1.
American comic book
–
An American comic book is a thin periodical, typically 32-pages, containing primarily comics content. While the form originated in 1933, American comic books first gained popularity after the 1938 publication of Action Comics and this was followed by a superhero boom that lasted until the end of World War II. After the war, while superheroes were marginalized, the book industry rapidly expanded, and genres such as horror, crime. The 1950s saw a decline, due to a shift away from print media in the wake of television. The late 1950s and the 1960s saw a revival. Since the later 20th century, comic books have gained note as collectable items, Comic shops cater to fans, and particularly valuable issues have fetched in excess of a million dollars. Systems of grading comic books have emerged with plastic sleeves and cardboard backing available to maintain the condition of comic books, standard comics are 6.625 inches ×10.25 inches and about 32 pages long. While comics can be the work of a creator, the labour of making them is frequently divided between a number of specialists. There may be a writer and artist, or there may be separate artists for the characters. The process begins with the coming up with an idea or concept, then working it into a plot and story. After the art production, letters are placed on the page, the creative team, the writers and artists, may work with a comic book publisher for help with marketing, advertising, and other logistics. A distributor like Diamond Comic Distributors, the largest in the U. S. helps to distribute the product to retailers. Another part of the involved in successful comics is the interaction between the readers/fans and the creator. Fan art and letters to the editor were printed in the back of the book until the early 21st century. Comic specialty stores did help encourage several waves of independently-produced comics, the development of the modern American comic book happened in stages. The G. W. Dillingham Company published the first known proto-comic-book magazine in the U. S, the Yellow Kid in McFaddens Flats, in 1897. The 196-page, square-bound, black-and-white publication, which also includes text by E. W. Townsend, measured 5×7 inches. The neologism comic book appears on the back cover, despite the publication of a series of related Hearst comics soon afterward, the first monthly proto-comic book, Embee Distributing Companys Comic Monthly, did not appear until 1922
2.
Marvel Comics
–
Marvel Comics is the common name and primary imprint of Marvel Worldwide Inc. formerly Marvel Publishing, Inc. and Marvel Comics Group, an American publisher of comic books and related media. In 2009, The Walt Disney Company acquired Marvel Entertainment, Marvel Worldwides parent company, Marvel started in 1939 as Timely Publications, and by the early 1950s had generally become known as Atlas Comics. Marvels modern incarnation dates from 1961, the year that the company launched The Fantastic Four and other superhero titles created by Stan Lee, Jack Kirby, Steve Ditko and many others. Most of Marvels fictional characters operate in a reality known as the Marvel Universe. Martin Goodman founded the later known as Marvel Comics under the name Timely Publications in 1939. Martin Goodman, a magazine publisher who had started with a Western pulp in 1933, was expanding into the emerging—and by then already highly popular—new medium of comic books. The issue was a success, with it and a second printing the following month selling, combined. While its contents came from an outside packager, Funnies, Inc, Timely had its own staff in place by the following year. It, too, proved a hit, with sales of one million. Goodman formed Timely Comics, Inc. beginning with comics cover-dated April 1941 or Spring 1941, Goodman hired his wifes cousin, Stanley Lieber, as a general office assistant in 1939. Lee wrote extensively for Timely, contributing to a number of different titles, Goodmans business strategy involved having his various magazines and comic books published by a number of corporations all operating out of the same office and with the same staff. One of these companies through which Timely Comics was published was named Marvel Comics by at least Marvel Mystery Comics #55. As well, some covers, such as All Surprise Comics #12, were labeled A Marvel Magazine many years before Goodman would formally adopt the name in 1961. The post-war American comic market saw superheroes falling out of fashion and this globe branding united a line put out by the same publisher, staff and freelancers through 59 shell companies, from Animirth Comics to Zenith Publications. Atlas also published a plethora of childrens and teen humor titles, including Dan DeCarlos Homer the Happy Ghost, Atlas unsuccessfully attempted to revive superheroes from late 1953 to mid-1954, with the Human Torch, the Sub-Mariner, and Captain America. Atlas did not achieve any hits and, according to Stan Lee, Atlas survived chiefly because it produced work quickly, cheaply. During this time, the Comic Code Authority made its debut in September 1954, Wertham published the book Seduction of the Innocent in order to force people to see that comics were impacting American youth. He believed violent comics were causing children to be reckless and were turning them into delinquents, in September 1954, comic book publishers got together to set up their own self-censorship organization—the Comics Magazine Association of America—in order to appease audiences
3.
