Pictorialism is an international style and aesthetic movement that dominated photography during the later 19th and early 20th centuries. There is no standard definition of the term, but in general it refers to a style in which the photographer has somehow manipulated what would otherwise be a straightforward photograph as a means of creating an image rather than simply recording it. Typically, a pictorial photograph appears to lack a sharp focus, is printed in one or more colors other than black-and-white and may have visible brush strokes or other manipulation of the surface. For the pictorialist, a photograph, like a painting, drawing or engraving, was a way of projecting an emotional intent into the viewer's realm of imagination.
"The Black Bowl", by George Seeley, circa 1907. Published in Camera Work, No 20 (1907)
"The Rose", by Eva Watson-Schütze, 1905
"Fading Away", by Henry Peach Robinson, 1858
"Spring Showers, the Coach", by Alfred Stieglitz, 1899-1900
Photography is the art, application, and practice of creating images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed in many fields of science, manufacturing, and business, as well as its more direct uses for art, film and video production, recreational purposes, hobby, and mass communication.
Photographers at the Chicago Old Town Art Fair in 1968
A camera obscura used for drawing
Earliest known surviving heliographic engraving, 1825, printed from a metal plate made by Nicéphore Niépce. The plate was exposed under an ordinary engraving and copied it by photographic means. This was a step towards the first permanent photograph taken with a camera.
View of the Boulevard du Temple, a daguerreotype made by Louis Daguerre in 1838, is generally accepted as the earliest photograph to include people. It is a view of a busy street, but because the exposure lasted for several minutes the moving traffic left no trace. Only the two men near the bottom left corner, one of them apparently having his boots polished by the other, remained in one place long enough to be visible.