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Cornélie Falcon as Rachel, the title role, portrait by A.Colin (1835)
Cornélie Falcon as Rachel, the title role, portrait by A.Colin (1835)
Cardinal washing the feet of Éléazar, Bavarian State Opera 2016, director: Calixto Bieito
Cardinal washing the feet of Éléazar, Bavarian State Opera 2016, director: Calixto Bieito
Rachele, costume design for L'ebrea, Italian version of the opera, 1865.
Rachele, costume design for L'ebrea, Italian version of the opera, 1865.
Act 1 of the original 1835 production, design by Charles Séchan, Léon Feuchère, Jules Dieterle, and Édouard Desplechin
Act 1 of the original 1835 production, design by Charles Séchan, Léon Feuchère, Jules Dieterle, and Édouard Desplechin
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Degas (1871): Ballet of the Nuns from Meyerbeer's Robert le diable (1831); one of the earliest sensations of grand opera
Degas (1871): Ballet of the Nuns from Meyerbeer's Robert le diable (1831); one of the earliest sensations of grand opera
Set design by Francesco Bagnara for act 1 of Il crociato in Egitto by Meyerbeer
Set design by Francesco Bagnara for act 1 of Il crociato in Egitto by Meyerbeer
Meyerbeer Le Prophète set design for the final conflagration by Philippe Chaperon
Meyerbeer Le Prophète set design for the final conflagration by Philippe Chaperon
Le Cid, Massanet, ballet at Le Cid's camp. Set by Rubé, Chaperon and Jambon.
Le Cid, Massanet, ballet at Le Cid's camp. Set by Rubé, Chaperon and Jambon.