1.
Rock music
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It has its roots in 1940s and 1950s rock and roll, itself heavily influenced by blues, rhythm and blues and country music. Rock music also drew strongly on a number of genres such as electric blues and folk. Musically, rock has centered on the guitar, usually as part of a rock group with electric bass guitar. Typically, rock is song-based music usually with a 4/4 time signature using a verse-chorus form, like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political in emphasis. Punk was an influence into the 1980s on the subsequent development of subgenres, including new wave, post-punk. From the 1990s alternative rock began to rock music and break through into the mainstream in the form of grunge, Britpop. Similarly, 1970s punk culture spawned the visually distinctive goth and emo subcultures and this trio of instruments has often been complemented by the inclusion of other instruments, particularly keyboards such as the piano, Hammond organ and synthesizers. The basic rock instrumentation was adapted from the blues band instrumentation. A group of musicians performing rock music is termed a rock band or rock group, Rock music is traditionally built on a foundation of simple unsyncopated rhythms in a 4/4 meter, with a repetitive snare drum back beat on beats two and four. Melodies are often derived from older musical modes, including the Dorian and Mixolydian, harmonies range from the common triad to parallel fourths and fifths and dissonant harmonic progressions. Critics have stressed the eclecticism and stylistic diversity of rock, because of its complex history and tendency to borrow from other musical and cultural forms, it has been argued that it is impossible to bind rock music to a rigidly delineated musical definition. These themes were inherited from a variety of sources, including the Tin Pan Alley pop tradition, folk music and rhythm, as a result, it has been seen as articulating the concerns of this group in both style and lyrics. Christgau, writing in 1972, said in spite of some exceptions, rock and roll usually implies an identification of male sexuality, according to Simon Frith rock was something more than pop, something more than rock and roll. Rock musicians combined an emphasis on skill and technique with the concept of art as artistic expression, original. The foundations of music are in rock and roll, which originated in the United States during the late 1940s and early 1950s. Its immediate origins lay in a melding of various musical genres of the time, including rhythm and blues and gospel music, with country. In 1951, Cleveland, Ohio disc jockey Alan Freed began playing rhythm and blues music for a multi-racial audience, debate surrounds which record should be considered the first rock and roll record. Other artists with rock and roll hits included Chuck Berry, Bo Diddley, Fats Domino, Little Richard, Jerry Lee Lewis
2.
The Monkees
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The Monkees are an American rock band originally active between 1965 and 1971, with subsequent reunion albums and tours in the decades that followed. They were formed in Los Angeles in 1965 by Bob Rafelson and Bert Schneider for the American television series The Monkees, the musical acting quartet was composed of Americans Micky Dolenz, Michael Nesmith and Peter Tork and British actor and singer Davy Jones. The bands music was supervised by producer Don Kirshner. Dolenz described the Monkees as initially being a TV show about an imaginary band and that wanted to be The Beatles, that was never successful. The actor-musicians, however, soon became a real band, for the first few months of their initial five-year career as The Monkees, the four actor-musicians were allowed only limited roles in the recording studio. This was due in part to the amount of required to film the television series. Nonetheless, Nesmith did compose and produce some songs from the beginning and they eventually fought for and earned the right to collectively supervise all musical output under the bands name. The sitcom was canceled in 1968, but the continued to record music through 1971. A revival of interest in the show came in 1986. Up until 2011 the group had reunited and toured several times, despite the sudden death of Davy Jones on February 29,2012, the surviving members reunited for a tour in November–December 2012 and again in 2013 for a 24-date tour. Nesmith was able to some time up to join them in the latter stages of the US tour. The Monkees have sold more than 75 million records worldwide and had hits, including Last Train to Clarksville, Pleasant Valley Sunday, Daydream Believer. At their peak in 1967, the band outsold the Beatles, aspiring filmmaker Bob Rafelson developed the initial idea for The Monkees in 1962, but was unsuccessful in selling the series. He had tried selling it to Revue, the division of Universal Pictures. In May 1964, while working at Screen Gems, Rafelson teamed up with Bert Schneider, whose father, Abraham Schneider, headed the Colpix Television, Rafelson and Schneider ultimately formed Raybert Productions. The Beatles film A Hard Days Night inspired Rafelson and Schneider to revive Rafelsons idea for The Monkees, as The Raybert Producers, they sold the show to Screen Gems Television on April 16,1965. Rafelson and Schneiders original idea was to cast an existing New York folk rock group, the Lovin Spoonful, however, John Sebastian had already signed the band to a record contract, which would have denied Screen Gems the right to market music from the show. Jones had previously starred as the Artful Dodger in the Broadway show Oliver, which debuted on December 17,1962, and his performance was later seen on The Ed Sullivan Show the same night as the Beatles first appearance on that show, February 9,1964
3.
