Zaporizhian March

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"Zaporizhian March"
ОЙ, НА ГОРІ ТА Й ЖЕНЦІ ЖНУТЬ.jpg
Postcard «Hey, on the hilltop those reapers reap» with musical note by Amvrosiy Zhdakha (1911)
Instrumental
Released 1969
Songwriter(s) Oleksa Yushchenko (uk)
Composer(s) Yevhen Adamtsevych

Zaporizhian March (Ukrainian: Запорозький марш) is an expressive Ukrainian folk musical art that was preserved and revived by a bandurist Yevhen Adamtsevych. The march became more famous after its arrangement by Viktor Hutsal (uk) who merged the march with the folk song about Doroshenko and Sahaidachny (Hey, on the hilltop those reapers reap (uk)).

Authenticity[edit]

It is widely accepted that the author of the famous «Zaporizhia march» alone is the Romny kobzar Yevhen Adamtsevych, a student of Musiy Oleksiyenko. In particular, it is confirmed via the correspondence of the researcher of kobzar performance O.Pravdyuk with the bandurist. In one letter to him Yevhen Adamtsevychwrote:

In addition the Yevhen Adamtsevych first performed it in public - to the general public march became known in 1969 thanks to the performance of the blind bandurist. Subsequently, the march for orchestra was arranged by the chief conductor of the State Orchestra of National Instruments, Viktor Hutsal. The main theme of the composition consists of syncopation and descending melodies which in the technique national bandurists played with fingers sliding on the strings that was first used by a bandura player Hnat Khotkevych in instrumental accompaniment for his composition of folk song about Baida («Poem of Baida», 1912), which he orchestrated in 1930.

Hypotheses regarding the origin of the work[edit]

  1. According to some assumptions, this work has been in the repertoire of teachers of Yevhen Adamtsevych Pavlo Ohrimenko (uk), a respected expert on creativity and heritage of the artist's performance believed that this march was co-authored with Musiy Oleksiyenko, and that the learning student picked up the first part of march from his teacher and further continued the melody creation. This, in particular, is according to the memoirs of M.Oleksiyenko children.[citation needed]
  2. Also, some sources mention Prokop Mormilya, a native talent from the village Yaduty, Borzna Raion, Chernihiv Oblast whom Yevhen Adamtsevych visited.[1]

History[edit]

At first Yevhen Adamtsevych performed the march publicly in 1969 at a concert in the Kiev Opera Theater of Taras Shevchenko.

Eyewitnesses described the concert so:

Yevhen Adamtsevych performed the march very expressively, vigorously, putting all his skills and emotional imagery. But the fact that he played by pinching lacked sonority. The conductor of State Orchestral Viktor Hutsal recollected:

On April 12, 1970 the orchestra performed the remake of the march at first. The artistic director and conductor Yakiv Orlov (uk) repeated the piece ou bis several times. Thus until 1974 the «Zaporozhian March» was performed at all concerts several times. The public always welcomed musicians standing. The composition became more famous after it was included in the soundtrack of the Borys Ivchenko film «Propala Hramota» (Vanished Document) in 1972. After performing the march at the Bolshoi Theatre (Moscow), it became an interest of party leaders who worried about a very heightened spiritual atmosphere among the audience. Communists have carefully studied the notes checking them with songs of Sich Riflemen. Although nothing was found, the march was banned. While V.Hutsal had to resign and join another group.[2]

Performance[edit]

See also[edit]

Further reading[edit]

  • Dibrova, H. Romny kobzar Musiy Oleksiyenko. "National art and ethnography". 1991.

References[edit]

  1. ^ Donchenko, A. History of Prokop Mormilya, a creator of the "Zaporozhian March". Chernihiv portal. August 17, 2009.
  2. ^ a b Melnyk, O. Godfather of the "Zaporizhian March". All-Ukrainian political educational weekly "Personal Plus". September 28, 2006.

External links[edit]