Mirror Image (The Twilight Zone)
"Mirror Image" is episode 21 of the American television anthology series The Twilight Zone. It aired on February 26, 1960 on CBS. Millicent Barnes waits in a bus depot in Marathon, New York, for a bus to Cortland, en route to a new job. Looking at a wall clock she notices, she asks the ticket agent when the bus will arrive, he gruffly complains that this is her third time asking. Millicent denies this. While speaking with the ticket agent, she notices a bag just like hers in the luggage pile behind her, she mentions this to the ticket agent. She does not believe this, she washes her hands in the restroom and the cleaning lady there insists this is her second time there. Again, Millicent denies this. Upon leaving the restroom, she glances in the mirror and sees, in addition to her reflection, an exact copy of herself sitting on the bench outside, she meets a young man from Binghamton named Paul Grinstead, waiting for the same bus. Millicent tells Paul about encountering her double. Paul, attempting to calm Millicent, says it is either a joke or a misunderstanding caused by a look-alike.
When the bus arrives and the two of them prepare to board, Millicent looks in the window and sees the copy of herself seated on the bus. In shock, she faints. Millicent lies unconscious on a bench inside the depot while Paul and the cleaning lady attend to her. Paul agrees to wait for the 7:00 bus. While they wait, now coming to, insists the strange events are caused by an evil double from a parallel world - a nearby, yet distant alternative plane of existence that comes into convergence with this world by powerful forces, or unnatural, unknown events; when this happens, the impostors enter this realm. Millicent's doppelgänger can survive in this world only by replacing her. Paul says the explanation is "a little metaphysical" for him, believes that Millicent's sanity is beginning to unravel. Paul tells Millicent he will call a friend in Tully who has a car and may be able to drive them to Syracuse. Instead, he calls the police. After Millicent is taken away by two policemen, Paul begins to settle himself.
After drinking from a water fountain, Paul notices. Looking up towards the doors, Paul notices another man running out the door of the bus depot. Pursuing this individual down the street, Paul discovers that he is chasing his own copy, whose face shows excited delight, his copy disappears as Paul calls out "Where are you?" while looking around in confusion and shock. Vera Miles as Millicent Barnes Martin Milner as Paul Grinstead Joe Hamilton as Ticket agent Naomi Stevens as Washroom Attendant In a short film pitching the Twilight Zone series to a Dutch television station, creator Rod Serling claimed to have gotten the idea for "Mirror Image" following an encounter at an airport. Serling noticed a man at the other side of the terminal who wore the same clothes and carried the same suitcase as himself. However, the man turned out to be younger and "more attractive"; this is one of several episodes from season one with its opening title sequence plastered over with the opening for season two. This was done during the Summer of 1961 as to help the season one shows fit in with the new look the show had taken during the following season.
This episode inspired Jordan Peele's 2019 film Us. DeVoe, Bill.. Trivia from The Twilight Zone. Albany, GA: Bear Manor Media. ISBN 978-1-59393-136-0 Grams, Martin.. The Twilight Zone: Unlocking the Door to a Television Classic. Churchville, MD: OTR Publishing. ISBN 978-0-9703310-9-0 "Mirror Image" on IMDb
The Twilight Zone (1959 TV series)
The Twilight Zone is an American anthology television series created and presented by Rod Serling, which ran for five seasons on CBS from 1959 to 1964. Each episode presents a stand-alone story in which characters find themselves dealing with disturbing or unusual events, an experience described as entering "the Twilight Zone," ending with a surprise ending and a moral. Although predominantly science-fiction, the show's paranormal and Kafkaesque events leaned the show towards fantasy and horror; the phrase “twilight zone,” inspired by the series, is used to describe surreal experiences. The series featured both established stars and younger actors who would become much better known later. Serling served as executive head writer, he was the show's host and narrator, delivering monologues at the beginning and end of each episode. Serling's opening and closing narrations summarize the episode's events encapsulating how and why the main character had entered the Twilight Zone. In 1997, the episodes "To Serve Man" and "It's a Good Life" were ranked at 11 and 31 on TV Guide's 100 Greatest Episodes of All Time.
