Naked (Goo Goo Dolls song)
"Naked" is a song by Goo Goo Dolls. The song was the fourth single released from their hit album A Boy Named Goo after they scored a breakthrough hit with the previous single "Name". "Naked" - 4:06 "Naked" - 3:43 Illegal chart entered Canadaalternative|10 Lyrics of this song at MetroLyrics
In the music industry, a single is a type of release a song recording of fewer tracks than an LP record or an album. This can be released for sale to the public in a variety of different formats. In most cases, a single is a song, released separately from an album, although it also appears on an album; these are the songs from albums that are released separately for promotional uses such as digital download or commercial radio airplay and are expected to be the most popular. In other cases a recording released. Despite being referred to as a single, singles can include up to as many as three tracks; the biggest digital music distributor, iTunes Store, accepts as many as three tracks less than ten minutes each as a single, as does popular music player Spotify. Any more than three tracks on a musical release or thirty minutes in total running time is either an extended play or, if over six tracks long, an album; when mainstream music was purchased via vinyl records, singles would be released double-sided.
That is to say, they were released with an A-side and B-side, on which two singles would be released, one on each side. Moreover, only the most popular songs from a released album would be released as a single. In more contemporary forms of music consumption, artists release most, if not all, of the tracks on an album as singles; the basic specifications of the music single were set in the late 19th century, when the gramophone record began to supersede phonograph cylinders in commercially produced musical recordings. Gramophone discs were manufactured in several sizes. By about 1910, the 10-inch, 78 rpm shellac disc had become the most used format; the inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century. The crude disc-cutting techniques of the time and the thickness of the needles used on record players limited the number of grooves per inch that could be inscribed on the disc surface, a high rotation speed was necessary to achieve acceptable recording and playback fidelity.
78 rpm was chosen as the standard because of the introduction of the electrically powered, synchronous turntable motor in 1925, which ran at 3600 rpm with a 46:1 gear ratio, resulting in a rotation speed of 78.26 rpm. With these factors applied to the 10-inch format and performers tailored their output to fit the new medium; the 3-minute single remained the standard into the 1960s, when the availability of microgroove recording and improved mastering techniques enabled recording artists to increase the duration of their recorded songs. The breakthrough came with Bob Dylan's "Like a Rolling Stone". Although CBS tried to make the record more "radio friendly" by cutting the performance into halves, separating them between the two sides of the vinyl disc, both Dylan and his fans demanded that the full six-minute take be placed on one side, that radio stations play the song in its entirety; as digital downloading and audio streaming have become more prevalent, it has become possible for every track on an album to be available separately.
The concept of a single for an album has been retained as an identification of a more promoted or more popular song within an album collection. The demand for music downloads skyrocketed after the launch of Apple's iTunes Store in January 2001 and the creation of portable music and digital audio players such as the iPod. In September 1997, with the release of Duran Duran's "Electric Barbarella" for paid downloads, Capitol Records became the first major label to sell a digital single from a well-known artist. Geffen Records released Aerosmith's "Head First" digitally for free. In 2004, Recording Industry Association of America introduced digital single certification due to significant sales of digital formats, with Gwen Stefani's "Hollaback Girl" becoming RIAA's first platinum digital single. In 2013, RIAA incorporated on-demand streams into the digital single certification. Single sales in the United Kingdom reached an all-time low in January 2005, as the popularity of the compact disc was overtaken by the then-unofficial medium of the music download.
Recognizing this, On 17 April 2005, Official UK Singles Chart added the download format to the existing format of physical CD singles. Gnarls Barkley was the first act to reach No.1 on this chart through downloads alone in April 2006, for their debut single "Crazy", released physically the following week. On 1 January 2007 digital downloads became eligible from the point of release, without the need for an accompanying physical. Sales improved in the following years, reaching a record high in 2008 that still proceeded to be overtaken in 2009, 2010 and 2011. Singles have been issued in various formats, including 7-inch, 10-inch, 12-inch vinyl discs. Other, less common, formats include singles on Digital Compact Cassette, DVD, LD, as well as many non-standard sizes of vinyl disc; the most common form of the vinyl single is the 45 or 7-inch. The names are derived from its play speed, 45 rpm, the standard diameter, 7 inches; the 7-inch 45 rpm record was released 31 March 1949 by RCA Victor as a smaller, more durable and higher-fidelity replacement for the 78 rpm shellac discs.
