Varuna is a Vedic deity associated with the sky also with the seas as well as Ṛta and Satya. He is found in the oldest layer of Vedic literature such as hymn 7.86 of the Rigveda. He is mentioned in the Tamil grammar work Tolkāppiyam, as the god of sea and rain. In the Hindu Puranas, Varuna is the god of oceans, his vehicle is a Makara and his weapon is a Pasha, he is the guardian deity of the western direction. In some texts, he is the father of the Vedic sage Vasishtha. Varuna is found in Japanese Buddhist mythology as Suiten, he is found in Jainism.. The theonym Varuṇa is a derivation from the verbal vṛ by means of a suffigal -uṇa-, for an interpretation of the name as "he who covers or binds", in reference to the cosmological ocean or river encircling the world, but in reference to the "binding" by universal law or Ṛta. Georges Dumézil made a cautious case for the identity of Varuna and the Greek god Ouranos at the earliest Indo-European cultural level; the etymological identification of the name Ouranos with the Sanskrit Varuṇa is based in the derivation of both names from the PIE root *ŭer with a sense of "binding" – the Indic king-god Varuṇa binds the wicked, the Greek king-god Ouranos binds the Cyclopes.
While the derivation of the name Varuṇa from this root is undisputed, this derivation of the Greek name is now rejected in favour of derivation from the root *wers- "to moisten, drip". In the earliest layer of the Rigveda, Varuna is the guardian of moral law, one who punishes those who sin without remorse, who forgives those who err with remorse, he is mentioned in many Rigvedic hymns, such as 1.25, 2.27 -- 30, 8.8, 9.73 and others. His relationship with waters and oceans is mentioned in the Vedas. Vedic poets describe him as an aspect and one of the plural perspectives of the same divine or spiritual principle. For example, hymn 5.3 of the Rigveda states: Varuna and Mitra are the gods of the societal affairs including the oath, are twinned Mitra-Varuna. Both Mitra and Varuna are classified as Asuras in the Rigveda, although they are addressed as Devas as well. Varuna, being the king of the Asuras, was adopted or made the change to a Deva after the structuring of the primordial cosmos, imposed by Indra after he defeats Vrtra.
According to Doris Srinivasan, a professor of Indology focusing on religion, Varuna-Mitra pair is an ambiguous deity just like Rudra-Shiva pair. Both have wrathful-gracious aspects in Indian mythology. Both Varuna and Rudra are synonymous with "all comprehensive sight, knowledge", both were the guardian deity of the north in the Vedic texts, both can be offered "injured, ill offerings", all of which suggest that Varuna may have been conceptually overlapping with Rudra. Further, the Rigvedic hymn 5.70 calls Mitra-Varuna pair as states Srinivasan. According to Samuel Macey and other scholars, Varuna had been the more ancient Indo-Aryan deity in 2nd millennium BCE, who gave way to Rudra in the Hindu pantheon, Rudra-Shiva became both "timeless and the god of time". In Vajasaneyi Samhita 21.40, Varuna is called the patron deity of physicians, one who has "a hundred, a thousand remedies". His capacity and association with "all comprehensive knowledge" is found in the Atharvaveda. Varuna finds a mention in the early Upanishads, where his role evolves.
In verse 3.9.26 of the Brihadaranyaka Upanishad, for example, he is stated to be the god of the western quarter, but one, founded on "water" and dependent on "the heart" and the fire of soul. In the Katha Upanishad, Aditi is identified to be same as the goddess earth, she is stated in the Vedic texts to be the mother of Varuna and Mitra along with other Vedic gods, in Hindu mythology she as mother earth is stated to be mother of all gods. In Yajurveda it is said: "In fact Varuna is Vishnu and Vishnu is Varuna and hence the auspicious offering is to be made to these deities." || 8.59 || Rama interacts with Varuna in the Hindu epic Ramayana. For example, faced with the dilemma of how to cross the ocean to Lanka, where his abducted wife Sita is held captive by the demon king Ravana, Rama performs a pravpavesha to Varuna, the Lord of Oceans, for three days and three nights, states Ramesh Menon. Varuna does not respond, Rama arises on the fourth morning, enraged, he states to his brother Lakshamana that "even lords of the elements listen only to violence, Varuna does not respect gentleness, peaceful prayers go unheard".
