1.
Don't Fear the Reaper (album)
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Witchery is a Swedish blackened thrash/speed metal band, formed by former members of Satanic Slaughter in 1997. The current lineup consists of guitarists Patrik Jensen and Rickard Richard Corpse Rimfält, bassist Sharlee DAngelo, vocalist Angus Norder and it all began in 1997 when Swedish cult band Satanic Slaughter split up in a way that basically only left their singer Ztephan Dark in the band. Thus the proto-version of Witchery started out with Satanic Slaughter members Patrik Jensen, Rickard Rille Rimfält, vocalist Toxine, drummer Mique, and bassist Sharlee DAngelo on board. In 1998 they recorded and released their debut Restless And Dead through Necropolis Records, Witchery quickly gathered a cult following with their combination of serious, technical thrash metal and all topics dead. Witchery also have their own heavy metal salute, a derivation from the original Sign of the horns Evil Eye ward popularized by Ronnie James Dio called The W, for properly doing the W only the ring finger and thumb of the performing hand touch. Rumour has it that the salute came into being as somebody in the band tried to do the metal salute with a cigarette between his fingers and this W is not to be confused with the Shocker. Later that year, Witchery released the Witchburner minialbum, the EP featured three originals and four cover songs bearing witness to the individual musicians influences, among them Accept, W. A. S. P and Judas Priest. The track Witchburner being the first ever recording of the band, in 1999, Witchery embarked on a U. S. tour with Emperor and Borknagar. Their second full-length album Dead, Hot and Ready was unleashed soon thereafter, symphony For The Devil, the bands 2001 release, was recorded at Berno Studio in Malmö, Sweden with new drummer, Martin Axe Axenrot. Witchery returned to tour North America later that year with The Haunted, returning to Berno Studios in 2004, the band recorded Dont Fear The Reaper, this time entrusting mixing duties to Tue Madsen and his Antfarm Studios. After recording the album, the signed a worldwide record deal with Century Media. In April 2010 accomplished black metal singer Legion joined the band to replace Toxine who had to drop out because of schedule issues, according to the press release the split happened by mutual agreement. The new album entitled Witchkrieg has been announced for July 2010, on the 19th of June,2010, the band played at the annual Metaltown festival in Gothenburg Their sixth studio album, In His Infernal Majestys Service, is due November 25 on Century Media Records
2.
Single (music)
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In music, a single or record single is a type of release, typically a song recording of fewer tracks than an LP record, an album or an EP record. This can be released for sale to the public in a variety of different formats, in most cases, a single is a song that is released separately from an album, although it usually also appears on an album. Typically, these are the songs from albums that are released separately for promotional uses such as digital download or commercial radio airplay and are expected to be the most popular, in other cases a recording released as a single may not appear on an album. As digital downloading and audio streaming have become prevalent, it is often possible for every track on an album to also be available separately. Nevertheless, the concept of a single for an album has been retained as an identification of a heavily promoted or more popular song within an album collection. Despite being referred to as a single, singles can include up to as many as three tracks on them. The biggest digital music distributor, iTunes, accepts as many as three tracks less than ten minutes each as a single, as well as popular music player Spotify also following in this trend. Any more than three tracks on a release or longer than thirty minutes in total running time is either an Extended Play or if over six tracks long. The basic specifications of the single were made in the late 19th century. Gramophone discs were manufactured with a range of speeds and in several sizes. By about 1910, however, the 10-inch,78 rpm shellac disc had become the most commonly used format, the inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century.26 rpm. With these factors applied to the 10-inch format, songwriters and performers increasingly tailored their output to fit the new medium, the breakthrough came with Bob Dylans Like a Rolling Stone. Singles have been issued in various formats, including 7-inch, 10-inch, other, less common, formats include singles on digital compact cassette, DVD, and LD, as well as many non-standard sizes of vinyl disc. Some artist release singles on records, a more common in musical subcultures. The most common form of the single is the 45 or 7-inch. The names are derived from its speed,45 rpm. The 7-inch 45 rpm record was released 31 March 1949 by RCA Victor as a smaller, more durable, the first 45 rpm records were monaural, with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 rpm records were produced in stereo by the early 1970s
3.
A-side and B-side
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The terms A-side and B-side refer to the two sides of 78,45, and 33 1/3 rpm phonograph records, whether singles, extended plays, or long-playing records. Creedence Clearwater Revival had hits with both A-side and B-side releases, others took the opposite approach, producer Phil Spector was in the habit of filling B-sides with on-the-spot instrumentals that no one would confuse with the A-side. With this practice, Spector was assured that airplay was focused on the side he wanted to be the hit side, the earliest 10-inch,78 rpm, shellac records were single sided. Double-sided recordings, with one song on side, were introduced in Europe by Columbia Records. There were no record charts until the 1930s, and radio stations did not play recorded music until the 1950s, in this time, A-sides and B-sides existed, but neither side was considered more important, the side did not convey anything about the content of the record. The term single came into use with the advent of vinyl records in the early 1950s. At first, most record labels would randomly assign which song would be an A-side, under this random system, many artists had so-called double-sided hits, where both songs on a record made one of the national sales charts, or would be featured on jukeboxes in public places. As time wore on, however, the convention for assigning songs to sides of the record changed. By the early sixties, the song on the A-side was the song that the company wanted radio stations to play. It was not until 1968, for instance, that the production of albums on a unit basis finally surpassed that of singles in the United Kingdom. In the late 1960s stereo versions of pop and rock songs began to appear on 45s. The majority of the 45s were played on AM radio stations, by the early 1970s, double-sided hits had become rare. Album sales had increased, and B-sides had become the side of the record where non-album, non-radio-friendly, with the advent of cassette and compact disc singles in the late 1980s, the A-side/B-side differentiation became much less meaningful. With the decline of cassette singles in the 1990s, the A-side/B-side dichotomy became virtually extinct, as the dominant medium. However, the term B-side is still used to refer to the tracks or coupling tracks on a CD single. With the advent of downloading music via the Internet, sales of CD singles and other media have declined. B-side songs may be released on the record as a single to provide extra value for money. There are several types of material released in this way, including a different version, or, in a concept record
4.
Hard rock
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Hard rock is a loosely defined subgenre of rock music that began in the mid-1960s, with the garage, psychedelic and blues rock movements. It is typified by a use of aggressive vocals, distorted electric guitars, bass guitar, drums. Hard rock developed into a form of popular music in the 1970s, with bands such as The Who, Led Zeppelin, Queen, Black Sabbath, Deep Purple, Aerosmith, AC/DC. During the 1980s, some rock bands moved away from their hard rock roots and more towards pop rock. Hard rock began losing popularity with the success of R&B, hip-hop, urban pop, grunge. Out of this movement came garage rock bands like The White Stripes, The Strokes, Interpol and, later on, in the 2000s, only a few hard rock bands from the 1970s and 1980s managed to sustain highly successful recording careers. Hard rock is a form of loud, aggressive rock music, the electric guitar is often emphasised, used with distortion and other effects, both as a rhythm instrument using repetitive riffs with a varying degree of complexity, and as a solo lead instrument. Drumming characteristically focuses on driving rhythms, strong drum and a backbeat on snare. The bass guitar works in conjunction with the drums, occasionally playing riffs, vocals are often growling, raspy, or involve screaming or wailing, sometimes in a high range, or even falsetto voice. In the late 1960s, the heavy metal was used interchangeably with hard rock. Heavy metal took on darker characteristics after Black Sabbaths breakthrough at the beginning of the 1970s, in the 1980s it developed a number of subgenres, often termed extreme metal, some of which were influenced by hardcore punk, and which further differentiated the two styles. Despite this differentiation, hard rock and heavy metal have existed side by side, with bands frequently standing on the boundary of, other antecedents include Link Wrays instrumental Rumble in 1958, and the surf rock instrumentals of Dick Dale, such as Lets Go Trippin and Misirlou. In the 1960s, American and British blues and rock bands began to rock and roll by adding harder sounds, heavier guitar riffs, bombastic drumming. From the late 1960s, it common to divide mainstream rock music that emerged from psychedelia into soft. Soft rock was often derived from rock, using acoustic instruments and putting more emphasis on melody. In contrast, hard rock was most often derived from rock and was played louder. Blues rock acts that pioneered the sound included Cream, The Jimi Hendrix Experience, Cream, in songs like I Feel Free combined blues rock with pop and psychedelia, particularly in the riffs and guitar solos of Eric Clapton. Jimi Hendrix produced a form of blues-influenced psychedelic rock, which combined elements of jazz, blues and rock, from 1967 Jeff Beck brought lead guitar to new heights of technical virtuosity and moved blues rock in the direction of heavy rock with his band, The Jeff Beck Group
5.
