Le Roman de la Rose is a medieval poem written in Old French and presented as an allegorical dream vision. As poetry, The Romance of the Rose is a notable instance of courtly literature, purporting to provide a "mirror of love" in which the whole art of romantic love is disclosed. Its two authors conceived it as a psychological allegory; throughout the Lover's quest, the word Rose is used both as the name of the titular lady and as an abstract symbol of female sexuality. The names of the other characters function both as personal names and as metonyms illustrating the different factors that lead to and constitute a love affair. Its long-lasting influence is evident in the number of surviving manuscripts of the work, in the many translations and imitations it inspired, and in the praise and controversy it inspired.
Illuminated leaf from a manuscript of the poem, 1390
Genius of love, by the Master of the Vienna Roman de la rose, 1420–30
Scribe of a 14th-century copy at his writing desk. NLW MS 5016D
Miniature from a manuscript of the Roman de la Rose (Oxford, Bodleian Library, MS. Douce 195), folio 1r, portrait of Guillaume de Lorris.
Poetry, also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle.
The oldest known love poem. Sumerian terracotta tablet#2461 from Nippur, Iraq. Ur III period, 2037–2029 BCE. Ancient Orient Museum, Istanbul
The philosopher Confucius was influential in the developed approach to poetry and ancient music theory.
An early Chinese poetics, the Kǒngzǐ Shīlùn (孔子詩論), discussing the Shijing (Classic of Poetry)
Aristotle