New Zealand is a sovereign island country in the southwestern Pacific Ocean. The country geographically comprises two main landmasses—the North Island, the South Island —and around 600 smaller islands. New Zealand is situated some 2,000 kilometres east of Australia across the Tasman Sea and 1,000 kilometres south of the Pacific island areas of New Caledonia and Tonga; because of its remoteness, it was one of the last lands to be settled by humans. During its long period of isolation, New Zealand developed a distinct biodiversity of animal and plant life; the country's varied topography and its sharp mountain peaks, such as the Southern Alps, owe much to the tectonic uplift of land and volcanic eruptions. New Zealand's capital city is Wellington. Sometime between 1250 and 1300, Polynesians settled in the islands that were named New Zealand and developed a distinctive Māori culture. In 1642, Dutch explorer Abel Tasman became the first European to sight New Zealand. In 1840, representatives of the United Kingdom and Māori chiefs signed the Treaty of Waitangi, which declared British sovereignty over the islands.
In 1841, New Zealand became a colony within the British Empire and in 1907 it became a dominion. Today, the majority of New Zealand's population of 4.9 million is of European descent. Reflecting this, New Zealand's culture is derived from Māori and early British settlers, with recent broadening arising from increased immigration; the official languages are English, Māori, NZ Sign Language, with English being dominant. A developed country, New Zealand ranks in international comparisons of national performance, such as quality of life, education, protection of civil liberties, economic freedom. New Zealand underwent major economic changes during the 1980s, which transformed it from a protectionist to a liberalised free-trade economy; the service sector dominates the national economy, followed by the industrial sector, agriculture. Nationally, legislative authority is vested in an elected, unicameral Parliament, while executive political power is exercised by the Cabinet, led by the prime minister Jacinda Ardern.
Queen Elizabeth II is the country's monarch and is represented by a governor-general Dame Patsy Reddy. In addition, New Zealand is organised into 11 regional councils and 67 territorial authorities for local government purposes; the Realm of New Zealand includes Tokelau. New Zealand is a member of the United Nations, Commonwealth of Nations, ANZUS, Organisation for Economic Co-operation and Development, ASEAN Plus Six, Asia-Pacific Economic Cooperation, the Pacific Community and the Pacific Islands Forum. Dutch explorer Abel Tasman sighted New Zealand in 1642 and named it Staten Land "in honour of the States General", he wrote, "it is possible that this land joins to the Staten Land but it is uncertain", referring to a landmass of the same name at the southern tip of South America, discovered by Jacob Le Maire in 1616. In 1645, Dutch cartographers renamed the land Nova Zeelandia after the Dutch province of Zeeland. British explorer James Cook subsequently anglicised the name to New Zealand. Aotearoa is the current Māori name for New Zealand.
It is unknown whether Māori had a name for the whole country before the arrival of Europeans, with Aotearoa referring to just the North Island. Māori had several traditional names for the two main islands, including Te Ika-a-Māui for the North Island and Te Waipounamu or Te Waka o Aoraki for the South Island. Early European maps labelled the islands North and South. In 1830, maps began to use North and South to distinguish the two largest islands and by 1907 this was the accepted norm; the New Zealand Geographic Board discovered in 2009 that the names of the North Island and South Island had never been formalised, names and alternative names were formalised in 2013. This set the names as North Island or Te Ika-a-Māui, South Island or Te Waipounamu. For each island, either its English or Māori name can be used. New Zealand was one of the last major landmasses settled by humans. Radiocarbon dating, evidence of deforestation and mitochondrial DNA variability within Māori populations suggest New Zealand was first settled by Eastern Polynesians between 1250 and 1300, concluding a long series of voyages through the southern Pacific islands.
