1.
Art form
–
In their most general form these activities include the production of works of art, the criticism of art, the study of the history of art, and the aesthetic dissemination of art. The oldest documented forms of art are visual arts, which include creation of images or objects in fields including painting, sculpture, printmaking, photography, and other visual media. Music, theatre, film, dance, and other performing arts, as well as literature, until the 17th century, art referred to any skill or mastery and was not differentiated from crafts or sciences. Art may be characterized in terms of mimesis, expression, communication of emotion, during the Romantic period, art came to be seen as a special faculty of the human mind to be classified with religion and science. Though the definition of what art is disputed and has changed over time, general descriptions mention an idea of imaginative or technical skill stemming from human agency. The nature of art, and related such as creativity. One early sense of the definition of art is related to the older Latin meaning. English words derived from this meaning include artifact, artificial, artifice, medical arts, however, there are many other colloquial uses of the word, all with some relation to its etymology. Several dialogues in Plato tackle questions about art, Socrates says that poetry is inspired by the muses, and is not rational. He speaks approvingly of this, and other forms of divine madness in the Phaedrus, and yet in the Republic wants to outlaw Homers great poetic art, in Ion, Socrates gives no hint of the disapproval of Homer that he expresses in the Republic. For example, music imitates with the media of rhythm and harmony, whereas dance imitates with rhythm alone, the forms also differ in their object of imitation. Comedy, for instance, is an imitation of men worse than average. Lastly, the forms differ in their manner of imitation—through narrative or character, through change or no change, Aristotle believed that imitation is natural to mankind and constitutes one of mankinds advantages over animals. The second, and more recent, sense of the art as an abbreviation for creative art or fine art emerged in the early 17th century. The creative arts are a collection of disciplines which produce artworks that are compelled by a drive and convey a message, mood. Art is something that stimulates an individuals thoughts, emotions, beliefs, works of art can be explicitly made for this purpose or interpreted on the basis of images or objects. Often, if the skill is being used in a common or practical way, likewise, if the skill is being used in a commercial or industrial way, it may be considered commercial art instead of fine art. On the other hand, crafts and design are considered applied art
Art form
–
Clockwise from upper left: a
self-portrait by
Vincent van Gogh; a female ancestor figure by a
Chokwe artist; detail from the
Birth of Venus by
Sandro Botticelli; and an Okinawan
Shisa lion.
Art form
–
Works of art can tell stories or simply express an aesthetic truth or feeling. Panorama of a section of A Thousand Li of Mountains and Rivers, a 12th-century painting by Song dynasty artist
Wang Ximeng.
Art form
–
20th-century Rwandan bottle. Artistic works may serve practical functions, in addition to their decorative value.
Art form
–
Venus of Willendorf, circa 24,000–22,000
BP
2.
Molding (process)
–
Molding or moulding is the process of manufacturing by shaping liquid or pliable raw material using a rigid frame called a mold or matrix. This itself may have made using a pattern or model of the final object. A mold or mould is a block that is filled with a liquid or pliable material such as plastic, glass, metal. The liquid hardens or sets inside the mold, adopting its shape, a mold is the counterpart to a cast. The very common bi-valve molding process uses two molds, one for half of the object. Piece-molding uses a number of different molds, each creating a section of a complicated object and this is generally only used for larger and more valuable objects. The manufacturer who makes the molds is called the moldmaker, a release agent is typically used to make removal of the hardened/set substance from the mold easier. Typical uses for molded plastics include molded furniture, molded household goods, molded cases, and structural materials
Molding (process)
–
One half of a bronze mold for casting a socketed spear head dated to the period 1400-1000 BC. There are no known parallels for this mold.
Molding (process)
–
Stone mold of the Bronze Age used to produce spear tips.
Molding (process)
–
Ancient Greek molds, used to mass-produce clay figurines, 5th/4th century BC. Beside them, the modern casts taken from them. On display in the
Ancient Agora Museum in Athens, housed in the
Stoa of Attalus.
Molding (process)
–
"A" side of die for 25% glass-filled acetal with 2 side pulls
3.
Sculpture
–
Sculpture is the branch of the visual arts that operates in three dimensions. It is one of the plastic arts, a wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or molded, or cast. However, most ancient sculpture was painted, and this has been lost. Those cultures whose sculptures have survived in quantities include the cultures of the ancient Mediterranean, India and China, the Western tradition of sculpture began in ancient Greece, and Greece is widely seen as producing great masterpieces in the classical period. During the Middle Ages, Gothic sculpture represented the agonies and passions of the Christian faith, the revival of classical models in the Renaissance produced famous sculptures such as Michelangelos David. Relief is often classified by the degree of projection from the wall into low or bas-relief, high relief, sunk-relief is a technique restricted to ancient Egypt. Relief sculpture may also decorate steles, upright slabs, usually of stone, techniques such as casting, stamping and moulding use an intermediate matrix containing the design to produce the work, many of these allow the production of several copies. The term sculpture is used mainly to describe large works. The very large or colossal statue has had an enduring appeal since antiquity, another grand form of portrait sculpture is the equestrian statue of a rider on horse, which has become rare in recent decades. The smallest forms of life-size portrait sculpture are the head, showing just that, or the bust, small forms of sculpture include the figurine, normally a statue that is no more than 18 inches tall, and for reliefs the plaquette, medal or coin. Sculpture is an important form of public art, a collection of sculpture in a garden setting can be called a sculpture garden. One of the most common purposes of sculpture is in form of association with religion. Cult images are common in cultures, though they are often not the colossal statues of deities which characterized ancient Greek art. The actual cult images in the innermost sanctuaries of Egyptian temples, of which none have survived, were rather small. The same is true in Hinduism, where the very simple. Some undoubtedly advanced cultures, such as the Indus Valley civilization, appear to have had no monumental sculpture at all, though producing very sophisticated figurines, the Mississippian culture seems to have been progressing towards its use, with small stone figures, when it collapsed. Other cultures, such as ancient Egypt and the Easter Island culture, from the 20th century the relatively restricted range of subjects found in large sculpture expanded greatly, with abstract subjects and the use or representation of any type of subject now common. Today much sculpture is made for intermittent display in galleries and museums, small sculpted fittings for furniture and other objects go well back into antiquity, as in the Nimrud ivories, Begram ivories and finds from the tomb of Tutankhamun
Sculpture
–
The Dying Gaul, or The Capitoline Gaul a Roman marble copy of a
Hellenistic work of the late 3rd century BCE
Capitoline Museums, Rome
Sculpture
Sculpture
–
Michelangelo 's
Moses, (c. 1513–1515), housed in the church of
San Pietro in Vincoli in
Rome. The sculpture was commissioned in 1505 by
Pope Julius II for his
tomb.
