A television show is any content produced for broadcast via over-the-air, cable, or internet and viewed on a television set, excluding breaking news, advertisements, or trailers that are placed between shows. Television shows are most scheduled well ahead of time and appear on electronic guides or other TV listings. A television show might be called a television program if it lacks a narrative structure. A television series is released in episodes that follow a narrative, are divided into seasons or series – yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called serial, or limited series. A one-time show may be called a "special". A television film is a film, broadcast on television rather than released in theaters or direct-to-video. Television shows can be viewed as they are broadcast in real time, be recorded on home video or a digital video recorder for viewing, or be viewed on demand via a set-top box or streamed over the internet; the first television shows were experimental, sporadic broadcasts viewable only within a short range from the broadcast tower starting in the 1930s.
Televised events such as the 1936 Summer Olympics in Germany, the 1937 coronation of King George VI in the UK, David Sarnoff's famous introduction at the 1939 New York World's Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 1947 World Series inspired many Americans to buy their first television set and in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name "Mr Television" and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers; the first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman's speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T's transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast in the US occurred on January 1, 1954.
During the following ten years most network broadcasts, nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color; the first all-color prime-time season came just one year later. In 1972, the last holdout among daytime network shows converted to color, resulting in the first all-color network season. Television shows are more varied than most other forms of media due wide variety formats and genres that can be presented. A show may non-fictional, it may be historical. They could be instructional or educational, or entertaining as is the case in situation comedy and game shows. A drama program features a set of actors playing characters in a historical or contemporary setting; the program follows their adventures. Except for soap opera-type serials, many shows before the 1980s, remained static without story arcs, the main characters and premise changed little.
If some change happened to the characters' lives during the episode, it was undone by the end. Because of this, the episodes could be broadcast in any order. Since the 1980s, there are many series that feature progressive change to the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure. While the series, Babylon 5 is an extreme example of such production that had a predetermined story running over its intended five-season run. In 2012, it was reported that television was growing into a larger component of major media companies' revenues than film; some noted the increase in quality of some television programs. In 2012, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: "I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television."
When a person or company decides to create a new series, they develop the show's elements, consisting of the concept, the characters, the crew, cast. They "pitch" it to the various networks in an attempt to find one interested enough to order a prototype first episode of the series, known as a pilot. Eric Coleman, an animation executive at Disney, told an interviewer, "One misconception is that it's difficult to get in and pitch your show, when the truth is that development executives at networks want much to hear ideas, they want much to get the word out on what types of shows they're looking for."To create the pilot, the structure and team of the whole series must be put together. If audiences respond well to the pilot, the network will pick up the show to air it the next season. Sometimes they save it for mid-season, or father review. Other times, they pass forcing the show's creator to "shop it around" to other networks. Many shows never make it past the pilot stage; the show hires a stable of writers, who usually
Rock music is a broad genre of popular music that originated as "rock and roll" in the United States in the early 1950s, developed into a range of different styles in the 1960s and particularly in the United Kingdom and in the United States. It has its roots in 1940s and 1950s rock and roll, a style which drew on the genres of blues and blues, from country music. Rock music drew on a number of other genres such as electric blues and folk, incorporated influences from jazz and other musical styles. Musically, rock has centered on the electric guitar as part of a rock group with electric bass and one or more singers. Rock is song-based music with a 4/4 time signature using a verse–chorus form, but the genre has become diverse. Like pop music, lyrics stress romantic love but address a wide variety of other themes that are social or political. By the late 1960s "classic rock" period, a number of distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, southern rock, raga rock, jazz-rock, many of which contributed to the development of psychedelic rock, influenced by the countercultural psychedelic and hippie scene.
New genres that emerged included progressive rock. In the second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave, post-punk and alternative rock. From the 1990s alternative rock began to dominate rock music and break into the mainstream in the form of grunge and indie rock. Further fusion subgenres have since emerged, including pop punk, electronic rock, rap rock, rap metal, as well as conscious attempts to revisit rock's history, including the garage rock/post-punk and techno-pop revivals at the beginning of the 2000s. Rock music has embodied and served as the vehicle for cultural and social movements, leading to major subcultures including mods and rockers in the UK and the hippie counterculture that spread out from San Francisco in the US in the 1960s. 1970s punk culture spawned the goth and emo subcultures. Inheriting the folk tradition of the protest song, rock music has been associated with political activism as well as changes in social attitudes to race and drug use, is seen as an expression of youth revolt against adult consumerism and conformity.