Serling himself stated that his favorite episodes of the series were "The Invaders" and "Time Enough at Last". In 2016, the series was ranked No. 7 on Rolling Stone's list of the 100 greatest shows of all time. In 2002, The Twilight Zone was ranked No. 26 on TV Guide's 50 Greatest TV Shows of All Time. In 2013, the Writers Guild of America ranked it as the third best-written TV series and TV Guide ranked it as the fourth greatest drama and the fifth greatest show of all time. By the late 1950s, Rod Serling was a prominent name in American television, his successful television plays included Patterns and Requiem for a Heavyweight, but constant changes and edits made by the networks and sponsors frustrated Serling. In Requiem for a Heavyweight, the line "Got a match?" had to be struck because the sponsor sold lighters. But according to comments in his 1957 anthology Patterns, Serling had been trying to delve into material more controversial than his works of the early 1950s; this led to Noon on Doomsday for the United States Steel Hour in 1956, a commentary by Serling on the defensiveness and total lack of repentance he saw in the Mississippi town where the murder of Emmett Till took place.
His original script paralleled the Till case was moved out of the South and the victim changed to a Jewish pawnbroker, watered down to just a foreigner in an unnamed town. Despite bad reviews, activists sent numerous wires protesting the production. Serling thought that a science-fictional setting, with robots and other supernatural occurrences, would give him more freedom and less interference in expressing controversial ideas than more realistic settings. "The Time Element" was Serling's 1957 pilot pitch for his show, a time travel adventure about a man who travels back to Honolulu in 1941 and unsuccessfully tries to warn everyone about the impending attack on Pearl Harbor. The script, was rejected and shelved for a year until Bert Granet discovered and produced it as an episode of Desilu Playhouse in 1958; the show was a great success and enabled Serling to begin production on his anthology series, The Twilight Zone. Serling's editorial sense of ironic fate in the writing done for the series was identified as significant to its success by the BFI Film Classics library which stated that for Serling "the cruel indifference and implacability of fate and the irony of poetic justice" were recurrent themes in his plots.
There is a fifth dimension, beyond that, known to man. It is a dimension as timeless as infinity, it is the middle ground between light and shadow, between science and superstition, it lies between the pit of man's fears and the summit of his knowledge. This is the dimension of imagination, it is an area. The Twilight Zone premiered the night of October 1959, to rave reviews. "Twilight Zone is about the only show on the air that I look forward to seeing. It's the one series that I will let interfere with other plans", said Terry Turner for the Chicago Daily News. Others agreed. Daily Variety ranked it with "the best, accomplished in half-hour filmed television" and the New York Herald Tribune found the show to be "certainly the best and most original anthology series of the year"; as the show proved popular to television's critics, it struggled to find a receptive audience of television viewers. CBS was banking on a rating of at least 21 or 22; the series' future was jeopardized when its third episode, "Mr. Denton on Doomsday" earned a 16.3 rating.
Still, the show attracted a large enough audience to survive a brief hiatus in November, after which it surpassed its competition on ABC and NBC and convinced its sponsors to stay on until the end of the season. With one exception, the first season featured scripts written only by Rod Serling, Charles Beaumont or Richard Matheson; these three were responsible for 127 of the 156 episodes in the series. Additionally, with one exception, Serling never appeared on camera during any first-season episode (as he woul
The Grave (The Twilight Zone)
"The Grave" is episode 72 of the American television anthology series The Twilight Zone. It aired on October 27, 1961 on CBS; the outlaw Pinto Sykes is ambushed by the men of the town in the middle of the street. Some time gun-for-hire Conny Miller, hired to track down Sykes, arrives in town, he goes to the saloon where the men who hired him are gathered and is angry to learn that they had dispatched Sykes themselves. Moreover, on his deathbed Sykes accused Miller of being a coward, saying he left a clue he was in Albuquerque, New Mexico and Miller never followed it up being afraid to confront Sykes, he made a vow to reach up and grab Miller if he came near his grave. Miller says that Sykes was a liar, claiming he went to Albuquerque and found no sign that Sykes had been there, denies that he is at all frightened by Sykes's threat of vengeance from beyond the grave; the men are not convinced admitting they themselves are frightened of Sykes, dare Miller to make a midnight visit to Sykes's grave.
