1.
Album
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Album, is a collection of audio recordings issued as a single item on CD, record, audio tape, or another medium. Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, vinyl LPs are still issued, though in the 21st century album sales have mostly focused on compact disc and MP3 formats. The audio cassette was a format used from the late 1970s through to the 1990s alongside vinyl, an album may be recorded in a recording studio, in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to years to complete, usually in several takes with different parts recorded separately. Recordings that are done in one take without overdubbing are termed live, the majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at times while listening to the other parts using headphones. Album covers and liner notes are used, and sometimes additional information is provided, such as analysis of the recording, historically, the term album was applied to a collection of various items housed in a book format. In musical usage the word was used for collections of pieces of printed music from the early nineteenth century. Later, collections of related 78rpm records were bundled in book-like albums, the LP record, or 33 1⁄3 rpm microgroove vinyl record, is a gramophone record format introduced by Columbia Records in 1948. It was adopted by the industry as a standard format for the album. Apart from relatively minor refinements and the important later addition of stereophonic sound capability, the term album had been carried forward from the early nineteenth century when it had been used for collections of short pieces of music. Later, collections of related 78rpm records were bundled in book-like albums, as part of a trend of shifting sales in the music industry, some commenters have declared that the early 21st century experienced the death of the album. Sometimes shorter albums are referred to as mini-albums or EPs, Albums such as Tubular Bells, Amarok, Hergest Ridge by Mike Oldfield, and Yess Close to the Edge, include fewer than four tracks. There are no rules against artists such as Pinhead Gunpowder referring to their own releases under thirty minutes as albums. These are known as box sets, material is stored on an album in sections termed tracks, normally 11 or 12 tracks. A music track is a song or instrumental recording. The term is associated with popular music where separate tracks are known as album tracks. When vinyl records were the medium for audio recordings a track could be identified visually from the grooves
2.
How to Dress Well
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How to Dress Well is the stage name of American singer-songwriter Tom Krell. Krell was born in Boulder, Colorado, Krell graduated from The New School with an MA in Philosophy in 2009. He then moved from New York City to spend a year in Berlin, beginning in 2009, Krell started to turn out free EPs on his blog under the name How to Dress Well. He didnt release his name or his photo, but critics quickly picked up on Krells music, how to Dress Wells debut album, Love Remains, was released in 2010 on Lefse in the United States and on Tri Angle in Europe and Asia. The album assembled the best of Krells early EPs and garnered vast critical acclaim and it received a score of 8.7 and the Best New Music designation from music review site Pitchfork Media. Stereogum recognized How to Dress Well as one of its 40 Best Bands of 2010, spin gave the album 8 out of 10 stars, calling it as meditative as it is evocative. Conjuring fractured memories of Shai or TLC, in 2011, How to Dress Well released the Just Once EP — a four-song suite of Suicide Dream songs set against a string quartet. The EP collects two previously released tracks bearing the name Suicide Dream, adds a third with that title, the set was inspired by and is dedicated to a friend of Krells who died. Limited to 1000 copies, the 10 vinyl release donated $1 of every record sold to a working to raise awareness about mental illness. On the heels of the success of Love Remains, Krell signed a deal with Weird World Records, Total Loss was released on September 18,2012 in North America by Acephale Records and worldwide through Weird World Records. Krell wrote the album over the course of 15 months or so, in Brooklyn, Chicago, Nashville, the album received a “Best New Music” nod from Pitchfork Media, where Ian Cohen wrote that it is a work of poignant and devastating art. It was also named by Pitchfork as one of the Top 50 Albums of 2012, in April 2014, How to Dress Well released the first single off their forthcoming third studio album, Repeat Pleasure. The album was released on June 23,2014 via Domino Records / Weird World Records and was well received by music critics, earning an 8.8. Paste Magazine noted that “Krell has managed to indulge his experimental tendencies while at the same time achieve his most accessible sound to date. ”Capitalizing on the success of What Is This Heart, how to Dress Well embarked on a world tour, beginning in the spring of 2014. The tour started off with shows in Europe, and continued on to include stops in North America, Canada, Australia, New Zealand and cities throughout Asia. The band performed at a number of major European, North American and Asian festivals, including Flow Festival, Hostess Club Weekender, on July 27,2016 How To Dress Well announced his fourth full-length album, Care. He also released the album’s first single “Lost Youth / Lost You” along with a music video. On August 30,2016 How To Dress Well premiered Whats Up on Zane Lowes Beats1 show, on September 19,2016 KCRWs Morning Becomes Eclectic premiered the next single Cant You Tell
3.
