The National Broadcasting Company is an American English-language commercial terrestrial television network, a flagship property of NBCUniversal, a subsidiary of Comcast. The network is headquartered at 30 Rockefeller Plaza in New York City, with additional major offices near Los Angeles and Philadelphia; the network is one of the Big Three television networks. NBC is sometimes referred to as the "Peacock Network", in reference to its stylized peacock logo, introduced in 1956 to promote the company's innovations in early color broadcasting, it became the network's official emblem in 1979. Founded in 1926 by the Radio Corporation of America, NBC is the oldest major broadcast network in the United States. At that time the parent company of RCA was General Electric. In 1930, GE was forced to sell the companies as a result of antitrust charges. In 1986, control of NBC passed back to General Electric through its $6.4 billion purchase of RCA. Following the acquisition by GE, Bob Wright served as chief executive officer of NBC, remaining in that position until his retirement in 2007, when he was succeeded by Jeff Zucker.
In 2003, French media company Vivendi merged its entertainment assets with GE, forming NBC Universal. Comcast purchased a controlling interest in the company in 2011, acquired General Electric's remaining stake in 2013. Following the Comcast merger, Zucker left NBCUniversal and was replaced as CEO by Comcast executive Steve Burke. NBC has thirteen owned-and-operated stations and nearly 200 affiliates throughout the United States and its territories, some of which are available in Canada and/or Mexico via pay-television providers or in border areas over-the-air. During a period of early broadcast business consolidation, radio manufacturer Radio Corporation of America acquired New York City radio station WEAF from American Telephone & Telegraph. Westinghouse, a shareholder in RCA, had a competing outlet in Newark, New Jersey pioneer station WJZ, which served as the flagship for a loosely structured network; this station was transferred from Westinghouse to RCA in 1923, moved to New York City. WEAF acted as a laboratory for AT&T's manufacturing and supply outlet Western Electric, whose products included transmitters and antennas.
The Bell System, AT&T's telephone utility, was developing technologies to transmit voice- and music-grade audio over short and long distances, using both wireless and wired methods. The 1922 creation of WEAF offered a research-and-development center for those activities. WEAF maintained a regular schedule of radio programs, including some of the first commercially sponsored programs, was an immediate success. In an early example of "chain" or "networking" broadcasting, the station linked with Outlet Company-owned WJAR in Providence, Rhode Island. C. WCAP. New parent RCA saw an advantage in sharing programming, after getting a license for radio station WRC in Washington, D. C. in 1923, attempted to transmit audio between cities via low-quality telegraph lines. AT&T refused outside companies access to its high-quality phone lines; the early effort fared poorly, since the uninsulated telegraph lines were susceptible to atmospheric and other electrical interference. In 1925, AT&T decided that WEAF and its embryonic network were incompatible with the company's primary goal of providing a telephone service.
AT&T offered to sell the station to RCA in a deal that included the right to lease AT&T's phone lines for network transmission. RCA spent $1 million to purchase WEAF and Washington sister station WCAP, shut down the latter station, merged its facilities with surviving station WRC; the division's ownership was split among RCA, its founding corporate parent General Electric and Westinghouse. NBC started broadcasting on November 15, 1926. WEAF and WJZ, the flagships of the two earlier networks, were operated side-by-side for about a year as part of the new NBC. On January 1, 1927, NBC formally divided their respective marketing strategies: the "Red Network" offered commercially sponsored entertainment and music programming. Various histories of NBC suggest the color designations for the two networks came from the color of the pushpins NBC engineers used to designate affiliate stations of WEAF and WJZ, or from the use of double-ended red and blue colored pencils. On April 5, 1927, NBC expanded to the West Coast with the launch of the NBC Orange Network known as the Pacific Coast Network.
