Brahmin is a varna in Hinduism specialising as priests and protectors of sacred learning across generations. The traditional occupation of Brahmins was that of priesthood at the Hindu temples or at socio-religious ceremonies and rite of passage rituals such as solemnising a wedding with hymns and prayers. Theoretically, the Brahmins were the highest ranking of the four social classes. In practice, Indian texts suggest that Brahmins were agriculturalists, warriors and have held a variety of other occupations in the Indian subcontinent; the earliest inferred reference to "Brahmin" as a possible social class is in the Rigveda, occurs once, the hymn is called Purusha Sukta. According to this hymn in Mandala 10, Brahmins are described as having emerged from the mouth of Purusha, being that part of the body from which words emerge; this Purusha Sukta varna verse is now considered to have been inserted at a date into the Vedic text as a charter myth. Stephanie Jamison and Joel Brereton, a professor of Sanskrit and Religious studies, state, "there is no evidence in the Rigveda for an elaborate, much-subdivided and overarching caste system", "the varna system seems to be embryonic in the Rigveda and, both and a social ideal rather than a social reality".
Ancient texts describing community-oriented Vedic yajna rituals mention four to five priests: the hotar, the adhvaryu, the udgatar, the Brahmin and sometimes the ritvij. The functions associated with the priests were: The Hotri recites invocations and litanies drawn from the Rigveda; the Adhvaryu is the priest's assistant and is in charge of the physical details of the ritual like measuring the ground, building the altar explained in the Yajurveda. The adhvaryu offers oblations; the Udgatri is the chanter of hymns set to melodies and music drawn from the Samaveda. The udgatar, like the hotar, chants the introductory and benediction hymns; the Brahmin recites from the Atharvaveda. The Ritvij is the chief operating priest. According to Kulkarni, the Grhya-sutras state that Yajna, dana pratigraha are the "peculiar duties and privileges of brahmins"; the term Brahmin in Indian texts has signified someone, good and virtuous, not just someone of priestly class. Both Buddhist and Brahmanical literature, states Patrick Olivelle define "Brahmin" not in terms of family of birth, but in terms of personal qualities.
These virtues and characteristics mirror the values cherished in Hinduism during the Sannyasa stage of life, or the life of renunciation for spiritual pursuits. Brahmins, states Olivelle, were the social class; the Dharmasutras and Dharmasatras text of Hinduism describe the expectations and role of Brahmins. The rules and duties in these Dharma texts of Hinduism, are directed at Brahmins; the Gautama's Dharmasutra, the oldest of surviving Hindu Dharmasutras, for example, states in verse 9.54–9.55 that a Brahmin should not participate or perform a ritual unless he is invited to do so, but he may attend. Gautama outlines the following rules of conduct for a Brahmin, in Chapters 8 and 9: Be always truthful Teach his art only to virtuous men Follow rules of ritual purification Study Vedas with delight Never hurt any living creature Be gentle but steadfast Have self-control Be kind, liberal towards everyoneChapter 8 of the Dharmasutra, states Olivelle, asserts the functions of a Brahmin to be to learn the Vedas, the secular sciences, the Vedic supplements, the dialogues, the epics and the Puranas.
The text lists eight virtues that a Brahmin must inculcate: compassion, lack of envy, tranquility, auspicious disposition and lack of greed, asserts in verse 9.24–9.25, that it is more important to lead a virtuous life than perform rites and rituals, because virtue leads to achieving liberation. The Dharma texts of Hinduism such as Baudhayana Dharmasutra add charity, refraining from anger and never being arrogant as duties of a Brahmin; the Vasistha Dharmasutra in verse 6.23 lists discipline, self-control, truthfulness, Vedic learning, erudition and religious faith as characteristics of a Brahmin. In 13.55, the Vasistha text states that a Brahmin must not accept weapons, poison or liquor as gifts. The Dharmasastras such as Manusmriti, like Dharmsutras, are codes focussed on how a Brahmin must live his life, their relationship with a king and warrior class. Manusmriti dedicates 1,034 verses, the largest portion, on laws for and expected virtues of Brahmins, it asserts, for example, A well disciplined Brahmin, although he knows just the Savitri verse, is far better than an undisciplined one who eats all types of food and deals in all types of merchandise though he may know all three Vedas.
