1.
Single (music)
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In music, a single or record single is a type of release, typically a song recording of fewer tracks than an LP record, an album or an EP record. This can be released for sale to the public in a variety of different formats, in most cases, a single is a song that is released separately from an album, although it usually also appears on an album. Typically, these are the songs from albums that are released separately for promotional uses such as digital download or commercial radio airplay and are expected to be the most popular, in other cases a recording released as a single may not appear on an album. As digital downloading and audio streaming have become prevalent, it is often possible for every track on an album to also be available separately. Nevertheless, the concept of a single for an album has been retained as an identification of a heavily promoted or more popular song within an album collection. Despite being referred to as a single, singles can include up to as many as three tracks on them. The biggest digital music distributor, iTunes, accepts as many as three tracks less than ten minutes each as a single, as well as popular music player Spotify also following in this trend. Any more than three tracks on a release or longer than thirty minutes in total running time is either an Extended Play or if over six tracks long. The basic specifications of the single were made in the late 19th century. Gramophone discs were manufactured with a range of speeds and in several sizes. By about 1910, however, the 10-inch,78 rpm shellac disc had become the most commonly used format, the inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century.26 rpm. With these factors applied to the 10-inch format, songwriters and performers increasingly tailored their output to fit the new medium, the breakthrough came with Bob Dylans Like a Rolling Stone. Singles have been issued in various formats, including 7-inch, 10-inch, other, less common, formats include singles on digital compact cassette, DVD, and LD, as well as many non-standard sizes of vinyl disc. Some artist release singles on records, a more common in musical subcultures. The most common form of the single is the 45 or 7-inch. The names are derived from its speed,45 rpm. The 7-inch 45 rpm record was released 31 March 1949 by RCA Victor as a smaller, more durable, the first 45 rpm records were monaural, with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 rpm records were produced in stereo by the early 1970s
2.
Cutting Crew
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Cutting Crew are an English rock band formed in London in 1985. They are best remembered for their debut album Broadcast and hit singles, Died in Your Arms, Ive Been in Love Before, One for the Mockingbird, while touring Canada, The Drivers had a support band called Fast Forward, whose line up included guitarist Kevin Macmichael. Van Eede was so impressed with Macmichaels guitar playing that he asked him to form a new band with him, the Drivers split in 1983, but Van Eede and Macmichael joined forces in 1985 by relocating to London, England. Initially, the two made demos that led to a contract, before bassist Colin Farley and drummer Martin Beedle joined in 1986. Their first album, Broadcast, was released on Virgin Records in 1986, although Virgin Records was already a major label in the UK, their debut song, Died in Your Arms, provided the first US hit for Virgin as a full-fledged label. This song release quickly helped the band gain popularity, Virgin flew the band to New York City for initial recordings of the album, then to Australia to shoot music videos. The unknown band shot to No.1 in the major US market, as well as smaller markets such as Canada and Norway, with their debut single. The song peaked at No.4 in another major market and it went to No.2 in Sweden and Ireland, and No.9 in Austria. The choice for follow-up single in the UK had been Ive Been In Love Before,38 and hitting No.29 on the Mainstream Rock chart in the US, No.47 in Canada and No.52 in the UK Singles Chart. The band took a chance on Ive Been in Love Before again, the song became Cutting Crews second US Top 10 on the Hot 100, peaking at No. 9, and was their first major hit on the US Adult Contemporary chart and this success prompted a UK re-release, and this time it spent five weeks in the UK Singles Chart Top 40, peaking at No.24. The song failed to chart throughout most of Europe, but it peaked at No.8 in Canada, despite an unflattering review by Rolling Stone magazine, Cutting Crew received a Grammy nomination as the Best New Artist of 1987. Disputes with management led to a recording hiatus, which stalled the bands career momentum. Cutting Crews second album, The Scattering, was released in early 1989. Its lead single, Rock and a Hard Place, failed to reach the Top 40, Van Eedes vocal style, however, did score a sizable US Adult Contemporary hit with Everything But My Pride. That song peaked at No.4 and stayed in the top 50 for 22 weeks and it climbed to No.72 on the Canadian pop charts, though it failed to hit the US Hot 100. The prophetically named The Last Thing scaled the AC charts as high as No.17 in early 1990 and went to No.90 on the Canadian chart, and has been their final chart hit to date. Although a video for the track did air briefly in the UK and North America
3.
Broadcast (Cutting Crew album)
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Broadcast is the debut studio album by the English rock band Cutting Crew. It was released on 22 November 1986 in Europe with different packaging eight months before it was released in the United States, for the American version, four tracks were remixed, all of which were the singles from the album. The current American CD in print is the European version but with the American packaging and it was the first album to be released in the United States by Virgin Records new American imprint, Virgin Records America. Broadcast was re-released by Cherry Red Records on 24 May 2010, with tracks including for the 1st time ever on CD For the Longest Time. In a retrospective review, Michael Sutton of AllMusic gave the four stars. He concludes the review by saying the album is not a creative breakthrough, any Colour Note, Chart positions are all Billboard Hot 100 unless noted otherwise
4.
