1.
Album
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Album, is a collection of audio recordings issued as a single item on CD, record, audio tape, or another medium. Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, vinyl LPs are still issued, though in the 21st century album sales have mostly focused on compact disc and MP3 formats. The audio cassette was a format used from the late 1970s through to the 1990s alongside vinyl, an album may be recorded in a recording studio, in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to years to complete, usually in several takes with different parts recorded separately. Recordings that are done in one take without overdubbing are termed live, the majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at times while listening to the other parts using headphones. Album covers and liner notes are used, and sometimes additional information is provided, such as analysis of the recording, historically, the term album was applied to a collection of various items housed in a book format. In musical usage the word was used for collections of pieces of printed music from the early nineteenth century. Later, collections of related 78rpm records were bundled in book-like albums, the LP record, or 33 1⁄3 rpm microgroove vinyl record, is a gramophone record format introduced by Columbia Records in 1948. It was adopted by the industry as a standard format for the album. Apart from relatively minor refinements and the important later addition of stereophonic sound capability, the term album had been carried forward from the early nineteenth century when it had been used for collections of short pieces of music. Later, collections of related 78rpm records were bundled in book-like albums, as part of a trend of shifting sales in the music industry, some commenters have declared that the early 21st century experienced the death of the album. Sometimes shorter albums are referred to as mini-albums or EPs, Albums such as Tubular Bells, Amarok, Hergest Ridge by Mike Oldfield, and Yess Close to the Edge, include fewer than four tracks. There are no rules against artists such as Pinhead Gunpowder referring to their own releases under thirty minutes as albums. These are known as box sets, material is stored on an album in sections termed tracks, normally 11 or 12 tracks. A music track is a song or instrumental recording. The term is associated with popular music where separate tracks are known as album tracks. When vinyl records were the medium for audio recordings a track could be identified visually from the grooves
2.
Hard rock
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Hard rock is a loosely defined subgenre of rock music that began in the mid-1960s, with the garage, psychedelic and blues rock movements. It is typified by a use of aggressive vocals, distorted electric guitars, bass guitar, drums. Hard rock developed into a form of popular music in the 1970s, with bands such as The Who, Led Zeppelin, Queen, Black Sabbath, Deep Purple, Aerosmith, AC/DC. During the 1980s, some rock bands moved away from their hard rock roots and more towards pop rock. Hard rock began losing popularity with the success of R&B, hip-hop, urban pop, grunge. Out of this movement came garage rock bands like The White Stripes, The Strokes, Interpol and, later on, in the 2000s, only a few hard rock bands from the 1970s and 1980s managed to sustain highly successful recording careers. Hard rock is a form of loud, aggressive rock music, the electric guitar is often emphasised, used with distortion and other effects, both as a rhythm instrument using repetitive riffs with a varying degree of complexity, and as a solo lead instrument. Drumming characteristically focuses on driving rhythms, strong drum and a backbeat on snare. The bass guitar works in conjunction with the drums, occasionally playing riffs, vocals are often growling, raspy, or involve screaming or wailing, sometimes in a high range, or even falsetto voice. In the late 1960s, the heavy metal was used interchangeably with hard rock. Heavy metal took on darker characteristics after Black Sabbaths breakthrough at the beginning of the 1970s, in the 1980s it developed a number of subgenres, often termed extreme metal, some of which were influenced by hardcore punk, and which further differentiated the two styles. Despite this differentiation, hard rock and heavy metal have existed side by side, with bands frequently standing on the boundary of, other antecedents include Link Wrays instrumental Rumble in 1958, and the surf rock instrumentals of Dick Dale, such as Lets Go Trippin and Misirlou. In the 1960s, American and British blues and rock bands began to rock and roll by adding harder sounds, heavier guitar riffs, bombastic drumming. From the late 1960s, it common to divide mainstream rock music that emerged from psychedelia into soft. Soft rock was often derived from rock, using acoustic instruments and putting more emphasis on melody. In contrast, hard rock was most often derived from rock and was played louder. Blues rock acts that pioneered the sound included Cream, The Jimi Hendrix Experience, Cream, in songs like I Feel Free combined blues rock with pop and psychedelia, particularly in the riffs and guitar solos of Eric Clapton. Jimi Hendrix produced a form of blues-influenced psychedelic rock, which combined elements of jazz, blues and rock, from 1967 Jeff Beck brought lead guitar to new heights of technical virtuosity and moved blues rock in the direction of heavy rock with his band, The Jeff Beck Group
3.
Barrowland Ballroom
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Barrowland Ballroom is a dance hall and music venue located in Glasgow, Scotland. The original building opened in 1934 in an area east of Glasgows city centre. The Barras street market, after which the area and the ballroom are named, the Barrowland building includes large street-level halls used for the weekend markets, with a sizeable weatherproof hall above. The front of the building is decorated with an animated neon sign. The sign is believed to be the biggest of its kind in the UK, the building was largely destroyed by fire in 1958, leading to a complete rebuild. The rebuilt ballroom opened on Christmas Eve 1960, in more recent years, the Ballroom has become a major concert venue with a capacity of around 2,100 people, known for its acoustics and its sprung dance floor. Simple Minds filmed the video for their 1983 hit single, Waterfront, oasis, U2, The Stranglers, The Clash, The Smiths, Big Country, Muse, Foo Fighters and Marillion were a number of the acts to play the hall. Adjacent to the Ballroom itself is the Barrowland Park where there is a pathway which features the names of artists who have played at the venue over the decades. Between 1968 and 1969, three women, Patricia Docker, Jemima McDonald and Helen Puttock were found brutally murdered after nights at the Barrowland. All three murders were attributed to a man dubbed Bible John by police after he was referring to the Old Testament to one of his victims. Similarities between the murders led police to believe that they were the work of the same man, all three women were charmed at the Barrowland Ballroom, all were escorted home and were raped and strangled within yards of their doorstep. All three women were menstruating and their handbags were stolen, an investigation failed to find Bible John, and the murders remain unsolved. On the night of the murder of Helen Puttock, Puttocks sister Jeannie Langford was with her, Jeannie described Bible John as, 25-35 years old, reddish/fair hair, wore a blue suit and matching trousers with white shirt. Spoke very politely and was very religious, in 2007 following the murder of Angelica Kluk, speculation arose that serial killer Peter Tobin was Bible John. There are similarities between both individuals modus operandi, Tobin frequented the Barrowland regularly and moved to Brighton in late 1969 when the killings ended. The Barrowlands 2 is a part of the Barrowlands ballroom and is used both as a bar when larger shows are playing in the hall and also as a venue itself to host smaller gigs. While it occasionally plays host to smaller or acoustic gigs from more established acts, its function is to give small bands local to Glasgow a performance stage. The promoters also host an event showcasing unsigned local talent in the ballroom every year, selecting the best of the acts from the year