John Bussanich states that the ethical precepts set for Brahmins, in ancient Indian texts, are similar to Greek virtue-ethics, that "Manu's dharmic Brahmin can be compared to Aristotle's man of practical wisdom", that "the virtuous Brahmin is not unlike the Platonic-Aristotelian philosopher" with the difference that the latter was not sacerdotal. According to Abraham Eraly, "Brahmin as a varna hardly had any presence in historical records before the Gupta Empire era", when Buddhism dominated the land. "No Brahmin, no sacrifice, no ritualistic act of any kind even once, is referred to" in any Indian texts between third century BCE and
Rama or Ram known as Ramachandra, is a major deity of Hinduism. He is the seventh avatar of the god Vishnu, one of his most popular incarnations along with Krishna and Gautama Buddha. In Rama-centric traditions of Hinduism, he is considered the Supreme Being. Rama was born to Dasharatha in Ayodhya, the ruler of the Kingdom of Kosala, his siblings included Lakshmana and Shatrughna. He married Sita. Though born in a royal family, their life is described in the Hindu texts as one challenged by unexpected changes such as an exile into impoverished and difficult circumstances, ethical questions and moral dilemmas. Of all their travails, the most notable is the kidnapping of Sita by demon-king Ravana, followed by the determined and epic efforts of Rama and Lakshmana to gain her freedom and destroy the evil Ravana against great odds; the entire life story of Rama and their companions allegorically discusses duties and social responsibilities of an individual. It illustrates dharmic living through model characters.
Rama is important to Vaishnavism. He is the central figure of the ancient Hindu epic Ramayana, a text popular in the South Asian and Southeast Asian cultures, his ancient legends have attracted bhasya and extensive secondary literature and inspired performance arts. Two such texts, for example, are the Adhyatma Ramayana – a spiritual and theological treatise considered foundational by Ramanandi monasteries, the Ramcharitmanas – a popular treatise that inspires thousands of Ramlila festival performances during autumn every year in India. Rama legends are found in the texts of Jainism and Buddhism, though he is sometimes called Pauma or Padma in these texts, their details vary from the Hindu versions. Rāma is a Vedic Sanskrit word with two contextual meanings. In one context as found in Arthavaveda, states Monier Monier-Williams, it means "dark, dark-colored, black" and is related to the term ratri which means night. In another context as found in other Vedic texts, the word means "pleasing, charming, lovely".
The word is sometimes used as a suffix in different Indian languages and religions, such as Pali in Buddhist texts, where -rama adds the sense of "pleasing to the mind, lovely" to the composite word. Rama as a first name appears in the Vedic literature, associated with two patronymic names – Margaveya and Aupatasvini – representing different individuals. A third individual named Rama Jamadagnya is the purported author of hymn 10.110 of the Rigveda in the Hindu tradition. The word Rama appears in ancient literature in reverential terms for three individuals: Parashu-rama, as the sixth avatar of Vishnu, he is linked to the Rama Jamadagnya of the Rigveda fame. Rama-chandra, as the seventh avatar of Vishnu and of the ancient Ramayana fame. Bala-rama called Halayudha, as the elder brother of Krishna both of whom appear in the legends of Hinduism and Jainism; the name Rama appears in Hindu texts, for many different scholars and kings in mythical stories. The word appears in ancient Upanishads and Aranyakas layer of Vedic literature, as well as music and other post-Vedic literature, but in qualifying context of something or someone, "charming, lovely" or "darkness, night".
The Vishnu avatar named Rama is known by other names. He is called Raghava. Additional names of Rama include Ramavijaya, Phreah Ream, Phra Ram, Megat Seri Rama, Raja Bantugan, Ramar. In the Vishnu sahasranama, Rama is the 394th name of Vishnu. In some Advaita Vedanta inspired texts, Rama connotes the metaphysical concept of Supreme Brahman, the eternally blissful spiritual Self in whom yogis delight nondualistically; the root of the word Rama is ram- which means "stop, stand still, rejoice, be pleased". According to Douglas Adams, the Sanskrit word Rama is found in other Indo-European languages such as Tocharian ram, reme, *romo- where it means "support, make still", "witness, make evident"; the sense of "dark, soot" appears in other Indo European languages, such as *remos or Old English romig. This summary is a traditional legendary account, based on literary details from the Ramayana and other historic mythology-containing texts of Buddhism and Jainism. According to Sheldon Pollock, the figure of Rama incorporates more ancient "morphemes of Indian myths", such as the mythical legends of Bali and Namuci.