A-side and B-side
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The terms A-side and B-side refer to the two sides of 78,45, and 33 1/3 rpm phonograph records, whether singles, extended plays, or long-playing records. Creedence Clearwater Revival had hits with both A-side and B-side releases, others took the opposite approach, producer Phil Spector was in the habit of filling B-sides with on-the-spot instrumentals that no one would confuse with the A-side. With this practice, Spector was assured that airplay was focused on the side he wanted to be the hit side, the earliest 10-inch,78 rpm, shellac records were single sided. Double-sided recordings, with one song on side, were introduced in Europe by Columbia Records. There were no record charts until the 1930s, and radio stations did not play recorded music until the 1950s, in this time, A-sides and B-sides existed, but neither side was considered more important, the side did not convey anything about the content of the record. The term single came into use with the advent of vinyl records in the early 1950s. At first, most record labels would randomly assign which song would be an A-side, under this random system, many artists had so-called double-sided hits, where both songs on a record made one of the national sales charts, or would be featured on jukeboxes in public places. As time wore on, however, the convention for assigning songs to sides of the record changed. By the early sixties, the song on the A-side was the song that the company wanted radio stations to play. It was not until 1968, for instance, that the production of albums on a unit basis finally surpassed that of singles in the United Kingdom. In the late 1960s stereo versions of pop and rock songs began to appear on 45s. The majority of the 45s were played on AM radio stations, by the early 1970s, double-sided hits had become rare. Album sales had increased, and B-sides had become the side of the record where non-album, non-radio-friendly, with the advent of cassette and compact disc singles in the late 1980s, the A-side/B-side differentiation became much less meaningful. With the decline of cassette singles in the 1990s, the A-side/B-side dichotomy became virtually extinct, as the dominant medium. However, the term B-side is still used to refer to the tracks or coupling tracks on a CD single. With the advent of downloading music via the Internet, sales of CD singles and other media have declined. B-side songs may be released on the record as a single to provide extra value for money. There are several types of material released in this way, including a different version, or, in a concept record
5.
Rock music
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It has its roots in 1940s and 1950s rock and roll, itself heavily influenced by blues, rhythm and blues and country music. Rock music also drew strongly on a number of genres such as electric blues and folk. Musically, rock has centered on the guitar, usually as part of a rock group with electric bass guitar. Typically, rock is song-based music usually with a 4/4 time signature using a verse-chorus form, like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political in emphasis. Punk was an influence into the 1980s on the subsequent development of subgenres, including new wave, post-punk. From the 1990s alternative rock began to rock music and break through into the mainstream in the form of grunge, Britpop. Similarly, 1970s punk culture spawned the visually distinctive goth and emo subcultures and this trio of instruments has often been complemented by the inclusion of other instruments, particularly keyboards such as the piano, Hammond organ and synthesizers. The basic rock instrumentation was adapted from the blues band instrumentation. A group of musicians performing rock music is termed a rock band or rock group, Rock music is traditionally built on a foundation of simple unsyncopated rhythms in a 4/4 meter, with a repetitive snare drum back beat on beats two and four. Melodies are often derived from older musical modes, including the Dorian and Mixolydian, harmonies range from the common triad to parallel fourths and fifths and dissonant harmonic progressions. Critics have stressed the eclecticism and stylistic diversity of rock, because of its complex history and tendency to borrow from other musical and cultural forms, it has been argued that it is impossible to bind rock music to a rigidly delineated musical definition. These themes were inherited from a variety of sources, including the Tin Pan Alley pop tradition, folk music and rhythm, as a result, it has been seen as articulating the concerns of this group in both style and lyrics. Christgau, writing in 1972, said in spite of some exceptions, rock and roll usually implies an identification of male sexuality, according to Simon Frith rock was something more than pop, something more than rock and roll. Rock musicians combined an emphasis on skill and technique with the concept of art as artistic expression, original. The foundations of music are in rock and roll, which originated in the United States during the late 1940s and early 1950s. Its immediate origins lay in a melding of various musical genres of the time, including rhythm and blues and gospel music, with country. In 1951, Cleveland, Ohio disc jockey Alan Freed began playing rhythm and blues music for a multi-racial audience, debate surrounds which record should be considered the first rock and roll record. Other artists with rock and roll hits included Chuck Berry, Bo Diddley, Fats Domino, Little Richard, Jerry Lee Lewis
6.
Virgin Records
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Virgin Records is a British-founded record label originally founded by English entrepreneurs Richard Branson, Simon Draper, Nik Powell, and musician Tom Newman in 1972. It was later sold to Thorn EMI in 1992, today, the operations of Virgin Records America, Inc. are still active and headquartered in Hollywood, California, as it operates exclusively under the Capitol Music Group since 2007. US artists include Knox Hamilton, LTric and Rise Against, in fact the first real store was above a shoe shop at the Tottenham Court Road end of Oxford Street. After making the shop into a success, they turned their business into a fully fledged record label, the name Virgin, according to Branson, arose from Tessa Watts, a colleague of his, when they were brainstorming business ideas. She suggested Virgin – as they were all new to business – like virgins, the original Virgin logo was designed by English artist and illustrator Roger Dean, a young naked woman in mirror image with a large long-tailed serpent and the word Virgin in Deans familiar script. A variation on the logo was used for the spin-off Caroline Records label and this was soon followed by some notable krautrock releases, including electronic breakthrough album Phaedra by Tangerine Dream, and The Faust Tapes and Faust IV by Faust. The Faust Tapes album retailed for 49p and as a result allowed this relatively unknown band to reach number 12 in the album charts, other early albums include Gongs Flying Teapot, which Daevid Allen has been quoted as having never been paid for. Under the guidance of Tessa Watts, Virgins Head of Publicity, shortly afterwards, the Notting Hill record shop was raided by police for having a window display of the Sex Pistols album Never Mind the Bollocks, Heres the Sex Pistols in the window. After modified versions of the label came the red, white and blue design introduced in 1975. The current Virgin logo was created in 1978, commissioned by Simon Draper, brian Cooke of Cooke Key Associates commissioned a graphic designer to produce a stylised signature. In 1983 Virgin purchased Charisma Records, renaming it Charisma/Virgin, then later Virgin/Charisma, before folding the label in 1986, in the process they acquired Genesis and comedy group Monty Python. The Charisma label was reactivated in the US in 1990 and enjoyed success with such as Maxi Priest, Right Said Fred,38 Special. When this Charisma label was retired in 1992, all of its artists were, as before, in 1987, Venture Records was created for new age and modern classical artists including Klaus Schulze, who had been associated with Virgin since the early 1970s. 10 Records Immortal Records Delabel Caroline Records was a label used from 1973 to 1977. The name and logo were used for some American editions of Virgin records in the 1980s and 1990s. Caroline was primarily used for independent distribution until the label was reactivated in 2013, today, Caroline Records acts as an independent label taking the place of EMI Label Services, after Virgins former parent company EMI was purchased by Universal Music Group. Front Line Records was a label for issuing Jamaican and English reggae music from 1978 to approximately 1987, a short-lived associated label, Dindisc, had Orchestral Manoeuvres in the Dark and The Monochrome Set during its brief existence, after which its recordings became part of Virgins catalogue. Noo Trybe Records was a hip hop label that existed from 1994 to 1999
7.