Venus (mythology)
–
Venus is the Roman goddess whose functions encompassed love, beauty, desire, sex, fertility, prosperity and victory. In Roman mythology, she was the mother of the Roman people through her son, Aeneas, Julius Caesar claimed her as his ancestor. Venus was central to religious festivals, and was revered in Roman religion under numerous cult titles. The Romans adapted the myths and iconography of her Greek counterpart Aphrodite for Roman art, in the later classical tradition of the West, Venus becomes one of the most widely referenced deities of Greco-Roman mythology as the embodiment of love and sexuality. It has connections to venerari and venia through a common root in an Indo-European *wenes- or *u̯enis. Their common Proto-Indo-European root is assumed as *wen- or *u̯en- to strive for, wish for, desire, Venus has been described as perhaps the most original creation of the Roman pantheon, and an ill-defined and assimilative native goddess, combined with a strange and exotic Aphrodite. The ambivalence of her persuasive functions has been perceived in the relationship of the root *venes- with Latin venenum, in the sense of a charm, in myth, Venus-Aphrodite was born of sea-foam. Roman theology presents Venus as the yielding, watery female principle, essential to the generation and her male counterparts in the Roman pantheon, Vulcan and Mars, are active and fiery. Venus absorbs and tempers the male essence, uniting the opposites of male and female in mutual affection and she is essentially assimilative and benign, and embraces several otherwise quite disparate functions. She can give military victory, sexual success, good fortune, in one context, she is a goddess of prostitutes, in another, she turns the hearts of men and women from sexual vice to virtue. Images of Venus have been found in murals, mosaics. Petronius, in his Satyricon, places an image of Venus among the Lares of the freedman Trimalchios lararium, prospective brides offered Venus a gift before the wedding, the nature of the gift, and its timing, are unknown. Some Roman sources say that girls who come of age offer their toys to Venus, it is unclear where the offering is made, in dice-games, a popular pastime among Romans of all classes, the luckiest, best possible roll was known as Venus. Venus signs were for the most part the same as Aphrodites, Venus statues, and her worshipers, wore myrtle crowns at her festivals. Likewise, Roman folk-etymology transformed the ancient, obscure goddess Murcia into Venus of the Myrtles, myrtle was thought a particularly potent aphrodisiac. The female pudendum, particularly the clitoris, was known as murtos, as goddess of love and sex, Venus played an essential role at Roman prenuptial rites and wedding nights, so myrtle and roses were used in bridal bouquets. Marriage itself was not a seduction but a condition, under Junos authority. Venus was also a patron of the ordinary, everyday wine drunk by most Roman men and women, in the rites to Bona Dea, a goddess of female chastity, Venus, myrtle and anything male were not only excluded, but unmentionable
4.
