The cimbalom, cimbal or concert cimbalom is a type of chordophone composed of a large, trapezoidal box on legs with metal strings stretched across its top and a damping pedal underneath. It was designed and created by V. Josef Schunda in 1874 in Budapest, based on his modifications to the existing Hammered dulcimer instruments which were already present in Central and Eastern Europe.
Top view and playing area of a modern concert cimbalom
Concert cimbalom with a range of C to e′′′ made by Vencel József Schunda.
Modern concert cimbalom with a range of AA to a′′′ made by Kovács Balázs.
Schunda Cimbalom, late 1800s, E2-E6, + D2 string (from Emil Richards Collection)
The hammered dulcimer is a percussion-stringed instrument which consists of strings typically stretched over a trapezoidal resonant sound board. The hammered dulcimer is set before the musician, who in more traditional styles may sit cross-legged on the floor, or in a more modern style may stand or sit at a wooden support with legs. The player holds a small spoon-shaped mallet hammer in each hand to strike the strings. The Graeco-Roman word dulcimer derives from the Latin dulcis (sweet) and the Greek melos (song). The dulcimer, in which the strings are beaten with small hammers, originated from the psaltery, in which the strings are plucked.
A musician playing a diatonic hammered dulcimer
The Salzburger hackbrett, a chromatic version
A piano
Tuning of a hammered dulcimer (southeastern Slovenia)