Miller is told to stick a knife into the burial mound as proof that he had visited the grave. After being confronted by Sykes's sister Ione, Miller treks in the cold, windy darkness to the cemetery and, at midnight, kneels at the grave and plants the knife, but as he attempts to leave, he is pulled back down. The next day, Miller has still not returned; the townsmen, accompanied by Ione, visit the cemetery in search of Miller. They find Miller lying dead atop Sykes's grave, with his knife through his coat pinning him to the ground. Steinhart deduces that the wind blew Miller's coat over the grave, he stuck the knife through his coattail unknowingly, as he stood up afterward, he mistook the pinned coat's resistance for Sykes's grip and died of fright. However, Ione points out that since the wind was blowing from the south that night, it would have blown Miller's coat away from the grave, not over it, she laughs mockingly at the stupefied men. Lee Marvin as Conny Miller James Best as Johnny Rob Lee Van Cleef as Steinhart Strother Martin as Mothershed Stafford Repp as Ira Broadly Elen Willard as Ione Sykes Dick Geary as Pinto Sykes William Challee as Jason Larry Johns as Townsman Leonard Q. Ross published a similar story in 1941, called "The Path Through The Cemetery."
The tale, set in Imperial Russia, describes a timid man, named Ivan, who responds to a similar challenge from a Cossack officer in the Tsar's Army with the sword he receives from the Cossack officer for the purpose—and who meets a similar fate. Maria Leach authored a compilation of ghost stories called The Thing at the Foot of the Bed and Other Scary Tales in 1959 that included a story called "The Dare", in which a group of kids sitting in front of a fire telling ghost stories dare one of the group to go to the grave of a man, just buried earlier that day; the boy takes the dare, states he will stick a knife in the grave to prove he was there, proceeds to meet the same fate that night. DeVoe, Bill.. Trivia from The Twilight Zone. Albany, GA: Bear Manor Media. ISBN 978-1-59393-136-0 Grams, Martin.. The Twilight Zone: Unlocking the Door to a Television Classic. Churchville, MD: OTR Publishing. ISBN 978-0-9703310-9-0 Ross, Leonard Q. "The Path Through the Cemetery." Saturday Review of Literature.. ISSN 0147-5932.
Leach, Maria. The Thing at the Foot of the Bed and Other Scary Tales. Cleveland, OH: The World Publishing Company. "The Grave" on IMDb "The Grave" at TV.com
And When the Sky Was Opened
"And When the Sky Was Opened" is episode eleven of the American television anthology series The Twilight Zone. It aired on December 11, 1959, it is an adaptation of the Richard Matheson short story "Disappearing Act". United States Air Force Colonel Clegg Forbes arrives at a military hospital to visit his friend and co-pilot Major William Gart; the two had piloted an experimental spaceplane, the X-20 DynaSoar, on a mission that took them 900 miles beyond the confines of the Earth's atmosphere for the first time. During their voyage the men blacked out for four hours and the craft itself disappeared from radar screens for a full day before reappearing and crash landing in the desert leaving Gart with a broken leg. Gart inquires as to the status of the plane, but Forbes is agitated and asks Gart if he remembers how many people were on the mission, producing a newspaper whose front page shows the likenesses of the two men and a headline stating that two astronauts were rescued from the desert crash.
Gart confirms that only he and Forbes piloted the plane but Forbes insists that a third man – Colonel Ed Harrington, his best friend for 15 years – accompanied them. In the flashback, the previous morning and Forbes are shown joking with Gart as they are discharged from the hospital after passing their physical exams, leaving the Major to recuperate alone; the same newspaper that Forbes would show Gart is present but instead asserts three astronauts were recovered from the crash of the X-20 with a photo depicting a crew of three. The two men visit a bar downtown. While there, Harrington is overcome by a feeling that he no longer "belongs" in the world. Disturbed, he phones his parents who tell him they have no son named Ed Harrington and believe the person calling them to be a prankster. Harrington mysteriously vanishes from the phone booth and no one in the bar but Forbes remembers his existence. Desperate, Forbes searches for any trace of his friend but can find nothing in the bar, his girlfriend, does not remember Harrington, neither does his commanding officer.