Sculpture
–
Assyrian
lamassu gate guardian from
Khorsabad, c. 721–800 BCE
4.
Ceramic art
–
Ceramic art is art made from ceramic materials, including clay. It may take forms including art ware, tile, figurines, sculpture, Ceramic art is one of the arts, particularly the visual arts. Of these, it is one of the plastic arts, while some ceramics are considered fine art, some are considered to be decorative, industrial or applied art objects. Ceramics may also be considered artefacts in archaeology, Ceramic art can be made by one person or by a group of people. In a pottery or ceramic factory, a group of people design, manufacture, products from a pottery are sometimes referred to as art pottery. In a one-person pottery studio, ceramists or potters produce studio pottery, the word ceramics comes from the Greek keramikos, meaning pottery, which in turn comes from keramos meaning potters clay. Most traditional ceramic products were made from clay, shaped and subjected to heat, in modern ceramic engineering usage, ceramics is the art and science of making objects from inorganic, non-metallic materials by the action of heat. It excludes glass and mosaic made from glass tesserae, cultures especially noted for ceramics include the Chinese, Cretan, Greek, Persian, Mayan, Japanese, and Korean cultures, as well as the modern Western cultures. Different types of clay, when used with different minerals and firing conditions, are used to produce earthenware, stoneware, porcelain, earthenware is pottery that has not been fired to vitrification and is thus permeable to water. Many types of pottery have been made from it from the earliest times, earthenware is often made from clay, quartz and feldspar. Terracotta, a type of earthenware, is a clay-based unglazed or glazed ceramic and its uses include vessels, water and waste water pipes, bricks, and surface embellishment in building construction. Terracotta has been a medium for ceramic art. Stoneware is a vitreous or semi-vitreous ceramic made primarily from stoneware clay or non-refractory fire clay, stoneware is fired at high temperatures. Vitrified or not, it is nonporous, it may or may not be glazed and it may be vitreous or semi-vitreous. It is usually coloured grey or brownish because of impurities in the used for its manufacture. Porcelain is a material made by heating materials, generally including kaolin, in a kiln to temperatures between 1,200 and 1,400 °C. Porcelain has been described as being completely vitrified, hard, impermeable, white or artificially coloured, translucent and it has been defined as ware with a translucent body containing a minimum of 30% of phosphate derived from animal bone and calculated calcium phosphate. Developed by English potter Josiah Spode, bone china is known for its levels of whiteness and translucency
Ceramic art
–
Etruscan: Diomedes and Polyxena, from the Etruscan amphora of the Pontic group, ca. 540–530 BC. From
Vulci.
Ceramic art
–
Venus of Dolní Věstonice, before 25,000 BCE
Ceramic art
–
Vessel from
Mesopotamia, late
Ubaid period (4,500-4,000 BCE)
Ceramic art
–
Hexagonal Tile, mid 15th century.
Brooklyn Museum.
5.
Visual arts
–
The visual arts are art forms such as ceramics, drawing, painting, sculpture, printmaking, design, crafts, photography, video, filmmaking, literature, and architecture. Many artistic disciplines involve aspects of the arts as well as arts of other types. Also included within the arts are the applied arts such as industrial design, graphic design, fashion design, interior design. Current usage of the visual arts includes fine art as well as the applied, decorative arts and crafts. The distinction was emphasized by artists of the Arts and Crafts Movement, Art schools made a distinction between the fine arts and the crafts, maintaining that a craftsperson could not be considered a practitioner of the arts. The increasing tendency to painting, and to a lesser degree sculpture. The Western hierarchy of genres reflected similar attitudes, training in the visual arts has generally been through variations of the apprentice and workshop systems. Visual arts have now become a subject in most education systems. Drawing is a means of making an image, using any of a variety of tools. Digital tools that simulate the effects of these are also used, the main techniques used in drawing are, line drawing, hatching, crosshatching, random hatching, scribbling, stippling, and blending. An artist who excels in drawing is referred to as a draftsman or draughtsman, drawing goes back at least 16,000 years to Paleolithic cave representations of animals such as those at Lascaux in France and Altamira in Spain. In ancient Egypt, ink drawings on papyrus, often depicting people, were used as models for painting or sculpture, drawings on Greek vases, initially geometric, later developed to the human form with black-figure pottery during the 7th century BC. Painting taken literally is the practice of applying pigment suspended in a carrier, like drawing, painting has its documented origins in caves and on rock faces. The finest examples, believed by some to be 32,000 years old, are in the Chauvet, in shades of red, brown, yellow and black, the paintings on the walls and ceilings are of bison, cattle, horses and deer. Paintings of human figures can be found in the tombs of ancient Egypt, in the great temple of Ramses II, Nefertari, his queen, is depicted being led by Isis. The Greeks contributed to painting but much of their work has been lost, one of the best remaining representations are the hellenistic Fayum mummy portraits. Another example is mosaic of the Battle of Issus at Pompeii, Greek and Roman art contributed to Byzantine art in the 4th century BC, which initiated a tradition in icon painting. Apart from the manuscripts produced by monks during the Middle Ages
Visual arts
–
Vincent van Gogh:
The Church at Auvers (1890)
Visual arts
–
Mosaic of Battle of Issus
Visual arts
–
Nefertari with Isis
Visual arts
–
Raphael:
Spasimo (1514-1516)
6.
