Archaeology, or archeology, is the study of human activity through the recovery and analysis of material culture. The archaeological record consists of artifacts, biofacts or ecofacts and cultural landscapes. Archaeology can be considered a branch of the humanities. In North America archaeology is a sub-field of anthropology, while in Europe it is viewed as either a discipline in its own right or a sub-field of other disciplines. Archaeologists study human prehistory and history, from the development of the first stone tools at Lomekwi in East Africa 3.3 million years ago up until recent decades. Archaeology is distinct from palaeontology, the study of fossil remains, it is important for learning about prehistoric societies, for whom there may be no written records to study. Prehistory includes over 99% of the human past, from the Paleolithic until the advent of literacy in societies across the world. Archaeology has various goals, which range from understanding culture history to reconstructing past lifeways to documenting and explaining changes in human societies through time.
The discipline involves surveying and analysis of data collected to learn more about the past. In broad scope, archaeology relies on cross-disciplinary research, it draws upon anthropology, art history, ethnology, geology, literary history, semiology, textual criticism, information sciences, statistics, paleography, paleontology and paleobotany. Archaeology developed out of antiquarianism in Europe during the 19th century, has since become a discipline practiced across the world. Archaeology has been used by nation-states to create particular visions of the past. Since its early development, various specific sub-disciplines of archaeology have developed, including maritime archaeology, feminist archaeology and archaeoastronomy, numerous different scientific techniques have been developed to aid archaeological investigation. Nonetheless, archaeologists face many problems, such as dealing with pseudoarchaeology, the looting of artifacts, a lack of public interest, opposition to the excavation of human remains.
The science of archaeology grew out of the older multi-disciplinary study known as antiquarianism. Antiquarians studied history with particular attention to ancient artifacts and manuscripts, as well as historical sites. Antiquarianism focused on the empirical evidence that existed for the understanding of the past, encapsulated in the motto of the 18th-century antiquary, Sir Richard Colt Hoare, "We speak from facts not theory". Tentative steps towards the systematization of archaeology as a science took place during the Enlightenment era in Europe in the 17th and 18th centuries. In Europe, philosophical interest in the remains of Greco-Roman civilization and the rediscovery of classical culture began in the late Middle Age. Flavio Biondo, an Italian Renaissance humanist historian, created a systematic guide to the ruins and topography of ancient Rome in the early 15th century, for which he has been called an early founder of archaeology. Antiquarians of the 16th century, including John Leland and William Camden, conducted surveys of the English countryside, drawing and interpreting the monuments that they encountered.
One of the first sites to undergo archaeological excavation was Stonehenge and other megalithic monuments in England. John Aubrey was a pioneer archaeologist who recorded numerous megalithic and other field monuments in southern England, he was ahead of his time in the analysis of his findings. He attempted to chart the chronological stylistic evolution of handwriting, medieval architecture and shield-shapes. Excavations were carried out by the Spanish military engineer Roque Joaquín de Alcubierre in the ancient towns of Pompeii and Herculaneum, both of, covered by ash during the Eruption of Mount Vesuvius in AD 79; these excavations began in 1748 in Pompeii, while in Herculaneum they began in 1738. The discovery of entire towns, complete with utensils and human shapes, as well the unearthing of frescos, had a big impact throughout Europe. However, prior to the development of modern techniques, excavations tended to be haphazard; the father of archaeological excavation was William Cunnington. He undertook excavations in Wiltshire from around 1798.
Cunnington made meticulous recordings of Neolithic and Bronze Age barrows, the terms he used to categorize and describe them are still used by archaeologists today. One of the major achievements of 19th-century archaeology was the development of stratigraphy; the idea of overlapping strata tracing back to successive periods was borrowed from the new geological and paleontological work of scholars like William Smith, James Hutton and Charles Lyell. The application of stratigraphy to archaeology first took place with the excavations of prehistorical and Bronze Age sites. In the third and fourth decades of the 19th-century, archaeologists like Jacques Boucher de Perthes and Christian Jürgensen Thomsen began to put the artifacts they had found in chronological order. A major figure in the development of archaeology into a rigorous science was the army officer and ethnologist, Augustus Pitt Rivers, who began excavations on his land in England in the 1880s, his approach was methodical by the standards of the time, he is regarded as the first scientific archaeologist.