Returning to the closed bar, he breaks in calling his name repeatedly. He returns to the hospital the next morning to talk with Gart. Back in the present, Forbes is dismayed by Gart's claim that he doesn't know anyone named Harrington. Forbes glances at a mirror and discovers he casts no reflection, causing him to flee the room in terror. Gart tries to hobble. Calling the duty nurse to ask if she saw where Forbes went, Gart is stunned at the nurse's claim that nobody named Forbes has been in the building and that Gart was the only man, aboard his plane. After getting back into bed, he notices, it now says that Gart was the sole pilot of the X-20 – all mention of Forbes, including his photo, is gone. Horrified, Gart disappears. An officer enters the building and asks the duty nurse if there are any unused rooms available to accommodate new patients; the nurse takes him to the now empty room which hosted the three astronauts, stating that it has been unoccupied. In the hangar which housed the X-20, the sheet that covered the craft is shown lying on the ground.
There is no trace of the plane. Rod Taylor as Lieutenant Colonel Clegg Forbes Charles Aidman as Colonel Ed Harrington Jim Hutton as Major William Gart Maxine Cooper as Amy Sue Randall as Nurse Paul Bryar as Bartender Joe Bassett as Medical officer Gloria Pall as Girl in bar Elizabeth Fielding as Blond Nurse This episode is loosely based on the short story "Disappearing Act" by Richard Matheson; the story was first published in The Magazine of Science Fiction. Rod Taylor and director Douglas Heyes worked together on the TV series Bearcats!. "Remember Me", an episode of Star Trek: The Next Generation, in which ship's doctor Beverly Crusher undergoes a comparable experience. "Revisions", a Stargate SG-1 episode with a similar plot. "Games People Play", a Eureka episode with a similar plot. DeVoe, Bill. Trivia from The Twilight Zone. Albany, GA: Bear Manor Media. ISBN 978-1-59393-136-0. Grams, Martin; the Twilight Zone: Unlocking the Door to a Television Classic. Churchville, MD: OTR Publishing. ISBN 978-0-9703310-9-0.
"And When the Sky Was Opened" on IMDb "And When the Sky Was Opened" at TV.com And When The Sky Was Opened | John's Twilight Zone Page
An anthology series is a radio, television or book series that presents a different story and a different set of characters in each episode or season. These have a different cast each week, but several series in the past, such as Four Star Playhouse, employed a permanent troupe of character actors who would appear in a different drama each week; some anthology series, such as Studio One, began on radio and expanded to television. Medieval Greek anthologiā, collection of epigrams, from Greek, flower gathering, from anthologein, to gather flowers: antho-, antho- + logos, a gathering. Many popular old-time radio programs were anthology series. On some series, such as Inner Sanctum Mysteries, the only constant was the host, who introduced and concluded each dramatic presentation. One of the earliest such programs was The Collier Hour, broadcast on the NBC Blue Network from 1927 to 1932; as radio's first major dramatic anthology, it adapted stories and serials from Collier's Weekly in a calculated move to increase subscriptions and compete with The Saturday Evening Post.
Airing on the Wednesday prior to each week's distribution of the magazine, the program soon moved to Sundays in order to avoid spoilers with dramatizations of stories appearing in the magazine. Radio drama anthology series include: Academy Award Theater Arch Oboler's Plays The Campbell Playhouse Cavalcade of America CBS Radio Workshop Earplay Four Star Playhouse Lux Radio Theater The Mercury Theatre on the Air The Screen Guild Theater Stars over Hollywood Radio anthology series provided a format for science fiction, horror and mystery genres: Mystery House The Witch's Tale Lights Out The Hermit's Cave Famous Jury Trials Dark Fantasy Inner Sanctum Mysteries The Whistler Suspense The Mysterious Traveler Creeps by Night Mystery Playhouse The Strange Dr. Weird The Haunting Hour The Sealed Book Mystery in the Air The Weird Circle Quiet, Please! Escape The Unexpected The Hall of Fantasy 2000 Plus Dimension X ABC Mystery Theater, anthology and mystery series Sleep No More Theater 10:30 X Minus One The final episode of Suspense was broadcast on September 30, 1962, a date that has traditionally been seen as marking the end of the old-time radio era.