This was followed by the debut of the NBC Gold Network known as the Pacific Gold Network, on October 18, 1931. The Orange Network carried Red Network programming, the Gold Network carried programming from the Blue Network; the Orange Network recreated Eastern Red Network programming for West Coast stations at KPO in San Francisco. In 1936, the Orange Network affiliate stations became part of the Red Network, at the same time the Gold Network became part of the Blue Network. In the 1930s, NBC developed a network for shortwave radio stations, called the NBC White Network. In 1927, NBC moved its operations to 711 Fifth Avenue in Manhattan, occupying the upper floors of a building de
A film called a movie, motion picture, moving picture, or photoplay, is a series of still images that, when shown on a screen, create the illusion of moving images. This optical illusion causes the audience to perceive continuous motion between separate objects viewed in rapid succession; the process of filmmaking is both an industry. A film is created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, other visual effects; the word "cinema", short for cinematography, is used to refer to filmmaking and the film industry, to the art of filmmaking itself. The contemporary definition of cinema is the art of simulating experiences to communicate ideas, perceptions, beauty or atmosphere by the means of recorded or programmed moving images along with other sensory stimulations. Films were recorded onto plastic film through a photochemical process and shown through a movie projector onto a large screen.
Contemporary films are now fully digital through the entire process of production and exhibition, while films recorded in a photochemical form traditionally included an analogous optical soundtrack. Films are cultural artifacts created by specific cultures, they reflect those cultures. Film is considered to be an important art form, a source of popular entertainment, a powerful medium for educating—or indoctrinating—citizens; the visual basis of film gives it a universal power of communication. Some films have become popular worldwide attractions through the use of dubbing or subtitles to translate the dialog into other languages; the individual images that make up a film are called frames. In the projection of traditional celluloid films, a rotating shutter causes intervals of darkness as each frame, in turn, is moved into position to be projected, but the viewer does not notice the interruptions because of an effect known as persistence of vision, whereby the eye retains a visual image for a fraction of a second after its source disappears.
The perception of motion is due to a psychological effect called the phi phenomenon. The name "film" originates from the fact that photographic film has been the medium for recording and displaying motion pictures. Many other terms exist for an individual motion-picture, including picture, picture show, moving picture and flick; the most common term in the United States is movie. Common terms for the field in general include the big screen, the silver screen, the movies, cinema. In early years, the word sheet was sometimes used instead of screen. Preceding film in origin by thousands of years, early plays and dances had elements common to film: scripts, costumes, direction, audiences and scores. Much terminology used in film theory and criticism apply, such as mise en scène. Owing to the lack of any technology for doing so, the moving images and sounds could not be recorded for replaying as with film; the magic lantern created by Christiaan Huygens in the 1650s, could be used to project animation, achieved by various types of mechanical slides.
Two glass slides, one with the stationary part of the picture and the other with the part, to move, would be placed one on top of the other and projected together the moving slide would be hand-operated, either directly or by means of a lever or other mechanism. Chromotrope slides, which produced eye-dazzling displays of continuously cycling abstract geometrical patterns and colors, were operated by means of a small crank and pulley wheel that rotated a glass disc. In the mid-19th century, inventions such as Joseph Plateau's phenakistoscope and the zoetrope demonstrated that a designed sequence of drawings, showing phases of the changing appearance of objects in motion, would appear to show the objects moving if they were displayed one after the other at a sufficiently rapid rate; these devices relied on the phenomenon of persistence of vision to make the display appear continuous though the observer's view was blocked as each drawing rotated into the location where its predecessor had just been glimpsed.
Each sequence was limited to a small number of drawings twelve, so it could only show endlessly repeating cyclical motions. By the late 1880s, the last major device of this type, the praxinoscope, had been elaborated into a form that employed a long coiled band containing hundreds of images painted on glass and used the elements of a magic lantern to project them onto a screen; the use of sequences of photographs in such devices was limited to a few experiments with subjects photographed in a series of poses because the available emulsions were not sensitive enough to allow the short exposures needed to photograph subjects that were moving. The sensitivity was improved and in the late 1870s, Eadweard Muybridge created the first animated image sequences photographed in real-time. A row of cameras was used, each, in turn, capturing one image on a photographic glass plate, so the total number of images in each sequence was limited by the number of cameras, about two dozen at most. Muybridge used his system to analyze the movements of a wi
An actor is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film and television; the analogous Greek term is ὑποκριτής "one who answers". The actor's interpretation of their role—the art of acting—pertains to the role played, whether based on a real person or fictional character. Interpretation occurs when the actor is "playing themselves", as in some forms of experimental performance art. In ancient Greece and Rome, the medieval world, the time of William Shakespeare, only men could become actors, women's roles were played by men or boys. After the English Restoration of 1660, women began to appear on stage in England. In modern times in pantomime and some operas, women play the roles of boys or young men. After 1660 in England, when women first started to appear on stage, the terms actor or actress were used interchangeably for female performers, but influenced by the French actrice, actress became the used term for women in theater and film.
