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History
Technicolor
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Technicolor is a series of color motion picture processes, the first version dating back to 1916, and followed by improved versions over several decades.
"Technicolor is natural color" Paul Whiteman stars in an ad for his film King of Jazz from The Film Daily, 1930
"Technicolor is natural color" Paul Whiteman stars in an ad for his film King of Jazz from The Film Daily, 1930
A frame from a surviving fragment of The Gulf Between (1917), the first publicly shown Technicolor film
A frame from a surviving fragment of The Gulf Between (1917), the first publicly shown Technicolor film
A frame from The Toll of the Sea (1922), the first generally released Technicolor film, and the first to use a two-strip subtractive color process
A frame from The Toll of the Sea (1922), the first generally released Technicolor film, and the first to use a two-strip subtractive color process
A frame enlargement of a Technicolor segment from The Phantom of the Opera (1925). The film was one of the earliest uses of the process on interior se
A frame enlargement of a Technicolor segment from The Phantom of the Opera (1925). The film was one of the earliest uses of the process on interior sets, and demonstrated its versatility.
Color motion picture film
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Color motion picture film refers both to unexposed color photographic film in a format suitable for use in a motion picture camera, and to finished motion picture film, ready for use in a projector, which bears images in color.
Still from test film made by Edward Turner in 1902
Still from test film made by Edward Turner in 1902
A strip of undeveloped 35 mm color negative.
A strip of undeveloped 35 mm color negative.
A representation of the layers within a piece of developed color 35 mm negative film. When developed, the dye couplers in the blue-, green-, and red-s
A representation of the layers within a piece of developed color 35 mm negative film. When developed, the dye couplers in the blue-, green-, and red-sensitive layers turn the exposed silver halide crystals to their complementary colors (yellow, magenta, and cyan). The film is made up of (A) Clear protective topcoat, (B) UV filter, (C) "Fast" blue layer, (D) "Slow" blue layer, (E) Yellow filter to cut all blue light from passing through to (F) "Fast" green layer, (G) "Slow" green layer, (H) Inter (subbing) layer, (I) "Fast" red layer, (J) "Slow" red layer, (K) Clear triacetate base, and (L) Antihalation (rem-jet) backing.