Psychedelic rock
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Many psychedelic groups differ in style, and the label is often used indiscriminately. Musically, the effects may be represented via novelty studio tricks, electronic or non-Western instrumentation, disjunctive song structures, some of the earlier 1960s psychedelic rock musicians were based in folk, jazz, and the blues, while others showcased an explicit Indian classical influence called raga rock. In the 1960s, there existed two main variants of the genre, the whimsical British pop-psychedelia, and the harder American West Coast acid rock. While acid rock is often deployed interchangeably with the psychedelic rock, it can also refer more specifically to the heavier. The genre bridged the transition from early blues- and folk-based rock to rock and hard rock. Since the late 1970s it has revived in various forms of neo-psychedelia. The term psychedelic was first coined in 1956 by psychiatrist Humphry Osmond as a descriptor for hallucinogenic drugs in the context of psychedelic psychotherapy. As the countercultural scene developed in San Francisco, the acid rock. In the popular music of the early 1960s, it was common for producers, songwriters, and engineers to freely experiment with form, arrangements, unnatural reverb. Some of the best known examples are Phil Spectors Wall of Sound production formula, there was no transition to be made. You go from things like Flying Purple People Eater to I Am the Walrus, music critic Richie Unterberger says that attempts to pin down the first psychedelic record are therefore nearly as elusive as trying to name the first rock & roll record. Some of the far-fetched claims include the instrumental Telstar and the Dave Clark Fives massively reverb-laden Any Way You Want It, the first mention of LSD on a rock record was the Gamblers 1960 surf instrumental LSD25. American folk singer Bob Dylan was an influence on mid 1960s rock music. He led directly to the creation of rock and the psychedelic rock musicians that followed. Molly Longman of mic. com writes that, in terms of bridging the relationship between music and hallucinogens, the Beatles and the Beach Boys were the eras most pivotal acts. The considerable success enjoyed by these two bands allowed them the freedom to experiment with new technology over entire albums. In Unterbergers opinion, the Byrds, emerging from the Californian folk scene, with their ominous minor key melodies, hyperactive instrumental breaks, and use of Gregorian chants. In the songs lyric, the requests, Take me on a trip upon your magic swirling ship
6.
Columbia Records
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Columbia Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America, Inc. the United States division of Sony Corporation. It was founded in 1887, evolving from an enterprise named the American Graphophone Company. Columbia is the oldest surviving brand name in the sound business. Columbia Records went on to release records by an array of singers, instrumentalists. It is one of Sony Musics three flagship record labels alongside RCA Records and Epic Records, rather, as above, it was connected to CBS, a broadcasting media company which had purchased the company in 1938, and had been co-founded in 1927 by Columbia Records itself. Though Arista Records was sold to Bertelsmann Music Group, it would become a sister label of Columbia Records through its mutual connection to Sony Music. The Columbia Phonograph Company was founded in 1887 by stenographer, lawyer and New Jersey native Edward Easton and it derived its name from the District of Columbia, where it was headquartered. At first it had a monopoly on sales and service of Edison phonographs and phonograph cylinders in Washington. As was the custom of some of the regional companies, Columbia produced many commercial cylinder recordings of its own. Columbias ties to Edison and the North American Phonograph Company were severed in 1894 with the North American Phonograph Companys breakup, thereafter it sold only records and phonographs of its own manufacture. In 1902, Columbia introduced the XP record, a brown wax record. According to Gracyk, the molded brown waxes may have sold to Sears for distribution. Columbia began selling records and phonographs in addition to the cylinder system in 1901, preceded only by their Toy Graphophone of 1899. For a decade, Columbia competed with both the Edison Phonograph Company cylinders and the Victor Talking Machine Company disc records as one of the top three names in American recorded sound. In order to add prestige to its catalog of artists. The firm also introduced the internal-horn Grafonola to compete with the extremely popular Victrola sold by the rival Victor Talking Machine Company, during this era, Columbia used the famous Magic Notes logo—a pair of sixteenth notes in a circle—both in the United States and overseas. Columbia was split into two companies, one to make records and one to make players, Columbia Phonograph was moved to Connecticut, and Ed Easton went with it. Eventually it was renamed the Dictaphone Corporation, in late 1923, Columbia went into receivership
7.
Songwriter
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A songwriter is an individual who writes the lyrics, melodies and chord progressions for songs, typically for a popular music genre such as rock or country music. A songwriter can also be called a composer, although the term tends to be used mainly for individuals from the classical music genre. The pressure from the industry to produce popular hits means that songwriting is often an activity for which the tasks are distributed between a number of people. For example, a songwriter who excels at writing lyrics might be paired with a songwriter with a gift for creating original melodies, pop songs may be written by group members from the band or by staff writers – songwriters directly employed by music publishers. Some songwriters serve as their own publishers, while others have outside publishers. The old-style apprenticeship approach to learning how to write songs is being supplemented by university degrees and college diplomas, a knowledge of modern music technology, songwriting elements and business skills are necessary requirements to make a songwriting career in the 2010s. Several music colleges offer songwriting diplomas and degrees with music business modules, the legal power to grant these permissions may be bought, sold or transferred. This is governed by international copyright law, song pitching can be done on a songwriters behalf by their publisher or independently using tip sheets like RowFax, the MusicRow publication and SongQuarters. Skills associated with song-writing include entrepreneurism and creativity, songwriters who sign an exclusive songwriting agreement with a publisher are called staff writers. In the Nashville country music scene, there is a staff writer culture where contracted writers work normal 9-to-5 hours at the publishing office and are paid a regular salary. This salary is in effect the writers draw, an advance on future earnings, the publisher owns the copyright of songs written during the term of the agreement for a designated period, after which the songwriter can reclaim the copyright. In an interview with HitQuarters, songwriter Dave Berg extolled the benefits of the set-up, unlike contracted writers, some staff writers operate as employees for their respective publishers. Under the terms of work for hire agreements, the compositions created are fully owned by the publisher. In Nashville, young writers are often encouraged to avoid these types of contracts. Staff writers are common across the industry, but without the more office-like working arrangements favored in Nashville. All the major publishers employ writers under contract, songwriter Allan Eshuijs described his staff writer contract at Universal Music Publishing as a starter deal. His success under the arrangement eventually allowed him to found his own publishing company, so that he could. keep as much as possible, songwriters are also often skilled musicians. In addition to selling their songs and musical concepts for other artists to sing, songwriters need to create a number of elements for a song
8.
