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History
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Rokeby Venus, c. 1647–1651. 122 cm × 177 cm (48 in × 70 in). National Gallery, London.
Rokeby Venus, c. 1647–1651. 122 cm × 177 cm (48 in × 70 in). National Gallery, London.
Peter Paul Rubens' Venus at the Mirror, c. 1614–15, shows the goddess with her traditionally blond hair. As with Velázquez's Venus, the goddess's refl
Peter Paul Rubens' Venus at the Mirror, c. 1614–15, shows the goddess with her traditionally blond hair. As with Velázquez's Venus, the goddess's reflected image does not match that portion of her face visible on the canvas. In contrast to Rubens' luscious and 'rounded' ideal form, Velázquez painted a more slender female figure.
Velázquez's Coronation of the Virgin, c. 1641–42. It has been suggested that the model used here was the same as the one used in the Venus.
Velázquez's Coronation of the Virgin, c. 1641–42. It has been suggested that the model used here was the same as the one used in the Venus.
Giorgione, Sleeping Venus, c. 1510. Giorgione shows Venus sleeping on fine textiles in an outdoor setting against a sumptuous landscape. As with Veláz
Giorgione, Sleeping Venus, c. 1510. Giorgione shows Venus sleeping on fine textiles in an outdoor setting against a sumptuous landscape. As with Velázquez's Venus, Giorgione painted the goddess as a brunette, going against tradition.
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Self-portrait, c. 1640
Self-portrait, c. 1640
Birthplace of Velázquez in Seville
Birthplace of Velázquez in Seville
Vieja friendo huevos (1618, English: Old Woman Frying Eggs). National Gallery of Scotland, Edinburgh
Vieja friendo huevos (1618, English: Old Woman Frying Eggs). National Gallery of Scotland, Edinburgh
Philip IV in Brown and Silver, 1632
Philip IV in Brown and Silver, 1632