1.
Dublin
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Dublin is the capital and largest city of Ireland. Dublin is in the province of Leinster on Irelands east coast, the city has an urban area population of 1,345,402. The population of the Greater Dublin Area, as of 2016, was 1,904,806 people, founded as a Viking settlement, the Kingdom of Dublin became Irelands principal city following the Norman invasion. The city expanded rapidly from the 17th century and was briefly the second largest city in the British Empire before the Acts of Union in 1800, following the partition of Ireland in 1922, Dublin became the capital of the Irish Free State, later renamed Ireland. Dublin is administered by a City Council, the city is listed by the Globalization and World Cities Research Network as a global city, with a ranking of Alpha-, which places it amongst the top thirty cities in the world. It is a historical and contemporary centre for education, the arts, administration, economy, the name Dublin comes from the Irish word Dubhlinn, early Classical Irish Dubhlind/Duibhlind, dubh /d̪uβ/, alt. /d̪uw/, alt /d̪u, / meaning black, dark, and lind /lʲiɲ pool and this tidal pool was located where the River Poddle entered the Liffey, on the site of the castle gardens at the rear of Dublin Castle. In Modern Irish the name is Duibhlinn, and Irish rhymes from Dublin County show that in Dublin Leinster Irish it was pronounced Duílinn /d̪ˠi, other localities in Ireland also bear the name Duibhlinn, variously anglicized as Devlin, Divlin and Difflin. Historically, scribes using the Gaelic script wrote bh with a dot over the b and those without knowledge of Irish omitted the dot, spelling the name as Dublin. Variations on the name are found in traditionally Irish-speaking areas of Scotland, such as An Linne Dhubh. It is now thought that the Viking settlement was preceded by a Christian ecclesiastical settlement known as Duibhlinn, beginning in the 9th and 10th century, there were two settlements where the modern city stands. Baile Átha Cliath, meaning town of the ford, is the common name for the city in modern Irish. Áth Cliath is a name referring to a fording point of the River Liffey near Father Mathew Bridge. Baile Átha Cliath was an early Christian monastery, believed to have been in the area of Aungier Street, there are other towns of the same name, such as Àth Cliath in East Ayrshire, Scotland, which is Anglicised as Hurlford. Although the area of Dublin Bay has been inhabited by humans since prehistoric times and he called the settlement Eblana polis. It is now thought that the Viking settlement was preceded by a Christian ecclesiastical settlement known as Duibhlinn, beginning in the 9th and 10th century, there were two settlements where the modern city stands. The subsequent Scandinavian settlement centred on the River Poddle, a tributary of the Liffey in an area now known as Wood Quay, the Dubhlinn was a small lake used to moor ships, the Poddle connected the lake with the Liffey. This lake was covered during the early 18th century as the city grew, the Dubhlinn lay where the Castle Garden is now located, opposite the Chester Beatty Library in Dublin Castle
2.
Republic of Ireland
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Ireland, also known as the Republic of Ireland, is a sovereign state in north-western Europe occupying about five-sixths of the island of Ireland. The capital and largest city is Dublin, which is located on the part of the island. The state shares its land border with Northern Ireland, a part of the United Kingdom. It is otherwise surrounded by the Atlantic Ocean, with the Celtic Sea to the south, Saint Georges Channel to the south-east, and it is a unitary, parliamentary republic. The head of government is the Taoiseach, who is elected by the Dáil and appointed by the President, the state was created as the Irish Free State in 1922 as a result of the Anglo-Irish Treaty. It was officially declared a republic in 1949, following the Republic of Ireland Act 1948, Ireland became a member of the United Nations in December 1955. It joined the European Economic Community, the predecessor of the European Union, after joining the EEC, Ireland enacted a series of liberal economic policies that resulted in rapid economic growth. The country achieved considerable prosperity between the years of 1995 and 2007, which known as the Celtic Tiger period. This was halted by a financial crisis that began in 2008. However, as the Irish economy was the fastest growing in the EU in 2015, Ireland is again quickly ascending league tables comparing wealth and prosperity internationally. For example, in 2015, Ireland was ranked as the joint sixth most developed country in the world by the United Nations Human Development Index and it also performs well in several national performance metrics, including freedom of the press, economic freedom and civil liberties. Ireland is a member of the European Union and is a member of the Council of Europe. The 1922 state, comprising 26 of the 32 counties of Ireland, was styled, the Constitution of Ireland, adopted in 1937, provides that the name of the State is Éire, or, in the English language, Ireland. Section 2 of the Republic of Ireland Act 1948 states, It is hereby declared that the description of the State shall be the Republic of Ireland. The 1948 Act does not name the state as Republic of Ireland, because to have done so would have put it in conflict with the Constitution. The government of the United Kingdom used the name Eire, and, from 1949, Republic of Ireland, for the state, as well as Ireland, Éire or the Republic of Ireland, the state is also referred to as the Republic, Southern Ireland or the South. In an Irish republican context it is referred to as the Free State or the 26 Counties. From the Act of Union on 1 January 1801, until 6 December 1922, during the Great Famine, from 1845 to 1849, the islands population of over 8 million fell by 30%
3.