With his bow and arrow, Rama prepares to attack the oceans to burn up the waters and create a bed of sand for his army of monkeys to cross and thus confront Ravana. Lakshmana appeals to Rama, translates Menon, that he should return to "peaceful paths of our fathers, you can win this war without laying waste the sea". Rama shoots his weapon sending the ocean into flames; as Rama increases the ferocity of his weapons, Varuna arises out of the oceans. He bows to Rama, stating that he himself did not know how to help Rama because the sea is deep, vast and he cannot change the nature of sea. Varuna asked Rama to remember that he is "the soul of peace and love, wrath does not suit him". Varuna promised to Rama that he will not disturb him or his army as they build a bridge and cross over to Lanka; the Tolkāppiyam, a Tamil grammar work from 3rd century BCE divides the people of ancient Tamilakam into 5 Sangam landscape divisions: kurinji, paalai and neithal. Each landscape are designated with different gods.
Lakshmi or Laxmi, is the Hindu goddess of wealth and prosperity. She is the wife and shakti of Vishnu, one of the principal deities of Hinduism and the Supreme Being in the Vaishnavism Tradition. With Parvati and Saraswati, she forms the holy trinity. Lakshmi is an important deity in Jainism and found in Jain temples. Lakshmi has been a goddess of abundance and fortune for Buddhists, was represented on the oldest surviving stupas and cave temples of Buddhism. In Buddhist sects of Tibet and southeast Asia, goddess Vasudhara mirrors the characteristics and attributes of the Hindu goddess Lakshmi with minor iconographic differences. Lakshmi is called Sri or Thirumagal because she is endowed with six auspicious and divine qualities, or gunas, is the divine strength of Vishnu. In Hindu religion, she was born from the churning of the primordial ocean and she chose Vishnu as her eternal consort; when Vishnu descended on the Earth as the avatars Rama and Krishna, Lakshmi descended as his respective consort as Sita and Rukmini.
In the ancient scriptures of India, all women are declared to be embodiments of Lakshmi. The marriage and relationship between Lakshmi and Vishnu as wife and husband is the paradigm for rituals and ceremonies for the bride and groom in Hindu weddings. Lakshmi is considered another aspect of the same supreme goddess principle in the Shaktism tradition of Hinduism. Lakshmi is depicted in Indian art as an elegantly dressed, prosperity-showering golden-coloured woman with an owl as her vehicle, signifying the importance of economic activity in maintenance of life, her ability to move and prevail in confusing darkness, she stands or sits like a yogin on a lotus pedestal and holds lotus in her hand, a symbolism for fortune, self-knowledge and spiritual liberation. Her iconography shows her with four hands, which represent the four goals of human life considered important to the Hindu way of life: dharma, kāma, artha and moksha, she is depicted as part of the trinity consisting of Saraswati and Parvati.
Archaeological discoveries and ancient coins suggest the recognition and reverence for Lakshmi by the 1st millennium BCE. Lakshmi's iconography and statues have been found in Hindu temples throughout southeast Asia, estimated to be from the second half of the 1st millennium CE; the festivals of Diwali and Sharad Purnima are celebrated in her honor. Lakshmi is one of many Hindu deities whose meaning and significance evolved in ancient Sanskrit texts. Lakshmi is mentioned once in Rigveda, where it means kindred sign of auspicious fortune. भद्रैषां लक्ष्मीर्निहिताधि वाचिbhadraiṣāṁ lakṣmīrnihitādhi vāci"an auspicious fortune is attached to their words" In Atharvaveda, transcribed about 1000 BCE, Lakshmi evolves into a complex concept with plural manifestations. Book 7, Chapter 115 of Atharva Veda describes the plurality, asserting that a hundred Lakshmis are born with the body of a mortal at birth, some good and auspicious, while others bad and unfortunate; the good are welcomed. The concept and spirit of Lakshmi and her association with fortune and the good is significant enough that Atharva Veda mentions it in multiple books: for example, in Book 12, Chapter 5 as punya Lakshmi.
