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Jean-Baptiste-Camille Corot
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Jean-Baptiste-Camille Corot, or simply Camille Corot, was a French landscape and portrait painter as well as a printmaker in etching. A pivotal figure in landscape painting, his vast output simultaneously referenced the Neo-Classical tradition and anticipated the plein-air innovations of Impressionism.
Woman with a Pearl, 1868–1870, Paris: Musée du Louvre
A Woman Reading, 1869/1870, Metropolitan Museum of Art
A Woman Reading, 1869/1870, Metropolitan Museum of Art
La Trinité-des-Monts, seen from the Villa Medici, 1825–1828, oil on canvas. Paris: Musée du Louvre.
La Trinité-des-Monts, seen from the Villa Medici, 1825–1828, oil on canvas. Paris: Musée du Louvre.
The Bridge at Narni, 1826, oil on paper. Paris: Musée du Louvre. A product of one of the artist's youthful sojourns to Italy, and in Kenneth Clark's w
The Bridge at Narni, 1826, oil on paper. Paris: Musée du Louvre. A product of one of the artist's youthful sojourns to Italy, and in Kenneth Clark's words "as free as the most vigorous Constable".
Charles-François Daubigny
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Charles-François Daubigny was a French painter, one of the members of the Barbizon school, and is considered an important precursor of impressionism.
Photograph by Nadar
Charles-François Daubigny, Spring (1862)
Charles-François Daubigny, Spring (1862)
Harvest (1851) Musée d'Orsay, Paris
Harvest (1851) Musée d'Orsay, Paris
The Ponds of Gylieu (1853) Cincinnati Art Museum
The Ponds of Gylieu (1853) Cincinnati Art Museum