The sound of rock is traditionally centered on the amplified electric guitar, which emerged in its modern form in the 1950s with the popularity of rock and roll. It was influenced by the sounds of electric blues guitarists; the sound of an electric guitar in rock music is supported by an electric bass guitar, which pioneered in jazz music in the same era, percussion produced from a drum kit that combines drums and cymbals. This trio of instruments has been complemented by the inclusion of other instruments keyboards such as the piano, the Hammond organ, the synthesizer; the basic rock instrumentation was derived from the basic blues band instrumentation. A group of musicians performing rock music is termed as a rock group. Furthermore, it consists of between three and five members. Classically, a rock band takes the form of a quartet whose members cover one or more roles, including vocalist, lead guitarist, rhythm guitarist, bass guitarist and keyboard player or other instrumentalist. Rock music is traditionally built on a foundation of simple unsyncopated rhythms in a 4/4 meter, with a repetitive snare drum back beat on beats two and four.
Melodies originate from older musical modes such as the Dorian and Mixolydian, as well as major and minor modes. Harmonies range from the common triad to parallel perfect fourths and fifths and dissonant harmonic progressions. Since the late 1950s and from the mid 1960s onwards, rock music used the verse-chorus structure derived from blues and folk music, but there has been considerable variation from this model. Critics have stressed the eclecticism and stylistic diversity of rock; because of its complex history and its tendency to borrow from other musical and cultural forms, it has been argued that "it is impossible to bind rock music to a rigidly delineated musical definition." Unlike many earlier styles of popular music, rock lyrics have dealt with a wide range of themes, including romantic love, rebellion against "The Establishment", social concerns, life styles. These themes were inherited from a variety of sources such as the Tin Pan Alley pop tradition, folk music, rhythm and blues.
Music journalist Robert Christgau characterizes rock lyrics as a "cool medium" with simple diction and repeated refrains, asserts that rock's primary "function" "pertains to music, or, more noise." The predominance of white and middle class musicians in rock music has been noted, rock has been seen as an appropriation of black musical forms for a young and male audience. As a result, it has been seen to articulate the concerns of this group in both style and lyrics. Christgau, writing in 1972, said in spite of some exceptions, "rock and roll implies an identification of male sexuality and aggression". Since the term "rock" started being used in preference to "rock and roll" from the late-1960s, it has been contrasted with pop music, with which it has shared many characteristics, but from wh
Northern Ireland is a part of the United Kingdom in the north-east of the island of Ireland, variously described as a country, province or region. Northern Ireland shares a border to the west with the Republic of Ireland. In 2011, its population was 1,810,863, constituting about 30% of the island's total population and about 3% of the UK's population. Established by the Northern Ireland Act 1998 as part of the Good Friday Agreement, the Northern Ireland Assembly holds responsibility for a range of devolved policy matters, while other areas are reserved for the British government. Northern Ireland co-operates with the Republic of Ireland in some areas, the Agreement granted the Republic the ability to "put forward views and proposals" with "determined efforts to resolve disagreements between the two governments". Northern Ireland was created in 1921, when Ireland was partitioned between Northern Ireland and Southern Ireland by the Government of Ireland Act 1920. Unlike Southern Ireland, which would become the Irish Free State in 1922, the majority of Northern Ireland's population were unionists, who wanted to remain within the United Kingdom.