Phonograph record
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The groove usually starts near the periphery and ends near the center of the disc. The phonograph disc record was the medium used for music reproduction until late in the 20th century. It had co-existed with the cylinder from the late 1880s. Records retained the largest market share even when new formats such as compact cassette were mass-marketed, by the late 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the vinyl record left the mainstream in 1991. The phonograph record has made a resurgence in the early 21st century –9.2 million records were sold in the U. S. in 2014. Likewise, in the UK sales have increased five-fold from 2009 to 2014, as of 2017,48 record pressing facilities remain worldwide,18 in the United States and 30 in other countries. The increased popularity of vinyl has led to the investment in new, only two producers of lacquers remains, Apollo Masters in California, USA, and MDC in Japan. Vinyl records may be scratched or warped if stored incorrectly but if they are not exposed to heat or broken. The large cover are valued by collectors and artists for the space given for visual expression, in the 2000s, these tracings were first scanned by audio engineers and digitally converted into audible sound. Phonautograms of singing and speech made by Scott in 1860 were played back as sound for the first time in 2008, along with a tuning fork tone and unintelligible snippets recorded as early as 1857, these are the earliest known recordings of sound. In 1877, Thomas Edison invented the phonograph, unlike the phonautograph, it was capable of both recording and reproducing sound. Despite the similarity of name, there is no evidence that Edisons phonograph was based on Scotts phonautograph. Edison first tried recording sound on a paper tape, with the idea of creating a telephone repeater analogous to the telegraph repeater he had been working on. The tinfoil was wrapped around a metal cylinder and a sound-vibrated stylus indented the tinfoil while the cylinder was rotated. The recording could be played back immediately, Edison also invented variations of the phonograph that used tape and disc formats. A decade later, Edison developed a greatly improved phonograph that used a wax cylinder instead of a foil sheet. This proved to be both a better-sounding and far more useful and durable device, the wax phonograph cylinder created the recorded sound market at the end of the 1880s and dominated it through the early years of the 20th century. Berliners earliest discs, first marketed in 1889, but only in Europe, were 12.5 cm in diameter, both the records and the machine were adequate only for use as a toy or curiosity, due to the limited sound quality
4.
Hollywood
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Hollywood is an ethnically diverse, densely populated neighborhood in the central region of Los Angeles, California. It is notable as the home of the U. S. film industry, including several of its studios, and its name has come to be a shorthand reference for the industry. Hollywood was a community in 1870 and was incorporated as a municipality in 1903. It was consolidated with the city of Los Angeles in 1910, in 1853, one adobe hut stood in Nopalera, named for the Mexican Nopal cactus indigenous to the area. By 1870, an agricultural community flourished, the area was known as the Cahuenga Valley, after the pass in the Santa Monica Mountains immediately to the north. According to the diary of H. J. Whitley, known as the Father of Hollywood, along came a Chinese man in a wagon carrying wood. The man got out of the wagon and bowed, the Chinese man was asked what he was doing and replied, I holly-wood, meaning hauling wood. H. J. Whitley had an epiphany and decided to name his new town Hollywood, Holly would represent England and wood would represent his Scottish heritage. Whitley had already started over 100 towns across the western United States, Whitley arranged to buy the 500-acre E. C. Hurd ranch and disclosed to him his plans for the land. They agreed on a price and Hurd agreed to sell at a later date, before Whitley got off the ground with Hollywood, plans for the new town had spread to General Harrison Gray Otis, Hurds wife, eastern adjacent ranch co-owner Daeida Wilcox, and others. Daeida Wilcox may have learned of the name Hollywood from Ivar Weid, her neighbor in Holly Canyon and she recommended the same name to her husband, Harvey. In August 1887, Wilcox filed with the Los Angeles County Recorders office a deed and parcel map of property he had sold named Hollywood, Wilcox wanted to be the first to record it on a deed. The early real-estate boom busted that year, yet Hollywood began its slow growth. By 1900, the region had a post office, newspaper, hotel, Los Angeles, with a population of 102,479 lay 10 miles east through the vineyards, barley fields, and citrus groves. A single-track streetcar line ran down the middle of Prospect Avenue from it, but service was infrequent, the old citrus fruit-packing house was converted into a livery stable, improving transportation for the inhabitants of Hollywood. The Hollywood Hotel was opened in 1902 by H. J. Whitley who was a president of the Los Pacific Boulevard, having finally acquired the Hurd ranch and subdivided it, Whitley built the hotel to attract land buyers. Flanking the west side of Highland Avenue, the structure fronted on Prospect Avenue, the hotel was to become internationally known and was the center of the civic and social life and home of the stars for many years. Whitleys company developed and sold one of the residential areas
5.
