1.
Munford, Tennessee
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Munford is a city in Tipton County, Tennessee. The population was 4,708 at the 2000 census, when it was listed as a town, Munford is located at 35°26′41″N 89°48′38″W. According to the United States Census Bureau, the city has an area of 8.1 square miles. As of the census of 2010, there were 5,927 people,2,174 households, the racial makeup of the town was 87. 90% White,7. 20% African American,0. 4% Native American, &1. 5% Asian. Hispanic or Latino of any race were 3. 00% of the population, the average household size was 2.73 and the average family size was 3.11. According to the 2007-2011 American Community SurveyAmerican FactFinder, the median household income in Munford was $56,242. 11. 9% of all residents were below the poverty line, Munford Public Schools are part of Tipton County Schools. The Tipton County School District has eight schools, five middle schools. Schools located in Munford include, Munford Elementary School Munford Middle School Munford High School Dr. William E. Bibb is the Director of Schools, the Munford Police Department also has a S. W. A. T. Team that is used in high risk situations including, hostage situations, dangerous drug situations, the fire department not only responds to fires, but they also respond to wide range of other emergency situations including motorcycle accidents, medical emergencies, and several others. Every six months, the department also remains up to date with safety inspections of all businesses. The city contains 1300 fire hydrants which are provided by the Munford Fire Department, the priorities of the department are clear, Life Safety, Emergency Incident Stabilization, and Property Conservation. Celebrate Munford is a group of citizens in the Munford community. The group is looking for new members to lead the events. Celebrate Munford has been hosting an event in downtown Munford for the past 29 years. The fair is the third Saturday of September every year, the fair lasts all day and is packed full with booths and vendors. Vendors are welcomed to reserve a booth spot, Fair food is also available at several booths. Stages that are booked with entertainers are also at the fair, there are various music styles played and dances performed
2.
Memphis metropolitan area
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The Memphis-Forrest City Combined Statistical Area, TN-MS-AR is the commercial and cultural hub of The Mid-South or Ark-Miss-Tenn. The census defined combined statistical area covers ten counties in three states – Tennessee, Mississippi, and Arkansas, as of census 2010 the MSA had a population of 1,324,108. The Forrest City Micropolitan area was added to the Memphis area in 2012 to form the Memphis-Forrest City Combined Statistical area and had a population of 1,369,548 according to census estimates. The greater Mid-South area as a whole has a population of 2.4 million according to 2013 census estimates and this area is covered by Memphis local news channels and includes the Missouri Bootheel, Northeast Arkansas, West Tennessee, and North Mississippi. The Memphis Metro area is known locally as the Mid-South, culturally the Mid-South is more associated with the Deep South and even more specifically the Mississippi Delta than it is the Upland South, which is the case with Tennessees other large cities. Memphis is the largest city in the Deep South, third largest in the Southeastern United States, African-Americans make up nearly half the population of the metro area. The Mid-South has the highest percentage of African-Americans of all metro areas with at least a million people. It is second when metro areas of under a million people are factored in after the Jackson-Vicksburg-Brookhaven, the metro area is blue collar in nature and most of its growth can be attributed to its logisitcal infrastructure. Recently, however, more companies with technology such as Electrolux. Although Memphis is the cultural and commercial hub of the Mid-South and these cities include, Jonesboro, Arkansas, West Memphis, Arkansas, Jackson, Tennessee, Martin, Tennessee, Union City, Tennessee, Tupelo, Mississippi, and Oxford, Mississippi. The Memphis area enjoys a diverse and robust economy, well positioned on Americas largest river and located near the population center of the United States, Memphis is known as Americas distribution hub. FedEx is Headquartered in Memphis and uses the Memphis International Airport as its global superhub facility making the airport the busiest cargo airport in the United States, UPS also uses Memphis as a major hub. The area is home to one of the United States largest intermodal logistics centers. This includes being the third largest trucking corridor, fourth largest inland port, the Mid-South has the largest percentage of people employed in logistics in the U. S. The Mid-South is also home to many fortune 500 and 1000 companies such as FedEx, AutoZone, Regions Bank, ServiceMaster, BUPERS, First Tennessee, furthermore, companies such as Nike, Baskin Robbins, Sharp, and Hewlett Packard operate large distribution centers out of Memphis. Healthcare has begun to play a role in the Mid-souths economy accounting for one in nine jobs. There are nineteen hospitals with over 4,100 beds in the Mid-South, the area is also home to St. Jude Childrens Research Hospital which is a nobel prize winning hospital with over 1,200 scientist working there and the University of Tennessee Health Science Center. Tourism is also a contributor to the Mid-souths economy with the region being known as the birthplace of Rock and Roll
3.