Aphrodite
–
Aphrodite is the Greek goddess of love, beauty, pleasure, and procreation. She is identified with the planet Venus, and her Roman equivalent is the goddess Venus, as with many ancient Greek deities, there is more than one story about her origins. According to Hesiods Theogony, she was born when Cronus cut off Uranuss genitals and threw them into the sea, according to Homers Iliad, she is the daughter of Zeus and Dione. In Plato, these two origins are said to be of hitherto separate entities, Aphrodite Ourania and Aphrodite Pandemos, Aphrodite had many lovers—both gods, such as Ares, and men, such as Anchises. She played a role in the Eros and Psyche legend, and was lover and surrogate mother of Adonis. Many lesser beings were said to be children of Aphrodite, Aphrodite is also known as Cytherea and Cypris after the two cult sites, Cythera and Cyprus, which claimed to be her place of birth. Myrtle, roses, doves, sparrows and swans were sacred to her, the ancient Greeks identified her with the Ancient Egyptian goddess Hathor. Aphrodite had many names such as Acidalia and Cerigo, each used by a different local cult of the goddess in Greece. The Greeks recognized all of these names as referring to the single goddess Aphrodite, despite the differences in what these local cults believed the goddess demanded of them. The Attic philosophers of the 4th century, however, drew a distinction between a celestial Aphrodite of transcendent principles, and a separate, common Aphrodite who was the goddess of the people, hesiod derives Aphrodite from aphrós sea-foam, interpreting the name as risen from the foam. Michael Janda, accepting this as genuine, claims the birth myth as an Indo-European mytheme. Likewise, Witczak proposes an Indo-European compound *abʰor- very and *dʰei- to shine and it has been argued that etymologies based on comparison with Eos are unlikely since Aphrodites attributes are entirely different from those of Eos or the Vedic deity Ushas. A number of improbable non-Greek etymologies have suggested in scholarship. One Semitic etymology compares Aphrodite to the Assyrian barīrītu, the name of a demon that appears in Middle Babylonian. Hammarström looks to Etruscan, comparing prϑni lord, an Etruscan honorific loaned into Greek as πρύτανις and this would make the theonym in origin an honorific, the lady. Hjalmar Frisk and Robert Beekes reject this etymology as implausible, especially since Aphrodite actually appears in Etruscan in the borrowed form Apru, the medieval Etymologicum Magnum offers a highly contrived etymology, deriving Aphrodite from the compound habrodíaitos, she who lives delicately, from habrós and díaita. The alteration from b to ph is explained as a characteristic of Greek obvious from the Macedonians. Aphrodite is usually said to have been born near her chief center of worship, Paphos, on the island of Cyprus, however, other versions of her myth have her born near the island of Cythera, hence another of her names, Cytherea
5.
Roman mythology
–
Roman mythology is the body of traditional stories pertaining to ancient Romes legendary origins and religious system, as represented in the literature and visual arts of the Romans. Roman mythology may also refer to the study of these representations. The Romans usually treated their traditional narratives as historical, even when these have miraculous or supernatural elements, the stories are often concerned with politics and morality, and how an individuals personal integrity relates to his or her responsibility to the community or Roman state. When the stories illuminate Roman religious practices, they are concerned with ritual, augury. Romes early myths and legends also have a relationship with Etruscan religion. In particular, the versions of Greek myths in Ovids Metamorphoses, written during the reign of Augustus, because ritual played the central role in Roman religion that myth did for the Greeks, it is sometimes doubted that the Romans had much of a native mythology. This perception is a product of Romanticism and the scholarship of the 19th century. From the Renaissance to the 18th century, however, Roman myths were an inspiration particularly for European painting, the Roman tradition is rich in historical myths, or legends, concerning the foundation and rise of the city. These narratives focus on human actors, with only occasional intervention from deities, in Romes earliest period, history and myth have a mutual and complementary relationship. As T. P. Wiseman notes, The Roman stories still matter, as they mattered to Dante in 1300 and Shakespeare in 1600, what does it take to be a free citizen. Can a superpower still be a republic, how does well-meaning authority turn into murderous tyranny. Major sources for Roman myth include the Aeneid of Vergil and the first few books of Livys history as well as Dionysius s Roman Antiquities. Other important sources are the Fasti of Ovid, a six-book poem structured by the Roman religious calendar, scenes from Roman myth also appear in Roman wall painting, coins, and sculpture, particularly reliefs. The Aeneid and Livys early history are the best extant sources for Romes founding myths, material from Greek heroic legend was grafted onto this native stock at an early date. By extension, the Trojans were adopted as the ancestors of the Roman people. Rape of the Sabine women, explaining the importance of the Sabines in the formation of Roman culture, numa Pompilius, the Sabine second king of Rome who consorted with the nymph Egeria and established many of Romes legal and religious institutions. Servius Tullius, the king of Rome, whose mysterious origins were freely mythologized. The Tarpeian Rock, and why it was used for the execution of traitors, lucretia, whose self-sacrifice prompted the overthrow of the early Roman monarchy and led to the establishment of the Republic
6.
