1.
!!! (album)
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. is the eponymous debut studio album by rock band. It was released in 2001 on Gold Standard Laboratories, trash the axiom that says bands influenced by angular post-punk must be populated by dour misanthropes who sport wallet photos of Ian Curtis. Mario Andreoni – guitar Justin Van Der Volgen – bass Nic Offer – vocals Dan Gorman – trumpet, percussion Tyler Pope – guitar Allan Wilson – saxophone, percussion John Pugh – drums, percussion
2.
Sacramento, California
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Sacramento is the capital city of the U. S. state of California and the seat of Sacramento County. It is at the confluence of the Sacramento River and the American River in the portion of Californias expansive Central Valley. Its estimated 2014 population of 485,199 made it the sixth-largest city in California, Sacramento is the cultural and economic core of the Sacramento metropolitan area, which includes seven counties with a 2010 population of 2,414,783. In 2002, the Civil Rights Project at Harvard University conducted for Time magazine named Sacramento Americas Most Diverse City, Sacramento became a city through the efforts of the Swiss immigrant John Sutter, Sr. his son John Augustus Sutter, Jr. and James W. Marshall. Sacramento grew quickly thanks to the protection of Sutters Fort, which was established by Sutter in 1839, the city was named after the Sacramento River, which forms its western border. The river was named by Spanish cavalry officer Gabriel Moraga for the Santísimo Sacramento, California State University, Sacramento, is the largest university in the city and one of 23 campuses in the California State University system. University of the Pacific is a university with one of its three campuses in Sacramento. In addition, the University of California, Davis, located in nearby Davis, operates its UC Davis Medical Center, nisenan and Plains Miwok Native Americans had lived in the area for perhaps thousands of years. Unlike the settlers who would eventually make Sacramento their home, these Native Americans left little evidence of their existence. Traditionally, their diet was dominated by acorns taken from the oak trees in the region, and by fruits, bulbs, seeds. In 1808, the Spanish explorer Gabriel Moraga discovered and named the Sacramento Valley, a Spanish writer with the Moraga expedition wrote, Canopies of oaks and cottonwoods, many festooned with grapevines, overhung both sides of the blue current. Birds chattered in the trees and big fish darted through the pellucid depths, the air was like champagne, and drank deep of it, drank in the beauty around them. The valley and the river were then christened after the Most Holy Sacrament of the Body and Blood of Christ, John Sutter first arrived on August 13,1839 at the divergence of the American and Sacramento Rivers with a Mexican land grant of 50,000 acres. The next year, he and his party established Sutters Fort, representing Mexico, Sutter called his colony New Helvetia, a Swiss inspired name, and was the political authority and dispenser of justice in the new settlement. Soon, the colony began to grow as more and more pioneers headed west, within just a few short years, John Sutter had become a grand success, owning a ten-acre orchard and a herd of thirteen thousand cattle. Fort Sutter became a stop for the increasing number of immigrants coming through the valley. In 1847, Sutter hired James Marshall to build a sawmill so that he could continue to expand his empire, Sutter received 2,000 fruit trees in 1847, which started the agriculture industry in the Sacramento Valley. In 1848, when gold was discovered by James W. Marshall at Sutters Mill in Coloma and he hired topographical engineer William H
3.
Indie rock
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Indie rock is a genre of alternative rock that originated in the United States and the United Kingdom in the 1980s. Originally used to independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock. In the mid-1980s, the term began to be used to describe the music produced on punk and post-punk labels. Some prominent indie rock record labels were founded during the 1980s, during the 1990s, Grunge bands broke into the mainstream, and the term alternative lost its original counter-cultural meaning. The term indie rock became associated with the bands and genres that remained dedicated to their independent status, by the end of the 1990s indie rock developed subgenres and related styles including lo-fi, noise pop, emo, slowcore, post-rock and math rock. In the 2000s, changes in the industry and in music technology enabled a new wave of indie rock bands to achieve mainstream success. In the early 2000s, a new group of bands played a stripped-down. The commercial breakthrough from these scenes was led by four bands, The Strokes, The White Stripes, The Hives, emo also broke into mainstream culture in the early 2000s. By the end of the 2000s the proliferation of bands was being referred to as indie landfill. The term indie rock, which comes from independent, describes the small and relatively low-budget labels on which it is released, the influences and styles of the artists have been extremely diverse, including punk, psychedelia, post-punk and country. Allmusic identifies indie rock as including a number of varying musical approaches compatible with mainstream tastes, in fact, there is an everlasting list of genres and subgenres of indie rock. Many countries have developed a local indie scene, flourishing with bands with enough popularity to survive inside the respective country. However, there are still indie bands that start off locally, Indie rock has been identified as a reaction against the macho culture that developed in alternative rock in the aftermath of Nirvanas success. However, Cortney Harding pointed out that this sense of equality is not reflected in the number of women running indie labels. The BBC documentary Music for Misfits, The Story of Indie pinpoints the birth of indie as the 1977 self-publication of the Spiral Scratch EP by Manchester band Buzzcocks, Indie pop and indie were originally synonymous. In the mid-1980s, indie began to be used to describe the music produced on post-punk labels rather than the labels themselves. The indie rock scene in the US was prefigured by the rock that dominated college radio playlists. In the United States, the term was associated with the abrasive, distortion-heavy sounds of the Pixies, Hüsker Dü, Minutemen, Meat Puppets, Dinosaur Jr
4.
