1.
Derbyshire
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Derbyshire is a county in the East Midlands of England. A substantial portion of the Peak District National Park lies within Derbyshire, in 2003 the Ordnance Survey placed Church Flatts Farm at Coton in the Elms as the furthest point from the sea in Great Britain. The city of Derby is a unitary authority area, but remains part of the county of Derbyshire. The non-metropolitan county contains 30 towns with between 10,000 and 100,000 inhabitants, there is a large amount of sparsely populated agricultural upland, 75% of the population live in 25% of the area. Further occupation came with the Upper Paleolithic and Neolithic periods of the Stone Age when Mesolithic hunter gatherers roamed the hilly tundra, evidence of these nomadic tribes has been found in limestone caves located on the Nottinghamshire border. Deposits left in the date the occupancy at around 12,000 to 7,000 BCE. Burial mounds of Neolithic settlers are also situated throughout the county and these chambered tombs were designed for collective burial and are mostly located in the central Derbyshire region. There are tombs at Minninglow and Five Wells that date back to between 2000 and 2500 BCE, three miles west of Youlgreave lies the Neolithic henge monument of Arbor Low, which has been dated to 2500 BCE. It is not until the Bronze Age that real signs of agriculture, in the moors of the Peak District signs of clearance, arable fields and hut circles were discovered after archaeological investigation. However this area and another settlement at Swarkestone are all that have been found, during the Roman invasion the invaders were attracted to Derbyshire because of the lead ore in the limestone hills of the area. They settled throughout the county with forts built near Brough in the Hope Valley, later they settled around Buxton, famed for its warm springs, and set up a fort near modern-day Derby in an area now known as Little Chester. Several kings of Mercia are buried in the Repton area, following the Norman Conquest, much of the county was subject to the forest laws. To the northwest was the Forest of High Peak under the custodianship of William Peverel, the rest of the county was bestowed upon Henry de Ferrers, a part of it becoming Duffield Frith. In time the area was given to the Duchy of Lancaster. Meanwhile, the Forest of East Derbyshire covered the county to the east of the River Derwent from the reign of Henry II to that of Edward I. The main rivers in the county are the River Derwent and the River Dove which both join the River Trent in the south. The varied landscapes within Derbyshires have been formed mainly as a consequence of the underlying geology, the oldest rocks occur in the northern, more upland half of the county, and are mostly of Carboniferous age, comprising limestones, gritstones, sandstones and shales. In its north-east corner to the east of Bolsover there are also Magnesian Limestone rocks of Permian age, across both regions can be found drift deposits of Quaternary age – mainly terrace and river gravel deposits and boulder clays
2.
England
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England is a country that is part of the United Kingdom. It shares land borders with Scotland to the north and Wales to the west, the Irish Sea lies northwest of England and the Celtic Sea lies to the southwest. England is separated from continental Europe by the North Sea to the east, the country covers five-eighths of the island of Great Britain in its centre and south, and includes over 100 smaller islands such as the Isles of Scilly, and the Isle of Wight. England became a state in the 10th century, and since the Age of Discovery. The Industrial Revolution began in 18th-century England, transforming its society into the worlds first industrialised nation, Englands terrain mostly comprises low hills and plains, especially in central and southern England. However, there are uplands in the north and in the southwest, the capital is London, which is the largest metropolitan area in both the United Kingdom and the European Union. In 1801, Great Britain was united with the Kingdom of Ireland through another Act of Union to become the United Kingdom of Great Britain and Ireland. In 1922 the Irish Free State seceded from the United Kingdom, leading to the latter being renamed the United Kingdom of Great Britain, the name England is derived from the Old English name Englaland, which means land of the Angles. The Angles were one of the Germanic tribes that settled in Great Britain during the Early Middle Ages, the Angles came from the Angeln peninsula in the Bay of Kiel area of the Baltic Sea. The earliest recorded use of the term, as Engla londe, is in the ninth century translation into Old English of Bedes Ecclesiastical History of the English People. According to the Oxford English Dictionary, its spelling was first used in 1538. The earliest attested reference to the Angles occurs in the 1st-century work by Tacitus, Germania, the etymology of the tribal name itself is disputed by scholars, it has been suggested that it derives from the shape of the Angeln peninsula, an angular shape. An alternative name for England is Albion, the name Albion originally referred to the entire island of Great Britain. The nominally earliest record of the name appears in the Aristotelian Corpus, specifically the 4th century BC De Mundo, in it are two very large islands called Britannia, these are Albion and Ierne. But modern scholarly consensus ascribes De Mundo not to Aristotle but to Pseudo-Aristotle, the word Albion or insula Albionum has two possible origins. Albion is now applied to England in a poetic capacity. Another romantic name for England is Loegria, related to the Welsh word for England, Lloegr, the earliest known evidence of human presence in the area now known as England was that of Homo antecessor, dating to approximately 780,000 years ago. The oldest proto-human bones discovered in England date from 500,000 years ago, Modern humans are known to have inhabited the area during the Upper Paleolithic period, though permanent settlements were only established within the last 6,000 years
3.