Garage rock
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Garage rock is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada. The term derives from the perception that groups were made up of young amateurs who rehearsed in the family garage. The style, a precursor to rock, is characterized by aggressive and unsophisticated lyrics and delivery. In the US and Canada, surf rock—and later the Beatles, hundreds of acts produced regional hits, and some had national hits. Though largely associated with North America, counterparts were present elsewhere as part of the beat boom of the era. As critics of the period began to prescribe a scope for genre, they used the term punk rock. Garage rock has experienced various revivals in the years and continues to influence acts who prefer a back to basics. In the early- to mid-1980s, several garage revival scenes sprung up featuring acts that consciously attempted to replicate the look, in the 2000s, a wave of garage rock revival acts associated with the post-punk revival emerged, and a handful achieved airplay and commercial success. The term garage rock comes from the perception that its performers were young and amateurish, while numerous bands were made up of middle-class teenagers from the suburbs, others were from rural or urban areas or were composed of professional musicians in their twenties. The term garage band often refers to acts in this genre. Garage bands performed in a variety of venues, less-established groups typically played at parties, school dances, and teen clubs. For acts of legal age, bars, nightclubs, and college fraternity socials also provided regular engagements, occasionally, local groups had the opportunity to open at shows for famous touring acts. Some garage rock bands went on tour, particularly better-known acts, groups often competed in battles of the bands, which gave musicians an opportunity to gain exposure and a chance to win a prize, such as free recording time in a local studio. Battles of the bands were held, locally, regionally and nationally, and two of the most prestigious contests were held annually by the Tea Council of the U. S. A. and the Music Circus. Performances often sounded amateurish, naïve or intentionally raw, with typical themes revolving around the traumas of high school life, instrumentation was characterized by electric guitars often distorted through a fuzzbox, teamed with bass and drums. Guitarists sometimes played using aggressive-sounding bar chord riffs, sometimes referred to as power chords, organs such as the Farfisa were commonly used as well as mouth harmonicas or hand-held percussion such as tambourines. Occasionally, the tempo sped up in certain passages, sometimes referred to as raveups, Garage rock acts were diverse in both musical ability and in style, ranging from crude two- and three-chord music to near-studio musician quality. There were also variations in flourishing scenes, such as in California
6.
Stereophonic sound
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Stereophonic sound or, more commonly, stereo, is a method of sound reproduction that creates an illusion of multi-directional audible perspective. Thus the term applies to so-called quadraphonic and surround-sound systems as well as the more common two-channel. It is often contrasted with monophonic, or mono sound, where audio is heard as coming from one position, in the 2000s, stereo sound is common in entertainment systems such as broadcast radio and TV, recorded music and the cinema. The word stereophonic derives from the Greek στερεός, firm, solid + φωνή, sound, tone, voice and it was coined in 1927 by Western Electric, the signal is then reproduced over multiple loudspeakers to recreate, as closely as possible, the live sound. Secondly artificial or pan-pot stereo, in which a sound is reproduced over multiple loudspeakers. By varying the amplitude of the signal sent to each speaker an artificial direction can be suggested. The control which is used to vary this relative amplitude of the signal is known as a pan-pot, by combining multiple pan-potted mono signals together, a complete, yet entirely artificial, sound field can be created. In technical usage, true stereo sound recording and sound reproduction that uses stereographic projection to encode the relative positions of objects and events recorded. During two-channel stereo recording, two microphones are placed in strategically chosen locations relative to the source, with both recording simultaneously. The two recorded channels will be similar, but each will have distinct time-of-arrival and sound-pressure-level information, during playback, the listeners brain uses those subtle differences in timing and sound level to triangulate the positions of the recorded objects. Stereo recordings often cannot be played on systems without a significant loss of fidelity. This phenomenon is known as phase cancellation and this two-channel telephonic process was commercialized in France from 1890 to 1932 as the Théâtrophone, and in England from 1895 to 1925 as the Electrophone. Both were services available by coin-operated receivers at hotels and cafés, modern stereophonic technology was invented in the 1930s by British engineer Alan Blumlein at EMI, who patented stereo records, stereo films, and also surround sound. In early 1931, Blumlein and his wife were at a local cinema, Blumlein declared to his wife that he had found a way to make the sound follow the actor across the screen. The genesis of ideas is uncertain, but he explained them to Isaac Shoenberg in the late summer of 1931. His earliest notes on the subject are dated 25 September 1931, the application was dated 14 December 1931, and was accepted on 14 June 1933 as UK patent number 394,325. The patent covered many ideas in stereo, some of which are used today and these discs used the two walls of the groove at right angles in order to carry the two channels. Much of the development work on this system for cinematic use did not reach completion until 1935, in Blumleins short test films, his original intent of having the sound follow the actor was fully realised
7.
