Alessandro Allori
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Alessandro di Cristofano di Lorenzo del Bronzino Allori was an Italian painter of the late Mannerist Florentine school.
Self-portrait by Alessandro Allori, ca. 1555
Portrait of Grand Duchess Bianca Capello de Medici, by Allori, Dallas Museum of Art
Christ with Mary and Martha, oil on wood, 125 x 118 cm Kunsthistorisches Museum
Maria de Medici (probably), c. 1555
Mannerism
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Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century.
In Parmigianino's Madonna with the Long Neck (1534–1540), Mannerism makes itself known by elongated proportions, highly stylized poses, and lack of clear perspective.
Mannerism role-model: Laocoön and His Sons, an ancient sculpture, rediscovered in 1506; now in the Vatican Museums. The artists of Mannerism greatly admired this piece of sculpture.
Collected figures, ignudi, from Michelangelo's Sistine Chapel ceiling
Copy after lost original, Michelangelo's Battaglia di Cascina, by Bastiano da Sangallo, originally intended by Michelangelo to compete with Leonardo's entry for the same commission