In some chapters of Atharva Veda, Lakshmi connotes the good, an auspicious sign, good luck, good fortune, prosperity and happiness. Lakshmi is referred to as the goddess of fortune, identified with Sri and regarded as wife of Viṣṇu. For example, in Shatapatha Brahmana, variously estimated to be composed between 800 BCE and 300 BCE, Sri is part of one of many theories, in ancient India, about the creation of universe. In Book 9 of Shatapatha Brahmana, Sri emerges from Prajapati, after his intense meditation on creation of life and nature of universe. Sri is described as a trembling woman at her birth with immense energy and powers; the gods were bewitched, desire her and become covetous of her. The gods approach Prajapati and request permission to kill her and take her powers and gifts. Prajapati refuses, tells the gods that males should not kill females and that they can seek her gifts without violence; the gods approach Lakshmi, deity Agni gets food, Soma gets kingly authority, Varuna gets imperial authority, Mitra acquires martial energy, Indra gets force, Brihaspati gets priestly authority, Savitri acquires dominion, Pushan gets splendour, Saraswati takes nourishment and Tvashtri gets forms.
The hymns of Shatapatha Brahmana thus describe Sri as a goddess born with and personifying a diverse range of talents and powers. According to another legend, she emerges during the creation of universe, floating over the water on the expanded petals of a lotus flower. In the Epics of Hinduism, such as in Mahabharata, Lakshmi personifies wealth, happiness, grace and splendour. In another Hindu legend, about the creation of universe as described in Ramayana, Lakshmi springs with other precious things from the foam of the ocean of milk when it is churned by the gods and demons for the recovery of Amṛta, she appeared with a lotus in her hand and so she is called Padmā. Root of the wordLakshmi in Sanskrit is derived from the root word lakṣ and lakṣa, meaning to perceive, know and goal, objective respectively; these roots give Lakshmi the symbolism: know and understand
Hinduism is an Indian religion and dharma, or way of life practised in the Indian subcontinent and parts of Southeast Asia. Hinduism has been called the oldest religion in the world, some practitioners and scholars refer to it as Sanātana Dharma, "the eternal tradition", or the "eternal way", beyond human history. Scholars regard Hinduism as a fusion or synthesis of various Indian cultures and traditions, with diverse roots and no founder; this "Hindu synthesis" started to develop between 500 BCE and 300 CE, after the end of the Vedic period, flourished in the medieval period, with the decline of Buddhism in India. Although Hinduism contains a broad range of philosophies, it is linked by shared concepts, recognisable rituals, shared textual resources, pilgrimage to sacred sites. Hindu texts are classified into Smṛti; these texts discuss theology, mythology, Vedic yajna, agamic rituals, temple building, among other topics. Major scriptures include the Vedas and Upanishads, the Bhagavad Gita, the Ramayana, the Āgamas.
Sources of authority and eternal truths in its texts play an important role, but there is a strong Hindu tradition of questioning authority in order to deepen the understanding of these truths and to further develop the tradition. Prominent themes in Hindu beliefs include the four Puruṣārthas, the proper goals or aims of human life, namely Dharma, Artha and Moksha. Hindu practices include rituals such as puja and recitations, meditation, family-oriented rites of passage, annual festivals, occasional pilgrimages; some Hindus leave their social world and material possessions engage in lifelong Sannyasa to achieve Moksha. Hinduism prescribes the eternal duties, such as honesty, refraining from injuring living beings, forbearance, self-restraint, compassion, among others; the four largest denominations of Hinduism are the Vaishnavism, Shaivism and Smartism. Hinduism is the world's third largest religion. Hinduism is the most professed faith in India and Mauritius, it is the predominant religion in Bali, Indonesia.
Significant numbers of Hindu communities are found in the Caribbean, North America, other countries. The word Hindū is derived from Indo-Aryan/Sanskrit root Sindhu; the Proto-Iranian sound change *s > h occurred between 850–600 BCE, according to Asko Parpola. It is believed that Hindu was used as the name for the Indus River in the northwestern part of the Indian subcontinent. According to Gavin Flood, "The actual term Hindu first occurs as a Persian geographical term for the people who lived beyond the river Indus", more in the 6th-century BCE inscription of Darius I; the term Hindu in these ancient records did not refer to a religion. Among the earliest known records of'Hindu' with connotations of religion may be in the 7th-century CE Chinese text Record of the Western Regions by Xuanzang, 14th-century Persian text Futuhu's-salatin by'Abd al-Malik Isami. Thapar states that the word Hindu is found as heptahindu in Avesta – equivalent to Rigvedic sapta sindhu, while hndstn is found in a Sasanian inscription from the 3rd century CE, both of which refer to parts of northwestern South Asia.