Most of these were the Protestant descendants of colonists from Great Britain. However, a significant minority Catholics, were nationalists who wanted a united Ireland independent of British rule. Today, the former see themselves as British and the latter see themselves as Irish, while a distinct Northern Irish or Ulster identity is claimed both by a large minority of Catholics and Protestants and by many of those who are non-aligned. For most of the 20th century, when it came into existence, Northern Ireland was marked by discrimination and hostility between these two sides in what First Minister of Northern Ireland, David Trimble, called a "cold house" for Catholics. In the late 1960s, conflict between state forces and chiefly Protestant unionists on the one hand, chiefly Catholic nationalists on the other, erupted into three decades of violence known as the Troubles, which claimed over 3,500 lives and caused over 50,000 casualties; the 1998 Good Friday Agreement was a major step in the peace process, including the decommissioning of weapons, although sectarianism and religious segregation still remain major social problems, sporadic violence has continued.
Northern Ireland has been the most industrialised region of Ireland. After declining as a result of the political and social turmoil of the Troubles, its economy has grown since the late 1990s; the initial growth came from the "peace dividend" and the links which increased trade with the Republic of Ireland, continuing with a significant increase in tourism and business from around the world. Unemployment in Northern Ireland peaked at 17.2% in 1986, dropping to 6.1% for June–August 2014 and down by 1.2 percentage points over the year, similar to the UK figure of 6.2%. 58.2% of those unemployed had been unemployed for over a year. Prominent artists and sportspeople from Northern Ireland include Van Morrison, Rory McIlroy, Joey Dunlop, Wayne McCullough and George Best; some people from Northern Ireland prefer to identify as Irish while others prefer to identify as British. Cultural links between Northern Ireland, the rest of Ireland, the rest of the UK are complex, with Northern Ireland sharing both the culture of Ireland and the culture of the United Kingdom.
In many sports, the island of Ireland fields a single team, a notable exception being association football. Northern Ireland competes separately at the Commonwealth Games, people from Northern Ireland may compete for either Great Britain or Ireland at the Olympic Games; the region, now Northern Ireland was the bedrock of the Irish war of resistance against English programmes of colonialism in the late 16th century. The English-controlled Kingdom of Ireland had been declared by the English king Henry VIII in 1542, but Irish resistance made English control fragmentary. Following Irish defeat at the Battle of Kinsale, the region's Gaelic, Roman Catholic aristocracy fled to continental Europe in 1607 and the region became subject to major programmes of colonialism by Protestant English and Scottish settlers. A rebellion in 1641 by Irish aristocrats against English rule resulted in a massacre of settlers in Ulster in the context of a war breaking out between England and Ireland fuelled by religious intolerance in government.
Victories by English forces in that war and further Protestant victories in the Williamite War in Ireland toward the close of the 17th century solidified Anglican rule in Ireland. In Northern Ireland, the victories of the Siege of Derry and the Battle of the Boyne in this latter war are still celebrated by some Protestants. Popes Innocent XI and Alexander VIII had supported William of Orange instead of his maternal uncle and father-in-law James II, despite William being Protestant and James a Catholic, due to William's participation in alliance with both Protesant and Catholic powers in Europe in wars against Louis XIV, the powerful King of France, in conflict with the papacy for decades. In 1693, Pope Innocent XII recognised James as continuing King of Great Britain and Ireland in place of William, after reconciliation with Louis. In 1695, contrary to the terms of the Treaty of Limerick, a series of penal laws were passed by the Anglican ruling class in Ireland in intense anger at the Pope's recognition of James over William, felt to be a betrayal.
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Punk rock is a rock music genre that developed in the mid-1970s in the United States, United Kingdom and Australia. Rooted in 1960s garage rock and other forms of what is now known as "proto-punk" music, punk rock bands rejected perceived excesses of mainstream 1970s rock, they produced short, fast-paced songs with hard-edged melodies and singing styles, stripped-down instrumentation, political, anti-establishment lyrics. Punk embraces a DIY ethic; the term "punk rock" was first used by certain American rock critics in the early 1970s to describe 1960s garage bands and subsequent acts perceived as stylistic inheritors. Between 1974 and 1976 the movement now called. By late 1976, bands such as Television and the Ramones in New York City, the Sex Pistols, the Clash, the Damned in London, the Saints in Brisbane were recognized as forming its vanguard; as 1977 approached, punk became a major and controversial cultural phenomenon in the UK. It spawned a punk subculture expressing youthful rebellion through distinctive styles of clothing and adornment and a variety of anti-authoritarian ideologies.