Concrete
–
Concrete is a composite material composed of coarse aggregate bonded together with a fluid cement that hardens over time. Most concretes used are lime-based concretes such as Portland cement concrete or concretes made with other hydraulic cements, when aggregate is mixed together with dry Portland cement and water, the mixture forms a fluid slurry that is easily poured and molded into shape. The cement reacts chemically with the water and other ingredients to form a matrix that binds the materials together into a durable stone-like material that has many uses. Often, additives are included in the mixture to improve the properties of the wet mix or the finished material. Most concrete is poured with reinforcing materials embedded to provide tensile strength, famous concrete structures include the Hoover Dam, the Panama Canal, and the Roman Pantheon. The earliest large-scale users of technology were the ancient Romans. The Colosseum in Rome was built largely of concrete, and the dome of the Pantheon is the worlds largest unreinforced concrete dome. Today, large concrete structures are made with reinforced concrete. After the Roman Empire collapsed, use of concrete became rare until the technology was redeveloped in the mid-18th century, today, concrete is the most widely used man-made material. The word concrete comes from the Latin word concretus, the passive participle of concrescere, from con-. Perhaps the earliest known occurrence of cement was twelve years ago. A deposit of cement was formed after an occurrence of oil shale located adjacent to a bed of limestone burned due to natural causes and these ancient deposits were investigated in the 1960s and 1970s. On a human timescale, small usages of concrete go back for thousands of years and they discovered the advantages of hydraulic lime, with some self-cementing properties, by 700 BC. They built kilns to supply mortar for the construction of houses, concrete floors. The cisterns were kept secret and were one of the reasons the Nabataea were able to thrive in the desert, some of these structures survive to this day. In the Ancient Egyptian and later Roman eras, it was re-discovered that adding volcanic ash to the mix allowed it to set underwater, similarly, the Romans knew that adding horse hair made concrete less liable to crack while it hardened, and adding blood made it more frost-resistant. Crystallization of strätlingite and the introduction of pyroclastic clays creates further fracture resistance, german archaeologist Heinrich Schliemann found concrete floors, which were made of lime and pebbles, in the royal palace of Tiryns, Greece, which dates roughly to 1400–1200 BC. Lime mortars were used in Greece, Crete, and Cyprus in 800 BC, the Assyrian Jerwan Aqueduct made use of waterproof concrete
Concrete
–
Outer view of the
Roman Pantheon, still the largest unreinforced solid concrete
dome.
Concrete
–
Inside the Pantheon dome, looking straight up. The concrete for the
coffered dome was laid on moulds, probably mounted on temporary scaffolding.
Concrete
–
Opus caementicium exposed in a characteristic Roman arch. In contrast to modern concrete structures, the concrete used in Roman buildings was usually covered with brick or stone.
Concrete
–
Smeaton's Tower
7.
Metal
–
A metal is a material that is typically hard, opaque, shiny, and has good electrical and thermal conductivity. Metals are generally malleable—that is, they can be hammered or pressed permanently out of shape without breaking or cracking—as well as fusible and ductile, about 91 of the 118 elements in the periodic table are metals, the others are nonmetals or metalloids. Some elements appear in both metallic and non-metallic forms, astrophysicists use the term metal to collectively describe all elements other than hydrogen and helium, the simplest two, in a star. The star fuses smaller atoms, mostly hydrogen and helium, to larger ones over its lifetime. In that sense, the metallicity of an object is the proportion of its matter made up of all chemical elements. Many elements and compounds that are not normally classified as metals become metallic under high pressures, the atoms of metallic substances are typically arranged in one of three common crystal structures, namely body-centered cubic, face-centered cubic, and hexagonal close-packed. In bcc, each atom is positioned at the center of a cube of eight others, in fcc and hcp, each atom is surrounded by twelve others, but the stacking of the layers differs. Some metals adopt different structures depending on the temperature, atoms of metals readily lose their outer shell electrons, resulting in a free flowing cloud of electrons within their otherwise solid arrangement. This provides the ability of metallic substances to easily transmit heat, while this flow of electrons occurs, the solid characteristic of the metal is produced by electrostatic interactions between each atom and the electron cloud. This type of bond is called a metallic bond, Metals are usually inclined to form cations through electron loss, reacting with oxygen in the air to form oxides over various timescales. Examples,4 Na + O2 →2 Na2O2 Ca + O2 →2 CaO4 Al +3 O2 →2 Al2O3, the transition metals are slower to oxidize because they form a passivating layer of oxide that protects the interior. Others, like palladium, platinum and gold, do not react with the atmosphere at all, some metals form a barrier layer of oxide on their surface which cannot be penetrated by further oxygen molecules and thus retain their shiny appearance and good conductivity for many decades. The oxides of metals are generally basic, as opposed to those of nonmetals, exceptions are largely oxides with very high oxidation states such as CrO3, Mn2O7, and OsO4, which have strictly acidic reactions. Painting, anodizing or plating metals are good ways to prevent their corrosion, however, a more reactive metal in the electrochemical series must be chosen for coating, especially when chipping of the coating is expected. Water and the two form an electrochemical cell, and if the coating is less reactive than the coatee. Metals in general have high conductivity, high thermal conductivity. Typically they are malleable and ductile, deforming under stress without cleaving, in terms of optical properties, metals are shiny and lustrous. Sheets of metal beyond a few micrometres in thickness appear opaque, although most metals have higher densities than most nonmetals, there is wide variation in their densities, lithium being the least dense solid element and osmium the densest
Metal
–
Gallium crystals
Metal
–
Hot metal work from a
blacksmith.