British people
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British people, or Britons, are the citizens of the United Kingdom, British Overseas Territories, and Crown dependencies, and their descendants. British nationality law governs modern British citizenship and nationality, which can be acquired, for instance, although early assertions of being British date from the Late Middle Ages, the creation of the united Kingdom of Great Britain in 1707 triggered a sense of British national identity. The notion of Britishness was forged during the Napoleonic Wars between Britain and the First French Empire, and developed further during the Victorian era, because of longstanding ethno-sectarian divisions, British identity in Northern Ireland is controversial, but it is held with strong conviction by unionists. Modern Britons are descended mainly from the ethnic groups that settled in the British Isles in and before the 11th century, Prehistoric, Celtic, Roman, Anglo-Saxon, Norse. The British are a diverse, multi-national and multicultural society, with regional accents, expressions. Although none of his own writings remain, writers during the time of the Roman Empire made much reference to them, the group included Ireland, which was referred to as Ierne inhabited by the different race of Hiberni, and Britain as insula Albionum, island of the Albions. The term Pritani may have reached Pytheas from the Gauls, who used it as their term for the inhabitants of the islands. Greek and Roman writers, in the 1st century BC and the 1st century AD, name the inhabitants of Great Britain and Ireland as the Priteni, the origin of the Latin word Britanni. It has been suggested that name derives from a Gaulish description translated as people of the forms. By 50 BC Greek geographers were using equivalents of Prettanikē as a name for the British Isles. However, the term Britannia persisted as the Latin name for the island, during the Middle Ages, and particularly in the Tudor period, the term British was used to refer to the Welsh people and Cornish people. At that time, it was the held belief that these were the remaining descendants of the ancient Britons. This notion was supported by such as the Historia Regum Britanniae. Wales and Cornwall, and north, i. e. Cumbria, Strathclyde and this legendary Celtic history of Great Britain is known as the Matter of Britain. The indigenous people of the British Isles have a combination of Celtic, Norse, Anglo-Saxon, oppenheimer continues that the majority of the people of the British Isles share genetic commonalities with the Basques, ranging from highs of 90% in Wales to lows of 66% in East Anglia. Oppenheimers opinion is that. by far the majority of male gene types in the British Isles derive from Iberia, ranging from a low of 59% in Fakenham, Norfolk to highs of 96% in Llangefni, north Wales. The English had been unified under a single state in 937 by King Athelstan of Wessex after the Battle of Brunanburh. However, historian Simon Schama suggested that it was Edward I of England who was responsible for provoking the peoples of Britain into an awareness of their nationhood in the 13th century
4.