Alternative R&B
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Alternative R&B is a term used by music journalists to describe a stylistic alternative to contemporary R&B. Alternative R&B was once used by the industry during the late 1990s to market neo soul artists, such as DAngelo, Erykah Badu. There has been a variety of discussion about the differing genre terms, the term hipster R&B has been commonly used, as has the term PBR&B—a combination of PBR and R&B. The first use of PBR&B was on Twitter by Sound of the City writer Eric Harvey on a March 22,2011 post, three years later, amazed and distressed at how far the term—meant as a joke—had traveled, Harvey wrote an extensive essay about it for Pitchfork. The genre has sometimes been called noir&B, however, the terms are often criticized for pigeonholing artists into hipster subculture and being used in a derisive manner. Brandon Neasman of The Grio observes a changing of the guard in R&B, from the smooth, cool heartthrobs to these vulnerable, additionally, for the most part, it doesnt feel as if these artists are selling sex as their main entrée. Granted, they sing about the topic, and in explicit detail. You don’t get that same diversity in subject matter from the majority of modern R&B singers, hermione Hoby of The Guardian writes that the music is quietly radical and observes an ongoing, mutually enriching dialogue between indie and electronic musicians and R&B artists. Gerrick D. Kennedy of the Los Angeles Times feels that the new movement feels like the most significant stylistic change in R&B since neo soul rolled around in the 1990s, janet Jacksons sixth studio album The Velvet Rope is cited as one the genres stylistic origins. Frank Ocean states that he does not like being called an R&B musician, how to Dress Well was not offended by the term PBR&B, but found it tacky. Miguel has said that he is comfortable with the term indie R&B because it insinuates a higher art, or a deeper or somehow more artistic delivery of rhythm and blues music. It suggests theres more artistry within a genre that has more of a cliche of itself. Eric Harvey, the writer who coined the term, wrote a response to its proliferation. FKA Twigs does not like the term, she told The Guardian Fuck alternative R&B. She finds the term racially charged, When I first released music and no one knew what I looked like, I would read comments like, Ive never heard anything like this before, and then my picture came out six months later, now shes an R&B singer. Stereogum described the genre as a fad that reached its point in early 2014. List of alternative R&B artists Hipster hop Neo soul Abebe, Nitsuh, PBR&B – A subgenre is born. Love vs. Money, The Weeknd, Frank Ocean, and R&Bs Future Shock
4.
Experimental music
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The practice became prominent in the mid-20th century, particularly in North America. John Cage was one of the earliest composers to use the term and one of experimental musics primary innovators, utilizing indeterminacy techniques and seeking unknown outcomes. Also, in America, a distinct sense of the term was used in the late 1950s to describe computer-controlled composition associated with composers such as Lejaren Hiller. Harry Partch as well as Ivor Darreg worked with other tuning scales based on the laws for harmonic music. For this music they developed a group of experimental musical instruments. Musique concrète, is a form of music that utilises acousmatic sound as a compositional resource. Elements of experimental music include indeterminate music, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. The Groupe de Recherches de Musique Concrète, under the leadership of Pierre Schaeffer, publication of Schaeffers manifesto was delayed by four years, by which time Schaeffer was favoring the term recherche musicale, though he never wholly abandoned musique expérimentale. John Cage was also using the term as early as 1955, according to Cages definition, an experimental action is one the outcome of which is not foreseen, and he was specifically interested in completed works that performed an unpredictable action. Rebners lecture extended the concept back in time to include Charles Ives, Edgard Varèse, nyman opposes experimental music to the European avant-garde of the time, for whom The identity of a composition is of paramount importance. David Cope also distinguishes between experimental and avant garde, describing music as that which represents a refusal to accept the status quo. That is, for the most part, experimental music studies describes a category without really explaining it and this was an attempt to marginalize, and thereby dismiss various kinds of music that did not conform to established conventions. In 1955, Pierre Boulez identified it as a new definition makes it possible to restrict to a laboratory. He concludes, There is no such thing as experimental music … and it is therefore not a genre, but an open category, because any attempt to classify a phenomenon as unclassifiable and elusive as experimental music must be partial. Furthermore, the indeterminacy in performance guarantees that two versions of the same piece will have virtually no perceptible musical facts in common. The term experimental music was used contemporaneously for electronic music, particularly in the early musique concrète work of Schaeffer, a number of early 20th-century American composers, seen as precedents to and influences on John Cage, are sometimes referred to as the American Experimental School. These include Charles Ives, Charles and Ruth Crawford Seeger, Henry Cowell, Carl Ruggles, for this music they both developed custom-built musical instruments often characterized as experimental instruments. La Monte Young is known for using this technique when he began working on his minimal drone pieces which consisted of layers of sounds in different pitches
5.
Lo-fi music
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Lo-fi music are sound recordings that are of lower quality than the usual standard for modern music. The term was adopted in late 1986 by WFMU DJ William Berger, the music also refers to a movement which grew primarily from American underground music scenes in the early 1980s. Associated artists include Sebadoh, Pavement, Liz Phair, and Beck, allMusic writes, Throughout rock & rolls history, recordings were made cheaply and quickly, often on substandard equipment. In that sense, the earliest rock & roll records, most of the rock of the 60s. JW Farquhars home-recorded 1973 album The Formal Female is considered a forerunner to lo-fi artists such as R
6.
Domino Recording Company
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Domino Recording Company, generally known as Domino, is a British independent record label based in London. In addition, Stephen Pastel presides over the subsidiary label Geographic Music, in 2011, the company announced that it was beginning a book publishing division, The Domino Press. Founded in 1993, by Laurence Bell and his partner Jacqui Rice, many of the early releases were by American artists who in the USA were signed to Drag City, a relationship which continues to this day. 2003 was the labels 10th anniversary, as well as new music, Domino have released produced compilations by British post-punk bands such as Orange Juice, Josef K, Fire Engines and Young Marble Giants
7.