Metal
–
Zinc, a base metal, reacting with an acid
Metal
–
A gold nugget
8.
Plastic
–
Plastic is a material consisting of any of a wide range of synthetic or semi-synthetic organic compounds that are malleable and can be molded into solid objects. Plastics are typically organic polymers of high mass, but they often contain other substances. They are usually synthetic, most commonly derived from petrochemicals, due to their relatively low cost, ease of manufacture, versatility, and imperviousness to water, plastics are used in an enormous and expanding range of products, from paper clips to spaceships. They have already displaced many traditional materials, such as wood, stone, horn and bone, leather, paper, metal, glass, and ceramic, in most of their former uses. In developed countries, about a third of plastic is used in packaging, other uses include automobiles, furniture, and toys. In the developing world, the ratios may be different - for example, the worlds first fully synthetic plastic was bakelite, invented in New York in 1907 by Leo Baekeland who coined the term plastics. Toward the end of the century, one approach to this problem was met with wide efforts toward recycling, the word plastic is derived from the Greek πλαστικός meaning capable of being shaped or molded, from πλαστός meaning molded. The common word plastic should not be confused with the technical adjective plastic, used for insulating parts in electrical fixtures, paper laminated products, thermally insulation foams. Problems include the probability of moldings naturally being dark colors, One of the most expensive commercial polymers. It forms the basis of artistic and commercial acrylic paints when suspended in water with the use of other agents, polytetrafluoroethylene – Heat-resistant, low-friction coatings, used in things like non-stick surfaces for frying pans, plumbers tape and water slides. It is more known as Teflon. Urea-formaldehyde – One of the aminoplasts and used as an alternative to phenolics. Used as an adhesive and electrical switch housings. Early plastics were bio-derived materials such as egg and blood proteins, in 1600 BC, Mesoamericans used natural rubber for balls, bands, and figurines. Treated cattle horns were used as windows for lanterns in the Middle Ages, materials that mimicked the properties of horns were developed by treating milk-proteins with lye. In the 1800s, as industrial chemistry developed during the Industrial Revolution, the development of plastics also accelerated with Charles Goodyears discovery of vulcanization to thermoset materials derived from natural rubber. Parkesine is considered the first man-made plastic, the plastic material was patented by Alexander Parkes, In Birmingham, UK in 1856. It was unveiled at the 1862 Great International Exhibition in London, parkesine won a bronze medal at the 1862 Worlds fair in London
Plastic
–
Household items made of various types of plastic
Plastic
–
A chair made with a polypropylene seat
Plastic
–
Plastic (LDPE) bowl, by GEECO, Made in England, c1950.
Plastic
–
Molded plastic food replicas on display outside a restaurant in
Japan
9.
Piet Mondrian
–
Pieter Cornelis Piet Mondriaan, after 1906 Mondrian, was a Dutch painter. Mondrian was a contributor to the De Stijl art movement and group and he evolved a non-representational form which he termed neoplasticism. This consisted of ground, upon which he painted a grid of vertical and horizontal black lines. Mondrians arrival in Paris from the Netherlands in 1911 marked the beginning of a period of profound change and he encountered experiments in Cubism and with the intent of integrating himself within the Parisian avant-garde removed an a from the Dutch spelling of his name. Mondrian was born in Amersfoort in the Netherlands, the second of his parents children and he was descended from Christian Dirkzoon Monderyan who lived in The Hague as early as 1670. The family moved to Winterswijk in the east of the country when his father, Pieter Cornelius Mondriaan, was appointed Head Teacher at a primary school. Mondrian was introduced to art from a early age. His father was a drawing teacher, and, with his uncle, Fritz Mondriaan. After a strictly Protestant upbringing, in 1892, Mondrian entered the Academy for Fine Art in Amsterdam and he already was qualified as a teacher. He began his career as a teacher in primary education, most of his work from this period is naturalistic or Impressionistic, consisting largely of landscapes. These paintings are most definitely representational, and they illustrate the influence that various artistic movements had on Mondrian, including pointillism, on display in the Gemeentemuseum Den Haag are a number of paintings from this period, including such Post-Impressionist works as The Red Mill and Trees in Moonrise. Another painting, Evening, depicting a tree in a field at dusk, even augurs future developments by using a palette consisting almost entirely of red, yellow, although Avond is only limitedly abstract, it is the earliest Mondrian painting to emphasize primary colors. Mondrians earliest paintings showing a degree of abstraction are a series of canvases from 1905 to 1908 that depict dim scenes of trees and houses reflected in still water. Mondrians art was related to his spiritual and philosophical studies. In 1908, he interested in the theosophical movement launched by Helena Petrovna Blavatsky in the late 19th century. The work of Blavatsky and a spiritual movement, Rudolf Steiners Anthroposophy. In 1918, he wrote I got everything from the Secret Doctrine, in 1921, in a letter to Steiner, Mondrian argued that his neoplasticism was the art of the foreseeable future for all true Anthroposophists and Theosophists. He remained a committed Theosophist in subsequent years, although he believed that his own artistic current, neoplasticism, would eventually become part of a larger
Piet Mondrian
–
Mondrian in 1899
Piet Mondrian
–
Mondrian's birthplace in
Amersfoort, Netherlands, now
The Mondriaan House, a museum
Piet Mondrian
–
In this house, now the Villa Mondriaan, in
Winterswijk, Piet Mondrian lived from 1880 to 1892
Piet Mondrian
–
Willow Grove: Impression of Light and Shadow, c. 1905, oil on canvas, 35 × 45 cm,
Dallas Museum of Art
10.