Tom Petty and the Heartbreakers
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Tom Petty and the Heartbreakers are an American rock band from Gainesville, Florida. In 1976, the original lineup was Tom Petty as the lead singer and guitar player, Mike Campbell as the lead guitarist, Ron Blair on bass, Stan Lynch on drums. The band has maintained this lineup, with a few exceptions. In 1981, Blair, who was tired of the touring lifestyle, blairs replacement, Howie Epstein, stayed with the band for the next twenty years. Scott Thurston joined the band as a multi-instrumentalist, mostly rhythm guitar and second keyboards, Blair returned to the Heartbreakers in 2002, the year before Epsteins death. In 1994, Steve Ferrone replaced Lynch, Tom Petty and the Heartbreakers were on the forefront of the heartland rock movement, alongside artists such as Bruce Springsteen and Bob Seger, which arose in the late 1970s and 1980s. Petty and the Heartbreakers are known for hit singles such as American Girl, Breakdown, The Waiting, Learning to Fly, Refugee, while the heartland rock movement fizzled in the 1990s, the band remained active and popular. They still tour regularly and continue to record albums and their most recent, Hypnotic Eye, was released on July 25,2014. Although most of their material is produced and performed under the name The Heartbreakers, in these releases, members of the band contributed as collaborators, producing and performing as studio musicians. Pettys early bands included the Sundowners, the Epics, and Mudcrutch, in 1974, Mudcrutch signed with Shelter Records and re-located to Los Angeles, California. The band released one single, Depot Street, in 1975, which failed to chart, in December 1975 Tom Petty and the Heartbreakers formed. The Heartbreakers began their career with a self-titled album, released through the aforementioned Shelter label. Initially, the Heartbreakers did not gain traction in America. Early singles included Breakdown and American Girl, Breakdown was re-released in the USA and became a Top 40 hit in 1978, after word filtered back to the States that the band was creating a firestorm in the UK. Their 1978 second album, Youre Gonna Get It, marked the bands first gold album, and featured the singles I Need to Know and Listen To Her Heart. In 1979, the band was dragged into a dispute when ABC Records. Petty refused to be transferred to another record label and he held fast to his principles, which led to his filing for bankruptcy as a tactic against MCA. In 1979, after their dispute was settled, the Heartbreakers released their third album Damn the Torpedoes through MCAs Backstreet label
8.
Record producer
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A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu
9.