Songwriter
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A songwriter is an individual who writes the lyrics, melodies and chord progressions for songs, typically for a popular music genre such as rock or country music. A songwriter can also be called a composer, although the term tends to be used mainly for individuals from the classical music genre. The pressure from the industry to produce popular hits means that songwriting is often an activity for which the tasks are distributed between a number of people. For example, a songwriter who excels at writing lyrics might be paired with a songwriter with a gift for creating original melodies, pop songs may be written by group members from the band or by staff writers – songwriters directly employed by music publishers. Some songwriters serve as their own publishers, while others have outside publishers. The old-style apprenticeship approach to learning how to write songs is being supplemented by university degrees and college diplomas, a knowledge of modern music technology, songwriting elements and business skills are necessary requirements to make a songwriting career in the 2010s. Several music colleges offer songwriting diplomas and degrees with music business modules, the legal power to grant these permissions may be bought, sold or transferred. This is governed by international copyright law, song pitching can be done on a songwriters behalf by their publisher or independently using tip sheets like RowFax, the MusicRow publication and SongQuarters. Skills associated with song-writing include entrepreneurism and creativity, songwriters who sign an exclusive songwriting agreement with a publisher are called staff writers. In the Nashville country music scene, there is a staff writer culture where contracted writers work normal 9-to-5 hours at the publishing office and are paid a regular salary. This salary is in effect the writers draw, an advance on future earnings, the publisher owns the copyright of songs written during the term of the agreement for a designated period, after which the songwriter can reclaim the copyright. In an interview with HitQuarters, songwriter Dave Berg extolled the benefits of the set-up, unlike contracted writers, some staff writers operate as employees for their respective publishers. Under the terms of work for hire agreements, the compositions created are fully owned by the publisher. In Nashville, young writers are often encouraged to avoid these types of contracts. Staff writers are common across the industry, but without the more office-like working arrangements favored in Nashville. All the major publishers employ writers under contract, songwriter Allan Eshuijs described his staff writer contract at Universal Music Publishing as a starter deal. His success under the arrangement eventually allowed him to found his own publishing company, so that he could. keep as much as possible, songwriters are also often skilled musicians. In addition to selling their songs and musical concepts for other artists to sing, songwriters need to create a number of elements for a song
8.
Nick Van Eede
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Nick Van Eede is an English musician, producer, and songwriter. He is best known for singing and writing the 1986 U. S. #1 power ballad hit Died in Your Arms for his band Cutting Crew. While working as an orderly in the late 1970s, Van Eede was discovered playing by the ex-Animal Chas Chandler. Van Eede was only 18 when sent on the road and he recalls I went with a kazoo and an acoustic guitar and opened for Slade in amphitheatres in front of 18,000 people. I went down as a storm and had the loudest kazoo in Europe and his career continued with tours supporting headliners like David Essex, Hot Chocolate and Alan Price. During that time, Van Eede released five singles between 1978 and 1980, but none of them charted in the UK Singles Chart. The first three were, Rock n Roll Fool b/w Ounce Of Sense All Or Nothing b/w Hold On To Your Heart I Only Want To Be Number One b/w Dicing All were issued by Barn Records and he formed The Drivers with friends Mac Norman and Steve Boorer. In the early 1980s they signed with a label in Canada. They had a couple of hits there with Tears On Your Anorak and Talk All Night and they had a support band called Fast Forward, whose line up included guitarist Kevin MacMichael. Van Eede was impressed with MacMichaels guitar playing that he asked him to form a new band with him, after a final single release with Things, a Bobby Darin cover version, The Drivers split in 1983. Whilst Kevin MacMichael was with Fast Forward, the band was involved in an accident which left all of the members except MacMichael unable to continue touring. Ready to begin working with Van Eede, MacMichael moved from Toronto to London and they recruited drummer Martin Frosty Beedle, previously a member of the cabaret band on the QE2, and bass player Colin Farley, a session musician living in Spain. In 1985, Cutting Crew staged a showcase at a London recording studio for representatives from numerous labels, the first single to be released by the band was Died In Your Arms b/w For The Longest Time released in the UK in August 1986. In total, the song went to Number 1 in 19 Countries and this would be their biggest hit single. Van Eede came up with the title and concept for Died In Your Arms after making love with his girlfriend, I actually remember saying that, he admitted, and promptly jotted a note on a pad he always kept close at hand. The next single, Ive Been In Love Before b/w Life In A Dangerous Time failed to break in the UK on its first release in November 1986 but was released again to reach #50 in the charts. The album Broadcast was released shortly, when it reached 41 in the UK Albums Chart, after Cutting Crews demise, Van Eede went on to write and produce for other artists, including producing the original demo of Chers hit Believe. In 1996, he auditioned for the job as the new singer of Genesis
9.
Record producer
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A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu
10.
I've Been in Love Before (Cutting Crew song)
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Broadcast is the debut studio album by the English rock band Cutting Crew. It was released on 22 November 1986 in Europe with different packaging eight months before it was released in the United States, for the American version, four tracks were remixed, all of which were the singles from the album. The current American CD in print is the European version but with the American packaging and it was the first album to be released in the United States by Virgin Records new American imprint, Virgin Records America. Broadcast was re-released by Cherry Red Records on 24 May 2010, with tracks including for the 1st time ever on CD For the Longest Time. In a retrospective review, Michael Sutton of AllMusic gave the four stars. He concludes the review by saying the album is not a creative breakthrough, any Colour Note, Chart positions are all Billboard Hot 100 unless noted otherwise
11.