He arranged his artifacts by type or "typologically, within types by date or "chronologically"
National Library of Australia
The National Library of Australia is the largest reference library in Australia, responsible under the terms of the National Library Act for "maintaining and developing a national collection of library material, including a comprehensive collection of library material relating to Australia and the Australian people." In 2012–13, the National Library collection comprised 6,496,772 items, an additional 15,506 metres of manuscript material. It is located in Parkes, Canberra, ACT; the National Library of Australia, while formally established by the passage of the National Library Act 1960, had been functioning as a national library rather than a Parliamentary Library since its inception. In 1901, a Commonwealth Parliamentary Library was established to serve the newly formed Federal Parliament of Australia. From its inception the Commonwealth Parliamentary Library was driven to development of a national collection. In 1907 the Joint Parliamentary Library Committee under the Chairmanship of the Speaker, Sir Frederick William Holder defined the objective of the Commonwealth Parliamentary Library in the following words: The Library Committee is keeping before it the ideal of building up, for the time when Parliament shall be established in the Federal Capital, a great Public Library on the lines of the world-famed Library of Congress at Washington.
The present library building was opened on 15 August 1968 by Prime Minister John Gorton. The building was designed by the architectural firm of Bunning and Madden in the Late Twentieth Century Stripped Classical style; the foyer is decorated in marble, with stained-glass windows by Leonard French and three tapestries by Mathieu Matégot. The building was listed on the Australian Commonwealth Heritage List on 22 June 2004. In 2012–13 the Library collection comprised 6,496,772 items, with an estimated additional 2,325,900 items held in the manuscripts collection; the Library's collections of Australiana have developed into the nation's single most important resource of materials recording the Australian cultural heritage. Australian writers and illustrators are sought and well represented—whether published in Australia or overseas; the Library's collection includes all formats of material, from books, journals and manuscripts to pictures, maps, oral history recordings, manuscript papers and ephemera.
92.1% of the Library's collection has been catalogued and is discoverable through the online catalogue. The Library has digitized over 174,000 items from its collection and, where possible, delivers these directly across the Internet; the Library is a world leader in digital preservation techniques, maintains an Internet-accessible archive of selected Australian websites called the Pandora Archive. The Library collects material produced by Australians, for Australians or about the Australian experience in all formats—not just printed works—books, newspapers, posters and printed ephemera—but online publications and unpublished material such as manuscripts and oral histories. A core Australiana collection is that of John A. Ferguson; the Library has particular collection strengths in the performing arts, including dance. The Library's considerable collections of general overseas and rare book materials, as well as world-class Asian and Pacific collections which augment the Australiana collections.
The print collections are further supported by extensive microform holdings. The Library maintains the National Reserve Braille Collection; the Library houses the largest and most developing research resource on Asia in Australia, the largest Asian language collections in the Southern hemisphere, with over half a million volumes in the collection, as well as extensive online and electronic resources. The Library collects resources about all Asian countries in Western languages extensively, resources in the following Asian languages: Burmese, Persian, Japanese, Korean, Manchu, Thai and Vietnamese; the Library has acquired a number of important Western and Asian language scholarly collections from researchers and bibliophiles. These collections include: Australian Buddhist Library Collection Braga Collection Claasz Collection Coedes Collection London Missionary Society Collection Luce Collection McLaren-Human Collection Otley Beyer Collection Sakakibara Collection Sang Ye Collection Simon Collection Harold S. Williams Collection The Asian Collections are searchable via the National Library's catalogue.
The National Library holds an extensive collection of manuscripts. The manuscript collection contains about 26 million separate items, covering in excess of 10,492 meters of shelf space; the collection relates predominantly to Australia, but there are important holdings relating to Papua New Guinea, New Zealand and the Pacific. The collection holds a number of European and Asian manuscript collections or single items have been received as part of formed book collections; the Australian manuscript collections date from the period of maritime exploration and settlement in the 18th century until the present, with the greatest area of strength dating from the 1890s onwards. The collection includes a large number of outstanding single items, such as the 14th century Chertsey Cartulary, the journal of James Cook on the HM Bark Endeavour, inscribed on t
Aphrodite is an ancient Greek goddess associated with love, pleasure and procreation. She is identified with the planet Venus, named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, doves and swans; the cult of Aphrodite was derived from that of the Phoenician goddess Astarte, a cognate of the East Semitic goddess Ishtar, whose cult was based on the Sumerian cult of Inanna. Aphrodite's main cult centers were Cythera, Cyprus and Athens, her main festival was the Aphrodisia, celebrated annually in midsummer. In Laconia, Aphrodite was worshipped as a warrior goddess, she was the patron goddess of prostitutes, an association which led early scholars to propose the concept of "sacred prostitution", an idea, now seen as erroneous. In Hesiod's Theogony, Aphrodite is born off the coast of Cythera from the foam produced by Uranus's genitals, which his son Cronus has severed and thrown into the sea. In Homer's Iliad, she is the daughter of Zeus and Dione.
