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Portrait of a Man (presumed self-portrait of El Greco, c. 1595–1600) in Metropolitan Museum of Art, New York City
Portrait of a Man (presumed self-portrait of El Greco, c. 1595–1600) in Metropolitan Museum of Art, New York City
The Dormition of the Virgin (before 1567, tempera and gold on panel, 61.4 × 45 cm, Holy Cathedral of the Dormition of the Virgin, Hermoupolis, Syros)
The Dormition of the Virgin (before 1567, tempera and gold on panel, 61.4 × 45 cm, Holy Cathedral of the Dormition of the Virgin, Hermoupolis, Syros) was probably created near the end of the artist's Cretan period. The painting combines post-Byzantine and Italian mannerist stylistic and iconographic elements.
The Adoration of the Magi (1565–1567, 56 × 62 cm, Benaki Museum, Athens). The icon, signed by El Greco ("Χείρ Δομήνιχου", Created by the hand of Domén
The Adoration of the Magi (1565–1567, 56 × 62 cm, Benaki Museum, Athens). The icon, signed by El Greco ("Χείρ Δομήνιχου", Created by the hand of Doménicos), was painted in Candia on part of an old chest.
Adoration of the Magi, 1568, Museo Soumaya, Mexico City
Adoration of the Magi, 1568, Museo Soumaya, Mexico City
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Santa Cruz Palace (1486–1491) in Valladolid is considered to be the earliest extant building of the Spanish Renaissance.
Santa Cruz Palace (1486–1491) in Valladolid is considered to be the earliest extant building of the Spanish Renaissance.
Image of Isabella I of Castile in the Rimado de la Conquista de Granada
Image of Isabella I of Castile in the Rimado de la Conquista de Granada
Diego Velázquez, self-portrait
Diego Velázquez, self-portrait
The Nobleman with his Hand on his Chest by El Greco
The Nobleman with his Hand on his Chest by El Greco