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Giovanni Baglione. Sacred and Profane Love (1602–1603), showing dramatic compositional chiaroscuro
Giovanni Baglione. Sacred and Profane Love (1602–1603), showing dramatic compositional chiaroscuro
Christ at Rest, by Hans Holbein the Younger, 1519, a chiaroscuro drawing using pen, ink, and brush, washes, white heightening, on ochre prepared paper
Christ at Rest, by Hans Holbein the Younger, 1519, a chiaroscuro drawing using pen, ink, and brush, washes, white heightening, on ochre prepared paper
Detail of La Fornarina (1518–19) by Raphael, shows delicate modelling chiaroscuro in the body of the model, for example in the shoulder, breast, and a
Detail of La Fornarina (1518–19) by Raphael, shows delicate modelling chiaroscuro in the body of the model, for example in the shoulder, breast, and arm on the right
Chiaroscuro woodcut of the Virgin and Child by Bartolommeo Coriolano, created between 1630 and 1655 (digitally restored)
Chiaroscuro woodcut of the Virgin and Child by Bartolommeo Coriolano, created between 1630 and 1655 (digitally restored)
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The Four Horsemen c. 1496–98 by Albrecht Dürer, depicting the Four Horsemen of the Apocalypse
The Four Horsemen c. 1496–98 by Albrecht Dürer, depicting the Four Horsemen of the Apocalypse
Block Cutter at Work woodcut by Jost Amman, 1568
Block Cutter at Work woodcut by Jost Amman, 1568
The Crab that played with the sea, Woodcut by Rudyard Kipling illustrating one of his Just So Stories (1902). In mixed white-line (below) and normal w
The Crab that played with the sea, Woodcut by Rudyard Kipling illustrating one of his Just So Stories (1902). In mixed white-line (below) and normal woodcut (above).
Madonna del Fuoco (Madonna of the Fire, c. 1425), Cathedral of Forlì, in Italy
Madonna del Fuoco (Madonna of the Fire, c. 1425), Cathedral of Forlì, in Italy