In 1977 the influence of the music and subculture became more pervasive. It took root in a wide range of local scenes that rejected affiliation with the mainstream. In the late 1970s, punk experienced a second wave as new acts that were not active during its formative years adopted the style. By the early 1980s, faster and more aggressive subgenres such as hardcore punk, street punk and anarcho-punk became the predominant modes of punk rock. Musicians identifying with or inspired by punk pursued other musical directions, giving rise to spinoffs such as post-punk, new wave, indie pop, alternative rock, noise rock. By the 1990s, punk re-emerged in the mainstream with the success of punk rock and pop punk bands such as Green Day, The Offspring, Blink-182; the first wave of punk rock was "aggressively modern" and differed from what came before. According to Ramones drummer Tommy Ramone, "In its initial form, a lot of stuff was innovative and exciting. What happens is that people who could not hold a candle to the likes of Hendrix started noodling away.
Soon you had endless solos. By 1973, I knew that what was needed was some pure, stripped down, no bullshit rock'n' roll." John Holmstrom, founding editor of Punk magazine, recalls feeling "punk rock had to come along because the rock scene had become so tame that like Billy Joel and Simon and Garfunkel were being called rock and roll, when to me and other fans and roll meant this wild and rebellious music." In critic Robert Christgau's description, "It was a subculture that scornfully rejected the political idealism and Californian flower-power silliness of hippie myth." Technical accessibility and a Do. UK pub rock from 1972-1975 contributed to the emergence of punk rock by developing a network of small venues, such as pubs, where non-mainstream bands could play. Pub rock introduced the idea of independent record labels, such as Stiff Records, which put out basic, low-cost records. Pub rock bands put out small pressings of their records. In the early days of punk rock, this DIY ethic stood in marked contrast to what those in the scene regarded as the ostentatious musical effects and technological demands of many mainstream rock bands.
Musical virtuosity was looked on with suspicion. According to Holmstrom, punk rock was "rock and roll by people who didn't have many skills as musicians but still felt the need to express themselves through music". In December 1976, the English fanzine Sideburns published a now-famous illustration of three chords, captioned "This is a chord, this is another, this is a third. Now form a band"; the title of a 1980 single by the New York punk band Stimulators, "Loud Fast Rules!", inscribed a catchphrase for punk's basic musical approach. Some of British punk rock's leading figures made a show of rejecting not only contemporary mainstream rock and the broader culture it was associated with, but their own most celebrated music predecessors: "No Elvis, Beatles or the Rolling Stones in 1977", declared the Clash song "1977"; the previous year, when the punk rock revolution began in Great Britain, was to be both a musical and a cultural "Year Zero". As nostalgia was discarded, many in the scene adopted a nihilistic attitude summed up by the Sex Pistols slogan "No Future".
While "self-imposed alienation" was common among "drunk punks" and "gutter punks", there was always a tension between their nihilistic outlook and the "radical leftist utopianism" of bands such as Crass, who found positive, liberating meaning in the movement. As a Clash associate describes singer Joe Strummer's outlook, "Punk rock is meant to be our freedom. We're meant to be able to do what we want to do."The issue of authenticity is important in the punk subculture—the pejorative term "poseur" is applied to those who associate with punk and adopt its stylistic attributes but are deemed not to share or understand the underlying values and philosophy. Scholar Daniel S. Traber argues that "attaining authenticity in the punk identity can be difficult".
The Undertones are a rock band formed in Derry, Northern Ireland in 1974. From 1975 to 1983, the Undertones consisted of Feargal Sharkey, John O'Neill, Damian O'Neill, Michael Bradley and Billy Doherty. Much of the earlier Undertones material drew influence from new wave; the Undertones released thirteen singles and four studio albums between 1978 and 1983 before Sharkey announced his intention to leave the band in May 1983, citing musical differences as the reason for the break up. Despite the backdrop of the Troubles in Derry and across Northern Ireland, the vast majority of the material the Undertones released focused not upon the political climate, but upon issues such as adolescence, teenage angst and heartbreak; the merging of instruments has led AllMusic to state that guitarists John and Damian O'Neill "mated infectious guitar hooks to 1960s garage, 1970s glam rock, Feargal Sharkey's signature vocal quaver."In 1999, the Undertones reformed, replacing lead singer Sharkey with Paul McLoone.