The ancient sage Valmiki used these morphemes in his Ramayana similes as in sections 3.27, 3.59, 3.73, 5.19 and 29.28. Rama was born on the ninth day of the lunar month Chaitra, a day celebrated across India as Ram Navami; this coincides with one of the four Navratri on the Hindu calendar, in the spring season, namely the Vasantha Navratri. The ancient epic Ramayana states in the Balakhanda that Rama and his brothers were born to Kaushalya and Dasharatha in Ayodhya, a city on the banks of Sarayu River; the Jain versions of the Ramayana, such as the Paumacariya by Vimalasuri mention the details of the early life of Rama. The Jain texts are dated variously, but pre-500 CE, most sometime within the first five centuries of the common era. Dasharatha was the king of Kosala, a part of the solar dynasty of Iksvakus, his mother's name Kaushalya implies that she was from Kosala. The kingdom of Kosala is mentioned in Buddhist and Jaina texts, as one of the sixteen Maha janapadas of ancient India, as an important center of pilgrimage for Jains and Buddhists.
However, there is a schola
Indra is a Vedic deity in Hinduism, a guardian deity in Buddhism, the king of the highest heaven called Saudharmakalpa in Jainism. His mythologies and powers are similar to other Indo-European deities such as Jupiter, Perkūnas, Taranis and Thor. In the Vedas, Indra is the king of Svarga and the Devas, he is the god of the heavens, thunder, rains, river flows, war. Indra is the most referred to deity in the Rigveda, he is celebrated for his powers, the one who kills the great symbolic evil named Vritra who obstructs human prosperity and happiness. Indra destroys Vritra and his "deceiving forces", thereby brings rains and the sunshine as the friend of mankind, his importance diminishes in the post-Vedic Indian literature where he is depicted as a powerful hero but one, getting in trouble with his drunken and adulterous ways, the god who disturbs Hindu monks as they meditate because he fears self-realized human beings may become more powerful than him. Indra rules over the much sought Devas realm of rebirth within the Samsara doctrine of Buddhist traditions.
However, like the Hindu texts, Indra is a subject of ridicule and reduced to a figurehead status in Buddhist texts, shown as a god that suffers rebirth and redeath. In the Jainism traditions, like Buddhism and Hinduism, Indra is the king of gods and a part of Jain rebirth cosmology, he is the god who appears with his wife Indrani to celebrate the auspicious moments in the life of a Jain Tirthankara, an iconography that suggests the king and queen of gods reverentially marking the spiritual journey of a Jina. Indra's iconography shows him wielding a lightning thunderbolt known as Vajra, riding on a white elephant known as Airavata. In Buddhist iconography the elephant sometimes features three heads, while Jaina icons sometimes show the elephant with five heads. Sometimes a single elephant is shown with four symbolic tusks. Indra's heavenly home is near Mount Meru; the etymological roots of Indra are unclear, it has been a contested topic among scholars since the 19th-century, one with many proposals.
The significant proposals have been: root ind-u, or "rain drop", based on the Vedic mythology that he conquered rain and brought it down to earth. Root ind, or "equipped with great power"; this was proposed by Vopadeva. Root idh or "kindle", ina or "strong". Root indha, or "igniter", for his ability to bring light and power that ignites the vital forces of life; this is based on Shatapatha Brahmana. Root idam-dra, or "It seeing", a reference to the one who first perceived the self-sufficient metaphysical Brahman; this is based on Aitareya Upanishad. Roots in ancient Indo-European, Indo-Aryan deities. For example, states John Colarusso, as a reflex of proto-Indo-European *h₂nḗr-, Greek anēr, Sabine nerō, Avestan nar-, Umbrian nerus, Old Irish nert, Ossetic nart, others which all refer to "most manly" or "hero". Colonial era scholarship proposed that Indra shares etymological roots with Zend Andra derived from Old High German Antra, or Jedru of Old Slavonic, but Max Muller critiqued these proposals as untenable.