Buck Dharma
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Donald Brian Roeser, also known by the stage name Buck Dharma, is an American guitarist and songwriter, best known for being a member of Blue Öyster Cult since the groups formation in 1967. He wrote and sang the vocals on many of the bands best-known hits, including The Reaper, Godzilla. Roeser was born on Long Island, New York and his father was an accomplished jazz saxophonist, and Roeser spent a lot of time listening to jazz music as a result. Because of this, Roeser developed an interest in the arts at a very early age. He even played the accordion for a period of time. Roeser was influenced greatly by the British Invasion of 1964, and he first started out playing the drums, but had to stop temporarily after breaking his wrist while playing basketball. While recovering, Roeser learned to play guitar, and found that he enjoyed it more than the drums, during his high school years, Roeser played guitar in various cover bands. At this time, he started to develop his own signature sound by imitating his favorite guitarists, Roeser attended Clarkson University in New York, and joined a band that included later bandmate Albert Bouchard. The two played together on and off during the rest of their college career, at the end, both musicians abandoned potential degrees, and decided to pursue music full-time. They moved in to a house near Stony Brook University. Roeser and Bouchard started the band Soft White Underbelly in 1967, members included keyboardist Allen Lanier, singer Les Braunstein, bassist Andrew Winters and former music critic Sandy Pearlman. In 1968, they were signed by Elektra Records after the companys president Jac Holzman saw them perform, the band dropped Braunstein and added new singer Eric Bloom to their lineup - and recorded under the name Stalk-Forrest Group in 1970. Elektra dropped the band because of problems with the personnel, Roeser, along with Bouchard, Lanier, Pearlman, Bloom, and new member bassist Joe Bouchard reformed with the name Blue Öyster Cult. They signed with Columbia Records in 1971, and released four albums between 1972 and 1975, Roesers abilities on lead guitar were praised during this period. He did not write songs during this time period, however. By Blue Öyster Cults fifth album Agents of Fortune in 1976, Roeser proved himself as a songwriter, as a result, Roesers songwriting and vocals were more prevalent on the follow-up albums Spectres, Mirrors, Cultosaurus Erectus and Fire of Unknown Origin. Most significantly, he penned and sang on the tracks Godzilla and Burnin For You, in 1982, Roeser recorded and released Flat Out during his spare time. This is his first and only album to this date
9.
Record producer
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A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu
10.
David Lucas (composer)
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David Lucas is an American rock and roll composer, singer, and music producer. He has written a number of jingles, such as AT&Ts Reach Out. In 1981, he received a Clio Award for composing the music to Pepsis Catch That Pepsi Spirit, as a record producer, he worked with many new artists such as Blue Öyster Cult. In June 2011, Lucas was inducted into Buffalos Music Hall of Fame, Lucas was born David Helfman on April 21,1937 in Buffalo, New York. By the age of four, he was singing with his parents in the Buffalo area and he briefly attended Bennett High School in Buffalo, where he sang in the choir, and then in 1951 transferred to Miami Beach Senior High School, graduating in 1955. He continued with record promotion until he was drafted into the United States Army, after which he moved to Miami Beach and he made ends meet by selling vacuum cleaners during the day, and attending night school to learn about mutual funds. While in Miami, he met drummer and bandleader Buddy Rich, and joined him for a world tour, after which Lucas moved to Los Angeles. In Las Vegas, he sang at the Sahara Hotel, where he was noticed by popular singer Doris Day, who was impressed, Lucas then recorded So Until I See You, a song by composer Al Lerner which became the closing theme for Jack Paars The Tonight Show. Lucas then moved to New York City where he took odd jobs, including becoming a sound engineer for his cousin, jazz musician. He worked with such as Laura Nyro, Ravi Shankar, Tim Rose, Cass Elliot, Janis Ian, Jimmy Smith, Bill Evans, Mel Tormé. In 1964 he joined a quintet formed by Dave Lambert, Lambert and this quintet, though it never recorded any albums, was notable because it became the subject of a 15-minute documentary by D. A. Pennebaker, called Audition at RCA. The scenes in the documentary were some of the last images recorded of Lambert, in the late 1960s, Lucas began writing his own commercial jingle melodies, such as Macleans Toothpaste. He eventually passed off his job to Jay Messina, and opened his own company, David Lucas Associates. In 1969, Quincy Jones introduced Lucas to Cy Coleman, who signed him to Colemans Notable Music Publishing Company, along with writing jingles, Lucas continued with other projects as well. He produced the first recordings of the blues band Raven, enabling them to secure a contract with Columbia Records, in 1973, Lucas formed a new partnership with Tom McFaul, and they founded their own studio. Situated in an old warehouse, they called it the Warehouse Recording Studio. They employed a dozen people, and Lucas composed and produced thousands of jingles for national brands. We Bring Good Things To Life, Lipton puts Summer on Ice, and a jingle for Mercury Cougar
11.
Billboard Hot 100
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The Billboard Hot 100 is the music industry standard record chart in the United States for singles, published weekly by Billboard magazine. Chart rankings are based on sales, radio play and online streaming, the weekly sales period was originally Monday to Sunday, when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. Radio airplay, which, unlike sales figures and streaming data, is available on a real-time basis. A new chart is compiled and officially released to the public by Billboard on Tuesdays, as of the issue for the week ending on April 15,2017, the Hot 100 has had 1,061 different number one hits. The current number one song is Shape of You by Ed Sheeran, prior to 1955, Billboard did not have a unified, all-encompassing popularity chart, instead measuring songs by individual metrics. At the start of the era in 1955, three such charts existed, Best Sellers in Stores was the first Billboard chart, established in 1936. This chart ranked the biggest selling singles in retail stores, as reported by merchants surveyed throughout the country, Most Played by Jockeys was Billboards original airplay chart. It ranked the most played songs on United States radio stations, as reported by radio disc jockeys, Most Played in Jukeboxes ranked the most played songs in jukeboxes across the United States. On the week ending November 12,1955, Billboard published The Top 100 for the first time, the Top 100 combined all aspects of a singles performance, based on a point system that typically gave sales more weight than radio airplay. The Best Sellers In Stores, Most Played by Jockeys and Most Played in Jukeboxes charts continued to be published concurrently with the new Top 100 chart. The week ending July 28,1958 was the publication of the Most Played By Jockeys and Top 100 charts. On August 4,1958, Billboard premiered one main all-genre singles chart, the Hot 100 quickly became the industry standard and Billboard discontinued the Best Sellers In Stores chart on October 13,1958. The Billboard Hot 100 is still the standard by which a songs popularity is measured in the United States, the Hot 100 is ranked by radio airplay audience impressions as measured by Nielsen BDS, sales data compiled by Nielsen Soundscan and streaming activity provided by online music sources. There are several component charts that contribute to the calculation of the Hot 100. Charts are ranked by number of gross audience impressions, computed by cross-referencing exact times of radio airplay with Arbitron listener data. Hot Singles Sales, the top selling singles compiled from a sample of retail store, mass merchant and internet sales reports collected, compiled. The chart is released weekly and measures sales of commercial singles. With the decline in sales of singles in the US
12.
Rolling Stone
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Rolling Stone is an American biweekly magazine that focuses on popular culture. It was founded in San Francisco in 1967 by Jann Wenner, who is still the publisher. It was first known for its coverage and for political reporting by Hunter S. Thompson. In the 1990s, the magazine shifted focus to a readership interested in youth-oriented television shows, film actors. In recent years, it has resumed its traditional mix of content, Rolling Stone magazine was founded in San Francisco in 1967 by Jann Wenner and Ralph Gleason. To get it off the ground, Wenner borrowed $7,500 from his own family and from the parents of his soon-to-be wife, Jane Schindelheim. The first issue carried a date of November 9,1967. Some authors have attributed the name solely to Dylans hit single, At Gleasons suggestion, Rolling Stone initially identified with and reported the hippie counterculture of the era. In the very first edition, Wenner wrote that Rolling Stone is not just about the music, in the 1970s, Rolling Stone began to make a mark with its political coverage, with the likes of gonzo journalist Hunter S. Thompson writing for the magazines political section. Thompson first published his most famous work Fear and Loathing in Las Vegas within the pages of Rolling Stone, where he remained a contributing editor until his death in 2005. In the 1970s, the magazine also helped launch the careers of prominent authors, including Cameron Crowe, Lester Bangs, Joe Klein, Joe Eszterhas, Patti Smith. It was at point that the magazine ran some of its most famous stories. One interviewer, speaking for a number of his peers, said that he bought his first copy of the magazine upon initial arrival on his college campus. In 1977, the magazine moved its headquarters from San Francisco to New York City, editor Jann Wenner said San Francisco had become a cultural backwater. During the 1980s, the magazine began to shift towards being an entertainment magazine. Music was still a dominant topic, but there was increasing coverage of celebrities in television, films, the magazine also initiated its annual Hot Issue during this time. Rolling Stone was initially known for its coverage and for Thompsons political reporting. In the 1990s, the changed its format to appeal to a younger readership interested in youth-oriented television shows, film actors
13.