Plato, in his Symposium 180e, asserts that these two origins belong to separate entities: Aphrodite Ourania and Aphrodite Pandemos. Aphrodite had many other epithets, each emphasizing a different aspect of the same goddess, or used by a different local cult, thus she was known as Cytherea and Cypris, due to the fact that both locations claimed to be the place of her birth. In Greek mythology, Aphrodite was married to the god of blacksmiths and metalworking. Despite this, Aphrodite was unfaithful to him and had many lovers. In the First Homeric Hymn to Aphrodite, she seduces the mortal shepherd Anchises. Aphrodite was the surrogate mother and lover of the mortal shepherd Adonis, killed by a wild boar. Along with Athena and Hera, Aphrodite was one of the three goddesses whose feud resulted in the beginning of the Trojan War and she plays a major role throughout the Iliad. Aphrodite has been featured in western art as a symbol of female beauty and has appeared in numerous works of western literature.
She is a major deity in modern Neopagan religions, including the Church of Aphrodite and Hellenismos. Hesiod derives Aphrodite from aphrós "sea-foam", interpreting the name as "risen from the foam", but most modern scholars regard this as a spurious folk etymology. Early modern scholars of classical mythology attempted to argue that Aphrodite's name was of Greek or Indo-European origin, but these efforts have now been abandoned. Aphrodite's name is accepted to be of non-Greek Semitic, but its exact derivation cannot be determined. Scholars in the late nineteenth and early twentieth centuries, accepting Hesiod's "foam" etymology as genuine, analyzed the second part of Aphrodite's name as *-odítē "wanderer" or *-dítē "bright". Michael Janda accepting Hesiod's etymology, has argued in favor of the latter of these interpretations and claims the story of a birth from the foam as an Indo-European mytheme. Witczak proposes an Indo-European compound *abʰor- "very" and *dʰei- "to shine" referring to Eos.
Other scholars have argued that these hypotheses are unlikely since Aphrodite's attributes are different from those of both Eos and the Vedic deity Ushas. A number of improbable non-Greek etymologies have been suggested. One Semitic etymology compares Aphrodite to the Assyrian barīrītu, the name of a female demon that appears in Middle Babylonian and Late Babylonian texts. Hammarström looks to Etruscan, comparing prϑni "lord", an Etruscan honorific loaned into Greek as πρύτανις; this would make the theonym in origin an honorific, "the lady". Most scholars reject this etymology as implausible since Aphrodite appears in Etruscan in the borrowed form Apru; the medieval Etymologicum Magnum offers a contrived etymology, deriving Aphrodite from the compound habrodíaitos, "she who lives delicately", from habrós and díaita. The alteration from b to ph is explained as a "familiar" characteristic of Greek "obvious from the Macedonians"; the cult of Aphrodite in Greece was imported from, or at least influenced by, the cult of Astarte in Phoenicia, which, in turn, was influenced by the cult of the Mesopotamian goddess known as "Ishtar" to the East Semitic peoples and as "Inanna" to the Sumerians.
Pausanias states that the first to establish a cult of Aphrodite were the Assyrians, after the Assyrians, the Paphians of Cyprus, the Phoenicians at Ascalon. The Phoenicians, in turn, taught her worship to the people of Cythera. Aphrodite took on Inanna-Ishtar's associations with procreation. Furthermore, she was known as Ourania, which means "heavenly", a title corresponding to Inanna's role as the Queen of Heaven. Early artistic and literary portrayals of Aphrodite are similar on Inanna-Ishtar. Like Inanna-Ishtar, Aphrodite was a warrior goddess, he mentions that Aphrodite's most ancient cult statues in Sparta and on Cythera showed her bearing arms. Modern scholars note that Aphrodite's warrior-goddess aspects appear in the oldest strata of her worship and see it as an indication of her Near Eastern origins. Nineteenth century classical scholars had a general aversion to the idea that ancient Greek religion was at all influenced by the cultures of the Near East, but Friedrich Got
Greek mythology is the body of myths told by the ancient Greeks. These stories concern the origin and the nature of the world, the lives and activities of deities and mythological creatures, the origins and significance of the ancient Greeks' own cult and ritual practices. Modern scholars study the myths in an attempt to shed light on the religious and political institutions of ancient Greece and its civilization, to gain understanding of the nature of myth-making itself; the Greek myths were propagated in an oral-poetic tradition most by Minoan and Mycenaean singers starting in the 18th century BC. Two poems by Homer's near contemporary Hesiod, the Theogony and the Works and Days, contain accounts of the genesis of the world, the succession of divine rulers, the succession of human ages, the origin of human woes, the origin of sacrificial practices. Myths are preserved in the Homeric Hymns, in fragments of epic poems of the Epic Cycle, in lyric poems, in the works of the tragedians and comedians of the fifth century BC, in writings of scholars and poets of the Hellenistic Age, in texts from the time of the Roman Empire by writers such as Plutarch and Pausanias.
