In the visual arts, style is a "... distinctive manner which permits the grouping of works into related categories" or "... any distinctive, and therefore recognizable, way in which an act is performed or an artifact made or ought to be performed and made". Style refers to the visual appearance of a work of art that relates to other works with similar aesthetic roots, by the same artist, or from the same period, training, location, "school", art movement or archaeological culture: "The notion of style has long been historian's principal mode of classifying works of art".
La Vie by Pablo Picasso, 1903; falling under the "style label" of Picasso's Blue Period
Les Demoiselles d'Avignon (1907), also by Picasso in a different style ("Picasso's African Period") four years later
14th-century Islamic ornament in ivory, centred on a palmette; Alois Riegl's Stilfragen (1893) traced the evolution and transmission of such motifs.
Georges Seurat's very individual technique and style, Le Chahut, 1889–90
Art is a diverse range of human activity and its resulting product that involves creative or imaginative talent generally expressive of technical proficiency, beauty, emotional power, or conceptual ideas.
Clockwise from upper left: an 1887 self-portrait by Vincent van Gogh; a female ancestor figure by a Chokwe artist; detail from The Birth of Venus (c. 1484–1486) by Sandro Botticelli; and an Okinawan Shisa lion
20th-century bottle, Twa peoples, Rwanda. Artistic works may serve practical functions, in addition to their decorative value.
Back of a Renaissance oval basin or dish, in the Metropolitan Museum of Art
Löwenmensch figurine, Germany, between 35,000 and 41,000 years old. One of the oldest-known examples of an artistic representation and the oldest confirmed statue ever discovered.