Greek mythology
–
It was a part of the religion in ancient Greece. Greek mythology is explicitly embodied in a collection of narratives. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a variety of gods, goddesses, heroes, heroines. These accounts initially were disseminated in a tradition, today the Greek myths are known primarily from ancient Greek literature. The oldest known Greek literary sources, Homers epic poems Iliad and Odyssey, focus on the Trojan War, archaeological findings provide a principal source of detail about Greek mythology, with gods and heroes featured prominently in the decoration of many artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles, in the succeeding Archaic, Classical, and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an influence on the culture, arts. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes, Greek mythology is known today primarily from Greek literature and representations on visual media dating from the Geometric period from c. Mythical narration plays an important role in every genre of Greek literature. Nevertheless, the only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus and this work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c, 180–125 BC and wrote on many of these topics. His writings may have formed the basis for the collection, however the Library discusses events that occurred long after his death, among the earliest literary sources are Homers two epic poems, the Iliad and the Odyssey. Other poets completed the cycle, but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no connection with Homer. They are choral hymns from the part of the so-called Lyric age. Hesiods Works and Days, a poem about farming life, also includes the myths of Prometheus, Pandora. The poet gives advice on the best way to succeed in a dangerous world, lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar, Bacchylides and Simonides, and bucolic poets such as Theocritus and Bion, additionally, myth was central to classical Athenian drama
7.
Siren (mythology)
–
In Greek mythology, the Sirens were dangerous creatures, who lured nearby sailors with their enchanting music and voices to shipwreck on the rocky coast of their island. Roman poets placed them on small islands called Sirenum scopuli. All such locations were surrounded by cliffs and rocks, although a Sophocles fragment makes Phorcys their father, when Sirens are named, they are usually as daughters of the river god Achelous, with Terpsichore, Melpomene, Sterope, or Chthon. In Euripides play, Helen, Helen in her anguish calls upon Winged maidens, although they lured mariners, the Greeks portrayed the Sirens in their meadow starred with flowers and not as sea deities. Roman writers linked the Sirens more closely to the sea, as daughters of Phorcys, Sirens are found in many Greek stories, notably in Homers Odyssey. Their number is reported as from two to five. In the Odyssey, Homer says nothing of their origin or names, according to Ovid, the Sirens were the companions of young Persephone. They were given wings by Demeter to search for Persephone when she was abducted, however, the Fabulae of Hyginus has Demeter cursing the Sirens for failing to intervene in the abduction of Persephone. Their song is continually calling on Persephone, the term siren song refers to an appeal that is hard to resist but that, if heeded, will lead to a bad conclusion. As Jane Ellen Harrison notes of The Ker as siren, It is strange and beautiful that Homer should make the Sirens appeal to the spirit, not to the flesh. The siren song is a promise to Odysseus of mantic truths, with a promise that he will live to tell them, they sing, Once he hears to his hearts content, sails on. We know all the pains that the Greeks and Trojans once endured on the plain of Troy when the gods willed it so— all that comes to pass on the fertile earth. They are mantic creatures like the Sphinx with whom they have much in common and their song takes effect at midday, in a windless calm. The end of song is death. That the sailors flesh is rotting away, suggests it has not been eaten and it has been suggested that, with their feathers stolen, their divine nature kept them alive, but unable to provide food for their visitors, who starved to death by refusing to leave. According to Hyginus, sirens were fated to live only until the mortals who heard their songs were able to pass by them, Sirens were believed to combine women and birds in various ways. In early Greek art, Sirens were represented as birds with womens heads, bird feathers. Later, they were represented as female figures with the legs of birds, with or without wings, playing a variety of musical instruments, especially harps
8.