The Arabic term al-Hind referred to the people. This Arabic term was itself taken from the pre-Islamic Persian term Hindū, which refers to all Indians. By the 13th century, Hindustan emerged as a popular alternative name of India, meaning the "land of Hindus"; the term Hindu was used in some Sanskrit texts such as the Rajataranginis of Kashmir and some 16th- to 18th-century Bengali Gaudiya Vaishnava texts including Chaitanya Charitamrita and Chaitanya Bhagavata. These texts used it to distinguish Hindus from Muslims who are called Yavanas or Mlecchas, with the 16th-century Chaitanya Charitamrita text and the 17th-century Bhakta Mala text using the phrase "Hindu dharma", it was only towards the end of the 18th century that European merchants and colonists began to refer to the followers of Indian religions collectively as Hindus. The term Hinduism spelled Hindooism, was introduced into the English language in the 18th century to denote the religious and cultural traditions native to India. Hinduism includes a diversity of ideas on spirituality and traditions, but has no ecclesiastical order, no unquestionable religious authorities, no governing body, no prophet nor any binding holy book.
Because of the wide range of traditions and ideas covered by the term Hinduism, arriving at a comprehensive definition is difficult. The religion "defies our desire to define and categorize it". Hinduism has been variously defined as a religion, a religious tradition, a set of religious beliefs, "a way of life". From a Western lexical standpoint, Hinduism like other faiths is appropriately referred to as a religion. In India the term dharma is preferred, broader than the Western term religion; the study of India and its cultures and religions, the definition of "Hinduism", has been shaped by th
Shaktism is a major tradition of Hinduism, wherein the metaphysical reality is considered metaphorically feminine and Adi Parashakti is supreme. It includes a variety of Goddesses, all considered aspects of the same supreme Goddess. Shaktism has different sub-traditions, ranging from those focused on gracious Gauri to fierce Kali, some Shakti sub-traditions associate their Goddess with Shiva or Brahma or Vishnu; the Sruti and Smriti texts of Hinduism are an important historical framework of the Shaktism tradition. In addition, it reveres the texts Devi Mahatmya, the Devi-Bhagavata Purana, Mahabhagwata Purana and Shakta Upanishads such as the Devi Upanishad; the Devi Mahatmya in particular, is considered in Shaktism to be as important as the Bhagavad Gita. Shaktism is known for its various sub-traditions of Tantra, as well as a galaxy of Goddesses with respective systems, it consists of the Kulamārga. The pantheon of Goddesses in Shaktism grew after the decline of Buddhism in India, wherein Hindu and Buddhist Goddesses were combined to form the Mahavidya, a list of ten Goddesses.
The most common aspects of Devi found in Shaktism include Durga, Amba, Lakshmi and Tripurasundari. The Goddess-focused tradition is popular in West Bengal, Assam, Kumaon and Nepal and the neighboring regions, which it celebrates through festivals such as the Durga puja. Shaktism's ideas have influenced Vaishnavism and Shaivism traditions, with the Goddess considered the Shakti of Vishnu and Shiva and revered prominently in numerous Hindu temples and festivals. One of the earliest evidence of reverence for the feminine aspect of God in Hinduism appears in chapter 10.125 of the Rig Veda called the Devi Suktam hymn: –Devi Sukta, Rigveda 10.125.3 – 10.125.8, The Vedic literature reveres various Goddesses, but far less than Gods Indra and Soma. Yet, they are declared equivalent aspects of gender neutral Brahman, of Purusha; the Goddesses mentioned in the Vedic layers of text include the Ushas, Sarasvati, Nirriti, Shraddha. Goddesses such as Uma appear in the Upanishads as another aspect of Brahman and the knower of ultimate knowledge, such as in section 3 and 4 of the ancient Kena Upanishad.