Neoplasticism
–
De Stijl, Dutch for The Style, also known as neoplasticism, was a Dutch artistic movement founded in 1917 in Amsterdam. The De Stijl consisted of artists and architects In a narrower sense, De Stijl is also the name of a journal that was published by the Dutch painter, designer, writer, and critic Theo van Doesburg that served to propagate the groups theories. Next to van Doesburg, the principal members were the painters Piet Mondrian, Vilmos Huszár, and Bart van der Leck, and the architects Gerrit Rietveld, Robert van t Hoff. The artistic philosophy that formed a basis for the work is known as neoplasticism—the new plastic art. Mondrian sets forth the delimitations of neoplasticism in his essay Neo-Plasticism in Pictorial Art and he writes, this new plastic idea will ignore the particulars of appearance, that is to say, natural form and colour. On the contrary, it should find its expression in the abstraction of form and colour, that is to say, in the straight line and the clearly defined primary colour. With these constraints, his art allows only primary colours and non-colours, only squares and rectangles, only straight, in general, De Stijl proposed ultimate simplicity and abstraction, both in architecture and painting, by using only straight horizontal and vertical lines and rectangular forms. Furthermore, their vocabulary was limited to the primary colours, red, yellow, and blue. The works avoided symmetry and attained aesthetic balance by the use of opposition and this element of the movement embodies the second meaning of stijl, a post, jamb or support, this is best exemplified by the construction of crossing joints, most commonly seen in carpentry. This feature can be found in the Rietveld Schröder House and the Red, De Stijl was influenced by Cubist painting as well as by the mysticism and the ideas about ideal geometric forms in the neoplatonic philosophy of mathematician M. H. J. Schoenmaekers. The De Stijl movement was influenced by Neopositivism. The works of De Stijl would influence the Bauhaus style and the style of architecture as well as clothing. However, it did not follow the guidelines of an -ism, nor did it adhere to the principles of art schools like the Bauhaus, it was a collective project. In music, De Stijl was an only on the work of composer Jakob van Domselaer. Between 1913 and 1916, he composed his Proeven van Stijlkunst and this minimalistic—and, at the time, revolutionary—music defined horizontal and vertical musical elements and aimed at balancing those two principles. Van Domselaer was relatively unknown in his lifetime, and did not play a significant role within the De Stijl group. From the flurry of new art movements that followed the Impressionist revolutionary new perception of painting, Cubism arose in the early 20th century as an important, in the Netherlands, too, there was interest in this new art. During that period, painter Theo van Doesburg started looking for artists to set up a journal
Neoplasticism
–
Red and Blue Chair designed by
Gerrit Rietveld in 1917.
Neoplasticism
–
Theo van Doesburg, neoplasticism: Composition VII (the three graces) 1917.
Neoplasticism
–
Page from De Stijl magazine.
Neoplasticism
–
Piet Mondrian,
Gray Tree, 1912
11.
Lyon
–
Lyon or Lyons is a city in east-central France, in the Auvergne-Rhône-Alpes region, about 470 km from Paris and 320 km from Marseille. Inhabitants of the city are called Lyonnais, Lyon had a population of 506,615 in 2014 and is Frances third-largest city after Paris and Marseille. Lyon is the capital of the Metropolis of Lyon and the region of Auvergne-Rhône-Alpes, the metropolitan area of Lyon had a population of 2,237,676 in 2013, the second-largest in France after Paris. The city is known for its cuisine and gastronomy and historical and architectural landmarks and is a UNESCO World Heritage Site, Lyon was historically an important area for the production and weaving of silk. It played a significant role in the history of cinema, Auguste, the city is also known for its famous light festival, Fête des Lumières, which occurs every 8 December and lasts for four days, earning Lyon the title of Capital of Lights. Economically, Lyon is a centre for banking, as well as for the chemical, pharmaceutical. The city contains a significant software industry with a focus on video games. Lyon hosts the headquarters of Interpol, Euronews, and International Agency for Research on Cancer. Lyon was ranked 19th globally and second in France for innovation in 2014 and it ranked second in France and 39th globally in Mercers 2015 liveability rankings. These refugees had been expelled from Vienne by the Allobroges and were now encamped at the confluence of the Saône and Rhône rivers, dio Cassius says this task was to keep the two men from joining Mark Antony and bringing their armies into the developing conflict. The Roman foundation was at Fourvière hill and was officially called Colonia Copia Felix Munatia, a name invoking prosperity, the city became increasingly referred to as Lugdunum. The earliest translation of this Gaulish place-name as Desired Mountain is offered by the 9th-century Endlicher Glossary, in contrast, some modern scholars have proposed a Gaulish hill-fort named Lugdunon, after the Celtic god Lugus, and dúnon. It then became the capital of Gaul, partly due to its convenient location at the convergence of two rivers, and quickly became the main city of Gaul. Two emperors were born in city, Claudius, whose speech is preserved in the Lyon Tablet in which he justifies the nomination of Gallic senators. Today, the archbishop of Lyon is still referred to as Primat des Gaules, the Christians in Lyon were martyred for their beliefs under the reigns of various Roman emperors, most notably Marcus Aurelius and Septimus Severus. Local saints from this period include Blandina, Pothinus, and Epipodius, in the second century AD, the great Christian bishop of Lyon was the Easterner, Irenaeus. Burgundian refugees fleeing the destruction of Worms by the Huns in 437 were re-settled by the commander of the west, Aëtius. This became the capital of the new Burgundian kingdom in 461, in 843, by the Treaty of Verdun, Lyon, with the country beyond the Saône, went to Lothair I
Lyon
–
Top, the Basilique de Notre-Dame de Fourvière, the Place des Terreaux with the Fontaine Bartholdi and Lyon City Hall at night. Centre, the Parc de la Tête d'Or, the Confluence district and the old city. Bottom, the Pont Lafayette, the Part-Dieu district with the Place Bellecour in the foreground during the Festival of Lights.