The first 45
Goo Goo Dolls (album)
Goo Goo Dolls is the eponymous debut studio album by American rock band Goo Goo Dolls, released on June 9, 1987 by Mercenary and Celluloid Records. All of the songs were sung by bassist Robby Takac, the band's lead vocalist; the album was recorded from late 1986 to early 1987 on a $750 budget at Trackmaster Audio in the band's hometown of Buffalo, New York. On, the band admitted in their 1999 VH1 Behind the Music special that the album was recorded under the influence of alcohol and drugs. On December 15, 2013, the album was reissued by Charly Acquisitions as Made to Be Broken on digital-streaming services; the album contains the track listing in a different order from the original. Robby Takac - lead vocals, bass guitar Johnny Rzeznik - lead guitar, backing vocals George Tutuska - drums
A CD single is a music single in the form of a compact disc. The standard in the Red Book for the term CD single is an 8cm CD, it now refers to any single recorded onto a CD of any size the CD5, or 5-inch CD single. The format was introduced in the mid-1980s but did not gain its place in the market until the early 1990s. With the rise in digital downloads in the early 2010s, sales of CD singles have decreased. Commercially released CD singles can vary in length from two songs up to six songs like an EP; some contain multiple mixes of one or more songs, in the tradition of 12" vinyl singles, in some cases, they may contain a music video for the single itself as well as a collectible poster. Depending on the nation, there may be limits on the number of songs and total length for sales to count in singles charts. Dire Straits' "Brothers in Arms" is reported to have been the world's first CD single, issued in the UK in two separate singles as a promotional item, one distinguished with a logo for the tour, Live in'85, a second to commemorate the Australian leg of the tour marked Live in'86.
Containing four tracks, it had a limited print run. The first commercially released CD Single was Angeline by John Martyn released on 1 February 1986. CD singles were first made eligible for the UK Singles Chart in 1987, the first number 1 available on the format in that country was "I Wanna Dance with Somebody" by Whitney Houston in May 1987; the Mini CD single CD3 format was created for use for singles in the late 1980s, but met with limited success in the US. The smaller CDs were more successful in Japan and had a resurgence in Europe early this century, marketed as "Pock it" CDs, being small enough to fit in a shirt pocket. By 1989, the CD3 was in decline in the US, it was common in the 1990s for US record companies to release both a two-track CD and a multi-track maxi CD. In the UK, record companies would release two CDs but these consisted of three tracks or more each. During the 1990s, CD single releases became less common in certain countries and were released in smaller editions, as the major record labels feared they were cannibalizing the sales of higher-profit-margin CD albums.
Pressure from record labels made singles charts in some countries become song charts, allowing album cuts to chart based only on airplay, without a single being released. In the US, the Billboard Hot 100 made this change in December 1998, after which few songs were released in the CD single format in the US, but they remained popular in the UK and other countries, where charts were still based on single sales and not radio airplay. At the end of the 1990s, the CD was the biggest-selling single format in the UK, but in the US, the dominant single format was airplay. With the advent of digital music sales, the CD single has been replaced as a distribution format in most countries, most charts now include digital download counts as well as physical single sales. In Australia, the Herald Sun reported the CD single is "set to become extinct". In early July 2009, leading music store JB Hi-Fi ceased stocking CD singles because of declining sales, with copies of the week's No. 1 single selling as few as only 350 copies across all their stores nationwide.
While CD singles no longer maintain their own section of the store, copies are still distributed but placed with the artist's albums. That is predominantly the case for popular Australian artists such as Jessica Mauboy, Kylie Minogue and, most Delta Goodrem, whose then-recent singles were released on CD in limited quantities; the ARIA Singles Chart is now "predominantly compiled from legal downloads", ARIA stopped compiling their physical singles sales chart. "On a Mission" by Gabriella Cilmi was the last CD single to be stocked in Kmart and Big W, who concluded stocking newly released singles. Sanity Entertainment, having resisted the decline for longer than the other major outlets, has ceased selling CD singles. In China and South Korea, CD single releases have been rare since the format was introduced, due of the amount of infringement and illegal file sharing over the internet, most of the time singles have been album cuts chart based only on airplay, but with the advent of digital music the charts have occasionally included digital download counts.