Lead vocalist
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The lead vocalist, lead vocals or lead singer in popular music is typically the member of a group or band whose voice is the most prominent in a performance where multiple voices may be heard. The lead singer either leads the ensemble, or sets against the ensemble as the dominant sound. In vocal group performances, notably in soul and gospel music, and early rock and roll, as an example in rock music, Mick Jagger is the lead singer of The Rolling Stones. Similarly in soul music, Smokey Robinson was the singer of The Miracles. The practice of using a lead singer in vocal groups, however, has a longer history, songs of the late nineteenth century frequently used a leading solo voice, followed by a choral response by other singers. From these various points - including Motown - it went on to become a device in much rock. In some bands - most famously, The Beatles - the role of lead singer alternated, while in others - for example, there are as many types and styles of lead singer as there are styles and genres of music. However, the singer of a group or band is usually the main focus of audiences attention. The lead vocalist of a band is called the front man or front woman. Pink Floyd also can be considered a band with two front men, as both the guitarist David Gilmour and the bassist Roger Waters sang and wrote most of the songs. In the beginning of the career, however, Pink Floyds lead singer and guitarist was Syd Barrett. Particularly before the 1970s, many bands were named for the leader or founder, rather than the lead singer, examples include the Dave Clark Five and Harold Melvin. In modern rock music, the singer is often, but not always, also the bands leader. While lead singers or spokespersons for any musical ensembles can be called a front man, since the position commonly has an expanded role from simple lead vocalists, there have been cases in which the front man for a band is someone other than the lead vocalist. In many bands, such as The Who, Fall Out Boy, Led Zeppelin, Living Colour, Queen and Oasis, usually, this is derived from that guitarists specific role as a co-songwriter, co-founder and/or co-vocalist. Also in some cases, there are two frontmen, such as Underoath, with singers Spencer Chamberlain and Aaron Gillespie sharing vocal duties, another example is Blink-182, in which vocal duties are split between bassist Mark Hoppus and guitarist Tom DeLonge. Hoppus usually carries out most media either by himself or together with DeLonge, linkin Park has two vocalists as well, Chester Bennington and Mike Shinoda, both considered as frontmen. Another example is the metal band Metallica, in which James Hetfield
12.
London
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London /ˈlʌndən/ is the capital and most populous city of England and the United Kingdom. Standing on the River Thames in the south east of the island of Great Britain and it was founded by the Romans, who named it Londinium. Londons ancient core, the City of London, largely retains its 1. 12-square-mile medieval boundaries. London is a global city in the arts, commerce, education, entertainment, fashion, finance, healthcare, media, professional services, research and development, tourism. It is crowned as the worlds largest financial centre and has the fifth- or sixth-largest metropolitan area GDP in the world, London is a world cultural capital. It is the worlds most-visited city as measured by international arrivals and has the worlds largest city airport system measured by passenger traffic, London is the worlds leading investment destination, hosting more international retailers and ultra high-net-worth individuals than any other city. Londons universities form the largest concentration of education institutes in Europe. In 2012, London became the first city to have hosted the modern Summer Olympic Games three times, London has a diverse range of people and cultures, and more than 300 languages are spoken in the region. Its estimated mid-2015 municipal population was 8,673,713, the largest of any city in the European Union, Londons urban area is the second most populous in the EU, after Paris, with 9,787,426 inhabitants at the 2011 census. The citys metropolitan area is the most populous in the EU with 13,879,757 inhabitants, the city-region therefore has a similar land area and population to that of the New York metropolitan area. London was the worlds most populous city from around 1831 to 1925, Other famous landmarks include Buckingham Palace, the London Eye, Piccadilly Circus, St Pauls Cathedral, Tower Bridge, Trafalgar Square, and The Shard. The London Underground is the oldest underground railway network in the world, the etymology of London is uncertain. It is an ancient name, found in sources from the 2nd century and it is recorded c.121 as Londinium, which points to Romano-British origin, and hand-written Roman tablets recovered in the city originating from AD 65/70-80 include the word Londinio. The earliest attempted explanation, now disregarded, is attributed to Geoffrey of Monmouth in Historia Regum Britanniae and this had it that the name originated from a supposed King Lud, who had allegedly taken over the city and named it Kaerlud. From 1898, it was accepted that the name was of Celtic origin and meant place belonging to a man called *Londinos. The ultimate difficulty lies in reconciling the Latin form Londinium with the modern Welsh Llundain, which should demand a form *lōndinion, from earlier *loundiniom. The possibility cannot be ruled out that the Welsh name was borrowed back in from English at a later date, and thus cannot be used as a basis from which to reconstruct the original name. Until 1889, the name London officially applied only to the City of London, two recent discoveries indicate probable very early settlements near the Thames in the London area
13.