Over the centuries that followed, these settlers developed a distinct culture now known as Māori. The population was divided into iwi and hapū who would sometimes cooperate, sometimes compete and sometimes fight against each other. At some point a group of Māori migrated to Rēkohu, now known as the Chatham Islands, where they developed their distinct Moriori culture; the Moriori population was all but wiped out between 1835 and 1862 because of Taranaki Māori invasion and enslavement in the 1830s, although European diseases contributed. In 1862 only 101 survived, the last known full-blooded Moriori died in 1933; the first Europeans known to have reached New Zeala
Rock music is a broad genre of popular music that originated as "rock and roll" in the United States in the early 1950s, developed into a range of different styles in the 1960s and particularly in the United Kingdom and in the United States. It has its roots in 1940s and 1950s rock and roll, a style which drew on the genres of blues and blues, from country music. Rock music drew on a number of other genres such as electric blues and folk, incorporated influences from jazz and other musical styles. Musically, rock has centered on the electric guitar as part of a rock group with electric bass and one or more singers. Rock is song-based music with a 4/4 time signature using a verse–chorus form, but the genre has become diverse. Like pop music, lyrics stress romantic love but address a wide variety of other themes that are social or political. By the late 1960s "classic rock" period, a number of distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, southern rock, raga rock, jazz-rock, many of which contributed to the development of psychedelic rock, influenced by the countercultural psychedelic and hippie scene.
New genres that emerged included progressive rock. In the second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave, post-punk and alternative rock. From the 1990s alternative rock began to dominate rock music and break into the mainstream in the form of grunge and indie rock. Further fusion subgenres have since emerged, including pop punk, electronic rock, rap rock, rap metal, as well as conscious attempts to revisit rock's history, including the garage rock/post-punk and techno-pop revivals at the beginning of the 2000s. Rock music has embodied and served as the vehicle for cultural and social movements, leading to major subcultures including mods and rockers in the UK and the hippie counterculture that spread out from San Francisco in the US in the 1960s. 1970s punk culture spawned the goth and emo subcultures. Inheriting the folk tradition of the protest song, rock music has been associated with political activism as well as changes in social attitudes to race and drug use, is seen as an expression of youth revolt against adult consumerism and conformity.
The sound of rock is traditionally centered on the amplified electric guitar, which emerged in its modern form in the 1950s with the popularity of rock and roll. It was influenced by the sounds of electric blues guitarists; the sound of an electric guitar in rock music is supported by an electric bass guitar, which pioneered in jazz music in the same era, percussion produced from a drum kit that combines drums and cymbals. This trio of instruments has been complemented by the inclusion of other instruments keyboards such as the piano, the Hammond organ, the synthesizer; the basic rock instrumentation was derived from the basic blues band instrumentation. A group of musicians performing rock music is termed as a rock group. Furthermore, it consists of between three and five members. Classically, a rock band takes the form of a quartet whose members cover one or more roles, including vocalist, lead guitarist, rhythm guitarist, bass guitarist and keyboard player or other instrumentalist. Rock music is traditionally built on a foundation of simple unsyncopated rhythms in a 4/4 meter, with a repetitive snare drum back beat on beats two and four.
Melodies originate from older musical modes such as the Dorian and Mixolydian, as well as major and minor modes. Harmonies range from the common triad to parallel perfect fourths and fifths and dissonant harmonic progressions. Since the late 1950s and from the mid 1960s onwards, rock music used the verse-chorus structure derived from blues and folk music, but there has been considerable variation from this model. Critics have stressed the eclecticism and stylistic diversity of rock; because of its complex history and its tendency to borrow from other musical and cultural forms, it has been argued that "it is impossible to bind rock music to a rigidly delineated musical definition." Unlike many earlier styles of popular music, rock lyrics have dealt with a wide range of themes, including romantic love, rebellion against "The Establishment", social concerns, life styles. These themes were inherited from a variety of sources such as the Tin Pan Alley pop tradition, folk music, rhythm and blues.
Music journalist Robert Christgau characterizes rock lyrics as a "cool medium" with simple diction and repeated refrains, asserts that rock's primary "function" "pertains to music, or, more noise." The predominance of white and middle class musicians in rock music has been noted, rock has been seen as an appropriation of black musical forms for a young and male audience. As a result, it has been seen to articulate the concerns of this group in both style and lyrics. Christgau, writing in 1972, said in spite of some exceptions, "rock and roll implies an identification of male sexuality and aggression". Since the term "rock" started being used in preference to "rock and roll" from the late-1960s, it has been contrasted with pop music, with which it has shared many characteristics, but from wh
An electric guitar is a guitar that uses one or more pickups to convert the vibration of its strings into electrical signals. The vibration occurs when a guitar player strums, fingerpicks, slaps or taps the strings; the pickup uses electromagnetic induction to create this signal, which being weak is fed into a guitar amplifier before being sent to the speaker, which converts it into audible sound. The electric signal can be electronically altered to change the timbre of the sound; the signal is modified using effects such as reverb, distortion and "overdrive". Invented in 1931, the electric guitar was adopted by jazz guitar players, who wanted to play single-note guitar solos in large big band ensembles. Early proponents of the electric guitar on record include Les Paul, Lonnie Johnson, Sister Rosetta Tharpe, T-Bone Walker, Charlie Christian. During the 1950s and 1960s, the electric guitar became the most important instrument in popular music, it has evolved into an instrument, capable of a multitude of sounds and styles in genres ranging from pop and rock to country music and jazz.