In Greece and Cyprus, the term "CD single" is used to describe an extended play in which there may be anywhere from three to six different tracks. These releases charted on the Greek Singles Chart with songs released as singles; the original CD single is a music single released on a mini Compact Disc that measures 8 cm in diameter, rather than the standard 12 cm. They are manufactured using the same methods as standard full-size CDs, can be played in most standard audio CD players and CD-ROM disc drives; the format was first released in the United States, United Kingdom, France, West Germany, Hong Kong in 1987 as the replacement for the 7-inch single. While mini CDs have fallen out of popularity among most major record labels, they remain a popular, low cost way for independent musicians and groups to release music. Capable of holding up to 20 minutes of music, most mini CD singles contain at least two tracks, ofte
Goo Goo Dolls discography
The following article documents the album, single and multimedia releases by the American rock band the Goo Goo Dolls. D.^ "Superstar Car Wash" did not manage to debut on the Billboard 200, but did peak at number 35 on the Heatseekers album chart
Alternative rock is a style of rock music that emerged from the independent music underground of the 1980s and became popular in the 1990s. In this instance, the word "alternative" refers to the genre's distinction from mainstream rock music; the term's original meaning was broader, referring to a generation of musicians unified by their collective debt to either the musical style or the independent, DIY ethos of punk rock, which in the late 1970s laid the groundwork for alternative music. At times, "alternative" has been used as a catch-all description for music from underground rock artists that receives mainstream recognition, or for any music, whether rock or not, seen to be descended from punk rock. Alternative rock broadly consists of music that differs in terms of its sound, social context and regional roots. By the end of the 1980s, magazines and zines, college radio airplay, word of mouth had increased the prominence and highlighted the diversity of alternative rock, helping to define a number of distinct styles such as noise pop, indie rock and shoegaze.
Most of these subgenres had achieved minor mainstream notice and a few bands representing them, such as Hüsker Dü and R. E. M. had signed to major labels. But most alternative bands' commercial success was limited in comparison to other genres of rock and pop music at the time, most acts remained signed to independent labels and received little attention from mainstream radio, television, or newspapers. With the breakthrough of Nirvana and the popularity of the grunge and Britpop movements in the 1990s, alternative rock entered the musical mainstream and many alternative bands became successful. In the past, popular music tastes were dictated by music executives within large entertainment corporations. Record companies signed contracts with those entertainers who were thought to become the most popular, therefore who could generate the most sales; these bands were able to record their songs in expensive studios, their works sold through record store chains that were owned by the entertainment corporations.
The record companies worked with radio and television companies to get the most exposure for their artists. The people making the decisions were business people dealing with music as a product, those bands who were not making the expected sales figures were excluded from this system. Before the term alternative rock came into common usage around 1990, the sort of music to which it refers was known by a variety of terms. In 1979, Terry Tolkin used the term Alternative Music to describe the groups. In 1979 Dallas radio station KZEW had a late night new wave show entitled "Rock and Roll Alternative". "College rock" was used in the United States to describe the music during the 1980s due to its links to the college radio circuit and the tastes of college students. In the United Kingdom, dozens of small do it yourself record labels emerged as a result of the punk subculture. According to the founder of one of these labels, Cherry Red, NME and Sounds magazines published charts based on small record stores called "Alternative Charts".
The first national chart based on distribution called the Indie Chart was published in January 1980. At the time, the term indie was used to describe independently distributed records. By 1985, indie' had come to mean a particular genre, or group of subgenres, rather than distribution status; the use of the term alternative to describe rock music originated around the mid-1980s. Individuals who worked as DJs and promoters during the 1980s claim the term originates from American FM radio of the 1970s, which served as a progressive alternative to top 40 radio formats by featuring longer songs and giving DJs more freedom in song selection. According to one former DJ and promoter, "Somehow this term'alternative' got rediscovered and heisted by college radio people during the 80s who applied it to new post-punk, indie, or underground-whatever music". At first the term referred to intentionally non–mainstream rock acts that were not influenced by "heavy metal ballads, rarefied new wave" and "high-energy dance anthems".
Usage of the term would broaden to include new wave, punk rock, post-punk, "college"/"indie" rock, all found on the American "commercial alternative" radio stations of the time such as Los Angeles' KROQ-FM. Journalist Jim Gerr wrote that Alternative encompassed variants such as "rap, trash and industrial". In December 1991, Spin magazine noted: "this year, for the first time, it became resoundingly clear that what has been considered alternative rock – a college-centered marketing group with lucrative, if limited, potential- has in fact moved into the mainstream"; the bill of the first Lollapalooza, an itinerant festival in North America conceived by Jane's Addiction frontman Perry Farrell, reunited "disparate elements of the alternative rock community" including Henry Rollins, Butthole Surfers, Ice-T, Nine Inch Nails and the Banshees and Jane's Addiction. That same year, Farrell coined the term Alternative Nation. In the late 1990s, the definition again became more specific. In 1997, Neil Strauss of The New York Times defined alternative rock as "hard-edged rock distinguished by brittle,'70s-inspired guitar riffing and singers agonizing over their problems until they take on epic proportions".