The etymology is a simple derivation from actor with -ess added. When referring to groups of performers of both sexes, actors is preferred. Actor is used before the full name of a performer as a gender-specific term. Within the profession, the re-adoption of the neutral term dates to the post-war period of the 1950 and'60s, when the contributions of women to cultural life in general were being reviewed; when The Observer and The Guardian published their new joint style guide in 2010, it stated "Use for both male and female actors. The guide's authors stated that "actress comes into the same category as authoress, manageress,'lady doctor','male nurse' and similar obsolete terms that date from a time when professions were the preserve of one sex.". "As Whoopi Goldberg put it in an interview with the paper:'An actress can only play a woman. I'm an actor – I can play anything.'" The UK performers' union Equity has no policy on the use of "actor" or "actress". An Equity spokesperson said that the union does not believe that there is a consensus on the matter and stated that the "...subject divides the profession".
In 2009, the Los Angeles Times stated that "Actress" remains the common term used in major acting awards given to female recipients. With regard to the cinema of the United States, the gender-neutral term "player" was common in film in the silent film era and the early days of the Motion Picture Production Code, but in the 2000s in a film context, it is deemed archaic. However, "player" remains in use in the theatre incorporated into the name of a theatre group or company, such as the American Players, the East West Players, etc. Actors in improvisational theatre may be referred to as "players". In 2015, Forbes reported that "...just 21 of the 100 top-grossing films of 2014 featured a female lead or co-lead, while only 28.1% of characters in 100 top-grossing films were female...". "In the U. S. there is an "industry-wide in salaries of all scales. On average, white women get paid 78 cents to every dollar a white man makes, while Hispanic women earn 56 cents to a white male's dollar, Black women 64 cents and Native American women just 59 cents to that."
Forbes' analysis of US acting salaries in 2013 determined that the "...men on Forbes' list of top-paid actors for that year made 21/2 times as much money as the top-paid actresses. That means that Hollywood's best-compensated actresses made just 40 cents for every dollar that the best-compensated men made." The first recorded case of a performing actor occurred in 534 BC when the Greek performer Thespis stepped onto the stage at the Theatre Dionysus to become the first known person to speak words as a character in a play or story. Prior to Thespis' act, Grecian stories were only expressed in song, in third person narrative. In honor of Thespis, actors are called Thespians; the male actors in the theatre of ancient Greece performed in three types of drama: tragedy and the satyr play. Western theatre developed and expanded under the Romans; the theatre of ancient Rome was a thriving and diverse art form, ranging from festival performances of street theatre, nude dancing, acrobatics, to the staging of situation comedies, to high-style, verbally elaborate tragedies.
As the Western Roman Empire fell into decay through the 4th and 5th centuries, the seat of Roman power shifted to Constantinople and the Byzantine Empire. Records show that mime, scenes or recitations from tragedies and comedies and other entertainments were popular. From the 5th century, Western Europe was plunged into a period of general disorder. Small nomadic bands of actors traveled around Europe throughout the period, performing wherever they could find an audience. Traditionally, actors were not of high status. Early Middle Ages actors were denounced by the Church during the Dark Ages, as they were viewed as dangerous and pagan. In many parts of Europe, traditional beliefs of the region and time period meant actors could not receive a Christian burial. In the Early Middle Ages, churches in Europe began staging dramatized versions of biblical events. By the middle of the 11th century, liturgical drama had spread from Russia to Scandinavia
V (1983 miniseries)
V is a two-part American science fiction television miniseries and directed by Kenneth Johnson. First shown in 1983, it initiated the science fiction franchise concerning aliens known as the "Visitors" trying to gain control of Earth and of the ways the populace reacts. A race of aliens arrive on Earth in a fleet of 50 huge, saucer-shaped motherships, which hover over major cities across the world, they reveal themselves on the roof of the United Nations building in New York City, appearing human but requiring special glasses to protect their eyes and having a distinctive resonance to their voices. Referred to as the Visitors, they reach out in friendship, ostensibly seeking the help of humans to obtain chemicals and minerals needed to aid their ailing world, revealed to be a planet orbiting the star Sirius. In return, the Visitors promise to share their advanced technology with humanity; the governments of Earth accept the arrangement, the Visitors, commanded by their leader John and his deputy Diana, begin to gain considerable influence with human authorities.