Scholarship has linked Vedic Indra to the European Aynar, Abaza and Innara of Hittite mythology. Colarusso suggests a Pontic origin and that both the phonology and the context of Indra in Indian religions is best explained from Indo-Aryan roots and a Circassian etymology, he is known in Burmese as သိကြားမင်း, pronounced. Indra has many epithets in the Indian religions, notably Śakra, Vṛṣan, Vṛtrahan, Meghavāhana, Devarāja, Surendra, Vajrapāṇī and Vāsava. Indra is of unclear origin. Aspects of Indra as a deity are cognate to other Indo-European gods; the similarities between Indra of Hindu mythologies and of Thor of Nordic and Germanic mythologies are significant, states Max Muller. Both Indra and Thor are storm gods, with powers over lightning and thunder, both carry hammer or equivalent, for both the weapon returns to their hand after they hurl it, both are associated with bulls in the earliest layer of respective texts, both use thunder as a battle-cry, both are heroic leaders, both protectors of mankind, both are described with legends about "milking the cloud-cows", both are benevolent giants, gods of strength, of life, of marriage and the healing gods, both are worshipped in respective texts on mountains and in forests.
Michael Janda suggests that Indra has origins in the Indo-European *trigw-welumos "smasher of the enclosure" and diye-snūtyos "impeller of streams". Brave and heroic Innara or Inra, which sounds like Indra, is mentioned among the gods of the Mitanni, a Hurrian-speaking people of Hittite region. Indra as a deity had a presence in northeastern Asia minor, as evidenced by the inscriptions on the Boghaz-köi clay tablet
Kali known as Kālikā or Shyāmā, is a Hindu goddess. Kali is one of a list which combines Sakta and Buddhist goddesses. Kali's earliest appearance is that of a destroyer of evil forces, she is the goddess of one of the four subcategories of a category of tantric Saivism. Over time, she has been worshipped by devotional movements and tantric sects variously as the Divine Mother, Mother of the Universe, Adi Shakti, or Adi Parashakti. Shakta Hindu and Tantric sects additionally worship her as Brahman, she is seen as divine protector and the one who bestows moksha, or liberation. Kali is portrayed standing or dancing on her consort, the Hindu god Shiva, who lies calm and prostrate beneath her. Kali is worshipped by Hindus throughout India in West Bengal. Kālī is the feminine form of "time" or "the fullness of time" with the masculine noun "kāla"—and by extension, time as "changing aspect of nature that bring things to life or death." Other names include Kālarātri, Kālikā. The homonymous kāla, "appointed time," is distinct from kāla "deep blue," but became associated through popular etymology.
The association is seen in a passage from the Mahābhārata, depicting a female figure who carries away the spirits of slain warriors and animals. She is called kālarātri and kālī. Kālī is the feminine form of Kāla, an epithet of Shiva, thus the consort of Shiva. Hugh Urban notes that although the word Kālī appears as early as the Atharva Veda, the first use of it as a proper name is in the Kathaka Grhya Sutra. Kali appears in the Mundaka Upanishad not explicitly as a goddess, but as the dark blue tongue of the seven flickering tongues of Agni, the Hindu god of fire. According to David Kinsley, Kāli is first mentioned in Hindu tradition as a distinct goddess around 600 AD, these texts "usually place her on the periphery of Hindu society or on the battlefield." She is regarded as the Shakti of Shiva, is associated with him in various Puranas. Her most well known appearance on the battlefield is in the sixth century Devi Mahatmyam; the deity of the first chapter of Devi Mahatmyam is Mahakali, who appears from the body of sleeping Vishnu as goddess Yoga Nidra to wake him up in order to protect Brahma and the World from two demons Madhu and Kaitabha.