Aside from this narrative deposit in ancient Greek literature, pictorial representations of gods and mythic episodes featured prominently in ancient vase-paintings and the decoration of votive gifts and many other artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles. In the succeeding Archaic and Hellenistic periods and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an extensive influence on the culture and literature of Western civilization and remains part of Western heritage and language. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes. Greek mythology is known today from Greek literature and representations on visual media dating from the Geometric period from c. 900 BC to c. 800 BC onward. In fact and archaeological sources integrate, sometimes mutually supportive and sometimes in conflict.
Mythical narration plays an important role in nearly every genre of Greek literature. The only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus; this work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens wrote on many of these topics, his writings may have formed the basis for the collection. Among the earliest literary sources are the Iliad and the Odyssey. Other poets completed the "epic cycle", but these and lesser poems now are lost entirely. Despite their traditional name, the "Homeric Hymns" have no direct connection with Homer, they are choral hymns from the earlier part of the so-called Lyric age. Hesiod, a possible contemporary with Homer, offers in his Theogony the fullest account of the earliest Greek myths, dealing with the creation of the world. Hesiod's Works and Days, a didactic poem about farming life includes the myths of Prometheus and the Five Ages.
The poet gives advice on the best way to succeed in a dangerous world, rendered yet more dangerous by its gods. Lyrical poets took their subjects from myth, but their treatment became less narrative and more allusive. Greek lyric poets, including Pindar and Simonides, bucolic poets such as Theocritus and Bion, relate individual mythological incidents. Additionally, myth was central to classical Athenian drama; the tragic playwrights Aeschylus and Euripides took most of their plots from myths of the age of heroes and the Trojan War. Many of the great tragic stories took on their classic form in these tragedies; the comic playwright Aristophanes used myths, in The Birds and The Frogs. Historians Herodotus and Diodorus Siculus, geographers Pausanias and Strabo, who traveled throughout the Greek world and noted the stories they heard, supplied numerous local myths and legends giving little-known alternative versions. Herodotus in particular, searched the various traditions presented him and found the historical or mythological roots in the confrontation between Greece and the East.
Herodotus attempted to reconcile the blending of differing cultural concepts. The poetry of the Hellenistic and Roman ages was composed as a literary rather than cultic exercise, it contains many important details that would otherwise be lost. This category includes the works of: The Roman poets Ovid, Valerius Flaccus and Virgil with Servius's commentary; the Greek poets of the Late Antique period: Nonnus, Antoninus Liberalis, Quintus Smyrnaeus. The Greek poets of the Hellenistic period: Apollonius of Rhodes, Pseudo-Eratosthenes, Parthenius. Prose writers from the same periods who make reference to myths includ
In Greek mythology, Selene is the goddess of the moon. She is the daughter of the Titans Hyperion and Theia, sister of the sun-god Helios, Eos, goddess of the dawn, she drives her moon chariot across the heavens. Several lovers are attributed to her in various myths, including Zeus and the mortal Endymion. In classical times, Selene was identified with Artemis, much as her brother, was identified with Apollo. Selene and Artemis were associated with Hecate, all three were regarded as lunar goddesses, but only Selene was regarded as the personification of the moon itself, her Roman equivalent is Luna. The etymology of Selene is uncertain, but if the name is of Greek origin, it is connected to the word selas, meaning "light". Just as Helios, from his identification with Apollo, is called Phoebus, from her identification with Artemis, is commonly referred to by the epithet Phoebe; the original Phoebe of Greek mythology is Selene's aunt, the Titaness mother of Leto and Asteria, grandmother of Apollo and Hecate.