Strange events begin to occur. Scientists in particular become the objects of public hostility, they experience government restrictions on their movements. Others those keen on examining the Visitors more begin to disappear or are discredited. Noted scientists confess to subversive activities. Television journalist cameraman Michael Donovan covertly boards one of the Visitors' motherships, he discovers that beneath their human-like façade—a thin, synthetic skin and human-eye contact lenses—the aliens are carnivorous reptilian humanoids with horned foreheads and green, scaly skin. He witnesses them eating whole live animals such as rodents and birds. Donovan, who first took footage of one of the alien ships flying overhead while on duty in El Salvador, records some of his findings on videotape and escapes from the mothership with the evidence. However, just as the exposé is about to air on television, the broadcast is interrupted by the Visitors, who have taken control of the media, their announcement makes Donovan a fugitive pursued by the Visitors.
Scientists around the world continue to be persecuted, both to discredit them and to distract the rest of the population with a scapegoat to whom they can attribute their fears. Key human individuals are subjected to Diana's special mind control process called "conversion", which turns them into the Visitors' pawns, leaving only subtle behavioral clues to this manipulation. Others become subjects of Diana's horrifying biological experiments; some humans willingly collaborate with the Visitors, seduced by their power. Daniel Bernstein, a grandson of a Jewish Holocaust survivor, joins the Visitor Youth and reveals the location of a scientist family, his neighbors the Maxwells, to the alien cause. One teenager, Robin Maxwell, the daughter of a well-known scientist who went into hiding, has a sexual relationship with a male Visitor named Brian, who impregnates her as one of Diana's "medical experiments". A resistance movement is determined to expose and oppose the Visitors; the Los Angeles cell leader is herself a biologist.
Donovan joins the group and, again sneaking aboard a mothership, he learns from a Visitor named Martin that the story about the Visitors needing waste chemicals is a cover for a darker mission. The true purpose of the Visitors' arrival on Earth was to conquer and subdue the planet, steal all of the Earth's water, harvest the human race as food, leaving only a few as slaves and cannon fodder for the Visitors' wars with other alien races. Martin is one of many dissidents among the Visitors who oppose their leader's plans and would rather co-exist peacefully with the humans. Martin promises to aid the Resistance, he gives Donovan access to one of their sky-fighter ships, which he learns how to pilot. He escapes from the mothership along with Robin and another prisoner named Sancho, who had aided Robin's family in their flight out of occupied Los Angeles; the Resistance strike their first blows against the Visitors, procuring laboratory equipment and modern military weapons from National Guard armories to carry on the fight.
The symbol of the resistance is a blood-red letter V, spray-painted over posters promoting Visitor friendship among humans. The symbol was inspired by a Holocaust survivor; the miniseries ends with the Visitors now controlling the Earth, Julie and Elias sending a transmission into space to ask other alien races for help in defeating the occupiers. Inspired by Sinclair Lewis' anti-fascist novel It Can't Happen Here, director–producer Kenneth Johnson wrote an adaptation titled Storm Warnings, in 1982; the script was presented to NBC for production as a television miniseries, but the NBC executives rejected the initial version, claiming it was too "cerebral" for the average American viewer. To make the script more marketable, the American fascists were re-cast as man-eating extraterrestrials, taking the story into the realm of science fiction to capitalize on the popularity of science-fiction franchises such as Star Wars. V, which cost $13 million to make, premiered on May 1, 1983. With the Visitors' swastika-like emblem and their SS-like uniforms, the miniseries became an allegory on Nazi fascism.
There is a youth auxiliary movement called the "Friends of the Vis
Television, sometimes shortened to tele or telly, is a telecommunication medium used for transmitting moving images in monochrome, or in color, in two or three dimensions and sound. The term can refer to a television set, a television program, or the medium of television transmission. Television is a mass medium for advertising and news. Television became available in crude experimental forms in the late 1920s, but it would still be several years before the new technology would be marketed to consumers. After World War II, an improved form of black-and-white TV broadcasting became popular in the United States and Britain, television sets became commonplace in homes and institutions. During the 1950s, television was the primary medium for influencing public opinion. In the mid-1960s, color broadcasting was introduced in most other developed countries; the availability of multiple types of archival storage media such as Betamax, VHS tape, local disks, DVDs, flash drives, high-definition Blu-ray Discs, cloud digital video recorders has enabled viewers to watch pre-recorded material—such as movies—at home on their own time schedule.