Defining music as alt
"Iris" is a song by American alternative rock band Goo Goo Dolls. Written for the soundtrack of the 1998 film City of Angels, the song was included on the band's sixth album Dizzy Up the Girl; the song's time signature alternates between 44 and 68, features an unusual guitar tuning in which most of the strings are tuned to D, lending the guitar a chorus-like effect. "Iris" has contributed to the band's success. Besides becoming one of the biggest alternative rock staples of the 1990s, "Iris" remains one of the biggest crossover hits in the history of popular music, crossing over from modern rock radio to pop and adult contemporary radio, reaching number one on all of these formats and becoming the most played song of 1998 for all formats; the song reached number one in Australia and Italy, number three in the United Kingdom, number eight on the US Billboard Hot 100, has become one of Ireland's best-selling singles of all time. "Iris" is the Goo Goo Dolls' signature song, with critics describing it as an "ubiquitous" staple for the band's live sets.
"Iris" is a power ballad. In a 2013 interview with Songfacts, lead singer John Rzeznik explained how he wrote the song: "I was thinking about the situation of the Nicolas Cage character in the movie; this guy is willing to give up his own immortality, just to be able to feel something human. And I think,'Wow! What an amazing thing it must be like to love someone so much that you give up everything to be with them.' That's a pretty heavy thought." The song's title is derived from lounge singer Iris DeMent. Upon its release, "Iris" became second of a string of hits from the film's soundtrack, City of Angels: Music from the Motion Picture.. The song debuted at number 66 on the Billboard Hot 100 Airplay chart on April 18, 1998, spent a record of 18 weeks at number one in Hot 100 Airplay; however it was not allowed to chart on the Billboard Hot 100 because no commercial single had been released. In December 1998, just after the song's airplay had peaked, the rules changed to allow airplay-only songs onto the chart.
As a result, the song peaked at number nine and stayed on the chart for 14 weeks. On the Mainstream Rock Tracks chart, "Iris" peaked at number eight; the song was the band's 2nd number one hit on the Modern Rock Tracks chart, following their 1995 hit "Name." "Iris" stayed at number one for five weeks on the Alternative Songs chart and hit number one on the Mainstream Top 40 chart for four weeks. The song spent a then-record 17 weeks at number one on the Billboard Adult Top 40 chart; the Goo Goo Dolls performed "Iris" on October 20, 2001 at Madison Square Garden as part of The Concert for New York City to raise money for victims of the September 11 attacks."Iris" was a major international hit. It peaked at number five on the Irish Singles Chart and has since become the 19th biggest-selling single of all time in Ireland; the song peaked at number 50 in the United Kingdom in August 1998 before rising to number 25 the following year. On October 2, 2011, after performances by auditionees on The X Factor, the song re-entered the UK Singles Chart at number three.
In May 2013, the song charted at number 12 after it was covered by Britain's Got Talent contestant Robbie Kennedy. Elsewhere, the song became a number-one hit in Italy and Canada, it reached the top 10 in Flemish Belgium and the Netherlands. Besides the song's success on the charts, "Iris" enjoyed critical acclaim. At the 41st Grammy Awards, "Iris" received nominations for "Record of the Year" and "Pop Performance by a Duo or Group." The song garnered Johnny Rzeznik a "Song of the Year" nomination. The single was certified Platinum by the RIAA on August 18, 2008; the song was ranked at number 39 on Rolling Stone's list of the 100 greatest pop songs. In October 2012, "Iris" was ranked number one on Billboard's "Top 100 Pop Songs 1992–2012" chart, which ranked the top songs of the first 20 years of the Mainstream Top 40/Pop Songs chart; the list featured the Goo Goo Dolls' hits "Slide", ranking at number nine, "Name" at number 24. The Goo Goo Dolls are the only musicians to have three songs on the list, two breaking the top 10 and all three falling within the top 25.
They are the only musicians that have back to back singles featured on the list. CD1"Iris" – 3:20 "Lazy Eye" – 3:45 "I Don't Want To Know" – 3:37CD2"Iris" – 4:51 "Slide" – 3:34 "Iris" – 3:26 "Slide" – 3:15 Ronan Keating covered the song for his 2006 album Bring You Home. Kathy Brier performed the song on One Life to Live. Leona Lewis covered the song for her extended play Hurt: The EP. New Found Glory covered the song for their second covers album From The Screen To Your Stereo Part II. Sleeping with Sirens covered the song for their first EP, If You Were a Movie, This Would Be Your Soundtrack. Sawyer Fredericks performed this song on The Voice season 8. Twenty One Pilots performed the song on The Bandito Tour along with openers Max Frost and AWOLNATION. Lyrics of this song at MetroLyrics