It served as a major component in the development of electric blues and roll, rock music, heavy metal music and many other genres of music. Electric guitar design and construction varies in the shape of the body and the configuration of the neck and pickups. Guitars may have a fixed bridge or a spring-loaded hinged bridge, which lets players "bend" the pitch of notes or chords up or down, or perform vibrato effects; the sound of an electric guitar can be modified by new playing techniques such as string bending and hammering-on, using audio feedback, or slide guitar playing. There are several types of electric guitar, including: the solid-body guitar. In pop and rock music, the electric guitar is used in two roles: as a rhythm guitar, which plays the chord sequences or progressions, riffs, sets the beat. In a small group, such as a power trio, one guitarist switches between both roles. In large rock and metal bands, there is a rhythm guitarist and a lead guitarist. Many experiments at electrically amplifying the vibrations of a string instrument were made dating back to the early part of the 20th century.
Patents from the 1910s show telephone transmitters were adapted and placed inside violins and banjos to amplify the sound. Hobbyists in the 1920s used carbon button microphones attached to the bridge. With numerous people experimenting with electrical instruments in the 1920s and early 1930s, there are many claimants to have been the first to invent an electric guitar. Electric guitars were designed by acoustic guitar makers and instrument manufacturers; the demand for amplified guitars began during the big band era. The first electric guitars used in jazz were hollow archtop acoustic guitar bodies with electromagnetic transducers. Early electric guitar manufacturers include Rickenbacker in 1932; the first electrically amplified stringed instrument to be marketed commercially was designed in 1931 by George Beauchamp, the general manager of the National Guitar Corporation, with Paul Barth, vice president. The maple body prototype for the one-piece cast aluminium "frying pan" was built by Harry Watson, factory superintendent of the National Guitar Corporation.
Commercial production began in late summer of 1932 by the Ro-Pat-In Corporation, in Los Angeles, a partnership of Beauchamp, Adolph Rickenbacker, Paul Barth. In 1934, the company was renamed the Rickenbacker Electro Stringed Instrument Company. In that year Beauchamp applied for a United States patent for an Electrical Stringed Musical Instrument and the patent was issued in 1937. By early-mid 1935, Electro String Instrument Corporation had achieved mainstream success with the A-22 "Frying Pan" steel guitar, set out to capture a new audience through its release of the Electro-Spanish Model B and the Electro-Spanish Ken Roberts, the first full 25" scale electric guitar produced; the Electro-Spanish Ken Roberts was revolutionary for its time, providing players a full 25" scale, with easy access to 17 frets free of the body. Unlike other lap-steel electrified instruments produced during the time, the Electro-Spanish Ken Roberts was designed to play standing vertical, upright with a strap; the Electro-Spanish Ken Roberts was the first instrument to feature a hand-operated vibrato as a standard appointment, a device called the "Vibrola," invented by Doc Kauffman.
It is estimated that fewer than 50 Electro-Spanish Ken Roberts were constructed between 1933 and 1937. The solid-body electric guitar is made without functionally resonating air spaces; the first solid-body Spanish standard guitar was offered by Vivi-Tone no than 1934. This model featured a guitar-shaped body of a single sheet
Reggae is a music genre that originated in Jamaica in the late 1960s. The term denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, "Do the Reggay" was the first popular song to use the word "reggae," naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term reggae more properly denotes a particular music style, influenced by traditional mento as well as American jazz and rhythm and blues the New Orleans R&B practiced by Fats Domino and Allen Toussaint, evolved out of the earlier genres ska and rocksteady. Reggae relates news, social gossip, political comment. Reggae spread into a commercialized jazz field, being known first as ‘Rudie Blues’ ‘Ska’ ‘Blue Beat’, ‘Rock Steady’, it is recognizable from the counterpoint between the bass and drum downbeat, the offbeat rhythm section. The immediate origins of reggae were in rocksteady. Reggae is linked to the Rastafari, an Afrocentric religion which developed in Jamaica in the 1930's, aiming at promoting Pan Africanism.