For many reasons the convenience of remote retrieval, the storage of television and video programming now occurs on the cloud. At the end of the first decade of the 2000s, digital television transmissions increased in popularity. Another development was the move from standard-definition television to high-definition television, which provides a resolution, higher. HDTV may be transmitted in various formats: 1080p, 720p. Since 2010, with the invention of smart television, Internet television has increased the availability of television programs and movies via the Internet through streaming video services such as Netflix, Amazon Video, iPlayer and Hulu. In 2013, 79 % of the world's households owned; the replacement of early bulky, high-voltage cathode ray tube screen displays with compact, energy-efficient, flat-panel alternative technologies such as LCDs, OLED displays, plasma displays was a hardware revolution that began with computer monitors in the late 1990s. Most TV sets sold in the 2000s were flat-panel LEDs.
Major manufacturers announced the discontinuation of CRT, DLP, fluorescent-backlit LCDs by the mid-2010s. In the near future, LEDs are expected to be replaced by OLEDs. Major manufacturers have announced that they will produce smart TVs in the mid-2010s. Smart TVs with integrated Internet and Web 2.0 functions became the dominant form of television by the late 2010s. Television signals were distributed only as terrestrial television using high-powered radio-frequency transmitters to broadcast the signal to individual television receivers. Alternatively television signals are distributed by coaxial cable or optical fiber, satellite systems and, since the 2000s via the Internet; until the early 2000s, these were transmitted as analog signals, but a transition to digital television is expected to be completed worldwide by the late 2010s. A standard television set is composed of multiple internal electronic circuits, including a tuner for receiving and decoding broadcast signals. A visual display device which lacks a tuner is called a video monitor rather than a television.
The word television comes from Ancient Greek τῆλε, meaning'far', Latin visio, meaning'sight'. The first documented usage of the term dates back to 1900, when the Russian scientist Constantin Perskyi used it in a paper that he presented in French at the 1st International Congress of Electricity, which ran from 18 to 25 August 1900 during the International World Fair in Paris; the Anglicised version of the term is first attested in 1907, when it was still "...a theoretical system to transmit moving images over telegraph or telephone wires". It was "...formed in English or borrowed from French télévision." In the 19th century and early 20th century, other "...proposals for the name of a then-hypothetical technology for sending pictures over distance were telephote and televista." The abbreviation "TV" is from 1948. The use of the term to mean "a television set" dates from 1941; the use of the term to mean "television as a medium" dates from 1927. The slang term "telly" is more common in the UK; the slang term "the tube" or the "boob tube" derives from the bulky cathode ray tube used on most TVs until the advent of flat-screen TVs.
Another slang term for the TV is "idiot box". In the 1940s and throughout the 1950s, during the early rapid growth of television programming and television-set ownership in the United States, another slang term became used in that period and continues to be used today to distinguish productions created for broadcast on television from films developed for presentation in movie theaters; the "small screen", as both a compound adjective and noun, became specific references to television, while the "big screen" was used to identify productions made for theatrical release. Facsimile transmission systems for still photographs pioneered methods of mechanical scanning of images in the early 19th century. Alexander Bain introduced the facsimile machine between 1843 and 1846. Frederick Bakewell demonstrated a working laboratory version in 1851. Willoughby Smith discovered the photoconductivity of the element selenium in 1873; as a 23-year-old German university student, Paul Julius Gottlieb Nipkow proposed and patented the Nipkow disk in 1884.
This was a spinning disk with a spiral pattern of holes in it, so each hole scanned a line of the image. Although he never built a working model
An Officer and a Gentleman
An Officer and a Gentleman is a 1982 American romantic drama film starring Richard Gere, Debra Winger, Louis Gossett Jr. who won the Academy Award for Best Supporting Actor for the film, making him the first African American to do so. It tells the story of Zack Mayo, a United States Navy Aviation Officer Candidate, beginning his training at Aviation Officer Candidate School. While Zack meets his first true girlfriend during his training, a young "townie" named Paula, he comes into conflict with the hard-driving Marine Corps Gunnery Sergeant Emil Foley training his class; the film was directed by Taylor Hackford. Its title is an old expression from the Royal Navy and from the U. S. Uniform Code of Military Justice's charge of "conduct unbecoming an Officer and a Gentleman"; the film was commercially released in the U. S. on August 13, 1982. It was well received by critics, with a number calling it the best film of 1982, it was a financial success, grossing $130 million against a $6 million budget.
