1.
Lisbon
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Lisbon is the capital and the largest city of Portugal, with a population of 552,700 within its administrative limits in an area of 100.05 km². Its urban area extends beyond the administrative limits with a population of around 2.7 million people. About 2.8 million people live in the Lisbon Metropolitan Area and it is continental Europes westernmost capital city and the only one along the Atlantic coast. Lisbon lies in the western Iberian Peninsula on the Atlantic Ocean, the westernmost areas of its metro area is the westernmost point of Continental Europe. Lisbon is recognised as a city because of its importance in finance, commerce, media, entertainment, arts, international trade, education. It is one of the economic centres on the continent, with a growing financial sector. Humberto Delgado Airport serves over 20 million passengers annually, as of 2015, and the motorway network, the city is the 7th-most-visited city in Southern Europe, after Istanbul, Rome, Barcelona, Madrid, Athens and Milan, with 1,740,000 tourists in 2009. The Lisbon region contributes with a higher GDP PPP per capita than any region in Portugal. Its GDP amounts to 96.3 billion USD and thus $32,434 per capita, the city occupies 32nd place of highest gross earnings in the world. Most of the headquarters of multinationals in the country are located in the Lisbon area and it is also the political centre of the country, as its seat of Government and residence of the Head of State. Lisbon is one of the oldest cities in the world, julius Caesar made it a municipium called Felicitas Julia, adding to the name Olissipo. Ruled by a series of Germanic tribes from the 5th century, in 1147, the Crusaders under Afonso Henriques reconquered the city and since then it has been a major political, economic and cultural centre of Portugal. Unlike most capital cities, Lisbons status as the capital of Portugal has never been granted or confirmed officially – by statute or in written form. Its position as the capital has formed through constitutional convention, making its position as de facto capital a part of the Constitution of Portugal. It has one of the warmest winters of any metropolis in Europe, the typical summer season lasts about four months, from June to September, although also in April temperatures sometimes reach around 25 °C. Although modern archaeological excavations show a Phoenician presence at this location since 1200 BC, another conjecture based on ancient hydronymy suggests that the name of the settlement derived from the pre-Roman appellation for the Tagus, Lisso or Lucio. Lisbons name was written Ulyssippo in Latin by the geographer Pomponius Mela and it was later referred to as Olisippo by Pliny the Elder and by the Greeks as Olissipo or Olissipona. The Indo-European Celts invaded in the 1st millennium BC, mixing with the Pre-Indo-European population and this indigenous settlement maintained commercial relations with the Phoenicians, which would account for the recent findings of Phoenician pottery and other material objects
2.
Kingdom of Portugal
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The Kingdom of Portugal was a monarchy on the Iberian Peninsula and the predecessor of modern Portugal. It was in existence from 1139 until 1910, after 1248, it was also known as the Kingdom of Portugal and the Algarves and between 1815 and 1822, it was known as the United Kingdom of Portugal, Brazil and the Algarves. The name is often applied to the Portuguese Empire, the realms extensive overseas colonies. The nucleus of the Portuguese state was the County of Portugal, established in the 9th century as part of the Reconquista, by Vímara Peres, a vassal of the King of Asturias. The county became part of the Kingdom of León in 1097, the kingdom was ruled by the Alfonsine Dynasty until the 1383–85 Crisis, after which the monarchy passed to the House of Aviz. During the 15th and 16th century, Portuguese exploration established a vast colonial empire, from 1580 to 1640, the kingdom of Portugal was in personal union with Habsburg Spain. After the Portuguese Restoration War of 1640–1668, the passed to the House of Braganza and after to the House of Braganza-Saxe-Coburg. From this time, the influence of Portugal declined, but it remained a major due to its most valuable colony. Portugal was an absolute monarchy before 1822. It rotated between absolute and constitutional monarchy from 1822 until 1834, and was a constitutional monarchy after 1834. The Kingdom of Portugal finds its origins in the County of Portugal, the Portuguese County was a semi-autonomous county of the Kingdom of León. Independence from León took place in three stages, The first on 26 July 1139 when Afonso Henriques was acclaimed King of the Portuguese internally, the second was on 5 October 1143, when Alfonso VII of León and Castile recognized Afonso Henriques as king through the Treaty of Zamora. The third, in 1179, was the Papal Bull Manifestis Probatum, once Portugal was independent, D. Afonso Is descendants, members of the Portuguese House of Burgundy, would rule Portugal until 1383. Even after the change in houses, all the monarchs of Portugal were descended from Afonso I, one way or another. With the start of the 20th century, Republicanism grew in numbers and support in Lisbon among progressive politicians, however a minority with regard to the rest of the country, this height of republicanism would benefit politically from the Lisbon Regicide on 1 February 1908. When returning from the Ducal Palace at Vila Viçosa, King Carlos I, with the death of the king and his heir, Carlos Is second son would become king as King Manuel II of Portugal. Manuels reign, however, would be short-lived, ending by force with the 5 October 1910 revolution, sending Manuel into exile in England, on 19 January 1919, the Monarchy of the North was proclaimed in Porto. The monarchy would be deposed a month later and no other monarchist counterrevolution in Portugal has happened since, after centuries of Portuguese dominion in Angola, the Kingdom of Kongo was made a vassal state of the Portuguese kingdom, its king pledging allegiance to the King of Portugal
3.