Portrait painting
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See Portrait for more about the general topic of portraits. Portrait painting is a genre in painting, where the intent is to depict a human subject, the term portrait painting can also describe the actual painted portrait. Portraitists may create their work by commission, for public and private persons, portraits are often important state and family records, as well as remembrances. Historically, portrait paintings have primarily memorialized the rich and powerful, over time, however, it became more common for middle-class patrons to commission portraits of their families and colleagues. Today, portrait paintings are commissioned by governments, corporations, groups, clubs. In addition to painting, portraits can also be made in other such as etching, lithography, photography, video. A well-executed portrait is expected to show the essence of the subject or a flattering representation. As Aristotle stated, The aim of Art is to present not the appearance of things. In most cases, this results in a serious, closed lip stare, or as Charles Dickens put it, there are only two styles of portrait painting, the serious and the smirk. Even given these limitations, a range of subtle emotions is possible from quiet menace to gentle contentment. However, with the mouth relatively neutral, much of the facial expression needs to be created through the eyes, as author and artist Gordon C. Aymar states, the eyes are the place one looks for the most complete, reliable, and the eyebrows can register, almost single-handedly, wonder, pity, fright, pain, cynicism, concentration, wistfulness, displeasure, and expectation, in infinite variations and combinations. Portrait painting can depict the full length, half length, head and shoulders, or ‘head’, as well as in profile, three-quarter view, or full face, with varying directions of light. Occasionally, artists have created portraits with multiple views, as with Anthony van Dycks Triple Portrait of Charles I, there are even a few portraits where the front of the subject is not visible at all. Another example of the view in portraiture, in this case photography, can be found here. Among the other variables, the subject can be clothed or nude, indoors or out, standing, seated, reclining. Portrait paintings can be of individuals, couples, parents and children, families and they can be created in various media including oils, watercolor, pen and ink, pencil, charcoal, pastel, and mixed media. Artists may employ a wide-ranging palette of colors, as with Pierre-Auguste Renoirs Mme, charpentier and her children,1878 or restrict themselves to mostly white or black, as with Gilbert Stuarts Portrait of George Washington
5.
Royal Academy of Arts
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The Royal Academy of Arts is an art institution based in Burlington House on Piccadilly in London. The Royal Academy of Arts was founded through an act of King George III on 10 December 1768 with a mission to promote the arts of design in Britain through education and exhibition. Supporters wanted to foster a national school of art and to encourage appreciation, fashionable taste in 18th-century Britain was based on continental and traditional art forms, providing contemporary British artists little opportunity to sell their works. From 1746 the Foundling Hospital, through the efforts of William Hogarth, the success of this venture led to the formation of the Society of Artists of Great Britain and the Free Society of Artists. Both these groups were primarily exhibiting societies, their success was marred by internal factions among the artists. The combined vision of education and exhibition to establish a school of art set the Royal Academy apart from the other exhibiting societies. It provided the foundation upon which the Royal Academy came to dominate the art scene of the 18th and 19th centuries, supplanting the earlier art societies. Sir William Chambers, a prominent architect, used his connections with George III to gain royal patronage and financial support of the Academy, the painter Joshua Reynolds was made its first president. Francis Milner Newton was elected the first secretary, a post he held for two decades until his resignation in 1788, the instrument of foundation, signed by George III on 10 December 1768, named 34 founder members and allowed for a total membership of 40. William Hoare and Johann Zoffany were added to this list later by the King and are known as nominated members, among the founder members were two women, a father and daughter, and two sets of brothers. The Royal Academy was initially housed in cramped quarters in Pall Mall, although in 1771 it was given temporary accommodation for its library and schools in Old Somerset House, then a royal palace. In 1780 it was installed in purpose-built apartments in the first completed wing of New Somerset House, located in the Strand and designed by Chambers, the Academy moved in 1837 to Trafalgar Square, where it occupied the east wing of the recently completed National Gallery. These premises soon proved too small to house both institutions, in 1868,100 years after the Academys foundation, it moved to Burlington House, Piccadilly, where it remains. Burlington House is owned by the British Government, and used rent-free by the Royal Academy, the first Royal Academy exhibition of contemporary art, open to all artists, opened on 25 April 1769 and ran until 27 May 1769. 136 works of art were shown and this exhibition, now known as the Royal Academy Summer Exhibition, has been staged annually without interruption to the present day. In 1870 the Academy expanded its programme to include a temporary annual loan exhibition of Old Masters. The range and frequency of these exhibitions have grown enormously since that time. Britains first public lectures on art were staged by the Royal Academy, led by Reynolds, the first president, a program included lectures by Dr. William Hunter, John Flaxman, James Barry, Sir John Soane, and J. M. W. Turner
6.
