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Gaia pleads Athena to spare her son, Gigantomachy frieze, Pergamon Altar, Pergamon museum, Berlin.
Gaia pleads Athena to spare her son, Gigantomachy frieze, Pergamon Altar, Pergamon museum, Berlin.
Gaea by Anselm Feuerbach, 1875 ceiling painting, Academy of Fine Arts Vienna.
Gaea by Anselm Feuerbach, 1875 ceiling painting, Academy of Fine Arts Vienna.
Gaia hands her newborn, Erichthonius, to Athena as Hephaestus watches – an Attic red-figure stamnos, 470–460 BC
Gaia hands her newborn, Erichthonius, to Athena as Hephaestus watches – an Attic red-figure stamnos, 470–460 BC
Gaia entrusts Erichthonios to Athena. From left to right: Hephaestus, Athena, Erichthonios, Gaia, Aphrodite. Said to come from the temple of Hephaestu
Gaia entrusts Erichthonios to Athena. From left to right: Hephaestus, Athena, Erichthonios, Gaia, Aphrodite. Said to come from the temple of Hephaestus in Athens. Pentelic marble. 100-150 AD. Louvre
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Achilles and Penthesileia by Exekias, c. 540 BC, British Museum, London
Achilles and Penthesileia by Exekias, c. 540 BC, British Museum, London
Prometheus (1868 by Gustave Moreau). The myth of Prometheus first was attested by Hesiod and then constituted the basis for a tragic trilogy of plays,
Prometheus (1868 by Gustave Moreau). The myth of Prometheus first was attested by Hesiod and then constituted the basis for a tragic trilogy of plays, possibly by Aeschylus, consisting of Prometheus Bound, Prometheus Unbound, and Prometheus Pyrphoros.
The Roman poet Virgil, here depicted in the fifth-century manuscript, the Vergilius Romanus, preserved details of Greek mythology in many of his writi
The Roman poet Virgil, here depicted in the fifth-century manuscript, the Vergilius Romanus, preserved details of Greek mythology in many of his writings.
Phaedra with an attendant, probably her nurse, a fresco from Pompeii, c. 60 – c. 20 BC
Phaedra with an attendant, probably her nurse, a fresco from Pompeii, c. 60 – c. 20 BC