Hymns to Goddesses are in the ancient Hindu epic Mahabharata in the added Harivamsa section of it. The archaeological and textual evidence implies, states Thomas Coburn, that the Goddess had become as much a part of the Hindu tradition, as God, by about the third or fourth century; the literature on Shakti theology grew in ancient India, climaxing in one of the most important texts of Shaktism called the Devi Mahatmya. This text, states C. Mackenzie Brown – a professor of Religion, is both a culmination of centuries of Indian ideas about the divine feminine, as well as a foundation for the literature and spirituality focussed on the feminine transcendence in centuries that followed; the Devi-Mahatmya is not the earliest literary fragment attesting to the existence of devotion to a Goddess figure, states Thomas B. Coburn – a professor of Religious Studies, but "it is the earliest in which the object of worship is conceptualized as Goddess, with a capital G". Other important texts of Shaktism include the Shakta Upanishads, as well as Shakta-oriented Upa Puranic literature such as the Devi Purana and Kalika Purana, the Lalita Sahasranama.
The Tripura Upanishad is the most complete introduction to Shakta Tantrism, distilling into its 16 verses every important topic in Shakta Tantra tradition. Along with the Tripura Upanishad, the Tripuratapini Upanishad has attracted scholarly bhasya in the second half of 2nd-millennium, such as by Bhaskararaya, by Ramanand; these texts link the Shakti Tantra tradition as a Vedic attribute, however this link has been contested by scholars. Shaktas conceive the Goddess as the supreme, eternal reality of all existence, or same as the Brahman concept of Hinduism, she is considered to be the source of all creation, its embodiment and the energy that animates and governs it, that into which everything will dissolve. According to V. R. Ramachandra Dikshitar – a professor of Indian history, in Shaktism theology "Brahman is static Shakti and Shakti is dynamic Brahman."Shaktism views the Devi as the source and substance of everything in creation. Its texts such as the Devi-Bhagavata Purana states: I am Manifest Divinity, Unmanifest Divinity, Transcendent Divinity.
I am Brahma and Shiva, as well as Saraswati and Parvati. I am the Sun and I am the Stars, I am the Moon. I am all animals and birds, I am the outcaste as well, the thief. I am the low person of dreadful deeds, the great person of excellent deeds. I am Female, I am Male in the form of Shiva. Shaktism's focus on the Divine Feminine does not imply a rejection of masculine, it rejects soul-body, transcendent-immanent dualism, considering nature as divine. Devi is considered to be the cosmos itself – she is the embodiment of energy and soul, the motivating force behind all action and existence in the material universe, yet in Shaktism, states C. MacKenzie Brown, the masculine and the feminine are aspects of the transcendent reality. In Hindu iconography, the cosmic dynamic of masculine-feminine interdependence and equivalence, is expressed in the half-Shakti, half-Shiva deity known as Ardhanari; the philosophical premises in many Shakta texts, states June McDaniel – a professor of Religious Studies, is syncretism of Sam
Kartikeya known as Murugan, Skanda and Subrahmanya, is the Hindu god of war. He is the son of Parvati and Shiva, brother of Ganesha, a god whose life story has many versions in Hinduism. An important deity around South Asia since ancient times, Kartikeya is popular and predominantly worshipped in South India, Sri Lanka and Malaysia as Murugan. Kartikeya is an ancient god, traceable to the Vedic era. Archaeological evidence from 1st-century CE and earlier, where he is found with Hindu god Agni, suggest that he was a significant deity in early Hinduism, he is found in many medieval temples all over India, such as at the Ellora Caves and Elephanta Caves. The iconography of Kartikeya varies significantly. Most icons show him with one head, but some show him with six heads reflecting the legend surrounding his birth where six mothers symbolizing the six stars of Pleiades cluster who took care of newly born baby Kartikeya, he grows up into a philosopher-warrior, destroys evil in the form of demon Taraka, teaches the pursuit of ethical life and the theology of Shaiva Siddhanta.
He has inspired many poet-saints, such as Arunagirinathar. Kartikeya is found as a primary deity in temples wherever communities of the Tamil people live worldwide in Tamil Nadu state of India, Sri Lanka, Indonesia, Singapore, South Africa and Réunion. Three of the six richest and busiest temples in Tamil Nadu are dedicated to him; the Kataragama temple dedicated to him in Sri Lanka attracts Tamils, Sinhalese people and the Vedda people. He is found in other parts of India, sometimes as Skanda, but in a secondary role along with Ganesha and Shiva. Kartikeya is known by numerous names in medieval texts of the Indian culture. Most common among these are Murugan, Kumara and Subrahmanya. Others include Aaiyyan, Senthil, Vēlaṇ, Swaminatha, śaravaṇabhava, Arumugam or ṣaṇmukha, Guha or Guruguha, Kandhan and Mahasena. In ancient coins where the inscription has survived along with his images, his names appear as Kumara, Brahmanya or Brahmanyadeva. On some ancient Indo-Scythian coins, his names appear in Greek script as Skanda and Vishaka.
