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Stage setup for Pepper's Ghost. A brightly lit figure out of the audience's sight below the stage is reflected in a pane of glass placed between the p
Stage setup for Pepper's Ghost. A brightly lit figure out of the audience's sight below the stage is reflected in a pane of glass placed between the performer and the audience. To the audience, it appears as if the ghost is on stage.
A viewer looking through the red rectangle sees a ghost floating next to the table. The illusion is produced by a large piece of glass, Plexiglas or p
A viewer looking through the red rectangle sees a ghost floating next to the table. The illusion is produced by a large piece of glass, Plexiglas or plastic film (green outline) situated at an angle between viewer and scene. The glass reflects a room hidden from the viewer (left), sometimes called a blue room, that is built as a mirror-image of the scene.
If the mirror-image room (left) is darkened, it does not reflect well in the glass. The empty room (top) is brightly lit, making it very visible to th
If the mirror-image room (left) is darkened, it does not reflect well in the glass. The empty room (top) is brightly lit, making it very visible to the viewer.
When the lights in the mirror-image room are raised (with the empty room being dimmed slightly to compensate), the ghost appears out of nowhere.
When the lights in the mirror-image room are raised (with the empty room being dimmed slightly to compensate), the ghost appears out of nowhere.
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The Conjurer, 1475–1480, by Hieronymus Bosch or his workshop. Notice how the man in the back row steals another man's purse while applying misdirectio
The Conjurer, 1475–1480, by Hieronymus Bosch or his workshop. Notice how the man in the back row steals another man's purse while applying misdirection by looking at the sky.
An illustration from Reginald Scot's The Discoverie of Witchcraft (1584), one of the earliest books on magic tricks, explaining how the "Decollation o
An illustration from Reginald Scot's The Discoverie of Witchcraft (1584), one of the earliest books on magic tricks, explaining how the "Decollation of John Baptist" decapitation illusion may be performed
Advertisement for Isaac Fawkes' show from 1724 in which he boasts of the success of his performances for the King and Prince George
Advertisement for Isaac Fawkes' show from 1724 in which he boasts of the success of his performances for the King and Prince George
Jean Eugène Robert-Houdin, pioneer of modern magic entertainment
Jean Eugène Robert-Houdin, pioneer of modern magic entertainment