Post-punk revival
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By the end of the decade, most of the bands had broken up, moved on to other projects or were on hiatus, although some bands returned to recording and touring in the 2010s. In the early 2000s, a new group of bands played a stripped down. They were variously characterised as part of a rock, new wave or post-punk revival. Influences ranged from blues, through new wave to grunge. The music ranged from the tracks of bands like Liars to the melodic pop songs of groups like the Sounds. There was an emphasis on rock authenticity that has seen as a reaction to the commercialism of MTV-oriented nu metal, hip hop. Because the bands came from across the globe, cited influences and adopted differing styles of dress. For historian of garage rock Eric James Abbey, these were diverse bands that appropriated, or been given, the label garage to gain a degree of credibility. There were attempts to revive garage rock and elements of punk in the 1980s and 1990s, the Detroit rock scene included the Von Bondies, Electric Six, the Dirtbombs and the Detroit Cobras, while New Yorks included Radio 4, Liars, Yeah Yeah Yeahs and the Rapture. Billy Childish and The Buff Medways from the United Kingdom, the Noise Conspiracy from Sweden, New wave was a term adopted in the aftermath of punk rock to describe a generation of bands who generally pursued a more commercially successful punk-influenced sound. Major acts included Talking Heads, Devo, the Cars, the Go-Gos, the Pretenders, Elvis Costello and skinny tie bands like Blondie, in the mid-1990s, notable bands in this vein included Six Finger Satellite, Brainiac and Elastica. American band Satisfact was also considered as an example of the new wave revival sound. Music critic Simon Reynolds noted that bands like the Rapture and Franz Ferdinand were influenced by the more angular strain of post-punk, particularly such as Wire. Others identified this movement as another wave of garage rock revivalism, with NME in 2003 designating it a new rock revolution. According to music critic Jim DeRogatis, the Strokes, the White Stripes, both the Strokes and the White Stripes obtained their initial commercial success in the UK, before achieving recognition in the US and elsewhere. They were christened by the media as the The bands, and dubbed the saviours of rock n roll, prompting Rolling Stone magazine to declare on its September 2002 cover, Rock is Back. The attention in the press in turn led to accusations of hype, according to Simon Reynolds, apart from maybe the White Stripes, none could really be described as retro. In the wake of this attention existing acts like Yeah Yeah Yeahs were able to sign to major record labels, from the UK were Franz Ferdinand, Bloc Party, Maxïmo Park, Editors, the Cribs, the Libertines, the Fratellis, Razorlight and Kaiser Chiefs
5.