When Vishnu woke up he started a war against the two demons. After a long battle with lord Vishnu when the two demons were undefeated Mahakali took the form of Mahamaya to enchant the two asuras; when Madhu and Kaitabha were enchanted by Mahakali, Vishnu killed them. In chapters the story of two demons can be found who were destroyed by Kali. Chanda and Munda attack the goddess Durga. Durga responds with such anger, causing her face to turn dark resulting in Kali appearing out of her forehead. Kali's appearance is dark blue, gaunt with sunken eyes, wearing a tiger skin and a garland of human heads, she defeats the two demons. In the same battle, the demon Raktabija is undefeated because of his ability to reproduce himself from every drop of his blood that reaches the ground. Countless Raktabija clones appear on the battlefield. Kali defeats him by sucking his blood before it can reach the ground, eating the numerous clones. Kinsley writes that Kali represents "Durga's personified wrath, her embodied fury."Other origin stories involve Parvati and Shiva.
Parvati is portrayed as a benign and friendly goddess. The Linga Purana describes Shiva asking Parvati to defeat the demon Daruka, who received a boon that would only allow a female to kill him. Parvati merges with Shiva's body, reappearing as Kali to defeat his armies, her bloodlust gets out of control. The Vamana Purana has a different version of Kali's relationship with Parvati; when Shiva addresses Parvati as Kali, "the dark blue one," she is offended. Parvati becomes Gauri, the golden one, her dark sheath becomes. Regarding the relationship between Kali and Shiva, Kinsley writes that: In relation to Shiva, she appears to play the opposite role from that of Parvati. Parvati calms Shiva, counterbalancing his destructive tendencies. Kali is Shiva's "other wife," as it were, provoking him and encouraging him in his mad, disruptive habits, it is never Shiva who must calm Kali. Kāli appears in the Death of the Mahabharata, she is called Kālarātri and appears to the Pandava soldiers in dreams, until she appears amidst the fighting during an attack by Drona's son Ashwatthama.
Another story involving Kali is her escapade with a band of thieves. The thieves wanted to make a human sacrifice to Kali, unwisely chose a saintly Brahmin monk as their victim; the radiance of the young monk was so much that it burned the image of Kali, who took living form and killed the entire band of thieves, decapitating them and drinking their blood. In Kāli's most famous legend and her assistants, the Matrikas, wound the demon Raktabija, in various ways and with a variety of weapons in an attempt to destroy him, they soon find that they have worsened the situation for with every drop of blood that is
Smarta tradition is a movement in Hinduism that developed during its classical period around the beginning of the Common Era. It reflects a Hindu synthesis of four philosophical strands: Mimamsa, Advaita and theism; the Smarta tradition rejects theistic sectarianism, it is notable for the domestic worship of five shrines with five deities, all treated as equal – Vishnu, Brahma and Devi. The Smarta tradition contrasted with the older Shrauta tradition, based on elaborate rituals and rites. There has been considerable overlap in the ideas and practices of the Smarta tradition with other significant historic movements within Hinduism, namely Shaivism, Brahmanism and Shaktism; the Smarta tradition is aligned with Advaita Vedanta, regards Adi Shankara as its founder or reformer. Shankara championed the ultimate reality is impersonal and Nirguna and any symbolic god serves the same equivalent purpose. Inspired by this belief, the Smarta tradition followers, along with the five Hindu gods include a sixth impersonal god in their practice.
The tradition has been called by William Jackson as "advaitin, monistic in its outlook". The term Smarta refers to Brahmins who specialize in the Smriti corpus of texts named the Grihya Sutras, in contrast to Shrauta Sutras. Smarta Brahmins with their focus on the Smriti corpus, contrast from Srauta Brahmins who specialize in the Sruti corpus, rituals and ceremonies that follow the Vedas. Smarta स्मार्त is an adjective derived from Smriti; the smriti are a specific body of Hindu texts attributed to an author, traditionally written down but revised, in contrast to Śrutis considered authorless, that were transmitted verbally across the generations and fixed. Smarta has several meanings: Relating to memory Recorded in or based on the Smriti Based on tradition, prescribed or sanctioned by traditional law Orthodox Brahmin versed in or guided by traditional law and Vedanta doctrineIn Smarta tradition context, the term Smarta means "follower of Smriti". Smarta is specially associated with a "sect founded by Shankaracharya", states Monier Williams.