Chord progression
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A chord progression or harmonic progression is a succession of musical chords. Chord progressions are the foundation of harmony in Western musical tradition, in tonal music, chord progressions have the function of establishing or contradicting a tonality. Chord progressions are usually expressed by Roman numerals, a chord may be built upon any note of a musical scale, therefore a seven-note scale allows seven basic chords, each degree of the scale becoming the root of its own chord. A chord built upon the note A is an A chord of some type The harmonic function of any particular chord depends on the context of the chord progression in which it is found. The diatonic harmonization of any major results in three major triads. They are based on the first, fourth, and fifth scale degrees and these three triads include, and therefore can harmonize, every note of that scale. The same scale also provides three relative minor chords, one related to each of the three major chords, separate from these six common chords there is one degree of the scale, the seventh, that results in a diminished chord. In addition, extra notes may be added to any chord, if these notes are also selected from the original scale the harmony remains diatonic. If new chromatic intervals are introduced then a change of scale or modulation occurs and this in turn may lead to a resolution back to the original key, so that the entire sequence of chords helps create an extended musical form. In western classical notation, chords built on the scale are numbered with Roman numerals, other forms of chord notation have been devised, from figured bass to the chord chart. These usually allow or even require an amount of improvisation. Diatonic scales such as the major and minor scales lend themselves well to the construction of common chords because they contain a large number of perfect fifths. Such scales predominate in those regions where harmony is an part of music, as, for example. Alternation between two chords may be thought of as the most basic chord progression, many well-known pieces are built harmonically upon the mere repetition of two chords of the same scale. The Isley Brothers Shout uses I - vi throughout, three-chord tunes, though, are more common, since a melody may then dwell on any note of the scale. They are often presented as successions of four chords, in order to produce a binary harmonic rhythm, often the chords may be selected to fit a pre-conceived melody, but just as often it is the progression itself that gives rise to the melody. (Common in Elizabethan music, this also underpins the American college song Goodnight Ladies, is the exclusive progression used in Kwela, similar progressions abound in African popular music. They may be varied by the addition of sevenths to any chord or by substitution of the minor of the IV chord to give, for example
10.
Dance Club Songs
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The Dance Club Songs chart is a weekly national survey of the songs that are most popular in U. S. dance clubs. It is compiled by Billboard exclusively from playlists submitted by nightclub disc jockeys who must apply, the current number-one song on the Dance Club Songs chart for the issue dated April 15,2017, is Lick Me Up by Tony Moran and Dani Toro featuring Zhana Roiya. Dance Club Songs has undergone several incarnations since its inception in 1974, originally a top-ten list of tracks that garnered the largest audience response in New York City discothèques, the chart began on October 26,1974 under the title Disco Action. The chart went on to feature playlists from various cities around the country from week to week, Billboard continued to run regional and city-specific charts throughout 1975 and 1976 until the issue dated August 28,1976, when a thirty-position National Disco Action Top 30 premiered. During the first half of the 1980s the chart maintained eighty slots until March 16,1985 when the Disco charts were splintered and renamed, two charts appeared, Hot Dance/Disco, which ranked club play, and Hot Dance Music/Maxi-Singles Sales, which ranked 12-inch single sales. Only Hot Dance Club Songs still exists today and these stations are also a part of the electronically monitored panel that encompasses the Hot 100. Radio airplay is not limited to that counted on the Dance/Mix Show Airplay chart, during this time, Billboard rival publication Record World was the first to compile a dance chart which incorporated club play on a national level. Noted Billboard statistician Joel Whitburn has since adopted Record Worlds chart data from the weeks between March 29,1975 and August 21,1976 into Billboards club play history. For the sake of continuity, Record Worlds national chart is incorporated into both Whitburns Dance/Disco publication as well as the 1975 and 1976 number-ones lists, with the issue dated August 28,1976, Billboard premiered its own national chart and their data is used from this date forward. For the full list of all 100 All Time Top Dance Club Artists, both Enrique Iglesias and Dave Aude are tied with 14 number-ones on the chart, the most among male artists. Iglesias, however, is the male vocalist to accomplish this feat, while Aude is the only producer to achieve this milestone. Four acts have attained thirteen number-one songs, Whitney Houston, Kylie Minogue, Yoko Ono, Kylie Minogue became the first act to have two songs in the top three on March 5,2011. Her song Better than Today was number-one while Higher, a song by Taio Cruz on which Minogue features, was number three, the first 12-inch single made commercially available to the public was Ten Percent by Double Exposure in 1976. The first number one on Billboards Disco Action chart was Never Can Say Goodbye by Gloria Gaynor in 1974, the first number one on Billboards National Disco Action Top 30 was You Should Be Dancing by the Bee Gees in 1976. Beginning with the February 23,1991 issue, the dance chart became song specific, in all scenarios this was due to the tracks being included in film soundtrack albums. In 1978, four tracks from Thank God Its Friday, in 1980, madonna holds the record for the most chart hits, the most top-twenty hits, the most top-ten hits and the most total weeks at number one. The Trammps are the act to replace themselves at number one. The longest running number-ones on the Hot Dance Club Songs chart are Bad Luck by Harold Melvin & the Blue Notes2 in 1975, both entries spent eleven weeks in the top spot
11.
