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History
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The Battle of Harlaw as depicted in The Clan Donald volume 1 (1896), by A and A MacDonald, who assert that Donald of Islay and his army of Scottish Hi
The Battle of Harlaw as depicted in The Clan Donald volume 1 (1896), by A and A MacDonald, who assert that Donald of Islay and his army of Scottish Highlanders won a victory over the Duke of Albany and his army of Scottish Lowlanders, which resulted in the "total annihilation" of the Lowland army. However, some historians say the battle was indecisive with no clear victor and the Oxford Companion to Scottish History (2011) states that Donald of Islay was "defeated at great cost at Harlaw".
Colonsay, Inner Hebrides; loss of the Lordship of the Isles fractured MacDonald unity
Colonsay, Inner Hebrides; loss of the Lordship of the Isles fractured MacDonald unity
Inverlochy Castle; a Campbell-dominated army camped here before their destruction on 2 February 1645 by a largely MacDonald force
Inverlochy Castle; a Campbell-dominated army camped here before their destruction on 2 February 1645 by a largely MacDonald force
Clan Donald grave marker at the site of the Battle of Culloden
Clan Donald grave marker at the site of the Battle of Culloden
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A romantic depiction of Highland Chiefs from 1831
A romantic depiction of Highland Chiefs from 1831
Scottish soldiers, identified as of Donald Mackay, 1st Lord Reay's regiment, in service of Gustavus Adolphus (1630–31)
Scottish soldiers, identified as of Donald Mackay, 1st Lord Reay's regiment, in service of Gustavus Adolphus (1630–31)
The Battle of Culloden, as depicted in a painting by David Morier. Modern historical thinking gives less importance to this battle as a factor in the
The Battle of Culloden, as depicted in a painting by David Morier. Modern historical thinking gives less importance to this battle as a factor in the demise of clanship.
David Wilkie's 1829 flattering portrait of the kilted King George IV, with lighting chosen to tone down the brightness of his kilt and his knees shown
David Wilkie's 1829 flattering portrait of the kilted King George IV, with lighting chosen to tone down the brightness of his kilt and his knees shown bare, without the pink tights he wore at the event.