In ancient statues, he appears as Mahasena and Vishakha. Skanda is derived from skanḍr-, which means to "spill, leap, attack"; this root is derived from the legend of his unusual birth. The legend, translates Lochtefeld, states "Shiva and Parvati are disturbed while making love, Shiva inadvertently spills his semen on the ground"; this semen incubates in River Ganges, preserved by the heat of god Agni, this fetus is born as baby Kartikeya on the banks of Ganges. The "spill" epithet leads to the name Skanda. Additionally N. Gopala Pillai postulated. Kartikeya means "of the Krittikas"; this epithet is linked to his birth. After he appears on the banks of the River Ganges, he is seen by the six of the seven brightest stars cluster in the night sky called Krittikas in Hindu texts; these six mothers all want to take care of nurse baby Kartikeya. Kartikeya ends the argument by growing five more heads to have a total of six heads so he can look at all six mothers, let them each nurse one. There are ancient references which can be interpreted to be Kartikeya in the Vedic texts, in the works of Pāṇini, in the Mahabhasya of Patanjali and in Kautilya's Arthashastra.
For example, the term Kumara appears in hymn 5,2 of the Rig Veda. The Kumara of verse 5.2.1 can be interpreted as Skanda, or just any "boy". However, the rest of the verses depict the "boy" as bright-colored, hurling weapons and other motifs that have been associated with Skanda; the difficulty with interpreting these to be Skanda is that Indra and Rudra are depicted in similar terms and as warriors. The Skanda-like motifs found in Rig Veda are found in other Vedic texts, such as section 6.1-3 of the Shatapatha Brahmana. In these, the mythology is different for Kumara, as Agni is described to be the Kumara whose mother is Ushas and whose father is Purusha; the section 10.1 of the Taittiriya Aranyaka mentions Sanmukha, while the Baudhayana Dharmasutra mentions a householder's rite of passage that involves prayers to Skanda with his brother Ganapati together. The chapter 7 of the Chandogya Upanishad equates Sanat-Kumara and Skanda, as he teaches sage Narada to discover his own Atman as a means to the ultimate knowledge, true peace and liberation.
According to Fred Clothey, the evidence suggests that Kartikeya mythology had become widespread sometime around 200 BCE or after in north India. The first clear evidence of Kartikeya's importance emerges in the Hindu Epics such as the Ramayana and the Mahabharata where his story is recited. In addition to textual evidence, his importance is affirmed by the archeological, the epigraphical and the numismatic evidence of this period. For example, he is found in numismatic evidence linked to the Yaudheyas, a confederation of warriors in north India who are mentioned by ancient Pāṇini, they ruled an area consisting of modern era Haryana, Punjab and Uttar Pradesh. They struck coins bearing the image of Skanda, these coins are dated to be from before Kushan Empire era started. During the Kushan dynasty era, that included much of northwest
Kama means "desire, longing" in Hindu and Buddhist literature. Kama connotes sexual desire and longing in contemporary literature, but the concept more broadly refers to any desire, passion, pleasure of the senses, desire for, longing to and after, the aesthetic enjoyment of life, affection, or love, enjoyment of love is with or without enjoyment of sexual and erotic desire, may be without sexual connotations. Kama is one of the four goals of human life in Hindu traditions, it is considered an essential and healthy goal of human life when pursued without sacrificing the other three goals: Dharma and Moksha. Together, these four aims of life are called Puruṣārtha. Kama means "desire, wish or longing". In contemporary literature, kama refers to sexual desire. However, the term refers to any sensory enjoyment, emotional attraction and aesthetic pleasure such as from arts, music, painting and nature; the concept kama is found in some of the earliest known verses in the Vedas. For example, Book 10 of the Rig Veda describes the creation of the universe from nothing by the great heat.
