The Tevaram, also spelled Thevaram, denotes the first seven volumes of the twelve-volume collection Tirumurai, a Shaiva narrative of epic and Puranic heroes, as well as a hagiographic account of early Shaiva saints set in devotional poetry. The Tevaram volumes contain the works of the three most prominent Shaiva Tamil saints of the 7th and 8th centuries: Sambandar, Appar, and Sundarar. The three saints were not only involved in portraying their personal devotion to Shiva, but also engaged a community of believers through their songs. Their work is an important source for understanding the Shaiva Bhakti movement in the early medieval South India.
A palm-leaf folio of Tevaram manuscript copied in a Tamil Shiva temple about 1700 CE. The manuscript, like many Hindu texts found in South India, starts with a contents list. The title of the hymns set is in its colophon. The ragam (scale) and talam (beat) are included on the manuscript leaves to guide the singers and musicians. The above set is one of 230 Tevaram folios currently preserved in the British Library.
A copper alloy statue depicting Sambandar, late 11th century
Appar depicted in bronze, 12th century
Sundarar
Tirumurai is a twelve-volume compendium of songs or hymns in praise of Shiva in the Tamil language from the 6th to the 11th century CE by various poets in Tamil Nadu. Nambiyandar Nambi compiled the first seven volumes by Appar, Sambandar, and Sundarar as Tevaram during the 12th century. During the course of time, a strong necessity was felt by scholars to compile Shaiva literature to accommodate other works. Tiruvasakam and Tirukovayar by Manickavasagar are included as the eighth, nine parts are compiled as the ninth Tirumurai out of which most are unknown, and the tenth as Tirumandiram by Tirumular, the famous Siddhar. The eleventh is compiled by Karaikal Ammaiyar, Cheraman Perumal and others. The contemporary Chola king was impressed by the work of Nambi and included Nambi's work in the eleventh Tirumurai. Sekkilar's Periya Puranam, composed a century later, contains the life depiction of all the 63 Nayanmars. The response for the work was so tremendous among Shaiva scholars and Kulothunga Chola II that it was included as the 12th Tirumurai. Tirumurai along with Vedas and Shaiva agamas form the basis of Shaiva Siddantha philosophy in South India and Sri Lanka.
The four foremost Nayanars with Manikkavaasakar - collectively called the நால்வர்: (from left) Sambandar, Appar, Sundarar, Manikkavachakar.
Saiva Siddhanta temples celebrate the Nayanars tradition behind the Tirumurai. Above Nayanars gallery at the Thiruthalinathar Shiva temple, Tiruppathur.