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Pierina Legnani (left) as Medora and Olga Preobrajenska (right) as Gulnare in the scene Le jardin animé from Marius Petipa's final revival of Le Corsa
Three ballet dancers performing a grand jeté jump
Three ballet dancers performing a grand jeté jump
Ángel Corella as Aminta in Frederick Ashton's version of the ballet Sylvia, 2005
Ángel Corella as Aminta in Frederick Ashton's version of the ballet Sylvia, 2005
Many ballet dancers end up with injured feet due to the size of the shoes or the use of their feet in choreography
Many ballet dancers end up with injured feet due to the size of the shoes or the use of their feet in choreography
The Three Graces: embodiment of the Romantic ballet, ca. 1840. This lithograph by A. E. Chalon depicts three of the greatest ballerinas in three of th
Lithograph by A. E. Chalon of Carlotta Grisi (left), Marie Taglioni (center), Lucille Grahn (right back), and Fanny Cerrito (right front) in the Perro
Lithograph by A. E. Chalon of Carlotta Grisi (left), Marie Taglioni (center), Lucille Grahn (right back), and Fanny Cerrito (right front) in the Perrot/Pugni Pas de Quatre, London, 1845. The premiere of the Pas de Quatre is considered to be the Romantic ballet at its zenith.
A romantic tutu
A romantic tutu