Total Loss (album)
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Total Loss is the second studio album by American musician How to Dress Well. It was released in September 2012 on Acephale Records in North America, the track Cold Nites, which was co-written and co-produced by Forest Swords, was released as a single. Acclaimed by critics, the album was listed 33rd on Stereogums list of top 50 albums of 2012, how to Dress Well spoke about the influence for the album, Janet Jacksons The Velvet Rope. The main thing I took from her is sort of this self-trust, self-care, Velvet Rope is an amazing example. She set such an example for trusting yourself, and following that intuition wherever it takes you and she couldve made an entire record of Together Agains—eleven of those. But she made a sprawling masterpiece with a song from every genre. Because you see her discerning taste in every track, and every single track. Some songs her voice is all distorted, and in other songs its so close to the mic that it sounds like shes singing in your ear—you can hear her lip-smacking and its a total statement, This is me kind of record. And I like writing different kinds of songs, Total Loss is a bunch of different kinds of songs on it. I was like, Shit, how do I make this record, do I pick one and stick with it and write all those. No, that would be truncating this sense I have that all songs are special. And for me, Together Again is infinitely more special because its this little gem on that very different record. If it were a record of Together Agains, Id probably love the song. Ive loved The Velvet Rope since it came out and its been one of my favorite records for many years. I think when I started working on Total Loss and seeing like shit, and I kind of learned over the course of making my record, and really attentively listening to Janets record, that it had more of an influence on me that I had even realized. So like, its funny to learn through making a record that Ive had this record playing in the back of my mind for a decade. I mean theres some shit on The Velvet Rope thats absolutely next-level—still today, a cover of Janet Jacksons Again appears on a bonus 7 included with select versions of the album
8.
The Billboard 200
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The Billboard 200 is a record chart ranking the 200 most popular music albums and EPs in the United States, published weekly by Billboard magazine. It is frequently used to convey the popularity of an artist or groups of artists, often, a recording act will be remembered by its number ones, those of their albums that outperformed all others during at least one week. The chart is based mostly on sales of albums in the United States, the weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday and ends on Thursday. A new chart is published the following Tuesday with an issue post-dated to the Saturday of the following week, the charts streaming schedule is also tracked from Friday to Thursday. Example, Friday January 1 – sales tracking week begins Thursday January 7 – sales tracking week ends Tuesday January 12 – new chart published, New product is released to the American market on Fridays. Digital downloads of albums are included in Billboard 200 tabulation. Albums that are not licensed for sale in the United States are not eligible to chart. As of the issue dated April 15,2017, the album on the Billboard 200 is More Life by Drake. Billboard began an album chart in 1945, initially only five positions long, the album chart was not published on a weekly basis, sometimes three to seven weeks passing before it was updated. A biweekly, 15-position Best-Selling Popular Albums chart appeared in 1955, the position count varied anywhere from 10 to 30 albums. The first number-one album on the new weekly list was Belafonte by Harry Belafonte, the chart was renamed to Best-Selling Pop Albums later in 1956, and then to Best-Selling Pop LPs in 1957. Beginning on May 25,1959, Billboard split the ranking into two charts Best-Selling Stereophonic LPs for stereo albums and Best-Selling Monophonic LPs for mono albums and these were renamed to Stereo Action Charts and Mono Action Charts in 1960. In January 1961, they became Action Albums—Stereophonic and Action Albums—Monophonic, three months later, they became Top LPs—Stereo and Top LPs—Monaural. On August 17,1963 the stereo and mono charts were combined into a 150-position chart called Top LPs, on April 1,1967, the chart was expanded to 175 positions, then finally to 200 positions on May 13,1967. In 1960, Billboard began concurrently publishing album charts which ranked sales of older or mid-priced titles and these Essential Inventory charts were divided by stereo and mono albums, and featured titles that had already appeared on the main stereo and mono album charts. In January 1961, the Action Charts became Action Albums—Monophonic, Albums appeared on either chart for up to nine weeks, then were moved to an Essential Inventory list of approximately 200 titles, with no numerical ranking. This list continued to be published until the consolidated Top LPs chart debuted in 1963, in 1982, Billboard began publishing a Midline Albums chart which ranked older or mid-priced titles. The chart held 50 positions and was published on a bi-weekly basis, on May 25,1991, Billboard premiered the Top Pop Catalog Albums chart
9.