Paul Revere & the Raiders
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Paul Revere & the Raiders is an American rock band that saw considerable U. S. mainstream success in the second half of the 1960s and early 1970s. Among their hits were the songs Kicks, Hungry, Him Or Me – Whats It Gonna Be. initially based in Boise, Idaho, the Raiders began as an instrumental rock band led by organist and founder Paul Revere Dick. The band relocated to Portland, Oregon, when Revere returned from serving in the forces in 1962. In his early 20s, Revere owned several restaurants in Caldwell, Idaho, the circumstance of their meeting was later referred to in the tongue-in-cheek song Legend of Paul Revere, recorded by the group. Lindsay joined Reveres band in 1958, originally called the Downbeats, they changed their name to Paul Revere & the Raiders in 1960 on the eve of their first record release for Gardena Records. The band garnered their first hit in the Pacific Northwest in 1961, with the instrumental Like, the record had enough national appeal that it peaked at No.38 on the Billboard chart on April 17,1961. When Revere was drafted for service, he became a conscientious objector and worked as a cook at a mental institution for a year. During the same period, Lindsay pumped gas in Wilsonville. On the strength of their Top 40 single, Lindsay toured the U. S. in the summer of 1961 with a band that featured Leon Russell taking Reveres place on piano. By summer 1962, Revere and Lindsay were working again in Oregon with a version of the Raiders that featured Mike Smitty Smith. Around this time, KISN DJ Roger Hart, who was producing teen dances, was looking for a band to hire, Hart had a casual conversation with a bank teller who told him about a band called Paul Revere-something. Hart obtained Reveres phone number and they met for lunch, Hart hired the band for one of his teen dances. Soon afterward, Hart became the personal manager. It was Hart who suggested they record Louie Louie, for which Hart paid them about $50, producing the song and placing it on his Sandē label, according to Lindsay, the Raiders were a bunch of white-bread kids doing their best to sound black. We got signed to Columbia on the strength of sounding like this, whether the Raiders or the Kingsmen recorded Louie Louie first is not certain, however, both groups recorded it in the same studio in Portland, Oregon, in April 1963. By then, the Raiders included Revere, Lindsay, Smith, guitarist Drake Levin, and bassist Mike Doc Holliday, in 1965, the Raiders began recording a string of garage rock classics. Their first major hit, Just Like Me was one of the first rock records to feature a distinctive, double-tracked guitar solo. The band appeared regularly in the U. S. on national television, most notably on Dick Clarks Where the Action Is, Happening 68, and Its Happening, the latter two co-hosted by Revere and Lindsay
12.
Single (music)
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In music, a single or record single is a type of release, typically a song recording of fewer tracks than an LP record, an album or an EP record. This can be released for sale to the public in a variety of different formats, in most cases, a single is a song that is released separately from an album, although it usually also appears on an album. Typically, these are the songs from albums that are released separately for promotional uses such as digital download or commercial radio airplay and are expected to be the most popular, in other cases a recording released as a single may not appear on an album. As digital downloading and audio streaming have become prevalent, it is often possible for every track on an album to also be available separately. Nevertheless, the concept of a single for an album has been retained as an identification of a heavily promoted or more popular song within an album collection. Despite being referred to as a single, singles can include up to as many as three tracks on them. The biggest digital music distributor, iTunes, accepts as many as three tracks less than ten minutes each as a single, as well as popular music player Spotify also following in this trend. Any more than three tracks on a release or longer than thirty minutes in total running time is either an Extended Play or if over six tracks long. The basic specifications of the single were made in the late 19th century. Gramophone discs were manufactured with a range of speeds and in several sizes. By about 1910, however, the 10-inch,78 rpm shellac disc had become the most commonly used format, the inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century.26 rpm. With these factors applied to the 10-inch format, songwriters and performers increasingly tailored their output to fit the new medium, the breakthrough came with Bob Dylans Like a Rolling Stone. Singles have been issued in various formats, including 7-inch, 10-inch, other, less common, formats include singles on digital compact cassette, DVD, and LD, as well as many non-standard sizes of vinyl disc. Some artist release singles on records, a more common in musical subcultures. The most common form of the single is the 45 or 7-inch. The names are derived from its speed,45 rpm. The 7-inch 45 rpm record was released 31 March 1949 by RCA Victor as a smaller, more durable, the first 45 rpm records were monaural, with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 rpm records were produced in stereo by the early 1970s
