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History
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Newman c. 1969
Newman c. 1969
Onement 1, 1948. Museum of Modern Art, New York. The first example of Newman using the so-called "zip" to define the spatial structure of his painting
Onement 1, 1948. Museum of Modern Art, New York. The first example of Newman using the so-called "zip" to define the spatial structure of his paintings
First Station (1958), from the series The Stations of the Cross / Lema Sabachthani (1958-1966) at the National Gallery of Art
First Station (1958), from the series The Stations of the Cross / Lema Sabachthani (1958-1966) at the National Gallery of Art
Broken Obelisk in the University of Washington's Red Square
Broken Obelisk in the University of Washington's Red Square
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David Smith, Cubi VI (1963), Israel Museum, Jerusalem. David Smith was one of the most influential American sculptors of the 20th century.
David Smith, Cubi VI (1963), Israel Museum, Jerusalem. David Smith was one of the most influential American sculptors of the 20th century.
Barnett Newman, Onement 1, 1948. During the 1940s Barnett Newman wrote several articles about the new American painting.
Barnett Newman, Onement 1, 1948. During the 1940s Barnett Newman wrote several articles about the new American painting.
Richard Pousette-Dart, Symphony No. 1, The Transcendental, 1941–42
Richard Pousette-Dart, Symphony No. 1, The Transcendental, 1941–42
Arshile Gorky, The Liver is the Cock's Comb (1944), oil on canvas, 731⁄4 × 98" (186 × 249 cm) Albright–Knox Art Gallery, Buffalo, New York. Gorky was
Arshile Gorky, The Liver is the Cock's Comb (1944), oil on canvas, 731⁄4 × 98" (186 × 249 cm) Albright–Knox Art Gallery, Buffalo, New York. Gorky was an Armenian-born American painter who had a seminal influence on abstract expressionism. De Kooning said: "I met a lot of artists — but then I met Gorky... He had an extraordinary gift for hitting the nail on the head; remarkable. So I immediately attached myself to him and we became very good friends."