1.
Album
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Album, is a collection of audio recordings issued as a single item on CD, record, audio tape, or another medium. Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, vinyl LPs are still issued, though in the 21st century album sales have mostly focused on compact disc and MP3 formats. The audio cassette was a format used from the late 1970s through to the 1990s alongside vinyl, an album may be recorded in a recording studio, in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to years to complete, usually in several takes with different parts recorded separately. Recordings that are done in one take without overdubbing are termed live, the majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at times while listening to the other parts using headphones. Album covers and liner notes are used, and sometimes additional information is provided, such as analysis of the recording, historically, the term album was applied to a collection of various items housed in a book format. In musical usage the word was used for collections of pieces of printed music from the early nineteenth century. Later, collections of related 78rpm records were bundled in book-like albums, the LP record, or 33 1⁄3 rpm microgroove vinyl record, is a gramophone record format introduced by Columbia Records in 1948. It was adopted by the industry as a standard format for the album. Apart from relatively minor refinements and the important later addition of stereophonic sound capability, the term album had been carried forward from the early nineteenth century when it had been used for collections of short pieces of music. Later, collections of related 78rpm records were bundled in book-like albums, as part of a trend of shifting sales in the music industry, some commenters have declared that the early 21st century experienced the death of the album. Sometimes shorter albums are referred to as mini-albums or EPs, Albums such as Tubular Bells, Amarok, Hergest Ridge by Mike Oldfield, and Yess Close to the Edge, include fewer than four tracks. There are no rules against artists such as Pinhead Gunpowder referring to their own releases under thirty minutes as albums. These are known as box sets, material is stored on an album in sections termed tracks, normally 11 or 12 tracks. A music track is a song or instrumental recording. The term is associated with popular music where separate tracks are known as album tracks. When vinyl records were the medium for audio recordings a track could be identified visually from the grooves
2.
Melvins
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Melvins are an American rock band that formed in 1983 in Montesano, Washington. They have mostly performed as a trio, as well as a quartet with two drummers in recent years, since 1984, vocalist and guitarist Buzz Osborne and drummer Dale Crover have been constant members. The band was named after a supervisor at a Thriftway in Montesano, Washington, melvin was despised by other employees, and the bands members felt it to be an appropriately ridiculous name. Their early work was key to the development of grunge and sludge metal. The Melvins were formed in early 1983 by Buzz Osborne, Matt Lukin, in the beginning they played Cream and Jimi Hendrix covers, and also began playing fast hardcore punk. When Dillard left the band, Dale Crover took his place, soon afterward, they started to play songs slower and heavier than nearly anyone else at the time. In 1985, C/Z Records was created to document the Washington music scene, in 1986 the band released their debut, the Six Songs EP, on C/Z Records. The album was recorded live to a two track at the now closed Ironwood Studio in Seattle on February 8,1986, in December 1986, they recorded their first full-length album, Gluey Porch Treatments, at Studio D in Sausalito, California. The album was released in 1987 on Alchemy Records, Gluey Porch Treatments was later coupled with their second album Ozma for the Boner Records CD release. It was expanded again for the 1999 re-release on Ipecac Recordings with some garage demos. Crover played drums with Nirvana when they recorded a ten song demo on January 23,1988 in Seattle, which formed part of their debut LP Bleach. Osborne would later introduce Kurt Cobain and Krist Novoselic to Dave Grohl, later that year Osborne and Crover relocated to San Francisco, California. Lukin stayed and formed the band Mudhoney, lori Lorax Black replaced Lukin on bass. The band recorded Ozma in May 1989, and released it later that year, the album was produced by Mark Deutrom, who later joined the band on bass. In 1990, the band recorded Bullhead, which marked a slower, the band then toured Europe, their January 23,1991 show in Alzey, Germany was released by Your Choice Records as Your Choice Live Series Vol.12. When they returned to the U. S. they recorded the Eggnog EP, Lorax left the band, and was replaced by Joe Preston. Preston appears on the Salad of a Thousand Delights, the Melvins then released three solo EPs, following the concept and imitating the cover artwork inspired by the four Kiss members solo albums released in 1978. King Buzzo, Dale Crover, and Joe Preston were all released in 1992 on Boner Records, later in 1992, they released the full-length album, Lysol, which had to be renamed Melvins because Lysol was a trademarked name
3.