The Undertones remain the most successful band to have emerged from Derry, one of the most successful bands to have emerged from Northern Ireland. The Undertones formed in Derry, Northern Ireland in 1974; the band members were five friends from Creggan and the Bogside, who drew inspiration from such artists as the Beatles, Small Faces and Lindisfarne. The band rehearsed cover versions at the home of the guitarists, brothers John and Vincent O'Neill, in the shed of a neighbour. Beginning in February 1976 the group, at this stage still unnamed, began playing gigs at various minor local venues, including schools, parish halls and Scout huts, where the band's lead singer, Feargal Sharkey, was a local Scout leader. Sharkey was responsible for giving the band their first name: at the introduction to a gig at Saint Joseph's Secondary School in Derry on 16 March 1976, Feargal Sharkey was asked the name of the band and replied "The Hot Rods". At a gig, Sharkey named the band "Little Feat": another name used by another group.
That year, drummer Billy Doherty proposed an alternate name for the group: The Undertones, which Doherty had discovered in his school history book. The other members of the band agreed to the proposal. With the arrival of punk rock in late 1976, the artistic focus of the band changed. Artists such as the Adverts, Sex Pistols and the Ramones became major influences on the Undertones. In addition to being a Scout leader, Feargal Sharkey worked as a television repairman and delivery man; the van which Sharkey drove in this employment was used by the Undertones to transport their equipment to and from various venues. By 1977 the band were performing their own three-chord pop punk material, performed alongside cover versions at concerts at The Casbah, where the band began to perform in February; the Undertones had earned money at venues where they had performed throughout 1976, but these gigs at The Casbah were the first performances for which the Undertones were paid on a regular basis, as performing at The Casbah earned the group up to £30 for each attendance fee.
Both the money earned and their popularity at this venue inspired the band to write and rehearse further material, as a means of remaining a popular act at The Casbah. By mid-year, the concerts the Undertones performed would include the song "Teenage Kicks", written by guitarist John O'Neill in mid-1977; the gigs performed at The Casbah gave the Undertones increased confidence in their musical ability, in June 1977 they performed concerts outside Derry for the first time, supporting a Dublin punk group named The Radiators from Space. In March 1978, the Undertones recorded a demo tape at Magee University in Derry and sent copies of the tape to various record companies in the hope of securing a record deal, but only received official letters of rejection; the band had sent a copy of their recordings to influential BBC Radio 1 DJ John Peel, requesting he play the songs on his radio programme. Peel replied to the band. On 16 June 1978, the band recorded their debut four-song EP "Teenage Kicks" on a budget of only £200.
The EP was engineered by Davy Shannon at Wizard Sound Studios and was released on Belfast's Good Vibrations record label. The title song became a hit with support from John Peel, who considered Teenage Kicks his all-time favourite song, an opinion he held through to his death in 2004. Seymour Stein, the president of Sire Records – in London on business – heard John Peel play "Teenage Kicks" on BBC Radio 1 and became interested in the band. Stein sent a London-based representative named Paul McNally to Derry to discuss a record deal with the band. McNally saw the band play live in what would prove to be their final performance at The Casbah on 29 September 1978; the following day, McNally convened with the Undertones to discuss a record contract. Three members of the band signed the proposed contract on this date, with the understanding that Feargal Sharkey and Michael Bradley would discuss negotiations to the contract with Seymour Stein in person in London. On 2 October 1978, Bradley and Sharkey agreed to an increased advance fee of £10,000 offered by Stein upon the recording contract and signed to Sire Records on a five-year contract.