However, genre series produced since 1962 include: The Black Mass The Creaking Door Beyond Midnight The Zero Hour Mystery Theater Nightfall The Cabinet of Dr. Fritz 2000X The Twilight Zone In the history of television, live anthology dramas were popular during the Golden Age of Television of the 1950s with series such as The United States Steel Hour and The Philco Television Playhouse. Dick Powell came up with an idea for an anthology series, Four Star Playhouse, with a rotation of established stars every week, four stars in all; the stars would own the studio and the program, as Lucille Ball and Desi Arnaz had done with Desilu studio. Powell had intended for the program to feature himself, Charles Boyer, Joel McCrea, Rosalind Russell; when Russell and McCrea backed out, David Niven came on board as the third star. The fourth star was a guest star. CBS liked the idea, Four Star Playhouse made its debut in fall of 1952, it ran on alternate weeks only during the first season, alternating with Andy.
It was successful enough to be renewed and became a weekly program from the second season until the end of its run in 1956. Ida Lupino was brought on board as the de facto fourth star, though unlike Powell and Niven, she owned no stock in the company. American television networks would sometimes run summer anthology series which consisted of unsold television pilots. Beginning in 1971, the long-run Masterpiece Theatre drama anthology series brought British productions to American television. In 2011, American Horror Story debuted a new type of anthology format in the U. S; each season, rather than each episode, is a standalone story. Several actors have appeared in the various seasons, but playing different roles—in an echo of the Four Star Playhouse format; the success of American Horror Story has spawned other season-long anthologies such as American Crime Story and Feud. The 20th Century Fox Hour ABC Movie of the Week ABC Stage 67 Academy Theatre Actors Studio Alcoa-Goodyear Theatre The Alcoa Hour Alcoa Premiere American Crime American Crime Story American Horror Story American Film Theatre American Playhouse The American Playwrights Theater: The One Acts Th
Vladimir Aleksandrovich Sokoloff was a Russian-American character actor on stage and in film. Sokoloff was born in Russia, he became an actor and assistant director with the Moscow Art Theatre before emigrating to Berlin in 1923. With the rise of Nazism, the Jewish Sokoloff moved first to Paris in 1932 to the United States in 1937, he appeared in a number of Broadway plays from 1937 to 1950. He quickly found work in American films, playing characters of a wide variety of nationalities, for example, French, Arab and Chinese. Among his better known parts are the Spanish guerrilla Anselmo in For Whom the Bell Tolls and the Mexican Old Man in The Magnificent Seven. In the late 1950s and early 1960s, he appeared on a number of television series, including three episodes of CBS's The Twilight Zone. On January 1, 1961, Sokoloff guest starred as "Old Stefano", a wise shepherd, in the ABC/Warner Brothers western series Lawman, with John Russell and Peter Brown, he appeared on one episode of The Untouchables entitled "Troubleshooter".
He was a pupil of Stanislavski. After a long career, he died of a stroke in 1962 in California. Vladimir Sokoloff on IMDb Vladimir Sokoloff at the Internet Broadway Database Vladimir Sokoloff at Find a Grave
CBS is an American English language commercial broadcast television and radio network, a flagship property of CBS Corporation. The company is headquartered at the CBS Building in New York City with major production facilities and operations in New York City and Los Angeles. CBS is sometimes referred to as the Eye Network, in reference to the company's iconic symbol, in use since 1951, it has been called the "Tiffany Network", alluding to the perceived high quality of CBS programming during the tenure of William S. Paley, it can refer to some of CBS's first demonstrations of color television, which were held in a former Tiffany & Co. building in New York City in 1950. The network has its origins in United Independent Broadcasters Inc. a collection of 16 radio stations, purchased by Paley in 1928 and renamed the Columbia Broadcasting System. Under Paley's guidance, CBS would first become one of the largest radio networks in the United States, one of the Big Three American broadcast television networks.