Lyon
–
Place Carnot, Lyons
Lyon
–
The lion has been the symbol of the city for centuries and is represented throughout the city.
Lyon
–
Lyon in the 18th century
12.
Milton Becerra
–
Venezuelan artist graduated from the Cristóbal Rojas School of Arts under the Jesús Soto promotion. From 1973 to 1980 Milton Becerra was assistant-partner in the workshops of the renowned masters Carlos Cruz-Diez and he participated in his first collective exhibition when he was still a student. He studied art trends such as Concrete, Neo, Kinetic, Generative and we are, thus, in front of a solid object, but at the same time light and fragile. This starting point characterizes later the context of his artworks, born in London, the European Land Art movement had extremely different concerns to those in Latin America. The Land Art in the old continent pursues to take the viewer to a spot where nature dwells in itself, away from the hustle. Latin American artists—and Milton Becerra has been consistent throughout his career in this regard— intend Land Art to reach for our roots. Towards the 80s Milton Becerra relocated to Paris and developed a new perspective of his art, based on his research, the mixture of fibers and fabrics with other organic elements like rocks, led him to develop series as Chin-cho-rro, Gotas and Nidos. It is impossible for him not to feel attached to his country, especially his beloved Amazonas, whitman Milton Becerra Surface Design volumen 29 Nº1 pag / 50-51– Miami. Lorenzo Dávalos Silente perplejidad revista GP N°8, pag /arte-Caracas, Venezuela Patricia Avena Navarro Arqueología de lo visible e invisible Arte al día N°138 –Miami, Milton Becerra home page Foundation Milton Becerra
Milton Becerra
–
Milton Becerra
Milton Becerra
–
Meteorite
Ibirapuera Park, XVIII Biennial of São Paulo,
Brazil (1985).
Milton Becerra
–
Ale'ya
Durban Segnini Gallery Miami 2009.
Milton Becerra
–
Book Milton Becerra
13.
Miami
–
Miami is a seaport city at the southeastern corner of the U. S. state of Florida and its Atlantic coast. According to the U. S. Census Bureau, Miamis metro area is the eighth-most populous, Miami is a major center, and a leader in finance, commerce, culture, media, entertainment, the arts, and international trade. In 2012, Miami was classified as an Alpha−World City in the World Cities Study Groups inventory, in 2010, Miami ranked seventh in the United States in terms of finance, commerce, culture, entertainment, fashion, education, and other sectors. It ranked 33rd among global cities, in 2008, Forbes magazine ranked Miami Americas Cleanest City, for its year-round good air quality, vast green spaces, clean drinking water, clean streets, and citywide recycling programs. According to a 2009 UBS study of 73 world cities, Miami was ranked as the richest city in the United States, Miami is nicknamed the Capital of Latin America and is the largest city with a Cuban-American plurality. Miami has the third tallest skyline in the U. S. with over 300 high-rises, Downtown Miami is home to the largest concentration of international banks in the United States, and many large national and international companies. The Civic Center is a center for hospitals, research institutes, medical centers. For more than two decades, the Port of Miami, known as the Cruise Capital of the World, has been the number one cruise port in the world. It accommodates some of the worlds largest cruise ships and operations, Metropolitan Miami is the major tourism hub in the American South, number two in the U. S. after New York City and number 13 in the world, including the popular destination of Miami Beach. The Miami area was inhabited for thousands of years by indigenous Native American tribes, the Tequestas occupied the area for a thousand years before encountering Europeans. An Indian village of hundreds of people dating to 500–600 B. C. was located at the mouth of the Miami River, in 1566 the explorer, Pedro Menéndez de Avilés, claimed it for Spain. A Spanish mission was constructed one year later in 1567, Spain and Great Britain successively controlled Florida, and Spain ceded it to the United States in 1821. In 1836, the US built Fort Dallas as part of its development of the Florida Territory and attempt to suppress, the Miami area subsequently became a site of fighting during the Second Seminole War. Miami is noted as the major city in the United States conceived by a woman, Julia Tuttle, a local citrus grower. The Miami area was known as Biscayne Bay Country in the early years of its growth. In the late 19th century, reports described the area as a promising wilderness, the area was also characterized as one of the finest building sites in Florida. The Great Freeze of 1894–95 hastened Miamis growth, as the crops of the Miami area were the ones in Florida that survived. Julia Tuttle subsequently convinced Henry Flagler, a tycoon, to expand his Florida East Coast Railway to the region
Miami
–
From top, left to right: Skyline of
Downtown,
Freedom Tower,
Villa Vizcaya,
Miami Tower,
Virginia Key Beach,
Adrienne Arsht Center for the Performing Arts,
AmericanAirlines Arena,
PortMiami, the Moon over Miami
Miami
–
The
Freedom Tower of 1925 is Miami's historical
landmark.
Miami
–
Approximately 400 men voted for Miami's incorporation in 1896 in the building to the left.
Miami
–
The mouth of the
Miami River at
Brickell Key
14.