London
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London /ˈlʌndən/ is the capital and most populous city of England and the United Kingdom. Standing on the River Thames in the south east of the island of Great Britain and it was founded by the Romans, who named it Londinium. Londons ancient core, the City of London, largely retains its 1. 12-square-mile medieval boundaries. London is a global city in the arts, commerce, education, entertainment, fashion, finance, healthcare, media, professional services, research and development, tourism. It is crowned as the worlds largest financial centre and has the fifth- or sixth-largest metropolitan area GDP in the world, London is a world cultural capital. It is the worlds most-visited city as measured by international arrivals and has the worlds largest city airport system measured by passenger traffic, London is the worlds leading investment destination, hosting more international retailers and ultra high-net-worth individuals than any other city. Londons universities form the largest concentration of education institutes in Europe. In 2012, London became the first city to have hosted the modern Summer Olympic Games three times, London has a diverse range of people and cultures, and more than 300 languages are spoken in the region. Its estimated mid-2015 municipal population was 8,673,713, the largest of any city in the European Union, Londons urban area is the second most populous in the EU, after Paris, with 9,787,426 inhabitants at the 2011 census. The citys metropolitan area is the most populous in the EU with 13,879,757 inhabitants, the city-region therefore has a similar land area and population to that of the New York metropolitan area. London was the worlds most populous city from around 1831 to 1925, Other famous landmarks include Buckingham Palace, the London Eye, Piccadilly Circus, St Pauls Cathedral, Tower Bridge, Trafalgar Square, and The Shard. The London Underground is the oldest underground railway network in the world, the etymology of London is uncertain. It is an ancient name, found in sources from the 2nd century and it is recorded c.121 as Londinium, which points to Romano-British origin, and hand-written Roman tablets recovered in the city originating from AD 65/70-80 include the word Londinio. The earliest attempted explanation, now disregarded, is attributed to Geoffrey of Monmouth in Historia Regum Britanniae and this had it that the name originated from a supposed King Lud, who had allegedly taken over the city and named it Kaerlud. From 1898, it was accepted that the name was of Celtic origin and meant place belonging to a man called *Londinos. The ultimate difficulty lies in reconciling the Latin form Londinium with the modern Welsh Llundain, which should demand a form *lōndinion, from earlier *loundiniom. The possibility cannot be ruled out that the Welsh name was borrowed back in from English at a later date, and thus cannot be used as a basis from which to reconstruct the original name. Until 1889, the name London officially applied only to the City of London, two recent discoveries indicate probable very early settlements near the Thames in the London area
7.
Joseph Haydn
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Joseph Haydn was an Austrian composer of the Classical period. Haydn spent much of his career as a musician for the wealthy Esterházy family at their remote estate. Until the later part of his life, this isolated him from other composers and trends in music so that he was, as he put it, yet his music circulated widely and for much of his career he was the most celebrated composer in Europe. He was a friend and mentor of Mozart, a teacher of Beethoven, Joseph Haydn was born in Rohrau, Austria, a village that at that time stood on the border with Hungary. His father was Mathias Haydn, a wheelwright who served as Marktrichter. Haydns mother Maria, née Koller, had worked as a cook in the palace of Count Harrach. Neither parent could read music, however, Mathias was a folk musician. According to Haydns later reminiscences, his family was extremely musical. Haydns parents had noticed that their son was musically gifted and knew that in Rohrau he would have no chance to obtain serious musical training, Haydn therefore went off with Frankh to Hainburg 12 kilometres away, he never again lived with his parents. Life in the Frankh household was not easy for Haydn, who later remembered being frequently hungry and he began his musical training there, and could soon play both harpsichord and violin. The people of Hainburg heard him sing treble parts in the church choir, Haydn passed his audition with Reutter, and after several months of further training moved to Vienna, where he worked for the next nine years as a chorister. Haydn lived in the Kapellhaus next to the cathedral, along with Reutter, Reutters family, and the other four choirboys, the choirboys were instructed in Latin and other school subjects as well as voice, violin, and keyboard. Reutter was of help to Haydn in the areas of music theory and composition. However, since St. Stephens was one of the musical centres in Europe. Like Frankh before him, Reutter did not always bother to make sure Haydn was properly fed, by 1749, Haydn had matured physically to the point that he was no longer able to sing high choral parts. Empress Maria Theresa herself complained to Reutter about his singing, calling it crowing, one day, Haydn carried out a prank, snipping off the pigtail of a fellow chorister. This was enough for Reutter, Haydn was first caned, then summarily dismissed and he had the good fortune to be taken in by a friend, Johann Michael Spangler, who shared his familys crowded garret room with Haydn for a few months. Haydn immediately began his pursuit of a career as a freelance musician and he was also briefly in Count Friedrich Wilhelm von Haugwitzs employ, playing the organ in the Bohemian Chancellery chapel at the Judenplatz
8.