In 1974, CBS dropped its former full name and became known as CBS, Inc. The Westinghouse Electric Corporation acquired the network in 1995, renamed its corporate entity to the current CBS Broadcasting, Inc. in 1997, adopted the name of the company it had acquired to become CBS Corporation. In 2000, CBS came under the control of Viacom, formed as a spin-off of CBS in 1971. In late 2005, Viacom split itself into two separate companies and re-established CBS Corporation – through the spin-off of its broadcast television and select cable television and non-broadcasting assets – with the CBS television network at its core. CBS Corporation is controlled by Sumner Redstone through National Amusements, which controls the current Viacom. CBS operated the CBS Radio network until 2017, when it merged its radio division with Entercom. Prior to CBS Radio provided news and features content for its portfolio owned-and-operated radio stations in large and mid-sized markets, affiliated radio stations in various other markets.
While CBS Corporation owns a 72% stake in Entercom, it no longer owns or operates any radio stations directly, though CBS still provides radio news broadcasts to its radio affiliates and the new owners of its former radio stations. The television network has more than 240 owned-and-operated and affiliated television stations throughout the United States; the company ranked 197th on the 2018 Fortune 500 of the largest United States corporations by revenue. The origins of CBS date back to January 27, 1927, with the creation of the "United Independent Broadcasters" network in Chicago by New York City talent-agent Arthur Judson; the fledgling network soon needed additional investors though, the Columbia Phonograph Company, manufacturers of Columbia Records, rescued it in April 1927. Columbia Phonographic went on the air on September 18, 1927, with a presentation by the Howard L. Barlow Orchestra from flagship station WOR in Newark, New Jersey, fifteen affiliates. Operational costs were steep the payments to AT&T for use of its land lines, by the end of 1927, Columbia Phonograph wanted out.
In early 1928 Judson sold the network to brothers Isaac and Leon Levy, owners of the network's Philadelphia affiliate WCAU, their partner Jerome Louchheim. None of the three were interested in assuming day-to-day management of the network, so they installed wealthy 26-year-old William S. Paley, son of a Philadelphia cigar family and in-law of the Levys, as president. With the record company out of the picture, Paley streamlined the corporate name to "Columbia Broadcasting System", he believed in the power of radio advertising since his family's "La Palina" cigars had doubled their sales after young William convinced his elders to advertise on radio. By September 1928, Paley bought out the Louchhheim share of CBS and became its majority owner with 51% of the business. During Louchheim's brief regime, Columbia paid $410,000 to A. H. Grebe's Atlantic Broadcasting Company for a small Brooklyn station, WABC, which would become the network's flagship station. WABC was upgraded, the signal relocated to 860 kHz.
The physical plant was relocated – to Steinway Hall on West 57th Street in Manhattan, where much of CBS's programming would originate. By the turn of 1929, the network could boast to sponsors of having 47 affiliates. Paley moved right away to put his network on a firmer financial footing. In the fall of 1928, he entered into talks with Adolph Zukor of Paramount Pictures, who planned to move into radio in response to RCA's forays into motion pictures with the advent of talkies; the deal came to fruition in September 1929: Paramount acquired 49% of CBS in return for a block of its stock worth $3.8 million at the time. The agreement specified that Paramount would buy that same stock back by March 1, 1932 for a flat $5 million, provided CBS had earned $2 million during 1931 and 1932. For a brief time there was talk that the network might be renamed "Paramount Radio", but it only lasted a month – the 1929 stock market crash sent all stock value tumbling, it galvanized Paley and his troops, who "had no alternative but to turn the network around and earn the $2,000,000 in two years....
This is the atmosphere in which the CBS of today was born." The near-bankrupt movie studio sold its CBS shares back to CBS in 1932. In the first year of Paley's wa