Romeo and Juliet
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Romeo and Juliet is a tragedy written by William Shakespeare early in his career about two young star-crossed lovers whose deaths ultimately reconcile their feuding families. It was among Shakespeares most popular plays during his lifetime and along with Hamlet, is one of his most frequently performed plays, today, the title characters are regarded as archetypal young lovers. Romeo and Juliet belongs to a tradition of tragic romances stretching back to antiquity. The plot is based on an Italian tale translated into verse as The Tragical History of Romeus and Juliet by Arthur Brooke in 1562, Shakespeare borrowed heavily from both but expanded the plot by developing a number of supporting characters, particularly Mercutio and Paris. Believed to have written between 1591 and 1595, the play was first published in a quarto version in 1597. The text of the first quarto version was of quality, however. Shakespeares use of his dramatic structure has been praised as an early sign of his dramatic skill. The play ascribes different poetic forms to different characters, sometimes changing the form as the character develops, Romeo, for example, grows more adept at the sonnet over the course of the play. Romeo and Juliet has been adapted numerous times for stage, film, musical, during the English Restoration, it was revived and heavily revised by William Davenant. David Garricks 18th-century version also modified several scenes, removing material then considered indecent, Performances in the 19th century, including Charlotte Cushmans, restored the original text and focused on greater realism. John Gielguds 1935 version kept very close to Shakespeares text and used Elizabethan costumes, the play, set in Verona, Italy, begins with a street brawl between Montague and Capulet servants who, like their masters, are sworn enemies. Prince Escalus of Verona intervenes and declares that further breach of the peace will be punishable by death, later, Count Paris talks to Capulet about marrying his daughter Juliet, but Capulet asks Paris to wait another two years and invites him to attend a planned Capulet ball. Lady Capulet and Juliets nurse try to persuade Juliet to accept Pariss courtship, meanwhile, Benvolio talks with his cousin Romeo, Montagues son, about Romeos recent depression. Benvolio discovers that it stems from unrequited infatuation for a girl named Rosaline, one of Capulets nieces, persuaded by Benvolio and Mercutio, Romeo attends the ball at the Capulet house in hopes of meeting Rosaline. However, Romeo instead meets and falls in love with Juliet, Juliets cousin, Tybalt, is enraged at Romeo for sneaking into the ball but is only stopped from killing Romeo by Juliets father, who does not wish to shed blood in his house. Romeo makes himself known to her and they agree to be married, with the help of Friar Laurence, who hopes to reconcile the two families through their childrens union, they are secretly married the next day. Tybalt, meanwhile, still incensed that Romeo had sneaked into the Capulet ball, Romeo, now considering Tybalt his kinsman, refuses to fight. Mercutio is offended by Tybalts insolence, as well as Romeos vile submission, Mercutio is fatally wounded when Romeo attempts to break up the fight
14.
Afterlife
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The afterlife is the concept of a realm, or the realm itself, in which an essential part of an individuals identity or consciousness continues to exist after the death of the body. Belief in an afterlife, which may be naturalistic or supernatural, is in contrast to the belief in oblivion after death, in this latter view, such rebirths and deaths may take place over and over again continuously until the individual gains entry to a spiritual realm or Otherworld. Major views on the afterlife derive from religion, esotericism and metaphysics, in metaphysical models, theists generally believe some type of afterlife awaits people when they die. Members of some generally non-theistic religions, tend to believe in an afterlife, the Sadducees were an ancient Jewish sect that generally believed that there was a God but no afterlife. Reincarnation refers to a concept found among Hindus, Buddhists, Jains, Sikhs, Rosicrucians, Theosophists, Spiritists. Reincarnation is also a belief described in Kabbalistic Judaism as gilgul neshamot and this succession leads toward an eventual liberation. One consequence of reincarnationist beliefs is that our current lives are both afterlife and a beforelife, according to those beliefs events in our current life are consequences of actions taken in previous lives, or Karma. In most denominations, heaven is a condition of reward for the righteous to go after they die, traditionally defined as eternal union with God. In contrast to heaven, hell is a condition of punishment and torment for the wicked, traditionally defined as eternal separation from God and confinement with other sinful souls and fallen angels. So they are seen as existing in a state of natural. In other Christian denominations it has described as an intermediate place or state of confinement in oblivion. The notion of purgatory is associated particularly with the Catholic Church, the tradition of the church, by reference to certain texts of scripture, speaks of a cleansing fire although it is not always called purgatory. Anglicans of the Anglo-Catholic tradition generally also hold to the belief, traditional African religions are diverse in their beliefs in an afterlife. For each soul remains distinct and each represents a new soul. In some societies like the Mende, multiple beliefs coexist, the Mende believe that people die twice, once during the process of joining the secret society, and again during biological death after which they become ancestors. However, some Mende also believe that people are created by God they live ten consecutive lives. One cross-cultural theme is that the ancestors are part of the world of the living, interacting with it regularly, the afterlife played an important role in Ancient Egyptian religion, and its belief system is one of the earliest known in recorded history. When the body died, parts of its known as ka
15.
Riff
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In music, an ostinato is a motif or phrase that persistently repeats in the same musical voice, usually at the same pitch. The repeating idea may be a pattern, part of a tune. Both ostinatos and ostinati are accepted English plural forms, the reflecting the words Italian etymology. If the cadence may be regarded as the cradle of tonality, within the context of film music, Claudia Gorbman defines an obstinate as a repeated melodic or rhythmic figure that propel scenes that lack dynamic visual action. Ostinato plays an important part in improvised music, in which it is referred to as a riff or a vamp. A favorite technique of contemporary writers, ostinati are often used in modal and Latin jazz. Ostinato are used in 20th-century music to stabilize groups of pitches, as in Stravinskys The Rite of Spring Introduction and Augurs of Spring. A famous type of ostinato, called the Rossini crescendo, owes its name to a crescendo that underlies a persistent musical pattern and this style was emulated by other bel canto composers, especially Vincenzo Bellini, and later by Wagner. Applicable in homophonic and contrapuntal textures they are repetitive rhythmic-harmonic schemes, more familiar as accompanimental melodies, the techniques appeal to composers from Debussy to avant-garde composers until at least the 1970s. Lies in part in the need for unity created by the abandonment of functional chord progressions to shape phrases. Relentless, repetitive character help to establish and confirm the modal center and their popularity may also be justified by their ease as well as range of use, though. Ostinato must be employed judiciously, as its overuse can lead to monotony. Ground bass or basso ostinato is a type of form in which a bass line. Aaron Copland describes basso ostinato as, the easiest to recognize of the variation forms wherein. A long phrase—either an accompanimental figure or an actual melody—is repeated over and over again in the bass part, however, he cautions, it might more properly be termed a musical device than a musical form. Many instruments south of the Sahara Desert play ostinato melodies and these include lamellophones such as the mbira, as well as xylophones like the balafon, the bikutsi, and the gyil. Ostinato figures are also played on string instruments such as the kora, gankoqui bell ensembles, often, African ostinatos contain offbeats or cross-beats, that contradict the metric structure. Other African ostinatos generate complete cross-rhythms by sounding both the main beats and cross-beats, in the following example, a gyil sounds the three-against-two cross-rhythm
16.