Sentimental ballad
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Ballads are generally melodic enough to get the listeners attention. Sentimental ballads are found in most music genres, such as, pop, R&B, soul, country, folk, rock and electronic music, Ballads tend to have a lush musical arrangement, emphasizing melody and harmonies. Characteristically, ballads use acoustic instruments such as guitars, pianos, saxophones, however though, many modern, mainstream ballads tend to feature synthesizers, drum machines and even, to some extent, a dance rhythm. Sentimental ballads had their origins in the early Tin Pan Alley music industry of the later 19th century, sentimental ballads have their roots from medieval French chanson balladée or ballade, which were originally danced songs. Ballads were particularly characteristic of the poetry and song of the British Isles from the later medieval period until the 19th century. They were widely used across Europe, and later in the Americas, Australia, as a narrative song, their theme and function may originate from Scandinavian and Germanic traditions of storytelling. Musically they were influenced by the Minnesinger, the earliest example of a recognizable ballad in form in England is Judas in a 13th-century manuscript. Ballads at this time were composed in couplets with refrains in alternate lines. These refrains would have been sung by the dancers in time with the dance, in the 18th century, ballad operas developed as a form of English stage entertainment, partly in opposition to the Italian domination of the London operatic scene. In America a distinction is drawn between ballads that are versions of European, particularly British and Irish songs, and Native American ballads, a further development was the evolution of the blues ballad, which mixed the genre with Afro-American music. In the late 19th century, Danish folklorist Svend Grundtvig and Harvard professor Francis James Child attempted to record and classify all the known ballads, by the Victorian era, ballad had come to mean any sentimental popular song, especially so-called royalty ballads. Some of Stephen Fosters songs exemplify this genre, by the 1920s, composers of Tin Pan Alley and Broadway used ballad to signify a slow, sentimental tune or love song, often written in a fairly standardized form. Jazz musicians sometimes broaden the term still further to embrace all slow-tempo pieces, notable sentimental ballads of this period include, Little Rosewood Casket, After the Ball, and Danny Boy. Popular sentimental ballad vocalists in this era were Frank Sinatra, Doris Day, Andy Williams, Dusty Springfield, Johnny Mathis, Connie Francis, Nat King Cole, Liza Minnelli and their custom recordings were usually instrumental versions of current or recent rock and roll or pop hit songs. The most popular and enduring songs from this style of music are known as pop standards or American standards. Soft rock, a subgenre that mainly consist of ballads, was derived from rock in the early 1970s, using acoustic instruments and putting more emphasis on melody. Major sentimental ballad artists of this decade included Barbra Streisand, Nana Mouskouri, Elton John, Engelbert Humperdinck, Carole King, Cat Stevens, James Taylor. By the early 1970s, softer songs by the Carpenters, Anne Murray, John Denver, Barry Manilow
14.
Orgasm
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Orgasm is the sudden discharge of accumulated sexual excitement during the sexual response cycle, resulting in rhythmic muscular contractions in the pelvic region characterized by sexual pleasure. Experienced by males and females, orgasms are controlled by the involuntary or autonomic nervous system and they are often associated with other involuntary actions, including muscular spasms in multiple areas of the body, a general euphoric sensation and, frequently, body movements and vocalizations. The period after orgasm is often a relaxing experience, attributed to the release of the neurohormones oxytocin and prolactin as well as endorphins, Human orgasms usually result from physical sexual stimulation of the penis in males, and the clitoris in females. Sexual stimulation can be by self-practice or with a sex partner, the health effects surrounding the human orgasm are diverse. There is also a range of sexual dysfunctions, such as anorgasmia. Orgasm in non-human animals has been studied less than orgasm in humans. This is categorized as the discharge of accumulated sexual tension during the sexual response cycle. However, definitions of orgasm vary and there is sentiment that consensus on how to classify it is absent. At least twenty-six definitions of orgasm were listed in the journal Clinical Psychology Review, in these and similar cases, the sensations experienced are subjective and do not necessarily involve the involuntary contractions characteristic of orgasm. For example, modern findings support distinction between ejaculation and male orgasm, for this reason, there are views on both sides as to whether these can be accurately defined as orgasms. Orgasms can be achieved by a variety of activities, including vaginal, anal or oral sex, Orgasm may also be achieved by the use of a sex toy, such as a sensual vibrator or an erotic electrostimulation. It can additionally be achieved by stimulation of the nipples, uterus, or other erogenous zones, in addition to physical stimulation, orgasm can be achieved from psychological arousal alone, such as during dreaming or by orgasm control. Orgasm by psychological stimulation alone was first reported among people who had spinal cord injury, although sexual function and sexuality after spinal cord injury is very often impacted, this injury does not deprive one of sexual feelings such as sexual arousal and erotic desires. A person may experience multiple orgasms, or an involuntary orgasm, an involuntary orgasm from forced sexual contact often results in feelings of shame caused by internalization of victim-blaming attitudes. In one controlled study by Vance and Wagner, independent raters could not differentiate written descriptions of male versus female orgasm experiences, in men, the most common way of achieving orgasm is by physical sexual stimulation of the penis. This is usually accompanied by ejaculation, but it is possible, though also rare, men may also achieve orgasm by stimulation of the prostate. The traditional view of male orgasm is that there are two stages, emission following orgasm, almost instantly followed by a refractory period, in 1966, Masters and Johnson published pivotal research about the phases of sexual stimulation. Their work included women and men, and, unlike Alfred Kinsey in 1948 and 1953, tried to determine the stages before
15.
Black and white
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Black and white, often abbreviated B/W or B&W, and hyphenated black-and-white when used as an adjective, is any of several monochrome forms in visual arts. Black-and-white images are not usually starkly contrasted black and white and they combine black and white in a continuum producing a range of shades of gray. Even when most studios had the capability to make color films they were not heavily utilized as using the Technicolor process was expensive, for the years 1940–1966, a separate Academy Award for Best Art Direction was given for black-and-white movies along with one for color. Television, Television program was first transmitted in black-and-white, scottish inventor John Logie Baird demonstrated the worlds first color television transmission on July 3,1928 using a mechanical process. Some color broadcasts in the US began in the 1950s, with color becoming common in industrialized nations during the late 1960s. In the United States, the Federal Communications Commission settled on a color NTSC standard in 1953, color television became more widespread in the U. S. between 1963 and 1967, when the CBS and ABC networks joined NBC in broadcasting full color schedules. Canada began airing color television in 1966 while the United Kingdom began to use a different color system from July 1967 known as PAL. The Republic Of Ireland followed in 1970, in China, black and white television sets were the norm until as late as the 1990s, color TVs not outselling them until about 1989. While seldom used now, many consumer camcorders have the ability to record in black-and-white. Photography, Photographs were either black-and-white or shades of sepia, color photography was originally rare and expensive and again often containing inaccurate hues. Color photography became more common from the mid-20th century, Today, black-and-white is a niche market for photographers who use the medium for artistic purposes. This can take the form of film or digital conversion to grayscale. For amateur use certain companies such as Kodak manufactured black-and-white disposable cameras until 2009, also, certain films are produced today which give black-and-white images using the ubiquitous C41 color process. Printing press, Most American newspapers were black-and-white until the early 1980s, The New York Times, some claim that USA Today was the major impetus for the change to color. In the UK, color was only introduced from the mid-1980s. Even today, many newspapers restrict color photographs to the front, similarly, daily comic strips in newspapers were traditionally black-and-white with color reserved for Sunday strips. Sometimes color is reserved for the cover, magazines such as Jet magazine were either all or mostly black-and-white until the end of the 2000s when it became all-color. Manga are typically published in black-and-white although now it is part of its image, many school yearbooks are still entirely or mostly in black-and-white
16.