Warp (record label)
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Warp is an English independent record label, founded in Sheffield in 1989 by record store workers Steve Beckett, Rob Mitchell and record producer Robert Gordon. It is currently based in London, current artists on the label roster include Flying Lotus, Rustie, Oneohtrix Point Never, Danny Brown, Grizzly Bear, Brian Eno, TNGHT, and Kelela. Warp was founded by Steve Beckett and the late Rob Mitchell, the name was chosen because the original name, Warped Records, was difficult to distinguish over the telephone. The first release was by Forgemasters, whose 500 copy pressing of Track with no Name was financed by an Enterprise Allowance grant and it set a trend for the early releases both in terms of sound, and the use of purple sleeves. The follow-up was Nightmares on Waxs Dextrous, which sold around 30,000 copies, the first album released was Sweet Exorcists C. C. E. P. in 1991. In the same year Robert Gordon left Warp acrimoniously, initially all the album releases used gatefold sleeves and coloured vinyl, often designed by The Designers Republic or Phil Wolstenholme. A VHS compilation of digitally animated music videos called Motion was released in conjunction with the second Artificial Intelligence compilation, in 1996 Warp started the Blech club night in Sheffield, also in London between 1997 and 1999, and released an accompanying compilation CD under the same name. The artwork, created by the Designers Republic, had a distinctive Japanese manga influence, the collection celebrated the labels tenth anniversary. In 2000, the label moved its operations to London along with its physical music, co-founder Rob Mitchell was diagnosed with cancer in early 2001. Warpmart has now been absorbed into Bleep. com, today Bleep sells a carefully curated selection of music from a diverse range of labels. The site has released its own limited edition LPs The Green Series. On 27 September 2004, Warp released its music video compilation, named WarpVision. 2005 saw the release of Warp, the first book in the Labels Unlimited series, written by Rob Young, the book gave an illustrated history of the label, as well as offering a complete discography. The Warp website said the book was “A very beautiful thing and like our very own This Is Your Life, the label continued to expand its roster, signing acts including. Battles, Born Ruffians, Maxïmo Park, Gravenhurst and Grizzly Bear, for the labels 20th anniversary in 2009, several Warp20 concerts took place in Paris, New York City, Sheffield, Tokyo, Berlin and London. Warp also celebrated by releasing the Warp20 box set, composed of six parts, Warp20 The Complete Catalogue, Warp20, a CD album featuring an hour-long piece by Osymyso, made from sections, samples and fragments of Warp music from the previous twenty years. Warp20, a double 10” vinyl of loops from Warp tracks, Warp continues to release albums, from artists such as Hudson Mohawke, Flying Lotus, Mark Pritchard, Bibio, Jamie Lidell, Lonelady, Leila, and Gonjasufi. Recent signings include Brian Eno, Oneohtrix Point Never, Mount Kimbie, darkstar, Death Grips, patten and Jeremiah Jae
6.
Touch and Go Records
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Touch and Go Records is an American independent record label based in Chicago, Illinois. After its genesis as a fanzine in 1979, it grew into one of the key record labels in the American 1980s underground. Touch & Go carved out a reputation for releasing adventurous noise rock by the likes of the Butthole Surfers, Big Black and these labels presided over the shift from the hardcore punk that then dominated the American underground scene to the more diverse styles of alternative rock that were emerging. The zine was formed in 1979 in East Lansing, Michigan as Touch and Go magazine and it wasnt until 1981 that it grew into an independent record label. Vee was bored with the sounds of the day. Inspired, he put out records by the Necros, The Fix, the Meatmen, in 1981, Necros bassist Corey Rusk joined with Tesco to run the label. In 1983, Tesco handed Touch and Go over to Rusk, with the label under their ownership, the Rusks hired Terry Tolkin who signed the Butthole Surfers and Virgin Prunes to the label, and also produced the Gods Favorite Dog compilation. Lisa Rusk left the label after she and Corey were divorced, Corey Rusk continues to run the label. In this way, the built an respected catalog of influential punk. However, following a 1999 legal dispute with the Butthole Surfers, Touch, in 2006, Touch and Go celebrated its 25th anniversary. To commemorate this occasion, the label held a block party event at Chicagos Hideout venue on September 8–10,2006. Several seminal bands, including Big Black, Scratch Acid, the Didjits, Killdozer, Negative Approach, reunited and performed at the event. On February 18,2009, Corey Rusk announced that Touch and he cited the current state of the economy as the reason for shutting down manufacturing and distribution services for many independent labels like Jade Tree, Kill Rock Stars, and Merge Records. A 576-page book, Touch and Go, The Complete Hardcore Punk Zine 79-83, compiling all issues of the Touch and Go fanzine was released June 30,2010 by Bazillion Points. Their approach to contracts was challenged in a case started in 1999 by the Butthole Surfers. The band argued that because its contract with T&G was of an unspecified duration, the contract could be terminated. Touch and Go argued that according to existing US copyright law, it controlled the copyright to the recordings for a minimum of 35 years. 203, but rather is, in fact, in keeping with the intent of sec.203, list of record labels Quarterstick Records, a sublabel of Touch and Go Chicago Record Labels Tupica, Rich, Touch and Go zine feature in City Pulse
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