Silver Age of Comic Books
–
The Silver Age of Comic Books was a period of artistic advancement and commercial success in mainstream American comic books, predominantly those in the superhero genre. The popularity and circulation of books about superheroes declined following World War II. However, controversy arose over alleged links between comic books and juvenile delinquency, focusing in particular on crime and horror titles, in 1954, publishers implemented the Comics Code Authority to regulate comic content. In the wake of changes, publishers began introducing superhero stories again. In response to demand, DC began publishing more superhero titles including Justice League of America. Silver Age comics have become collectible, with a copy of Amazing Fantasy #15, Comics historian and movie producer Michael Uslan traces the origin of the Silver Age term to the letters column of Justice League of America #42, which went on sale December 9,1965. Letter-writer Scott Taylor of Westport, Connecticut wrote, If you guys keep bringing back the heroes from the Golden Age, according to Uslan, the natural hierarchy of gold-silver-bronze, as in Olympic medals, took hold. Fans immediately glommed onto this, refining it more directly into a Silver Age version of the Golden Age, very soon, it was in our vernacular, replacing such expressions as. Second Heroic Age of Comics or The Modern Age of comics and it wasnt long before dealers were. Specifying it was a Golden Age comic for sale or a Silver Age comic for sale, a number of major superheroes were created during this period, including Superman, Batman, Wonder Woman, Captain Marvel, and Captain America. In subsequent years comics were blamed for a rise in crime statistics. The result was a decline in the comics industry, to address public concerns, in 1954 the Comics Code Authority was created to regulate and curb violence in comics, marking the start of a new era. The Silver Age began with the publication of DC Comics Showcase #4, at the time, only three superheroes—Superman, Batman, and Wonder Woman—were still published under their own titles. According to DC comics writer Will Jacobs, Superman was available in great quantity, editor Julius Schwartz, writer Gardner Fox, and artist Carmine Infantino were some of the people behind the Flashs revitalization. Robert Kanigher wrote the first stories of the revived Flash, with the success of Showcase #4, several other 1940s superheroes were reworked during Schwartz tenure, including Green Lantern, the Atom, and Hawkman, as well as the Justice League of America. The DC artists responsible included Murphy Anderson, Gil Kane and Joe Kubert, in the mid-1960s, DC established that characters appearing in comics published prior to the Silver Age lived on a parallel Earth the company dubbed Earth-Two. Characters introduced in the Silver Age and onward lived on Earth-One and it was established that the two realities were separated by a vibrational field that could be crossed, should a storyline involve superheroes from different worlds teaming up. Unsuccessful attempts to revive the superhero archetypes popularity include Captain Comet, supermouse and Mighty Mouse were published continuously in their own titles from the end of the Golden Age through the beginning of the Silver Age
9.
Venus
–
Venus is the second planet from the Sun, orbiting it every 224.7 Earth days. It has the longest rotation period of any planet in the Solar System and it is named after the Roman goddess of love and beauty. It is the second-brightest natural object in the sky after the Moon, reaching an apparent magnitude of −4.6. Because Venus orbits within Earths orbit it is a planet and never appears to venture far from the Sun. Venus is a planet and is sometimes called Earths sister planet because of their similar size, mass, proximity to the Sun. It is radically different from Earth in other respects and it has the densest atmosphere of the four terrestrial planets, consisting of more than 96% carbon dioxide. The atmospheric pressure at the surface is 92 times that of Earth. Venus is by far the hottest planet in the Solar System, with a surface temperature of 735 K. Venus is shrouded by an layer of highly reflective clouds of sulfuric acid. It may have had water oceans in the past, but these would have vaporized as the temperature rose due to a greenhouse effect. The water has probably photodissociated, and the hydrogen has been swept into interplanetary space by the solar wind because of the lack of a planetary magnetic field. Venuss surface is a dry desertscape interspersed with rocks and is periodically resurfaced by volcanism. As one of the brightest objects in the sky, Venus has been a fixture in human culture for as long as records have existed. It has been sacred to gods of many cultures, and has been a prime inspiration for writers and poets as the morning star. Venus was the first planet to have its motions plotted across the sky, as the closest planet to Earth, Venus has been a prime target for early interplanetary exploration. It was the first planet beyond Earth visited by a spacecraft, Venuss thick clouds render observation of its surface impossible in visible light, and the first detailed maps did not emerge until the arrival of the Magellan orbiter in 1991. Plans have been proposed for rovers or more missions. Venus is one of the four planets in the Solar System
10.