Royal College of Music
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The Royal College of Music is a conservatoire established by royal charter in 1882, located in South Kensington, London, UK. It offers training from the undergraduate to the level in all aspects of Western Art including performance, composition, conducting. The RCM also undertakes research, with strengths in performance practice and performance science. The college is one of the four conservatories of the Associated Board of the Royal Schools of Music and its buildings are directly opposite the Royal Albert Hall on Prince Consort Road, next to Imperial College and among the museums and cultural centres of Albertopolis. The college was founded in 1883 to replace the short lived, the school was the result of an earlier proposal by the Prince Consort to provide free musical training to winners of scholarships under a nationwide scheme. After many years delay it was established in 1876, with Arthur Sullivan as its principal, the school was housed in a new building in Kensington Gore, opposite the west side of the Royal Albert Hall. The building was not large, having only 18 practice rooms, the following year Sullivan resigned, and was replaced by John Stainer. And because its purpose was unclear, so was its provision, even before the 1880 report it had become clear that the NTSM would not fulfil the role of national music conservatoire. The original plan was to merge the Royal Academy of Music, the NTSM agreed, but after prolonged negotiations the Royal Academy refused to enter into the proposed scheme. In 1881, with George Grove as an instigator, and with the support of the Prince of Wales. The Royal College of Music occupied the premises previously home to the NTSM, Grove was appointed its first director. There were 50 scholars elected by competition and 42 fee-paying students, Grove, a close friend of Sullivan, loyally maintained that the new college was a natural evolution from the NTSM. In reality his aims were different from Sullivans. They believed that a capable college orchestra would not only benefit instrumental students, the colleges first intake of scholarship students included 28 who studied an orchestral instrument. The potential strength of the orchestra, including fee-paying instrumental students, was 33 violins, five violas, six cellos, one double bass, one flute, one oboe. The old premises proved restrictive, and a new building was commissioned in the early 1890s on a new site in Prince Consort Road, the building was designed by Sir Arthur Blomfield in Flemish Mannerist style in red brick dressed with buff-coloured Welden stone. Construction began in 1892 and the building opened in May 1894, the building was largely paid for by two large donations from Samson Fox, a Yorkshire industrialist, whose statue, along with that of the Prince of Wales, stands in the entrance hall. Grove retired at the end of 1894, and was succeeded as director by Hubert Parry, since its founding in 1882 the college has been linked with the British royal family
9.