Slogan
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The Oxford Dictionary of English defines a slogan as a short and striking or memorable phrase used in advertising. A slogan usually has the attributes of being memorable, very concise and these attributes are necessary in a slogan, as it is only a short phrase. Therefore, it is necessary for slogans to be memorable, as well as concise in what the organisation or brand is trying to say, the word slogan is derived from slogorn which was an Anglicisation of the Scottish Gaelic and Irish sluagh-ghairm. Slogans vary from the written and the visual to the chanted and their simple rhetorical nature usually leaves little room for detail and a chanted slogan may serve more as social expression of unified purpose than as communication to an intended audience. George E. Shankels research states that, English-speaking people began using the term by 1704, the term at that time meant the distinctive note, phrase or cry of any person or body of persons. Slogans were common throughout the European continent during the Middle Ages, crimmins research suggests that brands are an extremely valuable corporate asset, and can make up a lot of a businesss total value. With this in mind, if we take into consideration Kellers research and these include, name, logo and slogan. Brands names and logos both can be changed by the way the receiver interprets them, therefore, the slogan has a large job in portraying the brand. Therefore, the slogan should create a sense of likability in order for the name to be likable. Dass, Kumar, Kohli, & Thomas research suggests there are certain factors that make up the likability of a slogan. The clarity of the message the brand is trying to encode within the slogan, the slogan emphasizes the benefit of the product or service it is portraying. The creativity of a slogan is another factor that had an effect on the likability of a slogan. Lastly, leaving the name out of the slogan will have a positive effect on the likability of the brand itself. The original usage refers to the usage as a clan motto among Highland clans, marketing slogans are often called taglines in the United States or straplines in the United Kingdom. Europeans use the terms baselines, signatures, claims or pay-offs, sloganeering is a mostly derogatory term for activity which degrades discourse to the level of slogans. Slogans are used to convey a message about the product, service or cause that it is representing and it can have a musical tone to it or written as a song. Slogans are often used to capture the attention of the audience it is trying to reach, if the slogan is used for commercial purposes, often it is written to be memorable/catchy in order for a consumer to associate the slogan with the product it is representing. A slogan is part of the aspect that helps create an image for the product
4.
Frequency
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Frequency is the number of occurrences of a repeating event per unit time. It is also referred to as frequency, which emphasizes the contrast to spatial frequency. The period is the duration of time of one cycle in a repeating event, for example, if a newborn babys heart beats at a frequency of 120 times a minute, its period—the time interval between beats—is half a second. Frequency is an important parameter used in science and engineering to specify the rate of oscillatory and vibratory phenomena, such as vibrations, audio signals, radio waves. For cyclical processes, such as rotation, oscillations, or waves, in physics and engineering disciplines, such as optics, acoustics, and radio, frequency is usually denoted by a Latin letter f or by the Greek letter ν or ν. For a simple motion, the relation between the frequency and the period T is given by f =1 T. The SI unit of frequency is the hertz, named after the German physicist Heinrich Hertz, a previous name for this unit was cycles per second. The SI unit for period is the second, a traditional unit of measure used with rotating mechanical devices is revolutions per minute, abbreviated r/min or rpm. As a matter of convenience, longer and slower waves, such as ocean surface waves, short and fast waves, like audio and radio, are usually described by their frequency instead of period. Spatial frequency is analogous to temporal frequency, but the axis is replaced by one or more spatial displacement axes. Y = sin = sin d θ d x = k Wavenumber, in the case of more than one spatial dimension, wavenumber is a vector quantity. For periodic waves in nondispersive media, frequency has a relationship to the wavelength. Even in dispersive media, the frequency f of a wave is equal to the phase velocity v of the wave divided by the wavelength λ of the wave. In the special case of electromagnetic waves moving through a vacuum, then v = c, where c is the speed of light in a vacuum, and this expression becomes, f = c λ. When waves from a monochrome source travel from one medium to another, their remains the same—only their wavelength. For example, if 71 events occur within 15 seconds the frequency is, the latter method introduces a random error into the count of between zero and one count, so on average half a count. This is called gating error and causes an error in the calculated frequency of Δf = 1/, or a fractional error of Δf / f = 1/ where Tm is the timing interval. This error decreases with frequency, so it is a problem at low frequencies where the number of counts N is small, an older method of measuring the frequency of rotating or vibrating objects is to use a stroboscope
5.