From Artemis, Selene was sometimes called "Cynthia". Selene was called Mene; the word men, meant the moon, the lunar month. It was the name of the Phrygian moon-god Men; the usual account of Selene's origin is given by Hesiod. In the Theogony, the sun-god Hyperion espoused his sister Theia, who gave birth to "great Helios and clear Selene and Eos who shines upon all that are on earth and upon the deathless Gods who live in the wide heaven." The Homeric Hymn to Helios follows this tradition: "Hyperion wedded glorious Euryphaëssa, his own sister, who bare him lovely children, rosy-armed Eos and rich-tressed Selene and tireless Helios." Here Euryphaëssa is an epithet of Theia. Other accounts make Selene the daughter of the son of Megamedes or of Helios. Selene is best known for her affair with the beautiful mortal Endymion; the late 7th-century – early 6th-century BC poet Sappho mentioned Selene and Endymion. However, the first direct account comes from the third-century BC Argonautica of Apollonius of Rhodes, which tells of Selene's "mad passion" and her visiting the "fair Endymion" in a cave on Mount Latmus: And the Titanian goddess, the moon, rising from a far land, beheld her as she fled distraught, fiercely exulted over her, thus spake to her own heart:'Not I alone stray to the Latmian cave, nor do I alone burn with love for fair Endymion.
And now thou thyself too hast part in a like mad passion. Well, go on, steel thy heart, wise though thou be, to take up thy burden of pain, fraught with many sighs. Quintus Smyrnaeus' The Fall of Troy tells that, while Endymion slept in his cave beside his cattle, "Selene watched him from on high, slid from heaven to earth; the eternally sleeping Endymion was proverbial, but how this eternal sleep came about and what role, if any, Selene may have had in it is unclear. According to the Catalogue of Women, Endymion was the son of Aethlius, Zeus granted him the right to choose when he would die. A scholiast on Apollonius says that, according to Epimenides, having fallen in love with Hera, asked Zeus to grant him eternal sleep. However, Apollodorus says that because of Endymion's "surpassing beauty, the Moon fell in love with him, Zeus allowed him to choose what he would, he chose to sleep for remaining deathless and ageless". Cicero seems to make Selene responsible for Endymion's sleep, so that "she might kiss him while sleeping".
From Pausanias we hear that Selene was supposed to have had by Endymion fifty daughters, who represented the fifty lunar months of the Olympiad. Nonnus has Selene and Endymion as the parents of the beautiful Narcissus, but in other accounts, including Ovid's Metamorphoses, Narcissus was the son of Cephissus and Liriope. According to the Homeric Hymn to Selene, the goddess bore Zeus a daughter, Pandia, "exceeding lovely amongst the deathless gods"; the 7th century BC Greek poet Alcman makes Ersa the daughter of Zeus. Selene and Zeus were supposed by some to be the parents of Nemea, the eponymous nymph of Nemea, where Heracles slew the Nemean Lion, where the Nemean Games were held; some accounts make Selene and Zeus the parents of Dionysus, but this may be the result of confusing Semele, the usual mother of Dionysus, with Selene because of the similarity of their names. Whereas for Hesiod, the Nemean Lion was born to Echidna and raised by Hera, other accounts have Selene involved in some way in its birth or rearing.
Aelian, On Animals 12.7, states: "They say that the Lion of Nemea fell from the moon", quotes Epimenides as saying: "For I am sprung from fair-tressed Selene the Moon, who in a fearful shudder shook off the savage lion in Nemea, brought him forth at the bidding of Queen Hera."Quintus Smyrnaeus makes Helios and Selene the parents of the Horae, goddesses of the seasons. Smyrnaeus describes them as the four handmaidens of Hera, but in most accounts their number is three, their parents are Zeus and Themis. According to Virgil, Selene had a tryst with the great god Pan, who seduced her with a "snowy bribe of wool". Scholia on Virgil add. Selene was said to be the mother of the legendary Greek poet Musaeus. Like her
Dalmatia is one of the four historical regions of Croatia, alongside Croatia proper and Istria. Dalmatia is a narrow belt of the east shore of the Adriatic Sea, stretching from the island of Rab in the north to the Bay of Kotor in the south; the hinterland ranges in width from fifty kilometres in the north, to just a few kilometres in the south. Seventy-nine islands run parallel to the coast, the largest being Brač, Hvar; the largest city is Split, followed by Zadar, Šibenik. The name of the region stems from an Illyrian tribe called the Dalmatae, who lived in the area in classical antiquity, it became a Roman province, as result a Romance culture emerged, along with the now-extinct Dalmatian language largely replaced with related Venetian. With the arrival of Croats to the area in the 8th century, who occupied most of the hinterland and Romance elements began to intermix in language and culture. During the Middle Ages, its cities were conquered by, or switched allegiance to, the kingdoms of the region.