Twitter
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Twitter is an online news and social networking service where users post and interact with messages, tweets, restricted to 140 characters. Registered users can post tweets, but those who are unregistered can only read them, users access Twitter through its website interface, SMS or a mobile device app. Twitter Inc. is based in San Francisco, California, United States, Twitter was created in March 2006 by Jack Dorsey, Noah Glass, Biz Stone, and Evan Williams and launched in July. The service rapidly gained worldwide popularity, in 2012, more than 100 million users posted 340 million tweets a day, and the service handled an average of 1.6 billion search queries per day. In 2013, it was one of the ten most-visited websites and has described as the SMS of the Internet. As of 2016, Twitter had more than 319 million monthly active users. On the day of the 2016 U. S. presidential election, Twitter proved to be the largest source of breaking news, Twitters origins lie in a daylong brainstorming session held by board members of the podcasting company Odeo. Jack Dorsey, then a student at New York University. The original project name for the service was twttr, an idea that Williams later ascribed to Noah Glass, inspired by Flickr. The developers initially considered 10958 as a code, but later changed it to 40404 for ease of use. Work on the project started on March 21,2006, when Dorsey published the first Twitter message at 9,50 PM Pacific Standard Time, Dorsey has explained the origin of the Twitter title. we came across the word twitter, and it was just perfect. The definition was a short burst of inconsequential information, and chirps from birds, and thats exactly what the product was. The first Twitter prototype, developed by Dorsey and contractor Florian Weber, was used as a service for Odeo employees. Williams fired Glass, who was silent about his part in Twitters startup until 2011, Twitter spun off into its own company in April 2007. Williams provided insight into the ambiguity that defined this early period in a 2013 interview, With Twitter and they called it a social network, they called it microblogging, but it was hard to define, because it didnt replace anything. There was this path of discovery with something like that, where over time you figure out what it is, Twitter actually changed from what we thought it was in the beginning, which we described as status updates and a social utility. It is that, in part, but the insight we eventually came to was Twitter was really more of an information network than it is a social network, the tipping point for Twitters popularity was the 2007 South by Southwest Interactive conference. During the event, Twitter usage increased from 20,000 tweets per day to 60,000, the Twitter people cleverly placed two 60-inch plasma screens in the conference hallways, exclusively streaming Twitter messages, remarked Newsweeks Steven Levy
10.
Metacritic
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Metacritic is a website that aggregates reviews of media products, music albums, games, movies, TV shows, DVDs, and formerly, books. For each product, the scores from each review are averaged, Metacritic was created by Jason Dietz, Marc Doyle, and Julie Doyle Roberts. The site provides an excerpt from each review and hyperlinks to its source, a color of Green, Yellow or Red summarizes the critics recommendations and therefore the general appeal of the product to reviewers and, to a lesser extent, the public. It is regarded as the game industrys foremost review aggregator. Metacritics scoring converts each review into a percentage, either mathematically from the mark given, before being averaged, the scores are weighted according to the critics fame, stature, and volume of reviews. Metacritic was launched in July 1999 by Marc Doyle, his sister Julie Doyle Roberts, rotten Tomatoes was already compiling movie reviews, but Doyle, Roberts, and Dietz saw an opportunity to cover a broader range of media. They sold Metacritic to CNET in 2005, CNET and Metacritic are now owned by the CBS Corporation. Nick Wingfield of The Wall Street Journal wrote in September 2004, Mr. Doyle,36, is now a product manager at CNET. Speaking of video games, Doyle said, A site like ours helps people cut through. unobjective promotional language and he added that the review process was not taken as seriously when unconnected magazines and websites provided reviews in isolation. In August 2010, the appearance was revamped, reaction from users was overwhelmingly negative. Certain publications are given more significance because of their stature, games Editor Marc Doyle was interviewed by Keith Stuart of The Guardian to get a look behind the metascoring process. Stuart wrote, the phenomenon, namely Metacritic and GameRankings, have become an enormously important element of online games journalism over the past few years. The ranging of metascores is, Metacritic is regarded as the foremost online review site for the video game industry. Nick Wingfield of The Wall Street Journal has written that Metacritic influence the sales of games and he explains its influence as coming from the higher cost of buying video games than music or movie tickets. Many executives say that low scores can hurt the sales potential. He claimed that a number of businesses and financial analysts use Metacritic as an early indicator of a games potential sales and, by extension. In 2004, Jason Hall of Warner Bros. began including quality metrics in contracts with partners licensing its movies for games, if a product does not at least achieve a specific score, some deals require the publisher to pay higher royalties. In 2008, Microsoft began using Metacritic averages to de-list underperforming Xbox Live Arcade games and these are the top 10 individual games with the highest scores on the site as of 2 April 2017
11.
AllMusic
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AllMusic is an online music guide service website. It was launched in 1991 by All Media Guide which later became All Media Network, AllMusic was launched in 1991 by Michael Erlewine of All Media Guide. The aim was to discographic information on every artist whos made a record since Enrico Caruso gave the industry its first big boost and its first reference book was published the following year. When first released onto the Internet, AMG predated the World Wide Web and was first available as a Gopher site, the AMG consumer web properties AllMusic. com, AllMovie. com and AllGame. com were sold by Rovi in July 2013 to All Media Network, LLC. All Media Network, LLC. was formed by the founders of SideReel. com. The following are contributors to AllMusic, as of this date, All Media Network also produced the AllMusic guide series that includes the AllMusic Guide to Rock, the All Music Guide to Jazz and the All Music Guide to the Blues. Vladimir Bogdanov is the president of the series, in August 2007, PC Magazine included AllMusic in its Top 100 Classic Websites list. All Media Network AllGame AllMovie SideReel All Music Guide to the Blues All Music Guide to Jazz Stephen Thomas Erlewine Official website
12.