Chord progression
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A chord progression or harmonic progression is a succession of musical chords. Chord progressions are the foundation of harmony in Western musical tradition, in tonal music, chord progressions have the function of establishing or contradicting a tonality. Chord progressions are usually expressed by Roman numerals, a chord may be built upon any note of a musical scale, therefore a seven-note scale allows seven basic chords, each degree of the scale becoming the root of its own chord. A chord built upon the note A is an A chord of some type The harmonic function of any particular chord depends on the context of the chord progression in which it is found. The diatonic harmonization of any major results in three major triads. They are based on the first, fourth, and fifth scale degrees and these three triads include, and therefore can harmonize, every note of that scale. The same scale also provides three relative minor chords, one related to each of the three major chords, separate from these six common chords there is one degree of the scale, the seventh, that results in a diminished chord. In addition, extra notes may be added to any chord, if these notes are also selected from the original scale the harmony remains diatonic. If new chromatic intervals are introduced then a change of scale or modulation occurs and this in turn may lead to a resolution back to the original key, so that the entire sequence of chords helps create an extended musical form. In western classical notation, chords built on the scale are numbered with Roman numerals, other forms of chord notation have been devised, from figured bass to the chord chart. These usually allow or even require an amount of improvisation. Diatonic scales such as the major and minor scales lend themselves well to the construction of common chords because they contain a large number of perfect fifths. Such scales predominate in those regions where harmony is an part of music, as, for example. Alternation between two chords may be thought of as the most basic chord progression, many well-known pieces are built harmonically upon the mere repetition of two chords of the same scale. The Isley Brothers Shout uses I - vi throughout, three-chord tunes, though, are more common, since a melody may then dwell on any note of the scale. They are often presented as successions of four chords, in order to produce a binary harmonic rhythm, often the chords may be selected to fit a pre-conceived melody, but just as often it is the progression itself that gives rise to the melody. (Common in Elizabethan music, this also underpins the American college song Goodnight Ladies, is the exclusive progression used in Kwela, similar progressions abound in African popular music. They may be varied by the addition of sevenths to any chord or by substitution of the minor of the IV chord to give, for example
17.
Minor scale
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This includes the natural minor, harmonic minor, and melodic minor scales. A minor scale differs from a scale in that the third degree in a major scale is a major third above the first degree. In other words, the degree in a major scale is one semitone higher than in a minor scale. The natural minor scale, also known as Aeolian scale, taken by itself, when a major scale and a natural minor scale have the same key signature, they are relative keys. A natural minor scale has the notes as its relative major scale. The functional fusion of minor, harmonic minor, and melodic minor scales. A harmonic minor scale differs from a minor scale in that the seventh note is raised one semitone both ascending and descending. Melodic minor scales raise both the sixth and seventh notes one semitone when ascending, and descends like the minor scale. In this case the scale is called A-minor, and this minor scale has no accidentals. A-minor is called the minor of C. Every major key has a minor, which starts on the sixth scale degree or step. For instance, the degree of F major is D. The relative natural minor of a major key always shares the notes, for example, F major consists of F, G, A, B♭, C, D, and E, while D natural minor consists of D, E, F, G, A, B♭. The natural minor scale can also be represented by the notation,12 ♭345 ♭6 ♭78 Each degree of the scale and their difference from the major scale is shown. Thus a number without a sharp or flat represents a major interval, a number with a flat represents a minor interval, and a number with a sharp represents an augmented interval. In this example, the mean, 1=unison, 2=major second, ♭3=minor third, 4=perfect fourth, 5=perfect fifth, ♭6=minor sixth, ♭7=minor seventh. In rock and popular examples of songs in Minor Keys include The Moody Blues Nights in White Satin, Blondies Call Me. The notes of the minor scale are the same as the natural minor except that the seventh degree is raised by one semitone
18.
Gibson ES-175
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The Gibson ES-175 is an electric guitar manufactured by the Gibson Guitar Corporation, currently still in production. It is a 24 3⁄4 scale full hollow-body guitar with a trapeze tailpiece and it is one of the most famous jazz guitars in history. The ES-175 is a single- or dual-pickup archtop electric guitar made by Gibson, the ES-175 has a rosewood fingerboard with parallelogram inlays, a 3 deep body, a floating bridge, one or two humbuckers,20 frets and independent volume and tone controls for each pickup. The guitar has the standard Gibson scale length of 24, the ES-175 was originally designed to be a cheaper alternative to Gibsons high-end archtop models, though current production ES-175s feature figured maple laminates. The ES-175 debuted in 1949, as Gibsons mid-level laminate top alternative to the L-5 and it was also the first Gibson electric to feature a stylish Florentine cutaway. Its first incarnation had one pickup in the neck position. The models name is derived from its price of $175. In 1953, the ES-175D, a model, was introduced. The ES-175 or ES-175D could be ordered in either sunburst finish or in natural finish, beginning in February 1957, ES-175s came equipped with humbuckers. Many new jazz guitarists such as Pat Metheny used these to emulate the sound of Joe Pass, the ES-175 with humbuckers is prized for its full, rich tone. Some guitarists will try to mimic the rich resonant sound of this rather large hollow-body instrument by turning the knob all the way down on smaller, or solid body. The ES-175 was largely spared these changes until the mid-1970s, in 1976, the three-piece maple neck replaced the one-piece mahogany neck, a volute was added, and the wooden bridge was replaced by a Nashville bridge. By the mid-1970s, Gibson had discontinued the single-pickup model, in 1976 Gibson introduced the ES-175T, a thin-body variant on the ES-175. It was made for three years, and available in sunburst, natural and wine red. The model proved unpopular and was discontinued in 1979. In 2002, Gibson released a Steve Howe signature model, based on Howes 1964 ES-175, in 2012, Gibson released a pair of 1959 ES-175 reissues, a single-pickup and a dual-pickup model. It is the first production ES-175 single pickup model since the 1970s, Jazz guitarist Joe Pass played his ES-175, donated to him ca. This model guitar is used not only by jazz guitarists, scotty Moore, the guitarist for Elvis Presley, played an ES-295, dual P-90-equipped, all gold ES-175
19.
Music Man (company)
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Music Man is an American guitar and bass guitar manufacturer. It is a division of the Ernie Ball corporation, the Music Man story began in 1971 when Forrest White and Tom Walker formed a company they would call Tri-Sonix, Inc. Tom Walker approached Leo Fender about financial help in forming Tri-Sonix, Tom Walker worked as a sales rep at Fender. Because of a 10-year non-compete clause in the 1965 contract that sold the Fender companies to CBS, the name of this partnership was changed to Musitek, Inc. by 1973 and in January 1974 the final name, Music Man, appeared. Leo Fender did not like the name Tri-Sonix, so the name evolved under Leo Fenders suggestion to call the new company Music Man, in 1974, the company started producing its first product, an amplifier designed by Leo Fender and Tom Walker called the Sixty Five. It was a hybrid of tube and solid state technology, the number of designs rapidly increased. 15 of the 28 pages from 1976 catalogue were dedicated to amplification, in 1975, Fenders legal restriction had expired and after a vote of the board he was named the president of Music Man. However, this wasnt Fenders sole enterprise and he also owned and ran a consulting firm called CLF Research in Fullerton, California. By 1976, it had built a facility for musical instruments and was contracted to make Music Man products. In June 1976, production started on guitars and in August basses followed, the 1976 catalogue shows the first offerings, A two pickup guitar called the StingRay 1 and the StingRay Bass. The StingRay Bass featured a single large hum-bucking pickup with a two-band fixed-frequency EQ, a row of string mutes sat on the bridge. Basses were produced in fretted and fretless versions and these instruments were designed by Leo Fender and Forrest White. Tom Walker played a part in the design of the bass preamp. They were the first production guitar and basses to use active electronics which could boost levels in selected frequency bands, the preamps were coated with epoxy to prevent reverse engineering. While highly innovative electronically, the guitar was not blessed cosmetically, part of the reason for the poor sales of the guitar was that the preamp actually made the sound too clean for most Rock and Roll guitarists. In December 1978, a two pickup bass was introduced called the Sabre, a redesigned guitar bearing the same name followed. CLF Research and Music Man were treated as separate companies, headed by Leo Fender and Tommy Walker, Fender made the guitars and basses, while Walkers company made the amplifiers and sold accessories. The instruments were made at CLF and shipped to Music Mans warehouse, problems with fibers in the finish caused Music Mans inspectors to reject a high percentage of the instruments, and return them to CLF for refinishing
20.