Soon after the Rastafarian movement appeared, the international popularity of reggae music became associated with and increased the visibility of Rastafarianism spreading the Rastafari gospel throughout the world. Reggae music is an important means of transporting vital messages of Rastafarianism; the musician becomes the messenger, as Rastafarians see it,"the soldier and the musician are tools for change."Stylistically, reggae incorporates some of the musical elements of rhythm and blues, mento and draws influence from traditional African folk rhythms. One of the most recognizable elements is offbeat rhythms; the tempo of reggae is slower paced than ska but faster than rocksteady. The concept of call and response can be found throughout reggae music; the genre of reggae music is led by the bass. Some key players in this sound are Jackie Jackson from Toots and the Maytals, Carlton Barrett from Bob Marley and the Wailers, Lloyd Brevett from The Skatalites, Paul Douglas from Toots and the Maytals, Lloyd Knibb from The Skatalites, Winston Grennan, Sly Dunbar, Anthony "Benbow" Creary from The Upsetters.
The bass guitar plays the dominant role in reggae. The bass sound in reggae is thick and heavy, equalized so the upper frequencies are removed and the lower frequencies emphasized; the guitar in reggae plays on the off beat of the rhythm. It is common for reggae to be sung in Jamaican Patois, Jamaican English, Iyaric dialects. Reggae is noted for its tradition of social criticism and religion in its lyrics, although many reggae songs discuss lighter, more personal subjects, such as love and socializing. Reggae has spread to many countries across the world incorporating local instruments and fusing with other genres. Reggae en Español spread from the Spanish speaking Central American country of Panama to the mainland South American countries of Venezuela and Guyana to the rest of South America. Caribbean music in the United Kingdom, including reggae, has been popular since the late 1960s, has evolved into several subgenres and fusions. Many reggae artists began their careers in the UK, there have been a number of European artists and bands drawing their inspiration directly from Jamaica and the Caribbean community in Europe.
Reggae in Africa was boosted by the visit of Bob Marley to Zimbabwe in 1980. In Jamaica, authentic reggae is one of the biggest sources of income; the 1967 edition of the Dictionary of Jamaican English lists reggae as "a estab. Sp. for rege", as in rege-rege, a word that can mean either "rags, ragged clothing" or "a quarrel, a row". Reggae as a musical term first appeared in print with the 1968 rocksteady hit "Do the Reggay" by The Maytals which named the genre of Reggae for the world. Reggae historian Steve Barrow credits Clancy Eccles with altering the Jamaican patois word streggae into reggae. However, Toots Hibbert said: There's a word we used to use in Jamaica called'streggae'. If a girl is walking and the guys look at her and say'Man, she's streggae' it means she don't dress well, she look raggedy; the girls would say that about the men too. This one morning me and my two friends were playing and I said,'OK man, let's do the reggay.' It was just something. So we just start. People tell me that we had given the sound its name.
Before that people had called it blue-beat and all kind of other things. Now it's in the Guinness World of Records. Bob Marley is said to have claimed that the word reggae came from a Spanish term for "the king's music"; the liner notes of To the King, a compilation of Christian gospel reggae, suggest that the word reggae was derived from the Latin regi meaning "to the king". Although influenced by traditional mento and calypso music, as well as American jazz and rhythm and blues, reggae owes its direct origins to the ska and rocksteady of 1960s Jamaica; the generic title for Jamaican music recorded between 1961 and 1967, ska emerged from Jamaican R&B, based on American R&B and doo-wop. Rastafari entered some countries through reggae music; the Rastafari moveme
The Bronx (band)
The Bronx is an American punk rock band from Los Angeles, California formed in 2002. The band's current line-up consists of vocalist Matt Caughthran, guitarists Joby J. Ford and Ken Horne, bass guitarist Brad Magers, drummer Joey Castillo; the band have released five studio albums, as well three additional albums of mariachi music under the moniker of Mariachi El Bronx. The initial lineup of The Bronx consisted of Caughthran, bassist James Tweedy, drummer Jorma Vik. At their first performance they impressed Jonathan Daniel, manager of American Hi-Fi, who became their manager. After only twelve live performances the band signed a contract with the Island Def Jam Music Group. However, feeling as though they were not yet ready to record for a major label, the band opted to form their own label, White Drugs, to put out their first few releases, they recorded a demo entitled Sure Death in 2002, followed by their first single "Bats!" in 2003. Their debut album The Bronx was released in August 2003, it was recorded in his kitchen.