The A.V. Club
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Club was initially created in 1993 as a supplemental part of The Onion and had a minimal presence on The Onion’s website in its early years. However, a 2005 website redesign placed The A. V, Club in a more prominent position, allowing its online identity to grow. Unlike its parent publication, The A. V, the publication’s name is a reference to school audiovisual clubs, composed of a bunch of geeks who actually knew how to run the film strip and film projectors. In 1993, five years after the founding of The Onion at the University of Wisconsin-Madison, UWM student Stephen Thompson launched an entertainment section, Club, as part of the newspapers 1995 redesign. Both The Onion and The A. V, Club made their Internet debut in 1996. Club acquired its own Internet domain name in December 1999, in December 2004, Stephen Thompson left his position as founding editor of The A. V. Club website was redesigned in 2005 to incorporate blogs and reader comments, in 2006, concurrent with another redesign, the website shifted its model to begin adding content on a daily, rather than weekly, basis. According to Sean Mills, then-president of The Onion, the A. V, Club website received more than 1 million unique visitors for the first time in October 2007. In late 2009, the website was reported as receiving over 1.4 million unique visitors and 75,000 comments per month, the offending review was removed from The A. V. Club, and then-editor Keith Phipps posted an apology on the website, leonard Pierce, the author of the review, was terminated from his freelance role with the website. At its peak, the print version of The A. V, Club was available in 17 different cities. Localized sections of the website were also maintained, with reviews and news relevant to specific cities, the print version and localized websites were gradually discontinued alongside the print version of The Onion, and in December 2013, publication ceased in the final three markets. On 13 December,2012, long-time writer and editor Keith Phipps and he stated, Onion, Inc. and I have come to a mutual parting of the ways. On 2 April,2013, longtime editor and critic Scott Tobias stepped down from his role as film editor of The A. V. Club stating via Twitter, After 15 great years @theavclub, I step down as Film Editor next Friday. In the comments section of the announcing the departures, writer Noel Murray announced he would also be joining their project. On 30 May,2013, it was announced that the six writers would be a part of the staff of The Dissolve. In April and June 2014, senior staff writers Kyle Ryan, Sonia Saraiya and Todd VanDerWerff left the website for positions at Entertainment Weekly, Salon and Vox Media, in 2015, Ryan returned to Onion, Inc. for a position in development
13.
Exclaim!
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Exclaim. is a monthly Canadian music magazine that features in-depth coverage of new music across all genres with special focus on Canadian and cutting-edge artists. Content is based on the print publication, publishes 11 issues per year. Exclaim. began as a discussion among campus and community radio programmers at Ryersons CKLN-FM in 1991 and it was started by Ian Danzig, together with other programmers and Toronto musicians. The goal of the publication was to support great Canadian music that was otherwise going unheralded, the group worked through 1991 to produce their first issue in April 1992, with monthly issues being produced since. Ian Danzig has been the publisher of the magazine since its start, similarly to an alternative weekly newspaper, the magazine is distributed as a free publication at campus and community radio stations, bars, record stores, libraries, and coffee shops. The magazines website features reviews, interviews and profiles not found in the print publication and it includes a news page that is updated with the latest in music and music-related culture. The site reaches 211,000 unique users every month, TV, which includes weekly instalments of video interviews with musicians, as well as a section titled Click Hear where readers are guided to the latest music released on the Internet. As well as music, exclaim. ca reviews films, DVDs, music DVDs, concerts, exclaim. ca is also increasing its coverage of film festivals, such as the Toronto International Film Festival and the Sundance Film Festival. The magazine also covers smaller Toronto festivals such as the Toronto Reel Asian International Film Festival, Hot Docs Documentary Film Festival, the magazines website also has contests where readers can enter for a chance to win various music-related prizes. These artists are featured on the cover of Exclaims monthly issue, x3 artists of the month have included Knaan, Malajube, Thunderheist, Japandroids, Apostle of Hustle, You Say Party. We Say Die. and The Rural Alberta Advantage
14.
Paste (magazine)
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Paste is a monthly music and entertainment digital magazine published in the United States by Wolfgangs Vault. Its tagline is Signs of Life in Music, Film and Culture, the magazine began as a website in 1998. It ran as a print publication from 2002 to 2010 before converting to online-only, the magazine, headquartered in Avondale Estates, Georgia. It was founded as a quarterly in July 2002 by Josh Jackson, Nick Purdy and it later switched to a bimonthly format. In 2005, Paste fulfilled remaining subscriptions for the competing magazine Tracks, Paste became a monthly with its August 2006 issue. For two years in the mid-2000s, Paste had a segment on CNN Headline News called Paste Picks. In October 2007, the magazine tried the Radiohead experiment, offering new, amidst an economic downturn, Paste began to suffer from lagging ad revenue, as did other magazine publishers in 2008 and 2009. On May 14,2009, Paste editors announced a plan to save the magazine, by pleading to its readers, musicians, cost-cutting by the magazine did not stem the losses. The main crux cited for the financial troubles is the lack of advertiser spending, in 2009, Paste launched an hour-long TV pilot for Halogen TV called Pop Goes the Culture. On August 31,2010, Paste suspended the print magazine, on May 28,2011, Paste announced it was bringing back its weekly subscription services in a digital layout. The digital magazine now covers music, movies, TV, comedy, books, video games, design, tech, food, each issue also includes a digital version of the Paste Sampler with seven new songs each week. Although Pastes focus was music, covering a variety of genres with an emphasis on adult alternative, Americana and indie rock. Each issue originally included a CD music sampler but was dropped in favor of digital downloading as a Going-Green initiative, many of these artists also contributed to the Campaign to Save Paste. In 2005, Paste was listed at #21 on the Chicago Tribunes list of 50 Best Magazines, Paste was also named Magazine of the Year by the PLUG Independent Music Awards in 2006,2007 and 2008. In 2008,2009 and 2010, Paste was nominated for a National Magazine Award in the category of General Excellence, and in 2010, associate editor Rachael Maddux writings were nominated for Best Reviews
15.