Telefunken
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Telefunken was a German radio and television apparatus company, founded in Berlin in 1903, as a joint venture of Siemens & Halske and the Allgemeine Elektricitäts-Gesellschaft. The name Telefunken appears in, the brand name Telefunken. System Telefunken, founded 1903 in Berlin as a subsidiary of AEG and Siemens & Halske, Telefunken, KG in Heilbronn, Germany, the company Telefunken Lighting technologies S. L. The company Telefunken USA was incorporated in early 2001 to provide restoration services, around the start of the 20th century, two groups of German researchers worked on the development of techniques for wireless communication. The one group at AEG, led by Adolf Slaby and Georg Graf von Arco, developed systems for the Kaiserliche Marine and their main competitor was the British Marconi Company. On 17 April 1923, it was renamed Telefunken, The Company for Wireless Telegraphy, Telefunken was the companys telegraph address. The first technical director of Telefunken was Count Georg von Arco, Telefunken rapidly became a major player in the radio and electronics fields, both civilian and military. During World War I, they supplied radio sets and telegraphy equipment for the military, the Telefunken Kompass Sender operated from 1908 to 1918, allowing the Zeppelins to navigate throughout the North Sea area in any weather. Starting in 1923, Telefunken built broadcast transmitters and radio sets, in 1928, Telefunken made history by designing the V-41 amplifier for the German Radio Network. This was the very first two-stage, Hi-Fi amplifier, over time, Telefunken perfected their designs and in 1950 the V-72 amplifier was developed. The TAB V-72 soon became popular with radio stations and recording facilities. The V-72S was the type of amplifier found in the REDD.37 console used by the Beatles at Abbey Road Studios on many of their early recordings. In 1932, record players were added to the product line, during the war, manufacturing plants were shifted to and developed in west of Germany or relocated. Thus, Telefunken, under AEG, turned into the smaller subsidiary, Telefunken was also the originator of the FM radio broadcast system. Telefunken, through the subsidiary company Teldec, was for decades one of the largest German record companies. In 1959, Telefunken established a modern semiconductor works in Heilbronn, the works was expanded several times, and in 1970 a new 6-storey building was built at the northern edge of the area. At the beginning of the 1970s it housed approximately 2,500 employees, in 1967, Telefunken was merged with AEG, which was then renamed to AEG-Telefunken. In the beginning of the 1960s, Walter Bruch developed the PAL-colour television system for the company, PAL is established i. e. in the United Kingdom and, except France, many other European countries - also in Brazil, Argentina, South Africa, India and Australia
21.
Mojo (magazine)
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Mojo is a popular music magazine published initially by Emap, and since January 2008 by Bauer, monthly in the United Kingdom. Following the success of the magazine Q, publishers Emap were looking for a title that would cater for the burgeoning interest in rock music. Mojo was first published on 15 October 1993, in keeping with its classic rock aesthetic, noted for its in-depth coverage of both popular and cult acts, it acted as the inspiration for Blender and Uncut. Many noted music critics have written for it including Charles Shaar Murray, Greil Marcus, Nick Kent, the launch editor of Mojo was Paul Du Noyer and his successors have included Mat Snow, Paul Trynka and Pat Gilbert. While some criticise it for its frequent coverage of rock acts such as the Beatles and Bob Dylan, it has nevertheless featured many newer. It was the first mainstream magazine in the UK to focus on the White Stripes, Mojo regularly includes a covermount CD that ties in with a current magazine article or theme. In 2004 it introduced the Mojo Honours list, a ceremony that is a mixture of readers. Two hundred photographers and writers from Mojo and Bauers other music magazines, more recently, the magazine has taken to publishing many Top 100 lists, including the subjects of drug songs, rock epics, protest songs and even the most miserable songs of all time. To celebrate 150 issues, the published an Top 100 Albums of Mojos Lifetime list. The list was compiled and voted on by a panel of superstars, including Björk, Tori Amos, Tom Waits, Brian Wilson, Pete Wentz. Little Richards 1955 hit Tutti Frutti took the one spot. Richards record, dubbed a torrent of filth wailed by an alien, beat the Beatles I Want to Hold Your Hand. The magazines editors claimed that the 100 albums, singles and 78s that made up the list make up the most influential and inspirational recordings ever made. Hailing Tutti Frutti as the sound of the birth of rock n roll, three of the most successful were the series telling the story of the Beatles – one thousand days at a time. Other special editions have focused on Pink Floyd, Psychedelia, Punk, the company behind the magazine, Bauer, also produced a digital radio station. This station was called Mojo Radio, and was transmitted on the television networks in the UK. The output of the station was based on that of the magazine and it was announced on 5 November 2008 that Mojo Radio would cease broadcasting on 30 November 2008 in order to save Bauer the financial outlay. The magazines current editor-in-chief, Phil Alexander, has a show on the UK digital radio station Planet Rock entitled Mojo Rocks where he follows a Mojo-inspired playlist
22.
Cowbell (instrument)
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The cowbell is an idiophone hand percussion instrument used in various styles of music including salsa and infrequently in popular music. It is named after the similar bell historically used by herdsmen to keep track of the whereabouts of cows, while the cowbell is commonly found in musical contexts, its origin can be traced to freely roaming animals. In order to identify the herd to which these animals belonged. As the animals moved about the bell would ring, thus making it easier to know of the animals whereabouts, though the bells were used on various types of animals, they are typically referred to as cowbells due to their extensive use with cattle. Since they are tuned differently, in order to distinguish individual animals, they can be collected from the pasture in random tunings, the metal clapper is retained, and they sound much more noisy than handbells, which are otherwise used similarly in ensembles. Composers who included Almglocken among their musical palette include Tōru Takemitsu, Jo Kondo, Gustav Mahler, Richard Strauss, Roy Harter, John Adams, Joseph Schwantner, and Karlheinz Stockhausen. Olivier Messiaen used multiple chromatic sets of cowbells in several of his compositions, notably Et expecto resurrectionem mortuorum. Clapperless cowbells made of metal are an important element in Latin-American and these cowbells are struck with a stick – the tone being modulated by striking different parts of the bell and by damping with the hand holding the bell. In several parts of the pairs or trios of clapperless bells are joined in such a way that they can be struck separately or clashed together. The Brazilian name for these is agogo bells, cylindrical wood blocks played in the same way are also called Agogô. In Cuban music the cowbell is called cencerro and often played by the player as the bongos. In Caribbean music two or three are mounted together with a pair of timbales. This type of cowbell can also be played with the using a modified bass drum pedal or bowed with a double bass bow. Although cowbells first appeared in American hillbilly music in the 1920s, they have also been used as an instrument in more recent popular music. The intro and ending to the 1958 track Heartbeat by the American artist Buddy Holly, the Roland TR-808 drum machine was noted for its distinctive cowbell sound, which sounded almost nothing like an actual cowbell, the sound was highly electronic with a sharp, short decay. DFA Records are noted for using a lot of cowbell in their remixes, the cowbell gained popular attention as the subject of an April 8,2000 Saturday Night Live sketch popularly known as More Cowbell. The sketch--considered one of the best SNL sketches of all time--parodied Blue Öyster Cults The Reaper, the guitar riffs and cowbell drew from Born on the Bayou, by Creedence Clearwater Revival. Though Queens of the Stone Age have also used the cowbell in many songs, but when they performed it on Saturday Night Live, Will Ferrell, dressed like Gene Frenkle from the More Cowbell sketch, got up on stage and played the jam block part on the cowbell
23.
Eric Bloom
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Eric Bloom is an American singer, songwriter and musician. He is best known as a vocalist, and stun guitar player for the long-running band Blue Öyster Cult, much of his lyrical content relates to his lifelong interest in science fiction. A native New Yorker, Bloom was born in Brooklyn, the youngest of three children, and grew up in Queens and his mother was a housewife, active in local charities and family life. His father ran a picture frame and print company in Manhattan, Bloom attended JHS216, and then moved on to Woodmere Academy and Cheshire Academy in Connecticut. It was there that he purchased his first guitar, a $52 Harmony full-bodied electric, after graduating from Cheshire Academy in 1962, he went to Spain for the summer, studying at Menendez Pelayo University in Santander, before starting college in the Fall. Eric Bloom, known as Manny Bloom in college, attended Hobart College in Geneva, New York, in college, Bloom was involved with the casual forming of a couple of short-term bands for playing at local venues. One of these was Rick and the Ravons and he also organized music for various fraternity parties. For one of them, he hired a band later asked him to join. They renamed it as Lost and Found, with whom he performed off, the band was composed of George Faust on guitar, John Trivers on bass, Peter Haviland on lead guitar, Jeff Hayes as drummer, and Bloom singing. In 1963, Bloom was also exposed to the music of Wilmer and the Dukes and he attended over 100 of their performances, and he and his band Lost and Found opened for them when they came to play at Hobart. Other major influences were James Brown, and Ronnie James Dio, in Blooms senior year, he was encouraged by his friends to join their Tau Kappa Epsilon fraternity. He also found himself volunteering to do sound engineering at college events. It was through his efforts, that the college finally updated to a sound system. After college, Bloom toured with the band in upstate New York, the band had some membership changes and was renamed as Rock Garden. They made one attempt to record a single but could not land a contract, so continued on with live performances and cover tunes. On Labor Day, his college friend Trivers invited him to perform in Clayton, despite the short notice, Bloom packed up and left Provincetown for good. Lost and Found re-formed and played through the rest of the season, in 1968, Bloom moved to Plainview, Long Island to live with his sister. He obtained a job at the Sam Ash music store in Hempstead, one day in late 1968 some members of the band Soft White Underbelly, Donald Roeser, Allen Lanier and Andrew Winters, entered the store
24.