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John Peel Sessions (The Moondogs album)
John Peel Sessions is an album by The Moondogs, released in 2003. "Schoolgirl Crush" – 2:51 "Who's Gonna Tell Mary" – 3:07 "Talking in the Canteen" – 3:37 "Roddy's Gang" – 2:50 "Dream Girl" – 2:24 "Home Is Where the Heart Is" – 4:43 "That's What Friends Are For" – 3:48 "I'm Not Sleeping" – 3:34 Gerry McCandless - guitar, vocals John Peel - liner notes Mike Robinson - producer Tony Wilson - producer David Dade - engineer James Bartlett - liner notes The Moondogs - main performer Austin Barrett - drums Jackie Hamilton - bass guitar, vocals
An album is a collection of audio recordings issued as a collection on compact disc, audio tape, or another medium. Albums of recorded music were developed in the early 20th century as individual 78-rpm records collected in a bound book resembling a photograph album. Vinyl LPs are still issued, though album sales in the 21st-century have focused on CD and MP3 formats; the audio cassette was a format used alongside vinyl from the 1970s into the first decade of the 2000s. An album may be recorded in a recording studio, in a concert venue, at home, in the field, or a mix of places; the time frame for recording an album varies between a few hours to several years. This process requires several takes with different parts recorded separately, brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live" when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes. Recordings, including live, may contain sound effects, voice adjustments, etc..
With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones. Album covers and liner notes are used, sometimes additional information is provided, such as analysis of the recording, lyrics or librettos; the term "album" was applied to a collection of various items housed in a book format. In musical usage the word was used for collections of short pieces of printed music from the early nineteenth century. Collections of related 78rpm records were bundled in book-like albums; when long-playing records were introduced, a collection of pieces on a single record was called an album. An album, in ancient Rome, was a board chalked or painted white, on which decrees and other public notices were inscribed in black, it was from this that in medieval and modern times album came to denote a book of blank pages in which verses, sketches and the like are collected. Which in turn led to the modern meaning of an album as a collection of audio recordings issued as a single item.
In the early nineteenth century "album" was used in the titles of some classical music sets, such as Schumann's Album for the Young Opus 68, a set of 43 short pieces. When 78rpm records came out, the popular 10-inch disc could only hold about three minutes of sound per side, so all popular recordings were limited to around three minutes in length. Classical-music and spoken-word items were released on the longer 12-inch 78s, about 4–5 minutes per side. For example, in 1924, George Gershwin recorded a drastically shortened version of the seventeen-minute Rhapsody in Blue with Paul Whiteman and His Orchestra, it ran for 8m 59s. Deutsche Grammophon had produced an album for its complete recording of the opera Carmen in 1908. German record company Odeon released the Nutcracker Suite by Tchaikovsky in 1909 on 4 double-sided discs in a specially designed package; this practice of issuing albums does not seem to have been taken up by other record companies for many years. By about 1910, bound collections of empty sleeves with a paperboard or leather cover, similar to a photograph album, were sold as record albums that customers could use to store their records.
These albums came in both 12-inch sizes. The covers of these bound books were wider and taller than the records inside, allowing the record album to be placed on a shelf upright, like a book, suspending the fragile records above the shelf and protecting them. In the 1930s, record companies began issuing collections of 78 rpm records by one performer or of one type of music in specially assembled albums with artwork on the front cover and liner notes on the back or inside cover. Most albums included three or four records, with two sides each, making six or eight compositions per album; the 12-inch LP record, or 33 1⁄3 rpm microgroove vinyl record, is a gramophone record format introduced by Columbia Records in 1948. A single LP record had the same or similar number of tunes as a typical album of 78s, it was adopted by the record industry as a standard format for the "album". Apart from minor refinements and the important addition of stereophonic sound capability, it has remained the standard format for vinyl albums.
The term "album" was extended to other recording media such as Compact audio cassette, compact disc, MiniDisc, digital albums, as they were introduced. As part of a trend of shifting sales in the music industry, some observers feel that the early 21st century experienced the death of the album. While an album may contain as many or as few tracks as required, in the United States, The Recording Academy's rules for Grammy Awards state that an album must comprise a minimum total playing time of 15 minutes with at least five distinct tracks or a minimum total playing time of 30 minutes with no minimum track requirement. In the United Kingdom, the criteria for the UK Albums Chart is that a recording counts as an "album" i