Dance Club Songs
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The Dance Club Songs chart is a weekly national survey of the songs that are most popular in U. S. dance clubs. It is compiled by Billboard exclusively from playlists submitted by nightclub disc jockeys who must apply, the current number-one song on the Dance Club Songs chart for the issue dated April 15,2017, is Lick Me Up by Tony Moran and Dani Toro featuring Zhana Roiya. Dance Club Songs has undergone several incarnations since its inception in 1974, originally a top-ten list of tracks that garnered the largest audience response in New York City discothèques, the chart began on October 26,1974 under the title Disco Action. The chart went on to feature playlists from various cities around the country from week to week, Billboard continued to run regional and city-specific charts throughout 1975 and 1976 until the issue dated August 28,1976, when a thirty-position National Disco Action Top 30 premiered. During the first half of the 1980s the chart maintained eighty slots until March 16,1985 when the Disco charts were splintered and renamed, two charts appeared, Hot Dance/Disco, which ranked club play, and Hot Dance Music/Maxi-Singles Sales, which ranked 12-inch single sales. Only Hot Dance Club Songs still exists today and these stations are also a part of the electronically monitored panel that encompasses the Hot 100. Radio airplay is not limited to that counted on the Dance/Mix Show Airplay chart, during this time, Billboard rival publication Record World was the first to compile a dance chart which incorporated club play on a national level. Noted Billboard statistician Joel Whitburn has since adopted Record Worlds chart data from the weeks between March 29,1975 and August 21,1976 into Billboards club play history. For the sake of continuity, Record Worlds national chart is incorporated into both Whitburns Dance/Disco publication as well as the 1975 and 1976 number-ones lists, with the issue dated August 28,1976, Billboard premiered its own national chart and their data is used from this date forward. For the full list of all 100 All Time Top Dance Club Artists, both Enrique Iglesias and Dave Aude are tied with 14 number-ones on the chart, the most among male artists. Iglesias, however, is the male vocalist to accomplish this feat, while Aude is the only producer to achieve this milestone. Four acts have attained thirteen number-one songs, Whitney Houston, Kylie Minogue, Yoko Ono, Kylie Minogue became the first act to have two songs in the top three on March 5,2011. Her song Better than Today was number-one while Higher, a song by Taio Cruz on which Minogue features, was number three, the first 12-inch single made commercially available to the public was Ten Percent by Double Exposure in 1976. The first number one on Billboards Disco Action chart was Never Can Say Goodbye by Gloria Gaynor in 1974, the first number one on Billboards National Disco Action Top 30 was You Should Be Dancing by the Bee Gees in 1976. Beginning with the February 23,1991 issue, the dance chart became song specific, in all scenarios this was due to the tracks being included in film soundtrack albums. In 1978, four tracks from Thank God Its Friday, in 1980, madonna holds the record for the most chart hits, the most top-twenty hits, the most top-ten hits and the most total weeks at number one. The Trammps are the act to replace themselves at number one. The longest running number-ones on the Hot Dance Club Songs chart are Bad Luck by Harold Melvin & the Blue Notes2 in 1975, both entries spent eleven weeks in the top spot
17.
Kent Music Report
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The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to 1988. After 1988, the Australian Recording Industry Association, who had been using the report under licence for a number of years, prior to the Kent Report, Go-Set magazine published weekly Top-40 Singles from 1966 and Album charts from 1970 until the magazines demise in August 1974. David Kent later publicised the Australian charts from 1940–1973 in a retrospective fashion using state by state chart data obtained from various Australian radio stations. Kent had spent a number of years working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first released on a basis in July 1974 and was offered for subscription. The report data was based solely on radio station charts from around the country. These radio station charts were compiled using data collected from local record stores and. In 1976, as funding from subscriptions grew, Kent himself started collecting data from retail stores to supplement the radio station charts. His operation grew and staff were employed to assist with research, within a year or so, the major record companies started using the Report for their own marketing programs and it had established itself as the leading national chart publication. From 1982, retail sales data collected by Kent and his staff were used exclusively, some radio station chart data was used as supplementary information, however. At about the time, the Australian Recording Industry Association was established by the major record companies, being EMI, Festival Records, CBS, RCA, WEA. From 1983 until 1988 ARIA had an arrangement with Kent to use the Report under their own banner. The Kent Report continued however and in 1987 was rebadged as the Australian Music Report, in 1988 the arrangement with ARIA ended and the ARIA Charts were produced in-house by the Association. In April 1998, the AMR charts ceased publishing, leaving the ARIA charts as the nationally recognised chart publication. In 1993, David Kent published his Australian Chart Book 1970 -1992 and this was based on his chart data already published as the Kent Music Report from May 1974 onwards. He specially retro-calculated charts based on state-based Australian radio station available to him dated prior to May 1974. On this basis, he put together Australian national charts from 1940 -1969. Prior to 1949, radio music charts in Australia were only available on a monthly basis
18.
