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History
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Interior of the "Old" MAT in Kamergersky Lane, originally Lianozov Theatre, as rebuilt in 1900-1903 by Fyodor Schechtel with contribution by Anna Golu
Interior of the "Old" MAT in Kamergersky Lane, originally Lianozov Theatre, as rebuilt in 1900-1903 by Fyodor Schechtel with contribution by Anna Golubkina and Ivan Fomin.
The Chekhov Moscow Art Theatre today (Kamergersky Lane, exterior by Fyodor Schechtel).
The Chekhov Moscow Art Theatre today (Kamergersky Lane, exterior by Fyodor Schechtel).
From left to right: Ivan Moskvin, Konstantin Stanislavski, Feodor Chaliapin, Vasili Kachalov, Saveli Sorine, in the US in 1923.
From left to right: Ivan Moskvin, Konstantin Stanislavski, Feodor Chaliapin, Vasili Kachalov, Saveli Sorine, in the US in 1923.
Playwright Maurice Maeterlinck, whose play The Blue Bird, made its worldwide debut at the theatre
Playwright Maurice Maeterlinck, whose play The Blue Bird, made its worldwide debut at the theatre
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Konstantin Stanislavski
Konstantin Stanislavski
Diagram of Stanislavski's system, based on his "Plan of Experiencing" (1935), showing the inner (left) and outer (right) aspects of a role uniting in
Diagram of Stanislavski's system, based on his "Plan of Experiencing" (1935), showing the inner (left) and outer (right) aspects of a role uniting in the pursuit of a character's overall "supertask" (top) in the drama.
Glikeriya Fedotova, a student of Shchepkin, encouraged Stanislavski to reject inspiration, embrace training and observation, and to "look your partner
Glikeriya Fedotova, a student of Shchepkin, encouraged Stanislavski to reject inspiration, embrace training and observation, and to "look your partner straight in the eyes, read his thoughts in his eyes, and reply to him in accordance with the expression of his eyes and face."
Stanislavski with his soon-to-be wife Maria Lilina in 1889 in Schiller's Intrigue and Love.
Stanislavski with his soon-to-be wife Maria Lilina in 1889 in Schiller's Intrigue and Love.