Pitchfork (website)
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Pitchfork is an American online magazine launched in 1995 by Ryan Schreiber, based in Chicago, Illinois and owned by Condé Nast. The site generally concentrates on new music, but Pitchfork journalists have also reviewed reissues, in late 1995, Ryan Schreiber, a recent high school graduate, created the magazine in Minneapolis. Influenced by local fanzines and KUOM, Schreiber, who had no writing experience. At first being Turntable, the site was updated monthly with interviews and reviews, in May 1996, the site began publishing daily and was renamed Pitchfork, alluding to Tony Montanas tattoo in Scarface. In early 1999, Schreiber relocated Pitchfork to Chicago, Illinois, by then, the site had expanded to four full-length album reviews daily, as well as sporadic interviews, features, and columns. It had also begun garnering a following for its coverage of underground music and its writing style. In October, the added a daily music news section. Pitchfork has launched a variety of subsidiary websites, Pitchfork. tv, a website displaying videos related to many independent music acts, launched in April 2008. It features bands that are found on Pitchfork. In July 2010, Pitchfork announced Altered Zones, a blog devoted to underground. On 21 May 2011, Pitchfork announced a partnership with Kill Screen, Altered Zones was closed on November 30. On December 26,2012, Pitchfork launched Nothing Major, a website that covered visual arts such as fine art, Nothing Major closed in October 2013. On October 13,2015, Condé Nast announced that it had acquired Pitchfork, following the sale, Schreiber remained as editor-in-chief. On March 13,2016, Pitchfork was redesigned, some publications have cited Pitchfork in having played a part in breaking artists such as Arcade Fire, Sufjan Stevens, Clap Your Hands Say Yeah, Interpol, The Go. Conversely, Pitchfork has also seen as being a negative influence on some indie artists. A dismissive 0.0 review of former Dismemberment Plan frontman Travis Morrisons Travistan album led to a sales drop. On the other hand, an endorsement from Pitchfork – which dispenses its approval one-tenth of a point at a time, up to a maximum of 10 points – is very valuable, indeed. Examples of Pitchforks impact include, Arcade Fire is among the bands most commonly cited to have benefited from a Pitchfork review
16.
Q (magazine)
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Q is a popular music magazine published monthly in the United Kingdom. Q was first published by the EMAP media group in October 1986, setting apart from much of the other music press with monthly production and higher standards of photography. In the early years, the magazine was sub-titled The modern guide to music, originally it was to be called Cue, but the name was changed so that it wouldnt be mistaken for a snooker magazine. Another reason, cited in Qs 200th edition, is that a title would be more prominent on newsstands. In January 2008 EMAP sold its consumer titles, including Q. The magazine has a review section, featuring, new releases, reissues, music compilations, film and live concert reviews, as well as radio. It uses a system from one to five stars, indeed. While its content is non-free they host an archive of all of their magazine covers, much of the magazine is devoted to interviews with popular musical artists. It is well known for compiling lists and it has created many, ranging from The 100 Greatest albums to the 100 Greatest 100 Greatest Lists. Every other month, Q — and its magazine, Mojo — have a special edition. These have been about musical times, genres, or a very important/influential musician, often, promotional gifts are given away, such as cover-mounted CDs or books. The January 2006 issue included a copy of The Greatest Rock. Every issue of Q has a different message on the spine, readers then try to work out what the message has to do with the contents of the mag. This practice — known as the spine line — has since become commonplace among British lifestyle magazines, including Qs sister publication, Empire, on 4 March 2007, Q named Elvis Presley the greatest singer of all time. The magazine has a relationship with the Glastonbury Festival, producing both a free daily newspaper on site during the festival and a review magazine available at the end of the festival. In late 2008 Q revamped its image, with an amount of text. This Rolling Stone-isation has led to criticism from much of the traditional Q readership, in 2006, Q published a readers survey, the 100 Greatest Songs Ever, won by Oasis Live Forever. Q has a history of associating with charitable organisations, and in 2006 the British anti-poverty charity War on Want was named its official charity, in the April 2007 issue, Q published an article containing the 100 Greatest Singers, won by Elvis Presley
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Spin (magazine)
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Spin is an American music magazine founded in 1985 by publisher Bob Guccione, Jr. The magazine stopped running in print in 2012 and currently runs as a webzine, in its early years, the magazine was known for its broad music coverage with an emphasis on college rock, grunge, indie rock, and the ongoing emergence of hip-hop. The magazine was eclectic and bold, if sometimes haphazard and it pointedly provided a national alternative to Rolling Stones more establishment-oriented style. Spin prominently placed newer artists such as R. E. M, Spins extensive coverage of hip-hop music and culture, especially that of contributing editor John Leland, was notable at the time. Editorial contributions by musical and cultural figures included Lydia Lunch, Henry Rollins, David Lee Roth, the magazine also reported on cities such as Austin, Texas, or Glasgow, Scotland, as cultural