Billboard 200
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The Billboard 200 is a record chart ranking the 200 most popular music albums and EPs in the United States, published weekly by Billboard magazine. It is frequently used to convey the popularity of an artist or groups of artists, often, a recording act will be remembered by its number ones, those of their albums that outperformed all others during at least one week. The chart is based mostly on sales of albums in the United States, the weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday and ends on Thursday. A new chart is published the following Tuesday with an issue post-dated to the Saturday of the following week, the charts streaming schedule is also tracked from Friday to Thursday. Example, Friday January 1 – sales tracking week begins Thursday January 7 – sales tracking week ends Tuesday January 12 – new chart published, New product is released to the American market on Fridays. Digital downloads of albums are included in Billboard 200 tabulation. Albums that are not licensed for sale in the United States are not eligible to chart. As of the issue dated April 15,2017, the album on the Billboard 200 is More Life by Drake. Billboard began an album chart in 1945, initially only five positions long, the album chart was not published on a weekly basis, sometimes three to seven weeks passing before it was updated. A biweekly, 15-position Best-Selling Popular Albums chart appeared in 1955, the position count varied anywhere from 10 to 30 albums. The first number-one album on the new weekly list was Belafonte by Harry Belafonte, the chart was renamed to Best-Selling Pop Albums later in 1956, and then to Best-Selling Pop LPs in 1957. Beginning on May 25,1959, Billboard split the ranking into two charts Best-Selling Stereophonic LPs for stereo albums and Best-Selling Monophonic LPs for mono albums and these were renamed to Stereo Action Charts and Mono Action Charts in 1960. In January 1961, they became Action Albums—Stereophonic and Action Albums—Monophonic, three months later, they became Top LPs—Stereo and Top LPs—Monaural. On August 17,1963 the stereo and mono charts were combined into a 150-position chart called Top LPs, on April 1,1967, the chart was expanded to 175 positions, then finally to 200 positions on May 13,1967. In 1960, Billboard began concurrently publishing album charts which ranked sales of older or mid-priced titles and these Essential Inventory charts were divided by stereo and mono albums, and featured titles that had already appeared on the main stereo and mono album charts. In January 1961, the Action Charts became Action Albums—Monophonic, Albums appeared on either chart for up to nine weeks, then were moved to an Essential Inventory list of approximately 200 titles, with no numerical ranking. This list continued to be published until the consolidated Top LPs chart debuted in 1963, in 1982, Billboard began publishing a Midline Albums chart which ranked older or mid-priced titles. The chart held 50 positions and was published on a bi-weekly basis, on May 25,1991, Billboard premiered the Top Pop Catalog Albums chart
25.
AllMusic
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AllMusic is an online music guide service website. It was launched in 1991 by All Media Guide which later became All Media Network, AllMusic was launched in 1991 by Michael Erlewine of All Media Guide. The aim was to discographic information on every artist whos made a record since Enrico Caruso gave the industry its first big boost and its first reference book was published the following year. When first released onto the Internet, AMG predated the World Wide Web and was first available as a Gopher site, the AMG consumer web properties AllMusic. com, AllMovie. com and AllGame. com were sold by Rovi in July 2013 to All Media Network, LLC. All Media Network, LLC. was formed by the founders of SideReel. com. The following are contributors to AllMusic, as of this date, All Media Network also produced the AllMusic guide series that includes the AllMusic Guide to Rock, the All Music Guide to Jazz and the All Music Guide to the Blues. Vladimir Bogdanov is the president of the series, in August 2007, PC Magazine included AllMusic in its Top 100 Classic Websites list. All Media Network AllGame AllMovie SideReel All Music Guide to the Blues All Music Guide to Jazz Stephen Thomas Erlewine Official website
26.
The Beach Boys
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The Beach Boys are an American rock band formed in Hawthorne, California in 1961. The groups original lineup consisted of brothers Brian, Dennis, and Carl Wilson, their cousin Mike Love, distinguished by their vocal harmonies and early surf songs, they are one of the most influential acts of the rock era. The Beach Boys began as a band managed by the Wilsons father Murry. Emerging at the vanguard of the California Sound, they performed material that reflected a southern California youth culture of surfing, cars. After 1964, they abandoned the surfing aesthetic for more personal lyrics, in 1966, the Pet Sounds album and Good Vibrations single vaulted the group to the top level of rock innovators and established the band as symbols of the nascent counterculture era. Following Smiles dissolution, Brian gradually ceded production and songwriting duties to the rest of the band, reducing his input because of mental health and substance abuse issues. The continued success of their greatest hits albums during the mid 1970s precipitated the transition into an oldies act. Since the 1980s, much-publicized legal wrangling over royalties, songwriting credits, Dennis drowned in 1983 and Carl died of lung cancer in 1998. After Carls death, many live configurations of the band fronted by Mike Love, Even though Wilson and Jardine have not performed with Love and Johnstons band since their one-off 2012 reunion tour, they remain a part of the Beach Boys corporation, Brother Records Inc. The Beach Boys are one of the most critically acclaimed, commercially successful, the group had over eighty songs chart worldwide, thirty-six of them US Top 40 hits, four reaching number-one on the Billboard Hot 100 chart. They received their only Grammy Award for The Smile Sessions, the core quintet of the three Wilsons, Love and Jardine were inducted into the Rock and Roll Hall of Fame in 1988. At the time of his birthday on June 20,1958, Brian Wilson shared a bedroom with his brothers, Dennis and Carl – aged thirteen and eleven. He had watched his father, Murry Wilson, play piano, after dissecting songs such as Ivory Tower and Good News, Brian would teach family members how to sing the background harmonies. For his birthday that year, Brian received a tape recorder. He learned how to overdub, using his vocals and those of Carl, Brian played piano with Carl and David Marks, an eleven-year-old longtime neighbor, playing guitars they had each received as Christmas presents. Soon Brian and Carl were avidly listening to Johnny Otis KFOX radio show, inspired by the simple structure and vocals of the rhythm and blues songs he heard, Brian changed his piano-playing style and started writing songs. His enthusiasm interfered with his studies at school. Family gatherings brought the Wilsons in contact with cousin Mike Love, Brian taught Loves sister Maureen and a friend harmonies
27.
PopMatters
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PopMatters is an international online magazine of cultural criticism that covers many aspects of popular culture. PopMatters was founded by Sarah Zupko, who had established the cultural studies academic resource site PopCultures. PopMatters launched in the fall of 1999 as a site providing original essays, reviews. Over time, the site went from a publication schedule to a five-day-a-week magazine format, expanding into regular reviews, features. In the fall of 2005, monthly readership exceeded one million, from 2006 onward, PopMatters produced several syndicated newspaper columns for McClatchy-Tribune News Service. As of 2009, there are four different pop culture related columns each week, the PopMatters Book Imprint published Joss Whedon, The Complete Companion, edited by Mary Money, with Titan Books in May 2012. PopMatters publishes content from contributors located around the globe, based in six continents and its staff includes writers from various backgrounds, ranging from academics and professional journalists to career professionals and first time writers. Many of its writers are published authorities in various fields of study, notable former contributors include David Weigel, political reporter for Slate, Steven Hyden, staff writer for Grantland and author of Whatever Happened To Alternative Nation. And Rob Horning, executive editor of The New Inquiry, karen Zarker is the senior editor
28.