Thor (Marvel Comics)
–
Thor is a fictional superhero appearing in American comic books published by Marvel Comics. He has starred in several ongoing series and limited series, and is a member of the superhero team the Avengers. The character has appeared in associated Marvel merchandise including animated television series, clothing, toys, trading cards, video games. The character was first portrayed in action by Eric Allan Kramer in the 1988 television movie The Incredible Hulk Returns. Thor placed 14th on IGNs list of Top 100 Comic Book Heroes of All Time in 2011, a different version of the mythological Thor had appeared previously in Venus #12-13. Lee in 2002 described Thors genesis early in the Marvel pantheon, following the creation of the Hulk and it finally came to me, Dont make him human — make him a god. I decided readers were already pretty familiar with the Greek and Roman gods and it might be fun to delve into the old Norse legends. In a 1984 interview Kirby said I did a version of Thor for D. C. in the fifties before I did him for Marvel. I created Thor at Marvel because I was forever enamored of legends, which is why I knew about Balder, Heimdall, I tried to update Thor and put him into a superhero costume, but he was still Thor. And in a 1992 interview, Kirby said knew the Thor legends very well, I felt that might be a new thing for comics, taking the old legends and modernizing them. Subsequent stories of the 13-page feature The Mighty Thor continued to be plotted by Lee, various artists penciled the feature, including Jack Kirby, Joe Sinnott, Don Heck, and Al Hartley. With Journey into Mystery #101, the series began a long and definitive run by writer and co-plotter Lee, Lee and Kirby included Thor in The Avengers #1 as a founding member of the superhero team. The character has appeared in every subsequent volume of the series. The five-page featurette Tales of Asgard was added in Journey into Mystery #97, the feature itself expanded to 18 pages in #105, which eliminated the remaining anthological story from each issue, it was reduced to 16 pages five issues later. Comics historian Les Daniels noted that the adventures of Thor were gradually transformed from stories about a superhero into a spectacular saga. Artist Chic Stone, who inked several early Thor stories, observed that Kirby could just lead you through all these different worlds, the readers would follow him anywhere. Journey into Mystery was retitled Thor with issue #126, Tales of Asgard was replaced by a five-page featurette starring the Inhumans from #146–152, after which featurettes were dropped and the Thor stories expanded to Marvels then-standard 20-page length. Marvel filed for a trademark for The Mighty Thor in 1967, after Kirby left the title, Neal Adams penciled issues #180-181
11.