Theater (structure)
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A theater, theatre or playhouse, is a structure where theatrical works or plays are performed, or other performances such as musical concerts may be produced. While a theater is not required for performance, a theater serves to define the performance and audience spaces, the facility is traditionally organized to provide support areas for performers, the technical crew and the audience members. There are as many types of theaters as there are types of performance, theaters may be built specifically for a certain types of productions, they may serve for more general performance needs or they may be adapted or converted for use as a theater. They may range from open-air amphitheaters to ornate, cathedral-like structures to simple, some theaters may have a fixed acting area, while some theaters, such as black box theaters, may not, allowing the director and designers to construct an acting area suitable for the production. The most important of these areas is the acting space generally known as the stage, in some theaters, specifically proscenium theaters, arena theaters and amphitheaters, this area is permanent part of the structure. In a blackbox theater the area is undefined so that each theater may adapt specifically to a production. In addition to these spaces, there may be offstage spaces as well. These include wings on either side of a stage where props, sets. A Prompters box may be found backstage, in an amphitheater, an area behind the stage may be designated for such uses while a blackbox theater may have spaces outside of the actual theater designated for such uses. Often a theater will incorporate other spaces intended for the performers, a booth facing the stage may be incorporated into the house where lighting and sound personnel may view the show and run their respective instruments. Other rooms in the building may be used for dressing rooms, rehearsal rooms, spaces for constructing sets, props and costumes, as well as storage. There are usually two main entrances, one at the front, used by the audience, that leads into the back of the audience, the second is called the stage door, and it is accessible from backstage. This is the means by which the cast and crew enter and exit the theater and this term can also be used to refer to going to a lot of shows or living in a big theater city, such as New York or Chicago. All theaters provide a space for an audience, the audience is usually separated from the performers by the proscenium arch. In proscenium theaters and amphitheaters, the arch, like the stage, is a permanent feature of the structure. This area is known as the auditorium or the house, the word parterre is sometimes used to refer to a particular subset of this area. In North American usage this is usually the rear seating block beneath the gallery whereas in Britain it can mean either the area in front near the orchestra pit, the term can also refer to the side stalls in some usages. Derived from the gardening term parterre, the usage refers to the pattern of both the seats of an auditorium and of the planted beds seen in garden construction
4.
Melodrama
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A melodrama is a dramatic or literary work in which the plot, which is typically sensational and designed to appeal strongly to the emotions, takes precedence over detailed characterization. Characters are often drawn, and may appear stereotyped. In scholarly and historical contexts, melodramas are Victorian dramas in which orchestral music or song was used to accompany the action. The term is now applied to stage performances without incidental music, novels, movies. In modern contexts, the melodrama is generally pejorative, as it suggests that the work in question lacks subtlety, character development. By extension, language or behavior which resembles melodrama is often called melodramatic, the term originated from the early 19th-century French word mélodrame. It is derived from Greek melos, music, and French drame and this applies to both Victorian stage melodrama and 20th-century film melodrama. Movie director Sidney Lumet stressed the primacy of plot, saying in 2007 In a well-written drama, the characters in a well-written melodrama come out of the story. The relationship of melodrama to realism is complex, the protagonists of melodramatic works may either be ordinary people who are caught up in extraordinary events, or highly exaggerated and unrealistic characters. According to Singer, late Victorian and Edwardian melodrama combined a focus on realism in stage sets and props with anti-realism in character. Melodrama in this period strove for accuracy in the depiction of incredible. Novelist Wilkie Collins is noted for his attention to accuracy in detail in his works, beginning in the 18th century, melodrama was a technique of combining spoken recitation with short pieces of accompanying music. In such works, music and spoken dialogue typically alternated, although the music was also used to accompany pantomime. The earliest known examples are scenes in J. E. Eberlins Latin school play Sigismundus, the first full melodrama was Jean-Jacques Rousseaus Pygmalion, the text of which was written in 1762 but was first staged in Lyon in 1770. The overture and an Andante were composed by Rousseau, but the bulk of the music was composed by Horace Coignet, a different musical setting of Rousseaus Pygmalion by Anton Schweitzer was performed in Weimar in 1772, and Goethe wrote of it approvingly in Dichtung und Wahrheit. Pygmalion is a monodrama, written for one actor, some 30 other monodramas were produced in Germany in the fourth quarter of the 18th century. When two actors are involved the term duodrama may be used, georg Benda was particularly successful with his duodramas Ariadne auf Naxos and Medea. The sensational success of Bendas melodramas led Mozart to use two long melodramatic monologues in his opera Zaide, other later, and better-known examples of the melodramatic style in operas are the grave-digging scene in Beethovens Fidelio and the incantation scene in Webers Der Freischütz
5.
Nell Gwynne (operetta)
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Nell Gwynne is a three-act comic opera composed by Robert Planquette, with a libretto by H. B. The libretto is based on the play Rochester by William Thomas Moncrieff, the piece was a rare instance of an opera by a French composer being produced first in London. Farnie had written a libretto on the same subject, with the same name, for composer Alfred Cellier. The opera was first performed at the Avenue Theatre in London on 7 February 1884 and it then transferred to the Comedy Theatre on 28 April 1884. The production starred Florence St. John, Arthur Roberts, Giulia Warwick, in America, it was first produced in June 1884 in St. Louis and in New York City at the Casino Theatre beginning on 8 November 1884. It was later produced in Paris as La Princesse Colombine, with a libretto by E. André Ordonneau, at the Théâtre des Nouveautés, beginning on 7 December 1886, but it was not a success in France. St. John and Hunt Peregrine – Agnes Lyndon King Charles II, villagers, farmers, courtiers, waiters, Chorus — No Heel-Taps Scene — He Brings our Score To you Ladies 2. Chorus — Clubs and Cudgels 8, pawn Chorus — About the Middle of the Week 12. Maid of the Witching Eye 15, finale, Act II, Whats Passing Here Entracte 21. Hunting Chorus — The Eager Hounds 22, the Ball at Whitehall Green Sleeves 25. Finale, Act III Vocal score Information about a 1901 New York revival Theatre posters from performances at the Royal Lyceum Theatre, Edinburgh