Portuguese people
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Portuguese people are an ethnic group indigenous to the country of Portugal, in the west of the Iberian Peninsula in Southwestern Europe. Their language is Portuguese, and their predominant religion is Christianity, Portuguese people were a key factor to the Age of Exploration, discovering several lands unknown to the Europeans in the Americas, Africa, Asia and Oceania, helping to pave the way for Globalization. There are around 10 million native Portuguese in Portugal, out of a population of 10.34 million. A small minority of about 15,000 speak the Mirandese language, in the municipalities of Miranda do Douro, Vimioso, all of the speakers are bilingual with Portuguese. An even smaller minority of no more than 2,000 people speak Barranquenho, some people from the former colonies have been migrating to Portugal since the 1900s. More recently, a number of Slavs, especially Ukrainians, Moldovans, Romanians and Russians. There is also a Chinese minority, in addition, there is a small minority Gypsies of about 40,000 people, Muslims about 34,000 people and an even smaller minority of Jews of about 5,000 people. Between 1886 and 1966, Portugal lost to more than any West European country except Ireland. From the middle of the 19th century to the late 1950s, about 40 million Brazilians have relatively recent Portuguese background, due to massive immigration in the late 19th and early 20th centuries. About 1.2 million Brazilian citizens are native Portuguese, significant verified Portuguese minorities exist in several countries. Portuguese Sephardic Jews are also in Israel, the Netherlands, the United States, France, Venezuela, Brazil, in Brazil many of the colonists were also originally Sephardic Jews, who, converted, were known as New Christians. In the United States, there are Portuguese communities in New Jersey, the New England states, in the Pacific, Hawaii has a sizable Portuguese element that goes back 150 years, Australia and New Zealand also have Portuguese communities. Canada, particularly Ontario, Quebec and British Columbia, has developed a significant Portuguese community since 1940, argentina and Uruguay had Portuguese immigration in the early 20th century. So has Chile where an estimated 50,000 descendants live, an estimated 800,000 Portuguese returned to Portugal as the countrys African possessions gained independence in 1975, after the Carnation Revolution, while others moved to Brazil and South Africa. Vincent and the Grenadines, Trinidad and Tobago, Guyana, Equatorial Guinea, in 1989 some 4,000,000 Portuguese were living abroad, mainly in France, Germany, Brazil, the United Kingdom, South Africa, Canada, Venezuela, and the United States. Portuguese constitute 13% of the population of Luxembourg, in areas such as Thetford and the crown dependencies of Jersey and Guernsey, the Portuguese form the largest ethnic minority groups at 30% of the population, 20% and 3% respectively. The British capital London is home to the largest number of Portuguese people in the UK, with the majority being found in the boroughs of Kensington and Chelsea, Lambeth and Westminster. The Portuguese diaspora communities still are very attached to their language, their culture and their national dishes, in colonial times, over 700,000 Portuguese settled in Brazil, and most of them went there during the gold rush of the 18th century
4.
Parcae
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In ancient Roman religion and myth, the Parcae were the female personifications of destiny, often called the Fates in English. Their Greek equivalent were the Moirai and they controlled the metaphorical thread of life of every mortal and immortal from birth to death. Even the gods feared the Parcae, jupiter also was subject to their power. The earliest extant documents referencing these deities are three small stelae found near ancient Lavinium shortly after World War II. They bear the inscription, Neuna fata, Neuna dono, Parca Maurtia dono The names of two of the three Roman Parcae are recorded and connected to the concept of fata. One of the sources for the Parcae is Metamorphoses by Ovid, II654, V532, VIII452, another source is Aeneid by Virgil, in the opening of Book I. Fates Norns, equivalent of the Fates in Norse mythology List of Roman birth and childhood deities Thomas Blisniewski, die Ikonographie der Parzen vom späten Mittelalter bis zum späten XVIII. Berlin 1992 Media related to Moirae at Wikimedia Commons
5.
