member of the group. All four members of the began their careers together while they were high-school students in Detroit. At the insistence of their friends, Pershing High students Levi Stubbs and Abdul Duke Fakir performed with Renaldo Obie Benson, the quartet decided to remain together and named the group the Four Aims. With the help of Paytons songwriter cousin Roquel Davis, the Aims signed to Chess Records in 1956, over the next seven years, the Tops had unsuccessful tenures at Chess, Red Top, Riverside Records and Columbia Records. Without any hit records to their name, they toured frequently, developing a stage presence. In 1963, Berry Gordy, Jr. who had worked with Roquel Davis as a songwriter in the late 1950s, during their early Motown years, the Four Tops recorded jazz standards for the companys Workshop label. In addition, they sang backup on Motown singles by the Supremes, Martha, in 1964, Motowns main songwriting and production team, Holland–Dozier–Holland, created a complete instrumental track without any idea of what to do with it. They decided to craft the song as a mainstream pop song for the Four Tops
