Guido Reni was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci.
Self portrait, c. 1602
Guido Reni – L'Aurora
St Michael Archangel, 1636. The Archangel Michael trampling Satan wears a late-Roman military cloak and cuirass. Held in Santa Maria della Concezione dei Cappuccini, Rome.
Saint Joseph and the Christ Child, 1640
Simon Vouet was a French painter who studied and rose to prominence in Italy before being summoned by Louis XIII to serve as Premier peintre du Roi in France. He and his studio of artists created religious and mythological paintings, portraits, frescoes, tapestries, and massive decorative schemes for the king and for wealthy patrons, including Richelieu. During this time, "Vouet was indisputably the leading artist in Paris," and was immensely influential in introducing the Italian Baroque style of painting to France. He was also, according to Pierre Rosenberg, "without doubt one of the outstanding seventeenth-century draughtsmen, equal to Annibale Carracci and Lanfranco."
Self-portrait (c. 1626–1627) Musée des Beaux-Arts de Lyon
Virginia da Vezzo, the Artist's Wife, as the Magdalen (c. 1627), LACMA
David with the Head of Goliath (1620–1622), Palazzo Bianco, Genoa
Vouet family tree, simplified to show those known to be artists: Simon and his father, brother, wife, son, sons-in-law, and grandson