Benedetto Luti
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Benedetto Luti was an Italian painter. Luti was born in Florence on 17 November 1666, in 1691, he moved to Rome, where he was patronized by Cosimo III de Medici, Grand Duke of Tuscany, an enthusiast of Lutis pastel portraiture. Luti was one of the first artists to work in pastels as the composition as opposed to initial studies for paintings or frescoes. He also worked in oils and painted frescoes, including for the Basilica di San Giovanni in Laterano, in 1720, he was knighted in the Academy of St Luke of Rome and elected Principe. The appointment was not without controversy, since some, could not find anything worthy of memory for the benefit of the arts, pascolis of account Luti, found him a deep intellect, and even more knowledgeable of the works that he draws, although. The next year he dedicated himself to painting frescoes the cupola of the Church of Santi Luca e Martina in Rome, art in Rome in the Eighteenth Century
6.
Fresco
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Fresco is a technique of mural painting executed upon freshly-laid, or wet lime plaster. Water is used as the vehicle for the pigment to merge with the plaster, and with the setting of the plaster, the fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. Buon fresco pigment mixed with water of temperature on a thin layer of wet, fresh plaster, for which the Italian word for plaster. Because of the makeup of the plaster, a binder is not required, as the pigment mixed solely with the water will sink into the intonaco. The pigment is absorbed by the wet plaster, after a number of hours, many artists sketched their compositions on this underlayer, which would never be seen, in a red pigment called sinopia, a name also used to refer to these under-paintings. Later, new techniques for transferring paper drawings to the wall were developed. The main lines of a drawing made on paper were pricked over with a point, the paper held against the wall, if the painting was to be done over an existing fresco, the surface would be roughened to provide better adhesion. This area is called the giornata, and the different day stages can usually be seen in a large fresco, buon frescoes are difficult to create because of the deadline associated with the drying plaster. Once a giornata is dried, no more buon fresco can be done, if mistakes have been made, it may also be necessary to remove the whole intonaco for that area—or to change them later, a secco. An indispensable component of this process is the carbonatation of the lime, the eyes of the people of the School of Athens are sunken-in using this technique which causes the eyes to seem deeper and more pensive. Michelangelo used this technique as part of his trademark outlining of his central figures within his frescoes, in a wall-sized fresco, there may be ten to twenty or even more giornate, or separate areas of plaster. After five centuries, the giornate, which were nearly invisible, have sometimes become visible, and in many large-scale frescoes. Additionally, the border between giornate was often covered by an a secco painting, which has fallen off. One of the first painters in the period to use this technique was the Isaac Master in the Upper Basilica of Saint Francis in Assisi. A person who creates fresco is called a frescoist, a secco or fresco-secco painting is done on dry plaster. The pigments thus require a medium, such as egg. Blue was a problem, and skies and blue robes were often added a secco, because neither azurite blue nor lapis lazuli. By the end of the century this had largely displaced buon fresco
7.
The Loves of the Gods
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Cardinal Odoardo Farnese, Pope Paul IIIs nephew, commissioned Annibale Carracci and his workshop to decorate the barrel-vaulted gallery on the piano nobile of the family palace. Work was started in 1597 and was not entirely finished until 1608 and his brother Agostino joined him from 1597–1600, and other artists in the workshop included Giovanni Lanfranco, Francesco Albani, Domenichino and Sisto Badalocchio. The Farnese Gallery consists of profusely decorated quadratura and framed mythological scenes, in 1597, he began to decorate the Gallery with mythological themes set within painted frames painted on an illusionistic architectural framework referred to as quadratura. Ignudi or painted nudes, putti, and herms help support the painted framework, gian Pietro Bellori, a famous biographer of artists lives of the next generation, called it Human Love Governed by Celestial Love. In the center panel, the ‘Triumph of Bacchus and Ariadne’ depicts a both riotous and classically restrained procession which ferries Bacchus and Ariadne to their lovers bed. Here, the myth is that Bacchus, the god of wine, had gained the love of the abandoned princess. The procession recalls the triumphs of the Republican and Imperial Roman era, in Carracci’s procession, the two lovers are seated in chariots drawn by tigers and goats, and accompanied by a parade of nymphs, bacchanti, and trumpeting satyrs. At the fore, Bacchus tutor, the paunchy, ugly, the figures carefully cavort in order to hide most naked male genitals. They exerted a formative influence on both canvas and fresco painting in Rome during the seventeenth century. Annibale Carracci, in his day, was seen as one of the key painters to revive the classical style and his work would have been seen as liberating for artists of his day, touching on pagan themes with an unconstrained joy. It could be said that while Mannerism had mastered the art of formal strained contraposto and contorsion, Annibale Carracci had depicted dance and joy. Unlike Raphael, though, his figures can display a Michelangelo-esque muscularity, dijon, Éditions Faton ISBN 978-2-87844-211-3 OCLC944266919. Painting of the room with the fresco A paraphrased copy decorates the ceiling of the Blue Drawing Room at West Wycombe Park in England
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