Recording medium
–
A data storage device is a device for recording information. A storage device may hold information, process information, or both, a device that only holds information is a recording medium. Devices that process information may either access a separate portable recording medium or a permanent component to store, Electronic data storage requires electrical power to store and retrieve that data. Most storage devices that do not require vision and a brain to read data fall into this category, electromagnetic data may be stored in either an analog data or digital data format on a variety of media. Most electronically processed data storage media are considered permanent storage, that is, in contrast, most electronically stored information within most types of semiconductor microcircuits are volatile memory, for it vanishes if power is removed. JISC/NPO Studies on the Preservation of Electronic Materials, A Framework of Data Types and Formats, british Library Research and Innovation Report 50
Recording medium
–
Many different consumer electronic devices can store data.
Recording medium
–
Edison cylinder phonograph ca. 1899. The phonograph cylinder is a storage medium. The phonograph may or may not be considered a storage device.
Recording medium
–
A reel-to-reel tape recorder (Sony TC-630). The magnetic tape is a data storage medium. The recorder is data storage equipment using a portable medium (tape reel) to store the data.
Recording medium
–
Crafting tools such as paint brushes can be used as data storage equipment. The paint and canvas can be used as data storage media.
15.
Handicraft
–
One of the worlds oldest handicraft is Dhokra, this is a sort of metal casting has been used in India for over 4,000 years and is still used. Collective terms for handicrafts include artisanry, handicrafting, crafting, many handicrafters use natural, even entirely indigenous, materials while others may prefer modern, non-traditional materials, and even upcycle industrial materials. The individual artisanship of an item is the paramount criterion. Most crafts require the development of skill and the application of patience, like folk art, handicraft output often has cultural and/or religious significance, and increasingly may have a political message as well, as in craftivism. The Arts and Crafts movement originated as a late 19th-century design reform and social movement principally in Europe, North America and Australia and this was held up in contrast to what was perceived to be the alienating effects of industrial labor. These activities were called crafts because originally many of them were professions under the guild system, adolescents were apprenticed to a master craftsman, and refined their skills over a period of years in exchange for low wages. Simple arts and crafts projects are an elementary and middle school activity in both mainstream and alternative education systems around the world. e. The use of traditional handicrafting techniques by professional fine artists, many community centers and schools run evening or day classes and workshops, for adults and children, offering to teach basic craft skills in a short period of time. If sold, they are sold in Direct sales, Gift shops, Public markets, in developing countries, handicrafts are sold to locals and as Souvenirs to tourists. Sellers tend to speak at least a few words of common tourist languages
Handicraft
–
A handicraft Selling-Factory shop,
Isfahan -
Iran
Handicraft
–
Typical Filipino handmade brooms in a restaurant of Banaue Municipal Town.
Handicraft
–
At the
Buell Children's Museum in
Pueblo, Colorado, children and their guardians partake in "arts and crafts" (i.e. handicrafts).
Handicraft
–
Handcrafted shoes from bamboo made by artists of West Bengal, India, at a fair in Kolkata
16.
Albert C. Barnes
–
Albert Coombs Barnes was an American physician, chemist, businessman, art collector, writer, and educator, and the founder of the Barnes Foundation in Lower Merion, Pennsylvania. Albert Barnes was born in Philadelphia to working-class parents and his father, a butcher, lost his right arm at the Battle of Cold Harbor during the American Civil War, and became a letter carrier after the war. Barnes mother was a devout Methodist who took him to African-American camp meetings, Albert Barnes earned a spot at the public academic Central High School in Philadelphia. There he became friends with William Glackens, who became an artist. Barnes went on to college and medical school at the University of Pennsylvania, earning his way by tutoring, boxing, by age 20, he was a medical doctor. He went into research as a chemist rather than clinical practice, in 1899, with a German chemist named Hermann Hille, Barnes developed a mild silver nitrate antiseptic solution. He formed a company and marketed the drug as Argyrol, a treatment for gonorrhea, the drug was an immediate financial success. To avoid having Argyrol being stolen by competitors, he convinced Hille not to patent it and he marketed directly to physicians, and took his product abroad. Within five years of starting the business in 1902, the firm cleared $250,000 in profits and he bought out Hille, and in 1907, Barnes had become a millionaire at the age of 35. In July 1929, he sold his business for a sum of $6 million. The move was timed, as he sold before the 1929 stock market crash and the discovery of antibiotics. After starting to earn income from the sale of Argyrol, Barnes married Laura Leggett, from a family in Brooklyn. Laura Barnes led the development of the Arboretum and horticultural program that are integral to the Barnes Foundation, in 1928, Barnes appointed her as director of the Arboretum. She founded the Arboretum School in 1940, where she taught as an instructor and she regularly corresponded and exchanged plant specimens with other major institutions, such as the Arnold Arboretum of Harvard University and the Brooklyn Botanic Garden. She succeeded her husband as president of the Foundation after his death in 1951 and she bequeathed her private art collection to the Brooklyn Museum of Art. Her work was recognized by the 1948 Schaffer Memorial Medal from the Pennsylvania Horticultural Society, in 1955, she became an honorary member of the American Society of Landscape Architects. She received a doctorate in horticultural science from St. Josephs University of Philadelphia. From about 1910, when he was in his late 30s, Barnes began to dedicate himself to the study and he commissioned one of his former high school classmates, the painter William Glackens, who had been living in Paris, to buy several modern French paintings for him
Albert C. Barnes
–
Albert C. Barnes in 1940
Albert C. Barnes
–
Henri Matisse,
Le bonheur de vivre (1905–6), oil on canvas.
Barnes Foundation, Philadelphia. It was called
Fauvist, bringing Matisse both public derision and notoriety.
Albert C. Barnes
–
Giorgio de Chirico, Portrait of Albert C. Barnes, 1926
17.