Loki (comics)
–
Loki is a fictional character appearing in American comic books published by Marvel Comics. He is the brother and often the enemy of Thor. He is based on the being of the name from Norse mythology. The character first appeared historically in Venus No.6 and in modern-day in Journey into Mystery No.85, the character was created by writer Stan Lee, scripter Larry Lieber, and penciller Jack Kirby. Though normally portrayed as a supervillain, he is depicted as an antihero. Loki has appeared in several ongoing series, limited series and alternate reality series and he appeared in the new issues of Young Avengers in 2013. He began appearing in his solo series Loki, Agent of Asgard in 2014, the character has also appeared in associated Marvel merchandise including animated television series, clothing, toys, video games, and movies. In 2009, Loki was ranked as IGNs 8th Greatest Comic Book Villain of All Time, Loki made his first Marvel Comics appearance in Timely Comics publication Venus No. 6, where Loki was depicted as a member of the Olympian gods exiled to the Underworld and he convinced Jupiter to let him into Earth as Venus was allowed onto it, planning to spread hate. Venus pledged herself to him to stop his plans, but Jupiter saw her act and freed her from the pledge. He made his first official Marvel appearance in Journey into Mystery No,85, where Loki was reintroduced as Thors sworn enemy. The modern age Loki was introduced by brothers and co-writers Stan Lee and Larry Lieber, as one of Thors arch-nemeses, Loki has frequently made appearances in Thor-related titles like Journey into Mystery and Thor, as well as other Marvel Universe titles such as The Avengers and X-Men. As well as appearances in the Spider-Man and Defenders comic series. He was the character in two four-issue miniseries Loki in 2004 and 2010. Loki played a key role in the 2010s company-wide Siege storyline, starting with issue No.622 the ongoing series Thor reverted to the original title Journey into Mystery and shifted focus to Loki. Under the pen of Kieron Gillen, Loki is resurrected but exists in a childs body and he remained the main character from 2011-2012, his final issue as lead being No.645. Gillen, joined by penciller Jamie McKelvie, continued his Loki storyline by introducing Loki, still as Kid Loki, as a character in the second Young Avengers. 11, he manipulated Wiccan into restoring him to a teenaged form, a Loki solo series called Loki, Agent of Asgard was announced for 2014
12.
Activism
–
Activism consists of efforts to promote, impede, or direct social, political, economic, and/or environmental reform or stasis with the desire to make improvements in society. One can also express activism through different forms of art, daily acts of protest such as not buying clothes from a certain clothing company because they exploit workers is another form of activism. One view holds that acknowledging privileges and oppressions on a daily basis ranks as a form of activism, research has begun to explore how activist groups use social media to facilitate civic engagement and collective action. The Online Etymology Dictionary records the English words activism and activist from 1920, Activists can function in roles as public officials, as in judicial activism. Arthur Schlesinger, Jr. introduced the term judicial activism in a January 1946 Fortune magazine article titled The Supreme Court,1947, some activists try to persuade people to change their behavior directly, rather than to persuade governments to change or not to change laws. Other activists try to persuade people to remain the same, in an effort to counter change, the cooperative movement seeks to build new institutions which conform to cooperative principles, and generally does not lobby or protest politically. Activism is not always an action by Activists, every year more than 100 environmental activists are killed, in 2014116 environmental activists were assassinated, in 2015185 activists were killed around this planet. Since the 1990s, the Internet has been a tool used by activists for mobilization and communication of causes, specific platforms like MoveOn. org, founded in 1998, allow individuals to establish petitions and movements for social change. Protesters in Seattle in 1999 used email to organize protests against the WTO Ministerial Conference, throughout the 2000s, protesters continued to use social media platforms to generate interest. The power of Internet Activism came into a lens with the Arab Spring protests. They use different means to political persecution, such as Tor Browser. The activism industry consists of organizations and individuals engaged in activism, Activism is often done full-time, as part of an organizations core business. Many organizations in the industry are either non profit organizations or non-governmental organizations. Most activist organizations do not manufacture goods, the term activism industry has often been used to refer to outsourced fundraising operations. However, activist organizations engage in activities as well. Lobbying, or the influencing of decisions made by government, is another activist tactic, many groups, including law firms, have designated staff assigned specifically for lobbying purposes. In the United States, lobbying is regulated by the federal government, many government systems encourage public support of non-profit organizations by granting various forms of tax relief for donations to charitable organizations. Governments may attempt to deny these benefits to activists by restricting the political activity of tax-exempt organizations, randy Shaw, The Activists Handbook, A Primer for the 1990s and Beyond
.jpg)