This was followed by La Muerte Viva, that November. To support the album and music videos were released for the songs "They Will Kill Us All" and "False Alarm"; the band toured Australia in support of the album. In Australia, the band's performance at the Annandale Hotel in Sydney was filmed released as the DVD Live at the Annandale; the Bronx's major-label debut was The Bronx, a second eponymous album, supported by singles and music videos for "History's Stranglers", "White Guilt" and "Shitty Future". Ken Horne of The Dragons played some guitar parts on the album, soon joined the band as second guitarist. In April 2007, the band announced; the Bronx was planned as a punk rock album. They entered a recording studio in March 2008 to begin work on both albums, with Brad Magers replacing Tweedy on bass guitar, Vincent Hidalgo joining Mariachi El Bronx; that June they posted the new song "Knifeman", from The Bronx, on their Myspace profile, followed by the premiere of "PR Rules" from El Bronx. During summer 2008, The Bronx played the entirety of the Warped Tour.
They appeared in the film What We Do Is Secret as Black Flag, performing the Black Flag song "Police Story". Beginning with preparations for the release of El Bronx, the band has performed as "Mariachi El Bronx" when playing their mariachi set and as "The Bronx" for rock sets; the Bronx was released on November 11, 2008, with El Bronx following on August 17, 2009. The band toured North America, followed by a festival performance in the United Kingdom. A second album of mariachi music, Mariachi El Bronx, was released in August 2011. Several members of the band appear on the debut EP by Armistice, a Canadian indie pop band consisting of Coeur de pirate and Jay Malinowski. In 2012, Mariachi El Bronx collaborated with rapper Schoolly D for the theme song to Adult Swim's show Aqua Something You Know Whatever. Mariachi El Bronx perform between segments on the El Rey Network wrestling programme Lucha Underground. On June 26, 2016, drummer Jorma Vik announced his departure from both The Bronx and Mariachi El Bronx.
He was replaced by David Hidalgo, Jr. who plays with Mariachi El Bronx. In June 2017, the band's Facebook page was updated with the album art for V, the fifth studio album by the band. A teaser was uploaded to the page the following month; the album is the first studio album of their career not to be named Mariachi El Bronx. It was released on September 22, 2017. In 2018, Hidalgo, Jr. was replaced in The Bronx by former Queens of the Stone Age drummer Joey Castillo. Hidalgo, Jr. remains a member of Mariachi El Bronx. Matt Caughthran – vocals Joby J. Ford – guitar, backing vocals Ken Horne – guitar, backing vocals Brad Magers – bass guitar, backing vocals Joey Castillo – drums James Tweedy – bass guitar, backing vocals Jorma Vik – drums David Hidalgo, Jr. – drums, live guitar Albums The Bronx The Bronx The Bronx Mariachi El Bronx Mariachi El Bronx The Bronx Mariachi El Bronx Mariachi El Bronx Live Cuts, Live at Teragram Ballroom and the Independent, Dec 2015 V Official website
The bass guitar is a plucked string instrument similar in appearance and construction to an electric guitar, except with a longer neck and scale length, four to six strings or courses. The four-string bass is tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar, it is played with the fingers or thumb, or striking with a pick. The electric bass guitar has pickups and must be connected to an amplifier and speaker to be loud enough to compete with other instruments. Since the 1960s, the bass guitar has replaced the double bass in popular music as the bass instrument in the rhythm section. While types of basslines vary from one style of music to another, the bassist plays a similar role: anchoring the harmonic framework and establishing the beat. Many styles of music include the bass guitar, it is a soloing instrument. According to the New Grove Dictionary of Music and Musicians, an "Electric bass guitar a Guitar with four heavy strings tuned E1'-A1'-D2-G2."