The longest-lasting rule was the one of the Republic of Venice, which controlled most of Dalmatia between 1420 and 1797, with the exception of the small but stable Republic of Ragusa in the south. Between 1815 and 1918, it was a province of the Austrian Empire known as the Kingdom of Dalmatia. After the Austro-Hungarian defeat in the First World War, Dalmatia was split between the Kingdom of Serbs and Slovenes which controlled most of it, the Kingdom of Italy which held several smaller parts, after World War II, SFR Yugoslavia took complete control over the area; the name Dalmatia derives from the name of the Dalmatae tribe, connected with the Illyrian word delme meaning "sheep". Its Latin form Dalmatia gave rise to its current English name. In the Venetian language, once dominant in the area, it is spelled Dalmàssia, in modern Italian Dalmazia; the modern Croatian spelling is Dalmacija, pronounced. Dalmatia is referenced in the New Testament at 2 Timothy 4:10, so its name has been translated in many of the world's languages.
In antiquity the Roman province of Dalmatia was much larger than the present-day Split-Dalmatia County, stretching from Istria in the north to modern-day Albania in the south. Dalmatia signified not only a geographical unit, but was an entity based on common culture and settlement types, a common narrow eastern Adriatic coastal belt, Mediterranean climate, sclerophyllous vegetation of the Illyrian province, Adriatic carbonate platform, karst geomorphology. Dalmatia is today a historical region only, not formally instituted in Croatian law, its exact extent is therefore subject to public perception. According to Lena Mirošević and Josip Faričić of the University of Zadar: …the modern perception of Dalmatia is based on the territorial extent of the Austrian Kingdom of Dalmatia, with the exception of Rab island, geographically related to the Kvarner area and functionally to the Littoral–Gorski Kotar area, with the exception of the Bay of Kotor, annexed to another state after World War I; the southern part of Lika and upper Pounje, which were not a part of Austrian Dalmatia, became a part of Zadar County.
From the present-day administrative and territorial point of view, Dalmatia comprises the four Croatian littoral counties with seats in Zadar, Šibenik and Dubrovnik. "Dalmatia" is therefore perceived to extend to the borders of the Austrian Kingdom of Dalmatia. However, due to territorial and administrative changes over the past century, the perception can be seen to have altered somewhat with regard to certain areas, sources conflict as to their being part of the region in modern times: The Bay of Kotor area in Montenegro. With the subdivision of the Kingdom of Yugoslavia into oblasts in 1922, the whole of the Bay of Kotor from Sutorina to Sutomore was granted to the Zeta Oblast, so that the border of Dalmatia was formed at that point by the southern border of the former Republic of Ragusa; the Encyclopædia Britannica defines Dalmatia as extending "to the narrows of Kotor". Other sources, such as the Treccani encyclopedia and the "Rough Guide to Croatia" still include the Bay as being part of the region.
The island of Rab, along with the small islands of Sveti Grgur and Goli, were a part of the Kingdom of Dalmatia and are and culturally related to the region, but are today associated more with the Croatian Littoral, due to geographical vicinity and administrative expediency. Gračac municipality and northern Pag. A number of sources express the view that "from the modern-day administrative point of view", the extent of Dalmatia equates to the four southernmost counties of Croatia: Zadar, Šibenik-Knin, Split-Dalmatia, Dubrovnik-Neretva; this definition does not include the Bay of Kotor, nor the islands of Rab, Sveti Grgur, Goli. It excludes the northern part of the island of Pag, part of the Lika-Senj County. However, it includes the Gračac Municipality in Zadar County, not a part of the Kingdom of Dalmatia and is not traditionally associated with the region; the inhabitants of Dalmatia are culturally subdivided into two groups. The urban families of the coastal cities known as Fetivi, are culturally akin to the inhabitants of the Dalmatian islands.
The two are together distinct, in the Mediterranean aspects of their culture, fr
Système universitaire de documentation
The système universitaire de documentation or SUDOC is a system used by the libraries of French universities and higher education establishments to identify and manage the documents in their possession. The catalog, which contains more than 10 million references, allows students and researcher to search for bibliographical and location information in over 3,400 documentation centers, it is maintained by the Bibliographic Agency for Higher Education. Official website