Zachary "Zack" Mayo prepares to report to Aviation Officer Candidate School following college graduation and the death of his mother, who committed suicide when he was a child. After Zack's mother died, he moved to Philippines to live with his father Byron Mayo, a former Navy Chief Petty Officer/Chief Boatswain's Mate, his father is reluctant to take care of his son. Zack begged him to take him in and Bryon let him stay. Zack traveled around the world with his father. Despite the discouragement of his father, Zack is determined to go through with his childhood dreams of becoming a Navy pilot as well as prove to him that he can make it and in the end Byron would have to "salute" Zack. Upon arrival at AOCS, Zack and his fellow AOCs are shocked by the harsh treatment they receive from their head drill instructor, Marine Gunnery Sergeant Emil Foley. Foley makes it clear that the 13-week program is designed to eliminate OCs who are found to be mentally or physically unfit for commission as an ensign in the U.
S. Navy, which will earn them flight training worth over $1,000,000. Foley warns the male candidates about the "Puget Sound Debs," consisting of young women in the area who dream of marrying a Naval Aviator to escape their dull, local lives. Foley claims they scout the regiment for OCs, will feign pregnancy or stop using birth control to become pregnant to trap the men. Zack and fellow candidate Sid Worley meet two local young women Paula Pokrifki and Lynette Pomeroy, who are factory workers, at a Navy Ball. Zack begins a romantic relationship with Paula, Sid with Lynette. Meanwhile, recruit Topper Daniels drops out of the program after he drowns in the dunker crash-escape exercise. Foley rides Zack mercilessly, believing he lacks motivation and is not a team player, though Foley sees potential in Zack; when Zack's side business of selling pre-shined shoes and belt buckles is discovered, Foley hazes him for an entire weekend in an attempt to make him Drop on Request. However, Zack refuses, telling Foley that he has no other options in civilian life, Foley reluctantly lets up on him.
Zack decides to become a team player. After spending the next weekend with Paula to meet her family, who nearly breaks the record time for negotiating the obstacle course, coaches another recruit Casey Seeger to negotiate the 12-foot-high wall. After some hesitation despite facing disqualification, Casey succeeds. While attending dinner with Sid and his parents, Zack learns that Sid has a long-time girlfriend back home, planning to marry her after he receives his commission. Meanwhile, Lynette has been dropping hints to Sid. After having a severe anxiety attack during a high-altitude simulation in a pressure chamber, Sid DORs without saying goodbye, he goes to Lynette's house and proposes marriage, but she turns him down and berates him for DORing, telling him that she was never pregnant and giving him the engagement ring back. Despondent over the situation, Sid commits suicide. Zack heads back to base with the intent to DOR himself. Zack challenges Foley to an unofficial martial arts bout. Foley tells Mayo, he can quit if he wants, up to him.
Mayo decides to stay. Zack is sworn into the Navy with his class. Following naval tradition, he receives his first salute from Foley in exchange for a US silver dollar. While tradition calls for the drill instructor to place the coin in his left shirt pocket, Foley places the coin in his right pocket, acknowledging that Zack was a special candidate. Zack thanks him for not giving up on him and tells him he would never have made it without the hardships Foley delivered. While leaving the base, he sees Foley initiating a set of new AOCs who are in the same position he was 13 weeks prior. Zack, now Ensign Mayo with orders to undertake flight training, seeks out Paula at the factory, declaring his love to her, he picks her up and walks out with her in his arms to the applause of her co-workers, including Lynette. The film was shot in late 1981 on the Olympic Peninsula of Washington, at Port Townsend and Fort Worden; the U. S. Navy did not permit filming at NAS Pensacola in the Florida panhandle, the site of the actual Aviation Officer Candidate School in 1981.
Deactivated U. S. Army base Fort Worden stood in for the location of the school, an actual Naval Air Station in the Puget Sound area, NAS Whidbey Island. However, that installation, still an operating air station today, was and is a "fleet" base for operational combat aircraft and squadrons under the cognizance of Naval Ai