See Late Middle Kingdoms - The Late-Classical Age and Classical Hinduism The Vedanga texts, states Alf Hiltebeitel, are Smriti texts that were composed in the second half of the Vedic period that ended around 500 BCE. The Vedanga texts include the Kalpa texts consisting of the Srautasutras and Dharmasutras, many of which were revised well past the Vedic period; the Grihyasutras and Dharmasutras, states Hiltebeitel, were composed between 600 BCE and 400 CE, these are sometimes called the Smartasutras, the roots of the Smriti tradition. The Smriti texts accept the knowledge in the Sruti, but they interpret it in a number of ways, which gave rise to six darsanas of Hindu philosophy. Of these, states Hiltebeitel, the Mimamsa and Vedanta have sometimes been called the Smarta schools which emphasize the Vedas with reason and other pramanas, in contrast to Haituka schools which emphasize hetu independent of the Vedas while accepting the authority of the Vedas. Of the two Smarta traditions, Mimamsa focussed on Vedic ritual traditions, while Vedanta focussed on Upanishadic knowledge tradition.
Around the start of the common era, thereafter, a syncretism of Haituka schools, the Smarta schools with ancient theistic ideas gave rise to a growth in traditions such as Shaivism and Shaktism. Hiltebeitel and Flood locate the origins of a revived orthodox Smarta Tradition in the Classical Period of Hinduism with nondualist interpretation of Vedanta, around the time when different Hindu traditions emerged from the interaction between Brahmanism and local traditions; the revived Smarta Tradition attempted to integrate varied and conflicting devotional practices, with its ideas of nondual experience of Atman as Brahman. The rapprochement included the practice of pancayatana-puja, wherein a Hindu could focus on any saguna deity of choice such as Vishnu, Durga, Surya or Ganesha, as an interim step towards realizing the nirguna Brahman; the growth of this Smarta Tradition began in the Gupta period, was dominated by Dvija classes, in particular the Brahmins, of the early medieval Indian society.
This Smarta Tradition competed with other major traditions of Hinduism such as Shaivism and Shaktism. The ideas of Smarta Tradition were influential, creative with concepts such as of Harihara and Ardhanarishvara, many of the major scholars of Shaivism, Vaishnavism and Bhakti movement came out of the Smarta Tradition. Medieval era scholars such as Vedanta Desika and Vallabhacharya recognized Smarta Tradition as competing with Vaishnavism and other traditions. According to Jeffrey Timm, for example, in verse 10 of the Tattvarthadipanibandha, Vallabhacharya states that, "Mutually contradictory conclusions are non-contradictory when they are considered from their respective contexts, like Vaishnava, etc."According to Murray Milner Jr. a professor of Sociology, the Smarta tradition refers to "Hindus who tend toward Brahmanical orthodoxy in both thought and behavior". Smartas are committed to a "relatively unified Hinduism" and they reject extreme forms of sectarian isolationism, reminiscent of the European discourse about church and Christian sects.
The tradition, states Milner, has roots that emerged sometime between 3rd century BCE and 3rd century CE, likel
Shaivism is one of the major traditions within Hinduism that reveres Shiva as the Supreme Being. The followers of Shaivism are called "Shaivites" or "Saivites", it is one of the largest sects that believe Shiva — worshipped as a creator and destroyer of worlds — is the supreme god over all. The Shaiva have many sub-traditions, ranging from devotional dualistic theism such as Shaiva Siddhanta to yoga-oriented monistic non-theism such as Kashmiri Shaivism, it considers the Agama texts as important sources of theology. The origin of Shaivism may be traced to the conception of Rudra in the Rig Veda. Shaivism has ancient roots, traceable in the Vedic literature of 2nd millennium BCE, but this is in the form of the Vedic deity Rudra; the ancient text Shvetashvatara Upanishad dated to late 1st millennium BCE mentions terms such as Rudra and Maheshwaram, but its interpretation as a theistic or monistic text of Shaivism is disputed. In the early centuries of the common era is the first clear evidence of Pāśupata Shaivism.