Muzio Clementi
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Muzio Filippo Vincenzo Francesco Saverio Clementi was an Italian/British-born composer, pianist, pedagogue, conductor, music publisher, editor, and piano manufacturer. Encouraged to study music by his father, he was sponsored as a composer by Sir Peter Beckford who took him to England to advance his studies. Later, he toured Europe numerous times from his base in London. It was on one of these occasions, in 1781, that he engaged in a competition with Wolfgang Amadeus Mozart. He was an influence on Ludwig van Beethoven. Clementi also produced and promoted his own brand of pianos and was a music publisher. Because of this activity, many compositions by Clementis contemporaries and earlier artists have stayed in the repertoire, though the European reputation of Muzio Clementi was second only to Joseph Haydn in his day, his reputation languished for much of the 19th and 20th centuries. Muzio Filippo Vincenzo Francesco Saverio Clementi was born in Rome, Italy, on 23 January 1752 and he was the eldest of the seven children of Nicolò Clementi, a silversmith, and Madalena, née Caisar, who was Swiss. Nicolò soon recognized Muzios musical talent and arranged for private instruction with a relative, Antonio Baroni. At the age of seven Clementi began studies in figured bass with the organist Cordicelli, a few years later, probably when he was 11 or 12, he was given counterpoint lessons by Gaetano Carpani. By the age of 13 Clementi had already composed an oratorio, Martirio de gloriosi santi Giuliano e Celso, when he was 14, in January 1766, he became organist of the parish church of San Lorenzo in Dámaso. In 1766 Sir Peter Beckford, a wealthy Englishman and cousin of William Beckford, twice Lord Mayor of London, visited Rome. He was impressed by the young Clementis musical talent and negotiated with his father to him to his estate, Steepleton Iwerne, north of Blandford Forum in Dorset. Beckford agreed to provide payments to sponsor the boys musical education until he reached the age of 21. In return, he was expected to provide musical entertainment, for the next seven years Clementi lived, performed, and studied at the estate in Dorset. His only compositions dated to this period are the Sonatas WO13 and 14, Mozart used the opening motif of Clementis B-flat major sonata in his overture for The Magic Flute. It was not unusual for composers to borrow from one another, from 1783, and for the next twenty years, Clementi stayed in England, playing the piano, conducting, and teaching. Several of his students include, Johann Baptist Cramer, Ignaz Moscheles, Therese Jansen Bartolozzi, Ludwig Berger, in 1798, Clementi took over the firm Longman and Broderip at 26 Cheapside, initially with James Longman, who left in 1801
10.
British Museum
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The British Museum is dedicated to human history, art and culture, and is located in the Bloomsbury area of London. The British Museum was established in 1753, largely based on the collections of the physician, the museum first opened to the public on 15 January 1759, in Montagu House, on the site of the current building. Although today principally a museum of art objects and antiquities. Its foundations lie in the will of the Irish-born British physician, on 7 June 1753, King George II gave his formal assent to the Act of Parliament which established the British Museum. They were joined in 1757 by the Old Royal Library, now the Royal manuscripts, together these four foundation collections included many of the most treasured books now in the British Library including the Lindisfarne Gospels and the sole surviving copy of Beowulf. The British Museum was the first of a new kind of museum – national, belonging to neither church nor king, freely open to the public, sloanes collection, while including a vast miscellany of objects, tended to reflect his scientific interests. The addition of the Cotton and Harley manuscripts introduced a literary, the body of trustees decided on a converted 17th-century mansion, Montagu House, as a location for the museum, which it bought from the Montagu family for £20,000. The Trustees rejected Buckingham House, on the now occupied by Buckingham Palace, on the grounds of cost. With the acquisition of Montagu House the first exhibition galleries and reading room for scholars opened on 15 January 1759. During the few years after its foundation the British Museum received several gifts, including the Thomason Collection of Civil War Tracts. A list of donations to the Museum, dated 31 January 1784, in the early 19th century the foundations for the extensive collection of sculpture began to be laid and Greek, Roman and Egyptian artefacts dominated the antiquities displays. Gifts and purchases from Henry Salt, British consul general in Egypt, beginning with the Colossal bust of Ramesses II in 1818, many Greek sculptures followed, notably the first purpose-built exhibition space, the Charles Towneley collection, much of it Roman Sculpture, in 1805. In 1816 these masterpieces of art, were acquired by The British Museum by Act of Parliament. The collections were supplemented by the Bassae frieze from Phigaleia, Greece in 1815, the Ancient Near Eastern collection also had its beginnings in 1825 with the purchase of Assyrian and Babylonian antiquities from the widow of Claudius James Rich. The neoclassical architect, Sir Robert Smirke, was asked to draw up plans for an extension to the Museum. For the reception of the Royal Library, and a Picture Gallery over it, and put forward plans for todays quadrangular building, much of which can be seen today. The dilapidated Old Montagu House was demolished and work on the Kings Library Gallery began in 1823, the extension, the East Wing, was completed by 1831. The Museum became a site as Sir Robert Smirkes grand neo-classical building gradually arose
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