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Penrose, circa 1940
Penrose, circa 1940
Surrealist work Le Grand Jour, 1938, described by Penrose as a collage painting, made using nothing but paint, depicting among other things an alembic
Surrealist work Le Grand Jour, 1938, described by Penrose as a collage painting, made using nothing but paint, depicting among other things an alembic
Penrose used this photograph of his partner Lee Miller to startle his audiences when lecturing on camouflage.
Penrose used this photograph of his partner Lee Miller to startle his audiences when lecturing on camouflage.
Farleys House, now a museum and archive, with blue plaque
Farleys House, now a museum and archive, with blue plaque
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Miller in 1943
Miller in 1943
Farley Farm House
Farley Farm House
Miller in 1943 with other female war correspondents who covered the U.S. Army in the European Theater during World War II; from left to right: Mary We
Miller in 1943 with other female war correspondents who covered the U.S. Army in the European Theater during World War II; from left to right: Mary Welsh, Dixie Tighe, Kathleen Harriman, Helen Kirkpatrick, Lee Miller, and Tania Long
Blue Plaque, 21 Downshire Hill, Hampstead
Blue Plaque, 21 Downshire Hill, Hampstead