Pitchfork (website)
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Pitchfork is an American online magazine launched in 1995 by Ryan Schreiber, based in Chicago, Illinois and owned by Condé Nast. The site generally concentrates on new music, but Pitchfork journalists have also reviewed reissues, in late 1995, Ryan Schreiber, a recent high school graduate, created the magazine in Minneapolis. Influenced by local fanzines and KUOM, Schreiber, who had no writing experience. At first being Turntable, the site was updated monthly with interviews and reviews, in May 1996, the site began publishing daily and was renamed Pitchfork, alluding to Tony Montanas tattoo in Scarface. In early 1999, Schreiber relocated Pitchfork to Chicago, Illinois, by then, the site had expanded to four full-length album reviews daily, as well as sporadic interviews, features, and columns. It had also begun garnering a following for its coverage of underground music and its writing style. In October, the added a daily music news section. Pitchfork has launched a variety of subsidiary websites, Pitchfork. tv, a website displaying videos related to many independent music acts, launched in April 2008. It features bands that are found on Pitchfork. In July 2010, Pitchfork announced Altered Zones, a blog devoted to underground. On 21 May 2011, Pitchfork announced a partnership with Kill Screen, Altered Zones was closed on November 30. On December 26,2012, Pitchfork launched Nothing Major, a website that covered visual arts such as fine art, Nothing Major closed in October 2013. On October 13,2015, Condé Nast announced that it had acquired Pitchfork, following the sale, Schreiber remained as editor-in-chief. On March 13,2016, Pitchfork was redesigned, some publications have cited Pitchfork in having played a part in breaking artists such as Arcade Fire, Sufjan Stevens, Clap Your Hands Say Yeah, Interpol, The Go. Conversely, Pitchfork has also seen as being a negative influence on some indie artists. A dismissive 0.0 review of former Dismemberment Plan frontman Travis Morrisons Travistan album led to a sales drop. On the other hand, an endorsement from Pitchfork – which dispenses its approval one-tenth of a point at a time, up to a maximum of 10 points – is very valuable, indeed. Examples of Pitchforks impact include, Arcade Fire is among the bands most commonly cited to have benefited from a Pitchfork review
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Fountains of Wayne
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Fountains of Wayne was an American rock band that formed in New York City in 1995. The band consisted of Chris Collingwood, Adam Schlesinger, Jody Porter, the band was best known for their 2003 Grammy-nominated single Stacys Mom. In the mid-1990s, they came together to form Fountains of Wayne, named after a lawn ornament store in Wayne, previous band names included Woolly Mammoth, Are You My Mother. And Three Men Who When Standing Side by Side Have a Wingspan of Over Twelve Feet, recruiting guitarist Jody Porter and still active Posies drummer Brian Young, the band cut a demo and signed with Atlantic Records. That same year, Schlesinger wrote the Academy Award-nominated, RIAA gold certified title song for the film That Thing You Do, in 1999, the band released Utopia Parkway, an album named after a road in Queens, New York. The album was a record that dealt with life in modern suburbia. Utopia Parkway was received well by critics, garnering favorable reviews. The group once again toured extensively behind the album, but frustrations grew between the band and the label, the band was later dropped by Atlantic in late 1999. The band was inactive for a period of time, Collingwood formed and fronted a Northampton, Massachusetts-based pop-country band, called Gay Potatoes, and played a string of solo shows in the Boston and Los Angeles areas. Guitarist Jody Porter worked with his band, The Astrojet, alongside famed producer Gordon Raphael, percussionist Brian Young moved to Los Angeles and did session work for various artists such as producer Steve Fisk, Ivy, Heather Duby and Greg Dulli. The band reunited recording a cover of The Kinks Better Things for the album, This Is Where I Belong, Songs of Ray Davies. Another song off the album, All Kinds of Time, was used for NFL commercial promotions during the 2005 season, also included on the album is a 1999 cover of the Britney Spears hit. Baby One More Time. In 2007, the band released Traffic and Weather, an album which included the song I-95, in 2009, the band released No Better Place, Live In Chicago, a live concert DVD which included newly recorded acoustic songs. Also that year, they played a run of full-band acoustic shows where they showcased songs from their forthcoming album. Also, on a note that year, the store for which their band was named went out of business. In 2011, the band released Sky Full of Holes, a put out in Japan by Warner Music Japan, Europe by Lojinx. As of 2016, the band have no plans to new material
30.
Official Charts Company
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The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association. Since 1 July 1997, CIN and then the OCC have compiled the official charts, prior to this date, the charts were produced by a succession of market research companies, beginning with the British Market Research Bureau in 1969, and later by Gallup. All of the OCCs charts are published weekly on Friday nights, from 3 August 1969 until 5 July 2015, the chart week ran from Sunday to Saturday. Genre-specific charts include UK Dance Chart, UK Indie Chart, UK R&B Chart, UK Rock Chart, the Scottish Singles and Albums Charts ― and the former Welsh Singles and Albums Chart ― appears in listings within the Official Charts Company. It is a regional listing reflecting how sales towards the UK Singles Chart, the Welsh Singles and Album Chart served the same purpose in Wales. It also charts the UK DVD Chart and UK Budget Album Chart, while their music charts are now Friday to Thursday, their video charts remain Sunday to Saturday. On 5 September 2008, the Official UK Charts Company rebranded itself as the Official Charts Company and it later dropped the word Company and became just Official Charts. From May 2012, a new chart was launched – the Official Streaming Chart and this counts audio streams from streaming services Spotify, Deezer, Blinkbox Music, Napster, amongst others. In April 2015, the UKs first vinyl record chart was launched by the Official Charts Company due to the surge of interest in the sector. The chart was launched following the growth of the sector in the UK for the year in a row. Beginning in 2017 the Official Charts Company changed its methodology for calculating the Top 40, prior to January 2017,100 streams counted as one sale of a song. From January onward, the ratio became 150,1, UK Albums Chart UK Singles Chart UK Video Charts UK Singles Downloads Chart UK Album Downloads Chart British Phonographic Industry Official Charts Company website
31.
Q (magazine)
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Q is a popular music magazine published monthly in the United Kingdom. Q was first published by the EMAP media group in October 1986, setting apart from much of the other music press with monthly production and higher standards of photography. In the early years, the magazine was sub-titled The modern guide to music, originally it was to be called Cue, but the name was changed so that it wouldnt be mistaken for a snooker magazine. Another reason, cited in Qs 200th edition, is that a title would be more prominent on newsstands. In January 2008 EMAP sold its consumer titles, including Q. The magazine has a review section, featuring, new releases, reissues, music compilations, film and live concert reviews, as well as radio. It uses a system from one to five stars, indeed. While its content is non-free they host an archive of all of their magazine covers, much of the magazine is devoted to interviews with popular musical artists. It is well known for compiling lists and it has created many, ranging from The 100 Greatest albums to the 100 Greatest 100 Greatest Lists. Every other month, Q — and its magazine, Mojo — have a special edition. These have been about musical times, genres, or a very important/influential musician, often, promotional gifts are given away, such as cover-mounted CDs or books. The January 2006 issue included a copy of The Greatest Rock. Every issue of Q has a different message on the spine, readers then try to work out what the message has to do with the contents of the mag. This practice — known as the spine line — has since become commonplace among British lifestyle magazines, including Qs sister publication, Empire, on 4 March 2007, Q named Elvis Presley the greatest singer of all time. The magazine has a relationship with the Glastonbury Festival, producing both a free daily newspaper on site during the festival and a review magazine available at the end of the festival. In late 2008 Q revamped its image, with an amount of text. This Rolling Stone-isation has led to criticism from much of the traditional Q readership, in 2006, Q published a readers survey, the 100 Greatest Songs Ever, won by Oasis Live Forever. Q has a history of associating with charitable organisations, and in 2006 the British anti-poverty charity War on Want was named its official charity, in the April 2007 issue, Q published an article containing the 100 Greatest Singers, won by Elvis Presley