It defines bass as "Bass. A contraction of Double bass or Electric bass guitar." According to some authors the proper term is "electric bass". Common names for the instrument are "bass guitar", "electric bass guitar", "electric bass" and some authors claim that they are accurate; the bass guitar is a transposing instrument, as it is notated in bass clef an octave higher than it sounds. In the 1930s, musician and inventor Paul Tutmarc of Seattle, developed the first electric bass guitar in its modern form, a fretted instrument designed to be played horizontally; the 1935 sales catalog for Tutmarc's electronic musical instrument company, featured his "Model 736 Bass Fiddle", a four-stringed, solid-bodied, fretted electric bass guitar with a 30 1⁄2-inch scale length, a single pick up. The adoption of a guitar's body shape made the instrument easier to hold and transport than any of the existing stringed bass instruments; the addition of frets enabled bassists to play in tune more than on fretless acoustic or electric upright basses.
Around 100 of these instruments were made during this period. Audiovox sold their “Model 236” bass amplifier. Around 1947, Tutmarc's son, began marketing a similar bass under the Serenader brand name, prominently advertised in the nationally distributed L. D. Heater Music Company wholesale jobber catalogue of 1948. However, the Tutmarc family inventions did not achieve market success. In the 1950s, Leo Fender and George Fullerton developed the first mass-produced electric bass guitar; the Fender Electric Instrument Manufacturing Company began producing the Precision Bass in October 1951. The "P-bass" evolved from a simple, un-contoured "slab" body design and a single coil pickup similar to that of a Telecaster, to something more like a Fender Stratocaster, with a contoured body design, edges beveled for comfort, a split single coil pickup; the "Fender Bass" was a revolutionary new instrument for gigging musicians. In comparison with the large, heavy upright bass, the main bass instrument in popular music from the early 1900s to the 1940s, the bass guitar could be transported to shows.
When amplified, the bass guitar was less prone than acoustic basses to unwanted audio feedback. In 1953 Monk Montgomery became the first bassist to tour with the Fender bass guitar, in Lionel Hampton's postwar big band. Montgomery was possibly the first to record with the bass guitar, on July 2, 1953 with The Art Farmer Septet. Roy Johnson, Shifty Henry, were other early Fender bass pioneers. Bill Black, playing with Elvis Presley, switched from upright bass to the Fender Precision Bass around 1957; the bass guitar was intended to appeal to guitarists as well as upright bass players, many early pioneers of the instrument, such as Carol Kaye, Joe Osborn, Paul McCartney were guitarists. In 1953, following Fender's lead, Gibson released the first short-scale violin-shaped electric bass, with an extendable end pin so a bassist could play it upright or horizontally. Gibson renamed the bass the EB-1 in 1958. In 1958, Gibson released the maple arched-top EB-2 described in the Gibson catalogue as a "hollow-body electric bass that features a Bass/Baritone pushbutton for two different tonal characteristics".
In 1959 these were followed by the more conventional-looking EB-0 Bass. The EB-0 was similar to a Gibson SG in appearance. Whereas Fender basses had pickups mounted in positions in between the base of the neck and the top of the bridge, many of Gibson's early basses featured one humbucking pickup mounted directly against the neck pocket; the EB-3, introduced in 1961 had a "mini-humbucker" at the bridge position. Gibson basses tended to be smaller, sleeker instruments with a shorter scale length than the Precision. A number of other companies began manufacturing bass guitars during the 1950s: Kay in 1952, Hofner and Danelectro in 1956, Rickenbacker in 1957 and Burns/Supersound in 1958. 1956 saw the appearance at the German trade fair "Musikmesse Frankfurt" of the distinctive Höfner 500/1 violin-shaped bass made using violin construction techniques by Walter Höfner, a second-generation violin luthier. The design was known popularly as the "Beat
New wave music
New wave is a genre of rock music popular in the late 1970s and the 1980s with ties to mid-1970s punk rock. New wave moved away from blues and rock and roll sounds to create rock music or pop music that incorporated disco and electronic music. New wave was similar to punk rock, before becoming a distinct genre, it subsequently engendered fusions, including synth-pop. New wave differs from other movements with ties to first-wave punk as it displays characteristics common to pop music, rather than the more "artsy" post-punk. Although it incorporates much of the original punk rock sound and ethos, new wave exhibits greater complexity in both music and lyrics. Common characteristics of new wave music include the use of synthesizers and electronic productions, a distinctive visual style featured in music videos and fashion. New wave has been called one of the definitive genres of the 1980s, after it was promoted by MTV; the popularity of several new wave artists is attributed to their exposure on the channel.