There in hymn 129, it states: The Brhadaranyaka Upanishad, one of the oldest Upanishads of Hinduism, uses the term kama in a broader sense, to refer to any desire: Ancient Indian literature such as the Epics, which followed the Upanishads and explain the concept of kama together with Artha and Dharma. The Mahabharata, for example, provides one of the expansive definitions of kama; the Epic claims kama to be any agreeable and desirable experience generated by the interaction of one or more of the five senses with anything congenial to that sense and while the mind is concurrently in harmony with the other goals of human life. Kama implies the short form of the word kamana. Kama, however, is more than kamana. Kama is an experience that includes the discovery of an object, learning about the object, emotional connection, the process of enjoyment and the resulting feeling of well-being before and after the experience. Vatsyayana, the author of the Kamasutra, describes kama as happiness, a manasa vyapara.
Just like the Mahabharata, Vatsyayana's Kamasutra defines kama as pleasure an individual experiences from the world, with one or more senses: ̨hearing, tasting and feeling—in harmony with one's mind and soul. Experiencing harmonious music is kama, as is being inspired by natural beauty, the aesthetic appreciation of a work of art, admiring with joy something created by another human being. Kama Sutra, in its discourse on kama, describes many forms of art and music, along with sex, as the means to pleasure and enjoyment. Pleasure enhances ourself appreciation of incense, candle’s, scented oil, yoga stretching and meditation, the experience of the heart chakra. Negativity and hesitation blocks the heart chakra, openness is impaired while attached to desires. Kamala in the heart chakra, is considered to be a seat of devotional worship. Opening the heart chakra is awareness of a divine communion and joy for communion with deities and the self. John Lochtefeld explains kama as desire, noting that it refers to sexual desire in contemporary literature, but in ancient Indian literature kāma includes any kind of attraction and pleasure such as those deriving from the arts.
Karl Potter describes kama as an capacity. A little girl who hugs her teddy bear with a smile is experiencing kama, as are two lovers in embrace. During these experiences, the person connects and identifies the beloved as part of oneself and feels more complete and whole by experiencing that connection and nearness. This, in the Indian perspective, is kāma. Hindery notes the diverse expositions of kama in various ancient texts of India; some texts, such as the Epic Ramayana, paint kama through the desire of Rama for Sita — a desire that transcends the physical and marital into a love, spiritual, something that gives Rama his meaning of life, his reason to live. Sita and Rama both express their unwillingness and inability to live without the other; this romantic and spiritual view of kama in the Ramayana by Valmiki is quite different, claim Hindery and others, than the normative and dry description of kama in the law codes of smriti by Manu for example. Gavin Flood explains kama as "love" without violating dharma and one's journey towards moksha.
In Hinduism, kama is regarded as one of the four proper and necessary goals of human life, the others being Dharma and Moksha. Ancient Indian literature emphasizes that dharma is essential. If dharma is ignored and kama lead to social chaos. Vatsyayana in Kama Sutra recognizes relative value of three goals as follows: artha precedes kama, while dharma precedes both kama and artha. Vatsyayana, in Chapter 2 of Kama Sutra, presents a series of philosophical objections argued against kama and offers his answers to refute those objections. For example, one objection to kama, acknowledges Vatsyayana, is this concern that kāma is an obstacle to moral and ethical life, to religious pursuits, to hard work, to productive pursuit of prosperity and wealth; the pursuit of pleasure, claim objectors, encourages individuals to commit unrighteous deeds, bring distress
Vaishnavism is one of the major traditions within Hinduism along with Shaivism and Smarthism. It is called Vishnuism, its followers are called Vaishnavas, it considers Vishnu as the Supreme Lord; the tradition is notable for its avatar doctrine, wherein Krishna is revered in one of many distinct incarnations. Of these, ten avatars of Vishnu are the most studied. Rama, Narayana, Hari, Kesava, Govinda, Sri Nathji and Jagannath are among the popular names used for the same supreme being; the tradition has traceable roots to the 1st millennium BCE, as Bhagavatism called Krishnaism. Developments led by Ramananda created a Rama-oriented movement, now the largest monastic group in Asia; the Vaishnava tradition has many sampradayas ranging from the medieval era Dvaita school of Madhvacharya to Vishishtadvaita school of Ramanuja. The tradition is known for the loving devotion to an avatar of Vishnu, it has been key to the spread of the Bhakti movement in South Asia in the 2nd millennium CE. Key texts in Vaishnavism include the Vedas, the Upanishads, the Bhagavad Gita, the Pancaratra texts and the Bhagavata Purana.