incubators in the independent music scene. A1990 article on the country blues scene brought R. L. Burnside to national attention for the first time. During this time, it was published by Camouflage Associates, in 1997, Guccione sold Spin to Miller Publishing. In February 2006, Miller Publishing sold the magazine to a San Francisco-based company called the McEvoy Group LLC and that company formed Spin Media LLC as a holding company. The new owners replaced editor-in-chief Sia Michel with Andy Pemberton, an editor at Blender. The first issue to be published under his command was the July 2006 issue—sent to the printer in May 2006—which featured Beyoncé on the cover. Pemberton and Spin parted ways the next month, in June 2006, the following editor, Doug Brod, was executive editor during Michels tenure. For Spins 20th anniversary, it published a book chronicling the prior two decades in music. The book has essays on grunge, Britpop, and emo, among other genres of music, as well as pieces on musical acts including Marilyn Manson, Tupac Shakur, nirvana, Weezer, Nine Inch Nails, Limp Bizkit, and the Smashing Pumpkins. In July 2012, Spin was sold to Buzzmedia, which renamed itself SpinMedia. The September/October 2012 issue of Spin was the magazines last print edition, in December 2016, Eldridge Industries acquired SpinMedia via the Hollywood Reporter-Billboard Media Group for an undisclosed amount. In 1995, Spin produced its first book, entitled Spin Alternative Record Guide, although the book was not a sales success, it inspired a disproportionate number of young readers to pursue music criticism. Notable contributors to Spin have included, SPIN began compiling year-end lists in 1990, note, The 2000 album of the year was awarded to your hard drive, acknowledging the impact that filesharing had on the music listening experience in 2000. Kid A was listed as number 2, the highest ranking given to an actual album,1994 roadside attack on Spin magazine journalists Anon
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Sputnikmusic
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Sputnikmusic, or simply Sputnik, is a music website offering music criticism and music news alongside features commonly associated with wiki-style websites. Over time, the site has come to be established as a source, becoming a featured reviewer on Metacritic. As a general rule, the writers tend to focus on new releases, however. In June 2006, following claims made by the MPA about the illegality of music tabs, MXTabs was closed. At this time, Sputnikmusic became its own entity, with MusicianForums renamed as the SputnikMusic Forums. It was at point that the focus of Sputnik began to shift toward providing professional content, with a news page added. As part of this shift, several features have also sporadically been provided by the staff writers, including live reviews, interviews, exclusive MP3 streams. Currently on Sputnikmusic, four classes of reviewer exist that demarcate whether content should be considered professional or not, staff Writers are the writers who contribute the professional-standard content, which includes featured articles in addition to reviews. There are currently 25 staff reviewers, three of whom act as moderators and administrators for the site. Contributing Reviewers can contribute features, but are not eligible for inclusion by either Metacritic or Wikipedia, there are currently 23 contributing reviewers. Emeritus is a given to former staff writers who no longer contribute to the site. Reviews by these users are acknowledged as professional, users includes everybody who has not yet been promoted to any of the higher levels. Despite this, they can contribute new reviews, artists, and albums to the database, edit data already present. Sputnikmusic operates a simple 5-point rating system, starting at 1, as a guide to new reviewers, each of these values is assigned a word, ranging from Awful to Classic. However, certain albums have a rating system, where users cannot rate the album lower than a 2.0. This is the case with Kendrick Lamars To Pimp a Butterfly, the staff of Sputnik have not commented on this, despite being asked. As well as showing the score a reviewer has given to the album, a page will also show the scores given by other individual reviewers. A bar chart will also show how many votes each rating has once it has received at least two and a review
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Tiny Mix Tapes
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Tiny Mix Tapes is an online music and film webzine that focuses primarily on new music and related news. In addition to its reviews, it is noted for its subversive, political, originally called Tiny Mixtapes Gone to Heaven and hosted on GeoCities, the webzine moved to its current domain in 2001. Tiny Mix Tapes is a reviewer on Metacritic. The writing staff is composed of volunteers who often use pen names, the co-founder and editor-in-chief is Minneapolis-resident Marvin Lin. Tiny Mix Tapes offers news, music reviews, movie reviews, similarly, Eureka consists of reviews highlighted by the site as particularly noteworthy or exciting. There is also a section devoted to interviews, articles, fest reviews, as well as a Live Blog. In 2009, Tiny Mix Tapes added a columns section, as of 2008, Tiny Mix Tapes started reviewing films and now has a section devoted to film. This section also features on film-makers and other numerous subjects within the film medium. The Automatic Mix Tape Generator, or AMG, was created to offer two-way communication with the website, started in 2002, readers may submit a title or the theme for a mixtape, and a group of volunteers will compile a track list. Due to the volume of requests as well as request redundancy. The Mix Robots produce and submit track lists fulfilling the request as they interpret it, mixtape track