OCLC
–
The Online Computer Library Center is a US-based nonprofit cooperative organization dedicated to the public purposes of furthering access to the worlds information and reducing information costs. It was founded in 1967 as the Ohio College Library Center, OCLC and its member libraries cooperatively produce and maintain WorldCat, the largest online public access catalog in the world. OCLC is funded mainly by the fees that libraries have to pay for its services, the group first met on July 5,1967 on the campus of the Ohio State University to sign the articles of incorporation for the nonprofit organization. The group hired Frederick G. Kilgour, a former Yale University medical school librarian, Kilgour wished to merge the latest information storage and retrieval system of the time, the computer, with the oldest, the library. The goal of network and database was to bring libraries together to cooperatively keep track of the worlds information in order to best serve researchers and scholars. The first library to do online cataloging through OCLC was the Alden Library at Ohio University on August 26,1971 and this was the first occurrence of online cataloging by any library worldwide. Membership in OCLC is based on use of services and contribution of data, between 1967 and 1977, OCLC membership was limited to institutions in Ohio, but in 1978, a new governance structure was established that allowed institutions from other states to join. In 2002, the structure was again modified to accommodate participation from outside the United States. As OCLC expanded services in the United States outside of Ohio, it relied on establishing strategic partnerships with networks, organizations that provided training, support, by 2008, there were 15 independent United States regional service providers. OCLC networks played a key role in OCLC governance, with networks electing delegates to serve on OCLC Members Council, in early 2009, OCLC negotiated new contracts with the former networks and opened a centralized support center. OCLC provides bibliographic, abstract and full-text information to anyone, OCLC and its member libraries cooperatively produce and maintain WorldCat—the OCLC Online Union Catalog, the largest online public access catalog in the world. WorldCat has holding records from public and private libraries worldwide. org, in October 2005, the OCLC technical staff began a wiki project, WikiD, allowing readers to add commentary and structured-field information associated with any WorldCat record. The Online Computer Library Center acquired the trademark and copyrights associated with the Dewey Decimal Classification System when it bought Forest Press in 1988, a browser for books with their Dewey Decimal Classifications was available until July 2013, it was replaced by the Classify Service. S. The reference management service QuestionPoint provides libraries with tools to communicate with users and this around-the-clock reference service is provided by a cooperative of participating global libraries. OCLC has produced cards for members since 1971 with its shared online catalog. OCLC commercially sells software, e. g. CONTENTdm for managing digital collections, OCLC has been conducting research for the library community for more than 30 years. In accordance with its mission, OCLC makes its research outcomes known through various publications and these publications, including journal articles, reports, newsletters, and presentations, are available through the organizations website. The most recent publications are displayed first, and all archived resources, membership Reports – A number of significant reports on topics ranging from virtual reference in libraries to perceptions about library funding
OCLC
–
Fred Kilgour (1st director of OCLC)
OCLC
–
Online Computer Library Center (OCLC)
OCLC
–
OCLC headquarters (Ohio)
OCLC
–
OCLC offices in Leiden (the Netherlands)
18.
Art
–
In their most general form these activities include the production of works of art, the criticism of art, the study of the history of art, and the aesthetic dissemination of art. The oldest documented forms of art are visual arts, which include creation of images or objects in fields including painting, sculpture, printmaking, photography, and other visual media. Music, theatre, film, dance, and other performing arts, as well as literature, until the 17th century, art referred to any skill or mastery and was not differentiated from crafts or sciences. Art may be characterized in terms of mimesis, expression, communication of emotion, during the Romantic period, art came to be seen as a special faculty of the human mind to be classified with religion and science. Though the definition of what art is disputed and has changed over time, general descriptions mention an idea of imaginative or technical skill stemming from human agency. The nature of art, and related such as creativity. One early sense of the definition of art is related to the older Latin meaning. English words derived from this meaning include artifact, artificial, artifice, medical arts, however, there are many other colloquial uses of the word, all with some relation to its etymology. Several dialogues in Plato tackle questions about art, Socrates says that poetry is inspired by the muses, and is not rational. He speaks approvingly of this, and other forms of divine madness in the Phaedrus, and yet in the Republic wants to outlaw Homers great poetic art, in Ion, Socrates gives no hint of the disapproval of Homer that he expresses in the Republic. For example, music imitates with the media of rhythm and harmony, whereas dance imitates with rhythm alone, the forms also differ in their object of imitation. Comedy, for instance, is an imitation of men worse than average. Lastly, the forms differ in their manner of imitation—through narrative or character, through change or no change, Aristotle believed that imitation is natural to mankind and constitutes one of mankinds advantages over animals. The second, and more recent, sense of the art as an abbreviation for creative art or fine art emerged in the early 17th century. The creative arts are a collection of disciplines which produce artworks that are compelled by a drive and convey a message, mood. Art is something that stimulates an individuals thoughts, emotions, beliefs, works of art can be explicitly made for this purpose or interpreted on the basis of images or objects. Often, if the skill is being used in a common or practical way, likewise, if the skill is being used in a commercial or industrial way, it may be considered commercial art instead of fine art. On the other hand, crafts and design are considered applied art
Art
–
Clockwise from upper left: a
self-portrait by
Vincent van Gogh; a female ancestor figure by a
Chokwe artist; detail from the
Birth of Venus by
Sandro Botticelli; and an Okinawan
Shisa lion.
Art
–
Works of art can tell stories or simply express an aesthetic truth or feeling. Panorama of a section of A Thousand Li of Mountains and Rivers, a 12th-century painting by Song dynasty artist
Wang Ximeng.
Art
–
20th-century Rwandan bottle. Artistic works may serve practical functions, in addition to their decorative value.
Art
–
Venus of Willendorf, circa 24,000–22,000
BP