Vaishnavism originates in the latest centuries BCE and the early centuries CE, as an amalgam of the heroic Krishna Vasudeva, the "divine child" Bala Krishna of the Gopala traditions, syncretism of these non-Vedic traditions with the Mahabharata canon, thus affiliating itself with Vedism in order to become acceptable to the orthodox establishment. Krishnaism becomes associated with bhakti yoga in the medieval period. Although Vishnu was a Vedic solar deity, he is mentioned more compared to Agni and other Vedic deities, thereby suggesting that he had a major position in the Vedic religion. Other scholars state that there are other Vedic deities, such as water deity Nara, who together form the historical roots of Vaishnavism. In the late-Vedic texts, the concept of a metaphysical Brahman grows in prominence, the Vaishnavism tradition considered Vishnu to be identical to Brahman, just like Shaivism and Shaktism consider Shiva and Devi to be Brahman respectively; the ancient emergence of Vaishnavism is unclear, the evidence inconsistent and scanty.
According to Dalal, the origins may be in Vedic deity Bhaga. According to Preciado-Solís, the Vedic deities Nara and Narayana form one of the Vedic roots of Vaishnavism. According to Dandekar, Vaishnavism may have emerged from merger of several ancient theistic traditions, where the various deities were integrated as different avatars of the same god. In Dandekar theory, Vaishnavism emerged at the end of the Vedic period before the second urbanisation of northern India, in the 7th to 4th century BCE. Vasudeva and Krishna, "the deified tribal hero and religious leader of the Yadavas," gained prominence, merged into Bhagavan Vasudeva-Krishna, due to the close relation between the Vrsnis and the Yadavas; this was followed by a merger with the cult of Gopala-Krishna of the cowherd community of the Abhıras at the 4th century CE. The character of Gopala Krishna is considered to be non-Vedic. According to Dandekar, such mergers consolidated the position of Krishnaism between the heterodox sramana movement and the orthodox Vedic religion.
The "Greater Krsnaism", states Dandekar merged with the Rigvedic Vishnu. Syncretism of various traditions and Vedism resulted in Vaishnavism. At this stage that Vishnu of the Rig Veda was assimilated into non-Vedic Krishnaism and became the equivalent of the Supreme God; the appearance of Krishna as one of the Avatars of Vishnu dates to the period of the Sanskrit epics in the early centuries CE. The Bhagavad Gita was incorporated into the Mahabharata as a key text for Krishnaism; the Narayana-cult was included, which further brahmanized Vaishnavism. The Nara-Narayana cult may have originated in Badari, a northern ridge of the Hindu Kush, absorbed into the Vedic orthodoxy as Purusa Narayana. Purusa Narayana may have been turned into Arjuna and Krsna; this complex history is reflected in the two main historical denominations of Vishnavism. The Bhagavats, worship Vasudeva-Krsna, are followers of brahmanic Vaishnavism, while the Pacaratrins regard Narayana as their founder, are followers of Tantric Vaishnavism.
According to Hardy, there is evidence of early "southern Krishnaism," despite the tendency to allocate the Krishna-traditions to the Northern traditions. South Indian texts show close parallel with the Sanskrit traditions of Krishna and his gopi companions, so ubiquitous in North Indian text and imagery. Early writings in Dravidian culture such as Manimekalai and the Cilappatikaram present Krishna, his brother, favourite female companions in the similar terms. Hardy argues that the Sanskrit Bhagavata Purana is a Sanskrit "translation" of the bhakti of the Tamil alvars. Devotion to southern Indian Mal may be an early form of Krishnaism, since Mal appears as a divine figure like Krishna with some elements of Vishnu; the Alvars, whose name can be translated "sages" or "saints", were devotees of Mal. Their poems show a pronounced orientation to the Vaishnava, Krishna, side of Mal, but they do not make the distinction between Krishna and Vishnu on the basis of the concept of the Avatars. Yet, according to Hardy the term "Mayonism" should be used instead of "Krishnaism" when referring to Mal or Mayon.
Most of the Gupta kings, beginning with Chandragupta II were known as Parama Bhagavatas or Bhagavata Vaishnavas. After the Gupta age, Krishnaism rose to a major current of Vaishnavism, Vaishnavism developed into various sects and subsects