lists are then available on the website. Most of the songs on the mix tapes come from indie or underground bands/musicians, in 2008, Trillian, the AMG editor, was on Talk of the Nation to discuss Valentines Day mixes. At the beginning of 2009, Tiny Mix Tapes began a feature podcast called Chocolate Grinder, published approximately twice a month, each installment sees a writer collecting ten brand new tracks they want to shed light on and mix it as a continuous stream or download. The tracks are posted for stream or download in a single file with a unique name. Currently, Chocolate Grinder remains a staple of Tiny Mix Tapes daily media content, in April 2009, the site began selling a benefit compilation CD/LP to benefit the victims of the War in Darfur. On March 30,2007, Tiny Mix Tapes announced it was hosting a festival in Minnesota, at this festival, long-since dissolved indie band Neutral Milk Hotel were billed to be reuniting all over your Cheerios as the headlining act. Amidst a blog flurry, and articles disputing the legitimacy of the event in Billboard and Prefix, the festival was revealed as an early April Fools Day joke later the same day
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CBS Interactive
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CBS Interactive Inc. is an American media company and is a division of the CBS Corporation. It is a content network for information and entertainment. Its websites cover news, sports, entertainment, technology and business and it is headed by Jim Lanzone. On May 30,2007, CBS Interactive acquired Last. fm for £140 million, on June 30,2008, CNET Networks was acquired by CBS and the assets were merged into CBS Interactive, including Metacritic, GameSpot, TV. com, and Movietome. In April 2014, CBS Interactive quietly acquired a site Modern Auto Reviews to roll its extensive user database and it was never disclosed how much CBS Interactive paid for the acquisition but it likely to be in the 10-15 million dollar range. CBS Interactives entertainment brands are CBS, CBS Interactives music brands are Last. fm, the music discovery service and listening service, and MetroLyrics, lyrics, videos and news for music. CBS Interactives sports brands are CBSSports. com, the home of CBS Sports, with news, scores, video. BNET, founded in 2007, was a magazine dedicated to issues of business management. It merged into CBS MoneyWatch in June 2008 to become the anchor to CBS business-related content
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Hearst Communications
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Hearst Communications, often referred to as simply Hearst, is an American mass media and business information conglomerate. The Hearst company is based in the Hearst Tower in Midtown Manhattan and it was founded by William Randolph Hearst as an owner of newspapers, and the Hearst family remains involved in its ownership and management. Under William Randolph Hearsts will, a board of thirteen trustees administers the Hearst Foundation, the William Randolph Hearst Foundation. The foundations shared ownership until tax law changed to prevent this, Frank A. Bennack Jr. former chief executive officer and executive vice chairman of the corporation John G. Conomikes, former executive of the corporation Gilbert C. In 1880, George Hearst, mining entrepreneur, American publisher, on March 4,1887, he turned the Examiner over to his son, 23-year-old William Randolph Hearst. He pushed his staff to write exciting stories, and wrote editorials worded with force. Within a few years, the new Examiner was a success, in 1895, Hearst purchased the New York Journal, laying the foundation for one of the major newspaper dynasties in American history. He established Hearsts Chicago American in 1900, renamed the morning edition of the New York Journal as the New York American in 1901, the Los Angeles Examiner was launched in 1903 followed by the Boston American one year later. Hearst experimented with every aspect of publishing, from page layouts to editorial crusades. His newspapers introduced innovations such as presses, halftone photographs on newsprint, comic sections printed in color. Stories by Hearst correspondents from around the world were sold to newspapers, giving rise to the Hearst International News Service. In 1903, Hearst Magazines was begun with the publication of Motor magazine, within the next 10 years Hearst acquired several popular titles, starting in 1905 with Cosmopolitan and Good Housekeeping in 1911. Also in 1911, Hearst bought a middling monthly magazine called World To-Day, in June 1914, its title was shortened to Hearsts, and it was ultimately retitled Hearsts International in May 1922. In 1953 Hearst Magazines bought Sports Afield magazine which it kept until 1999 when it was sold to Robert E. Petersen, Hearst began producing film feature in the mid-1910s, creating one of the earliest animation studios, the International Film Service. Hearst established Cosmopolitan Pictures in the 1920s, distributing his films under the newly created Metro Goldwyn Mayer, in 1929, Hearst and MGM created the Hearst Metrotone newsreels. In order to spare serious cutbacks at San Simeon, Hearst merged Hearsts International magazine with Cosmopolitan effective March 1925, Hearst died in 1951, and the Hearsts International disappeared from the magazine cover altogether in April 1952. In the 1920s and 1930s, Hearst owned the biggest media conglomerate in the world, in 1924 he also merged his Milwaukee operations with the Pfister family, owners of The Milwaukee Sentinel. Hearst owned the evening Wisconsin News while the Pfisters kept the Sentinel adding Hearsts features from the now-folded Telegram, in 1925, Hearst sold the Syracuse Telegram to the owners of the Syracuse Journal, while selling the New York Mirror in 1928
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