Both devotional and monistic Shaivism became popular in the 1st millennium CE becoming the dominant religious tradition of many Hindu kingdoms. It arrived in Southeast Asia shortly thereafter, leading to thousands of Shaiva temples on the islands of Indonesia as well as Cambodia and Vietnam, co-evolving with Buddhism in these regions. In the contemporary era, Shaivism is one of the major aspects of Hinduism. Shaivism theology ranges from Shiva being the creator, destroyer to being the same as the Atman within oneself and every living being, it is related to Shaktism, some Shaiva worship in Shiva and Shakti temples. It is the Hindu tradition that most accepts ascetic life and emphasizes yoga, like other Hindu traditions encourages an individual to discover and be one with Shiva within. Shaivism is one of the largest traditions within Hinduism. Shiva means kind, gracious, or auspicious; as a proper name, it means "The Auspicious One". The word Shiva is used as an adjective in the Rig Veda, as an epithet for several Rigvedic deities, including Rudra.
The term Shiva connotes "liberation, final emancipation" and "the auspicious one", this adjective sense of usage is addressed to many deities in Vedic layers of literature. The term evolved from the Vedic Rudra-Shiva to the noun Shiva in the Epics and the Puranas, as an auspicious deity, the "creator and dissolver"; the Sanskrit word śaiva or Shaiva means "relating to the god Shiva", while the related beliefs, history and sub-traditions constitute Shaivism. The reverence for Shiva is one of the pan-Hindu traditions, found across India, Sri Lanka and Nepal. While Shiva is revered broadly, Hinduism itself is a complex religion and a way of life, with a diversity of ideas on spirituality and traditions, it has no ecclesiastical order, no unquestionable religious authorities, no governing body, no prophet nor any binding holy book. Shaivism is a major tradition within Hinduism, with a theology, predominantly related to the Hindu god Shiva. Shaivism has many different sub-traditions with regional differences in philosophy.
Shaivism has a vast literature with different philosophical schools, ranging from nondualism and mixed schools. The origins of Shaivism a matter of debate among scholars; some trace the origins to the Indus Valley civilization, which reached its peak around 2500–2000 BCE. Archeological discoveries show seals. Of these is the Pashupati seal, which early scholars interpreted as someone seated in a meditating yoga pose surrounded by animals, with horns; this "Pashupati" seal has been interpreted by these scholars as a prototype of Shiva. Gavin Flood characterizes these views as "speculative", saying that it is not clear from the seal if the figure has three faces, or is seated in a yoga posture, or that the shape is intended to represent a human figure. Other scholars state that the Indus Valley script remains undeciphered, the interpretation of the Pashupati seal is uncertain. According to Srinivasan, the proposal that it is proto-Shiva may be a case of projecting "later practices into archeological findings".
Asko Parpola states that other archaeological finds such as the early Elamite seals dated to 3000–2750 BCE show similar figures and these have been interpreted as "seated bull" and not a yogi, the bull interpretation is more accurate. The Rigveda has the earliest clear mention of Rudra in its hymns such as 2.33, 1.43 and 1.114. The text includes a Satarudriya, an influential hymn with embedded hundred epithets for Rudra, cited in many medieval era Shaiva texts as well as recited in major Shiva temples of Hindus in contemporary times. Yet, the Vedic literature only present scriptural theology, but does not attest to the existence of Shaivism; the Shvetashvatara Upanishad composed before the Bhagavad Gita about 4th century BCE contains the theistic foundations of Shaivism wrapped in a monistic structure. It contains the key terms and ideas of Shaivism, such as Shiva, Maheswara, Bhakti, Atman and self-knowledge. According to Gavin Flood, "the formation of Śaiva traditions as we understand them begins to occur during the period from 200 BC to 100 AD."
According to Chakravarti, Shiva rose to prominence as he was identified to be the
In Hinduism, Hanuman is an ardent devotee of Lord Rama. Lord Hanuman, known as the Lord of Celibacy was an ideal "Brahmachari" or called Naistika Brahmachari in Sanskrit and is one of the central characters of the Indian Epic ￼￼Ramayana￼￼. ￼￼As one of the Chiranjivi, he is mentioned in several other texts, such as the Mahabharata and the various Puranas. Hanuman is the son of Anjani and Kesari and is son of the wind-god Vayu, who according to several stories, played a role in his birth. If yoga is the ability to control one's mind Hanuman is the quintessential yogi having a perfect mastery over his senses, achieved through a disciplined lifestyle tempered by the twin streams of celibacy and selfless devotion. In fact, Hanuman is the ideal Brahmachari, if there was one, he is a perfect karma yogi since he performs his actions with detachment, acting as an instrument of destiny rather than being impelled by any selfish motive. While Hanuman is one of the central characters in the ancient Hindu epic Ramayana, the evidence of devotional worship to him is missing in the texts and archeological sites of ancient and most of the medieval period.