Hollywood
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Hollywood is an ethnically diverse, densely populated neighborhood in the central region of Los Angeles, California. It is notable as the home of the U. S. film industry, including several of its studios, and its name has come to be a shorthand reference for the industry. Hollywood was a community in 1870 and was incorporated as a municipality in 1903. It was consolidated with the city of Los Angeles in 1910, in 1853, one adobe hut stood in Nopalera, named for the Mexican Nopal cactus indigenous to the area. By 1870, an agricultural community flourished, the area was known as the Cahuenga Valley, after the pass in the Santa Monica Mountains immediately to the north. According to the diary of H. J. Whitley, known as the Father of Hollywood, along came a Chinese man in a wagon carrying wood. The man got out of the wagon and bowed, the Chinese man was asked what he was doing and replied, I holly-wood, meaning hauling wood. H. J. Whitley had an epiphany and decided to name his new town Hollywood, Holly would represent England and wood would represent his Scottish heritage. Whitley had already started over 100 towns across the western United States, Whitley arranged to buy the 500-acre E. C. Hurd ranch and disclosed to him his plans for the land. They agreed on a price and Hurd agreed to sell at a later date, before Whitley got off the ground with Hollywood, plans for the new town had spread to General Harrison Gray Otis, Hurds wife, eastern adjacent ranch co-owner Daeida Wilcox, and others. Daeida Wilcox may have learned of the name Hollywood from Ivar Weid, her neighbor in Holly Canyon and she recommended the same name to her husband, Harvey. In August 1887, Wilcox filed with the Los Angeles County Recorders office a deed and parcel map of property he had sold named Hollywood, Wilcox wanted to be the first to record it on a deed. The early real-estate boom busted that year, yet Hollywood began its slow growth. By 1900, the region had a post office, newspaper, hotel, Los Angeles, with a population of 102,479 lay 10 miles east through the vineyards, barley fields, and citrus groves. A single-track streetcar line ran down the middle of Prospect Avenue from it, but service was infrequent, the old citrus fruit-packing house was converted into a livery stable, improving transportation for the inhabitants of Hollywood. The Hollywood Hotel was opened in 1902 by H. J. Whitley who was a president of the Los Pacific Boulevard, having finally acquired the Hurd ranch and subdivided it, Whitley built the hotel to attract land buyers. Flanking the west side of Highland Avenue, the structure fronted on Prospect Avenue, the hotel was to become internationally known and was the center of the civic and social life and home of the stars for many years. Whitleys company developed and sold one of the residential areas
4.
Stoner rock
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Stoner rock or stoner metal is a rock music fusion genre that combines elements of heavy metal and/or doom metal with psychedelic rock and acid rock. The term desert rock is used interchangeably with the term stoner rock to describe this genre, however. Stoner rock is typically slow-to-mid tempo and features a distorted, groove laden bass-heavy sound, melodic vocals. The genre emerged during the early 1990s and was pioneered foremost by the Californian bands Kyuss, the descriptor stoner rock may originate from the title of the 1997 Roadrunner Records compilation Burn One Up. Desert rock is used interchangeably as a descriptor, and was coined by a MeteorCity Records intern. Due to the similarities between stoner and sludge metal, there is often a crossover between the two genres and this hybrid has traits of both styles, but generally lacks stoner metals laid back atmosphere and its usage of psychedelia. Bands such as Weedeater, High on Fire and Electric Wizard creatively fuse both styles, the involvement of cannabis in the creation of stoner rock/metal can range between bands in the genre. Bands such as Sleep have involved the concept of cannabis to be part of the core of their albums, dopesmoker by Sleep received controversy because the 60-minute song is about cannabis, which resulted in conflict with Sleeps record company. Bands such as King Caravan and Sea of Green have come under terms with this statement. Similarly, Matt Pike from the band High on Fire stated, Its a very strong scene, I might use the word stoner in my lyrics, but I think were metal, dude. Id say I was crossover metal, actually, or progressive metal and its kind of a tough thing to lump into a category, but I guess we get the stoner-rock label because of the whole pot thing. Like most subgenres of music, the origins of rock are hard to trace. Nevertheless, several known progenitors and signature songs are credited with helping to shape the genre. Blue Cheer is considered one of the pioneers of the style, as AllMusic author Greg Prato puts it, When talks about stoner rock come up, one band that tends to get overlooked is Blue Cheer. Rolling Stone claims, What stoner rock delivers, slowed down and magnified, is the riff, led Zeppelin and Black Sabbath were the first to make a monolith of it. Sir Lord Baltimore have been called the godfathers of rock and Leaf Hound have been cited for influencing countless bands in the stoner rock movement, including Kyuss. Primevils album Smokin Bats at Camptons has been called a touchstone of stoner rock, jim DeRogatis has said that stoner rock bands are reaching back for inspiration to the psychedelic, proto-metallic jamming of bands like Cream, Black Sabbath, Deep Purple, and Hawkwind. Black Sabbaths Master of Reality is often cited as the first album of the genre, soundgarden, who released their first album in 1988, are typically associated with grunge, but have also been called the standard-bearers of stoner rock during the 1990s
5.
Ipecac Recordings
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Ipecac Recordings is an independent record label based in California. It was founded on April 1,1999 by Greg Werckman and Mike Patton in Alameda, originally the label was created for the sole purpose of releasing the first Fantômas album. Since then, they have gone on to other artists like Melvins, Isis, as well as several of Pattons other projects. The label is named after syrup of ipecac, an emetic, or vomit-inducing and its slogan is Ipecac Recordings--Making People Sick Since 1999. Ipecac is distinguished from most labels by their policy of signing bands to only one album contracts, Werckman claims that when starting our label we decided that it did not feel right to “own” the artists on our label. Instead we would rent or license records from artists that we liked, lawyers or businesspeople call us morons for only doing one-record deals, Werckman scoffs. They say, Youre not really anything, then and we like the records we put out. Our job isnt to own any artist, were here to put out the art that people create. Low overhead and no video or promotional cost partnered with very little distribution costs allow for hearty royalties Every six months I send those guys royalty checks and its the way it should be. Even bands that are very successful — when they get royalty checks from us, Ipecac Recordings discography List of record labels Official homepage of Ipecac Recordings Ipecac Recordings on Google+
6.
Record producer
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A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu
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