GfK Entertainment Charts
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The GfK Entertainment Charts are the official music charts in Germany and are gathered and published by GfK Entertainment GmbH on behalf of Bundesverband Musikindustrie. Following a lawsuit in March 2014 by Media Control AG, Media Control® GfK International had to change its name, dissemination of the charts is conducted by various media outlets, some of which include VIVA music channel, and the Swiss charts website. Other entities that present the charts are MusicLoad and MIX1, furthermore, GfK Entertainment also runs a dedicated website providing chart-related news and access to most of the charts. Charts have been published in Germany since 1959, in a magazine called Der Musikmarkt, since 1959, the growing desire to have a well-developed music program has made Bundesverband Musikindustrie work together with charts providers to improve the way the charts are determined. For this purpose, different research institutes were tested, out of which Media Control, hence, the first official charts were made available in the magazine Der Musikmarkt in September 1977. Initially, there used to be 50 positions only, which later in January 1980, was extended to 75 slots, since 1989, however, GfK Entertainment has adapted the international standards providing 100 positions, now called Offizielle Top 100 Charts. In 2001, the Top-100 singles charts was modified to reflect the sales of the singles, Media Control developed Music Video charts in 2001, which later, in 2004, was renamed as DVD charts. While music-videos have their own charts, in 2001, GfK Entertainment made it possible for the music-video singles to have the ability to enter the Top-100 singles chart. Similarly, in 2002, it was available for music-video albums to chart on the Top-100 album chart. If not, then, the DVD album could qualify for the DVD chart only, in the same vein, if an audio CD contains at least 50% of video recording, then, it could qualify to chart on the DVD chart. In 2003, Media Control joined forces with GfK, thus the name officially being changed to Media Control GfK International GmbH. In 2004, Germany became one of the first music markets wherein sales charts were reflected by online digital downloads, digital-only releases came into existence on 13 July 2007, for online downloads only, which also altered the way the sales figures were conducted up to that point. Consequently, chart positions would no longer be affected by the number of music downloads as before. Thus, the albums would not necessarily be the ones ending up in the number-one position on the charts. In March 2014, GfK announced that the official chart providers name in Germany will change from Media Control GfK International GmbH to GfK Entertainment, there are currently 3,000 outlets that report their sales on weekly bases in Germany. The weekly sales data is transmitted to GfK Entertainment via communication network channel and this is the list of categories, for each of which charts are provided by GfK Entertainment
19.
Irish Recorded Music Association
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The Irish Recorded Music Association is a non-profit association set up in 1999 to manage and control the music industry in the Republic of Ireland. On 12 June 2013, IRMA secured an Order of the High Court to block access to The Pirate Bay to all Irish internet users in the Republic of Ireland, IRMA operates to promote and protect the welfare and interests of the Irish record industry. Specifically, IRMA is involved in lobbying to protect and enhance the interest of member companies, in the past IRMA have organised The IRMA Honours, an awards ceremony which honours the life work of Irelands leading musicians and people who have influenced the Irish music industry. Past recipients include Bob Geldof, Larry Gogan and Christy Moore, IRMA also compile and manage the official music charts for the Republic of Ireland. These include, Top 100 Albums, Top 100 Singles, Top 10 Classical Albums, Top 10 Dance Singles, Top 20 Multi-Artist Compilation Albums, Top 30 Videos, Top 20 DVDs and Top 10 Music DVDS. On 12 April 2005, the association began to take action against serial filesharers in the Republic of Ireland who illegally distribute music on the Internet. On 15 November 2005, the IRMA began Phase II of its plan to battle filesharing, only Irish companies can become members of the IRMA. All members pay a fee based on company size. Currently, the IRMA has 51 member companies, in the mid-1990s IRMA presented the IRMA Music Awards. These have been replaced by the music awards show Meteor Ireland Music Awards. IRMA and Eircom reached an agreement over file sharing which uses a third-party organisation to monitor Eircom users for downloading of infringing music, the agreed system was reported to use a three-strikes-and-youre-out system. The agreement was criticised by Digital Rights Ireland and IrelandOffline, protests against the actions of IRMA are being organised by Digital Rights Ireland, as well as Blackout Ireland. The trusts main initiative is the Instrument Bank, which provides music instruments to young people, particularly to young people who live in disadvantaged communities throughout Ireland
20.
Dutch Top 40
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The Dutch Top 40 is a weekly music chart compiled by Stichting Nederlandse Top 40. It started as a program titled Veronica Top 40, on the offshore station Radio Veronica in 1965. It remained The Veronica Top 40 until 1974, when the station was forced to stop broadcasting, joost den Draaijer was the initiator of the top 40 in the Netherlands. On January 2,1965, the first Top 40 was compiled, in 1974, the Stichting Nederlandse Top 40 bought the Top 40 and named it De Nederlandse Top 40. Currently, Radio 538 is airing the Dutch Top 40 on radio, jeroen Nieuwenhuize presents the program every Friday afternoon from 14.00 until 18.00. As of February 2014 the chart is a combination of airplay, streaming, the more often a song gets played on the radio, the higher its place in the Top 40. For year end chart positions, #1 position gets 40 points and this way you just count up all numbers and sort them from most points till least points. There is a set of rules, of some have existed since 1972. Some of these have been criticised as a hindrance, singles must remain minimal two weeks in the chart. If a single officially no longer belongs in the top 40, example, Missy Elliotts Lose Control, Remained two weeks on #40 in the chart, because it did not sell enough and also wasnt played enough on the radio. Singles that highly change position upwards are noted as having superstip status and these singles are not allowed to fall down in chart position the following week. Recent example, Guus Meeuwis Ik Wil Dat Ons Land Juicht, The song entered the chart at #11, the following week it was meant to drop in chart position, but remained on the #5 position. The following two weeks, it went from #5 to #39, because of this rule, this single is the biggest fall down in the Dutch Top 40. However this is not always the case, sometimes singles with a superstip do drop for some reason Re-entry only takes place when the single re-enters within the top 30, if differently, these re-entried singles are ignored. Example, Racoon recently re-entered the Dutch Top 40 at #31 though with the song Love You More, singles with double A-side are noted separately in the top 40, due the different number of airplay the two songs get. Example, Robbie Williams first single off his 2005 album Intensive Care was Tripping with the B-side being Make Me Pure, while Tripping topped the chart by peaking at #1, Make Me Pure peaked at #15 in the Top 40. This is a listing of significant achievements and milestones based upon the Dutch Top 40 charts. & Pharrell Williams — Blurred Lines Avicii — Wake Me Up Clean Bandit featuring Jess Glynne — Rather Be OMI — Cheerleader 10 weeks Heintje — Ich bau dir ein Schloß4 Non Blondes — Whats Up
21.