According to Philip Lutgendorf, an American Indologist known for his studies on Hanuman, the theological significance and devotional dedication to Hanuman emerged about 1,000 years after the composition of the Ramayana, in the 2nd millennium CE, after the arrival of Islamic rule in the Indian subcontinent. Bhakti movement saints such as Samarth Ramdas expressed Hanuman as a symbol of nationalism and resistance to persecution. In the modern era, his iconography and temples have been common, he is viewed as the ideal combination of "strength, heroic initiative and assertive excellence" and "loving, emotional devotion to his personal god Rama", as Shakti and Bhakti. In literature, he has been the patron god of martial arts such as wrestling, acrobatics, as well as meditation and diligent scholarship, he symbolizes the human excellences of inner self-control and service to a cause, hidden behind the first impressions of a being who looks like an Ape-Man Vanara. Hanuman is stated by scholars to be the inspiration for the allegory-filled adventures of a monkey hero in the Xiyouji – the great Chinese poetic novel influenced by the travels of Buddhist monk Xuanzang to India.
The meaning or the origin of word "Hanuman" is unclear. In the Hindu pantheon, deities have many synonymous names, each based on the noble characteristic or attribute or reminder of that deity's mythical deed. Hanuman has many names like Maruti, Bajrangbali, Mangalmurti but these names are used. Hanuman is the common name of the vaanar god. One interpretation of the term is that it means "one having a jaw, prominent"; this version is supported by a Puranic legend wherein baby Hanuman mistakes the sun for a fruit, attempts to heroically reach it, is wounded and gets a disfigured jaw."Hanuman": the name derives from the Sanskrit words Han and maana. This epithet resonates with the story in the Ramayana about his emotional devotion to Sita, he combines two of the most cherished traits in the Hindu bhakti-shakti worship traditions: "heroic, assertive excellence" and "loving, emotional devotion to personal god". Linguistic variations of "Hanuman" include Hanumat, Hanumantha, Hanumanthudu. Other names of Hanuman include: Anjaneya, Anjaneyar, Anjanisuta all meaning "the son of Hanuman's mother Anjana".
Kesari Nandan, based on his father, which means "son of Kesari" Maruti, or the son of the wind god. Sankata Mochana, the remover of dangers The earliest mention of a divine monkey, interpreted by some scholars as the proto-Hanuman, is in hymn 10.86 of the Rigveda, dated to between 1500 and 1200 BCE. The twenty-three verses of the hymn are a riddle-filled legend, it is presented as a dialogue between multiple characters: the god Indra, his wife Indrani and an energetic monkey it refers to as Vrisakapi and his wife Kapi. The hymn opens with Indrani complaining to Indra that some of the soma offerings for Indra have been allocated to the energetic and strong monkey, the people are forgetting Indra; the king of the gods Indra responds by telling his wife that the living being that bothers her is to be seen as a friend, that they should make an effort to coexist peacefully. The hymn closes with all agreeing that they should come together in Indra's house and share the wealth of the offerings; the orientalist F. E. Pargiter theorized.
According to this theory, the name "Hanuman" derives from the Tamil word for male monkey, first transformed to "Anumant" – a name which remains in use. "Anumant", according to this hypothesis, was Sanskritized to "Hanuman" because the ancient Aryans confronted with a popular monkey deity of ancient Dravidians coopted the concept and Sanskritized it. According to Murray Emeneau, known for his Tamil linguistic studies, this theory does not make sense because the Old Tamil word mandi in Caṅkam literature can only mean "female monkey", Hanuman is male. Further, adds Emeneau, the compound ana-mandi makes no semantic sense in Tamil, which has well developed and sophisticated grammar and semantic rules; the "prominent jaw" etymology, according to Emeneau, is therefore plausible. Hanuman is mentioned in both the