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A manuscript of the Vajravali, a tantric commentary by Abhayakaragupta (manuscript c. 11th or 12th century CE, Sanskrit in Nepalaksara script).
A manuscript of the Vajravali, a tantric commentary by Abhayakaragupta (manuscript c. 11th or 12th century CE, Sanskrit in Nepalaksara script).
Kāraṇḍavyūha Sūtra manuscript (c. 14th century, Newari) with a miniature illustration of Avalokiteśvara
Kāraṇḍavyūha Sūtra manuscript (c. 14th century, Newari) with a miniature illustration of Avalokiteśvara
Chinese translation of the Vairocanābhisaṃbodhi (Awakening of Vairocana)
Chinese translation of the Vairocanābhisaṃbodhi (Awakening of Vairocana)
The Garbhadhātu maṇḍala, derived from the teachings of the Mahāvairocana Tantra. Buddha Vairocana is located in the center.
The Garbhadhātu maṇḍala, derived from the teachings of the Mahāvairocana Tantra. Buddha Vairocana is located in the center.
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A vajra and bell (ghanta), which are classic ritual symbols of Vajrayāna
A vajra and bell (ghanta), which are classic ritual symbols of Vajrayāna
Mahasiddhas, Palpung monastery. Note the figure of the great adept Putalipa at center, seated in a cave and gazing at an image of the meditational dei
Mahasiddhas, Palpung monastery. Note the figure of the great adept Putalipa at center, seated in a cave and gazing at an image of the meditational deity Samvara and the figure at the bottom left holding a skull-staff (khaṭvāṅga) and a flaying knife (kartika).
Diamond Realm mandala, based on the tantric Vajrasekhara Sutra, and symbolizing the final realization of Vairocana Buddha in Shingon
Diamond Realm mandala, based on the tantric Vajrasekhara Sutra, and symbolizing the final realization of Vairocana Buddha in Shingon
Naked tantrikas dancing and eating from skull cups (kapalas), closeup of a Chakrasamvara mandala
Naked tantrikas dancing and eating from skull cups (kapalas), closeup of a Chakrasamvara mandala