In the mid-1980s, differences between new wave and other music genres began to blur. New wave has enjoyed resurgences since the 1990s, after a rising "nostalgia" for several new wave-influenced artists. Subsequently, the genre influenced other genres. During the 2000s, a number of acts, such as the Strokes, Franz Ferdinand and The Killers explored new wave and post-punk influences; these acts were sometimes labeled "new wave of new wave". The catch-all nature of new wave music has been a source of much controversy; the 1985 discography Who's New Wave in Music listed artists in over 130 separate categories. The New Rolling Stone Encyclopedia of Rock calls the term "virtually meaningless", while AllMusic mentions "stylistic diversity". New wave first emerged as a rock genre in the early 1970s, used by critics including Nick Kent and Dave Marsh to classify such New York-based groups as the Velvet Underground and New York Dolls, it gained currency beginning in 1976 when it appeared in UK punk fanzines such as Sniffin' Glue and newsagent music weeklies such as Melody Maker and New Musical Express.
In November 1976 Caroline Coon used Malcolm McLaren's term "new wave" to designate music by bands not punk, but related to the same musical scene. The term was used in that sense by music journalist Charles Shaar Murray in his comments about the Boomtown Rats. For a period of time in 1976 and 1977, the terms new wave and punk were somewhat interchangeable. By the end of 1977, "new wave" had replaced "punk" as the definition for new underground music in the UK. In the United States, Sire Records chairman Seymour Stein, believing that the term "punk" would mean poor sales for Sire's acts who had played the club CBGB, launched a "Don't Call It Punk" campaign designed to replace the term with "new wave"; as radio consultants in the United States had advised their clients that punk rock was a fad, they settled on the term "new wave". Like the filmmakers of the French new wave movement, its new artists were anti-corporate and experimental. At first, most U. S. writers used the term "new wave" for British punk acts.
Starting in December 1976, The New York Rocker, suspicious of the term "punk", became the first American journal to enthusiastically use the term starting with British acts appropriating it to acts associated with the CBGB scene. Part of what attracted Stein and others to new wave was the music's stripped back style and upbeat tempos, which they viewed as a much needed return to the energetic rush of rock and roll and 1960s rock that had dwindled in the 1970s with the ascendance of overblown progressive rock and stadium spectacles. Music historian Vernon Joynson claimed that new wave emerged in the UK in late 1976, when many bands began disassociating themselves from punk. Music that followed the anarchic garage band ethos of the Sex Pistols was distinguished as "punk", while music that tended toward experimentation, lyrical complexity or more polished production, came to be categorized as "new wave". In the U. S. the first new wavers were the not-so-punk acts associated with the New York club CBGB.
CBGB owner Hilly Kristal, referring to the first show of the band Television at his club in March 1974, said, "I think of that as the beginning of new wave." Furthermore, many artists who would have been classified as punk were termed new wave. A 1977 Phonogram Records compilation album of the same name features US artists including the Dead Boys, Talking Heads and the Runaways. New wave is much more tied to punk, came and went more in the United Kingdom than in the United States. At the time punk began, it was a major phenomenon in the United Kingdom and a minor one in the United States, thus when new wave acts started getting noticed in America, punk meant little to the mainstream audience and it was common for rock clubs and discos to play British dance mixes and videos between live sets by American guitar acts. Post-punk music developments in the UK were considered unique cultural events. By the early 1980s, British journalists had abandoned the term "new wave" in favor of subgenre terms such as "synthpop".
By 1983, the term of choice for the US music industry had become "new music", while to the majority of US fans it was still a "new wave" reacting to album-based rock. New wave died out in the mid-1980s, knocked out by guitar-driven rock reacting against new wave. In the 21st-century United States, "new wave" was used to describe ar