Hertz
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The hertz is the unit of frequency in the International System of Units and is defined as one cycle per second. It is named for Heinrich Rudolf Hertz, the first person to provide proof of the existence of electromagnetic waves. Hertz are commonly expressed in SI multiples kilohertz, megahertz, gigahertz, kilo means thousand, mega meaning million, giga meaning billion and tera for trillion. Some of the units most common uses are in the description of waves and musical tones, particularly those used in radio-. It is also used to describe the speeds at which computers, the hertz is equivalent to cycles per second, i. e. 1/second or s −1. In English, hertz is also used as the plural form, as an SI unit, Hz can be prefixed, commonly used multiples are kHz, MHz, GHz and THz. One hertz simply means one cycle per second,100 Hz means one hundred cycles per second, and so on. The unit may be applied to any periodic event—for example, a clock might be said to tick at 1 Hz, the rate of aperiodic or stochastic events occur is expressed in reciprocal second or inverse second in general or, the specific case of radioactive decay, becquerels. Whereas 1 Hz is 1 cycle per second,1 Bq is 1 aperiodic radionuclide event per second, the conversion between a frequency f measured in hertz and an angular velocity ω measured in radians per second is ω =2 π f and f = ω2 π. This SI unit is named after Heinrich Hertz, as with every International System of Units unit named for a person, the first letter of its symbol is upper case. Note that degree Celsius conforms to this rule because the d is lowercase. — Based on The International System of Units, the hertz is named after the German physicist Heinrich Hertz, who made important scientific contributions to the study of electromagnetism. The name was established by the International Electrotechnical Commission in 1930, the term cycles per second was largely replaced by hertz by the 1970s. One hobby magazine, Electronics Illustrated, declared their intention to stick with the traditional kc. Mc. etc. units, sound is a traveling longitudinal wave which is an oscillation of pressure. Humans perceive frequency of waves as pitch. Each musical note corresponds to a frequency which can be measured in hertz. An infants ear is able to perceive frequencies ranging from 20 Hz to 20,000 Hz, the range of ultrasound, infrasound and other physical vibrations such as molecular and atomic vibrations extends from a few femtoHz into the terahertz range and beyond. Electromagnetic radiation is described by its frequency—the number of oscillations of the perpendicular electric and magnetic fields per second—expressed in hertz. Radio frequency radiation is measured in kilohertz, megahertz, or gigahertz
6.
Adult contemporary music
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Adult contemporary is rather a continuation of the easy listening and soft rock style that became popular in the 1960s and 1970s with some adjustments that reflect the evolution of pop/rock music. Adult contemporary tends to have lush, soothing and highly polished qualities where emphasis on melody and it is usually melodic enough to get a listeners attention, and is inoffensive and pleasurable enough to work well as background music. Like most of pop music, its songs tend to be written in a basic format employing a verse–chorus structure, the format is heavy on romantic sentimental ballads which mostly use acoustic instruments such as acoustic guitars, pianos, saxophones, and sometimes an orchestral set. The electric guitars are normally faint and high-pitched, however, recent adult contemporary music may usually feature synthesizers. An AC radio station may play mainstream music, but it excludes hip hop, dance tracks, hard rock, and some forms of teen pop, as these are popular among adults. AC radio often targets the 25–44 age group, the demographic that has received the most attention from advertisers since the 1960s, a common practice in recent years of adult contemporary stations is to play less newer music and more hits of the past. This de-emphasis on new songs slows the progression of the AC chart, over the years, AC has spawned subgenres including hot AC, soft AC, urban AC, rhythmic AC, and Christian AC. Some stations play only hot AC, soft AC, or only one of the variety of subgenres, therefore, it is not usually considered a specific genre of music, it is merely an assemblage of selected tracks from musicians of many different genres. Adult contemporary traces its roots to the 1960s easy listening format, a few offered 90% instrumentals, and a handful were entirely instrumental. Billboard first published the Easy Listening chart July 17,1961, with 20 songs, the chart described itself as not too far out in either direction. Initially, the vocalists consisted of such as Frank Sinatra, Doris Day, Johnny Mathis, Connie Francis, Nat King Cole, Perry Como. The custom recordings were usually instrumental versions of current or recent rock and roll or pop hit songs, some stations would also occasionally play earlier big band-era recordings from the 1940s and early 1950s. After 1965, differences between the Hot 100 chart and the Easy Listening chart became more pronounced, better reflecting what middle of the road stations were actually playing, the composition of the chart changed dramatically. As rock music continued to harden, there was much less crossover between the Hot 100 and Easy Listening chart than there had been in the half of the 1960s. Roger Miller, Barbra Streisand and Bobby Vinton were among the charts most popular performers and these middle of the road stations also frequently included older, pre-rock-era adult standards and big band titles to further appeal to adult listeners who had grown up with those songs. Another big impetus for the evolution of the AC radio format was the popularity of easy listening or beautiful music stations, stations with music specifically designed to be purely ambient, hard rock had been established as a mainstream genre by 1965. From the end of the 1960s, it common to divide mainstream rock music into soft and hard rock. Soft rock was often derived from rock, using acoustic instruments and putting more emphasis on melody
7.
Effective radiated power
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Effective radiated power, synonymous with equivalent radiated power, is an IEEE standardized definition of directional radio frequency power transmitted from a theoretical half-wave dipole antenna. It is differentiated from effective isotropic radiated power mainly by use of antenna gain instead of absolute gain in the calculation. The term antenna gain is assumed to be absolute unless specifically stated to be relative, the gain is then multiplied by the power actually accepted by the antenna to result in the actual ERP value. Power losses which occur prior to the antenna, e. g. in the line or from inefficiency in the generator itself are therefore not included in the calculation of ERP or EIRP. Antenna gain is closely related to directivity and often used interchangeably. However, gain is less than directivity by a factor called radiation efficiency. Whereas directivity is entirely a function of wavelength and the geometry and type of antenna, specifically, accelerating charge causes electromagnetic radiation per Maxwells equations. Therefore, antennas use a current distribution on radiating elements to generate electromagnetic energy that propagates away from the antenna and this coupling is never 100% efficient, and therefore antenna gain will always be less than directivity by this efficiency factor. The receiver would not be able to determine a difference, maximum directivity of an ideal half-wave dipole is a constant, i. e.0 dBd =2.15 dBi. Therefore, ERP is always 2.15 dB less than EIRP, the ideal dipole antenna could be further replaced by an isotropic radiator, and the receiver cannot know the difference so long as the input power is increased by 2.15 dB. Unfortunately, the distinction between dBd and dBi is often left unstated and the reader is forced to infer which was used. For example, a Yagi-Uda antenna is constructed from several dipoles arranged at intervals to create better energy focusing than a simple dipole. Since it is constructed from dipoles, often its antenna gain is expressed in dBd, obviously this ambiguity is undesirable with respect to engineering specifications. A Yagi-Uda antennas maximum directivity is 8.77 dBd =10.92 dBi and its gain necessarily must be less than this by the factor η, which must be negative in units of dB. Neither ERP nor EIRP can be calculated without knowledge of the power accepted by the antenna, let us assume a 100 Watt transmitter with losses of 6 dB prior to the antenna. ERP <22. 77dBW and EIRP <24. 92dBW, polarization has not been taken into account so far, but properly it must be. When considering the dipole radiator previously we assumed that it was aligned with the receiver. Now assume, however, that the antenna is circularly polarized