Official Charts Company
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The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association. Since 1 July 1997, CIN and then the OCC have compiled the official charts, prior to this date, the charts were produced by a succession of market research companies, beginning with the British Market Research Bureau in 1969, and later by Gallup. All of the OCCs charts are published weekly on Friday nights, from 3 August 1969 until 5 July 2015, the chart week ran from Sunday to Saturday. Genre-specific charts include UK Dance Chart, UK Indie Chart, UK R&B Chart, UK Rock Chart, the Scottish Singles and Albums Charts ― and the former Welsh Singles and Albums Chart ― appears in listings within the Official Charts Company. It is a regional listing reflecting how sales towards the UK Singles Chart, the Welsh Singles and Album Chart served the same purpose in Wales. It also charts the UK DVD Chart and UK Budget Album Chart, while their music charts are now Friday to Thursday, their video charts remain Sunday to Saturday. On 5 September 2008, the Official UK Charts Company rebranded itself as the Official Charts Company and it later dropped the word Company and became just Official Charts. From May 2012, a new chart was launched – the Official Streaming Chart and this counts audio streams from streaming services Spotify, Deezer, Blinkbox Music, Napster, amongst others. In April 2015, the UKs first vinyl record chart was launched by the Official Charts Company due to the surge of interest in the sector. The chart was launched following the growth of the sector in the UK for the year in a row. Beginning in 2017 the Official Charts Company changed its methodology for calculating the Top 40, prior to January 2017,100 streams counted as one sale of a song. From January onward, the ratio became 150,1, UK Albums Chart UK Singles Chart UK Video Charts UK Singles Downloads Chart UK Album Downloads Chart British Phonographic Industry Official Charts Company website
22.
Billboard Hot 100
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The Billboard Hot 100 is the music industry standard record chart in the United States for singles, published weekly by Billboard magazine. Chart rankings are based on sales, radio play and online streaming, the weekly sales period was originally Monday to Sunday, when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. Radio airplay, which, unlike sales figures and streaming data, is available on a real-time basis. A new chart is compiled and officially released to the public by Billboard on Tuesdays, as of the issue for the week ending on April 15,2017, the Hot 100 has had 1,061 different number one hits. The current number one song is Shape of You by Ed Sheeran, prior to 1955, Billboard did not have a unified, all-encompassing popularity chart, instead measuring songs by individual metrics. At the start of the era in 1955, three such charts existed, Best Sellers in Stores was the first Billboard chart, established in 1936. This chart ranked the biggest selling singles in retail stores, as reported by merchants surveyed throughout the country, Most Played by Jockeys was Billboards original airplay chart. It ranked the most played songs on United States radio stations, as reported by radio disc jockeys, Most Played in Jukeboxes ranked the most played songs in jukeboxes across the United States. On the week ending November 12,1955, Billboard published The Top 100 for the first time, the Top 100 combined all aspects of a singles performance, based on a point system that typically gave sales more weight than radio airplay. The Best Sellers In Stores, Most Played by Jockeys and Most Played in Jukeboxes charts continued to be published concurrently with the new Top 100 chart. The week ending July 28,1958 was the publication of the Most Played By Jockeys and Top 100 charts. On August 4,1958, Billboard premiered one main all-genre singles chart, the Hot 100 quickly became the industry standard and Billboard discontinued the Best Sellers In Stores chart on October 13,1958. The Billboard Hot 100 is still the standard by which a songs popularity is measured in the United States, the Hot 100 is ranked by radio airplay audience impressions as measured by Nielsen BDS, sales data compiled by Nielsen Soundscan and streaming activity provided by online music sources. There are several component charts that contribute to the calculation of the Hot 100. Charts are ranked by number of gross audience impressions, computed by cross-referencing exact times of radio airplay with Arbitron listener data. Hot Singles Sales, the top selling singles compiled from a sample of retail store, mass merchant and internet sales reports collected, compiled. The chart is released weekly and measures sales of commercial singles. With the decline in sales of singles in the US
23.
Polish Society of the Phonographic Industry
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Founded in 1991, it is authorized by the Polish Ministry of Culture and National Heritage to act as a rights management organization in the field of phonogram and videogram producers rights. ZPAV publishes the Polish Music Charts and awards music recording sales certifications and it also issues the Fryderyk annual award for Polish music. ZPAV was officially founded on July 11,1991, following the recognition of the IFPI given in June of that year, in February 1995 ZPAV was authorized by the Polish Ministry of Culture to act as a rights management organization in the field of phonogram and videogram producers rights. This was followed in December with the right to collect a share of the 3% blank media tax,1995 also marked the beginning of awarding music awards by ZPAV. The first gold and platinum awards were granted by ZPAV in February 1995, the Fryderyk annual award was presented for the first time in March. In 1996 ZPAV started signing agreements about collecting commissions for the broadcasting of sound recordings, agreements with Telewizja Polska and the main commercial radio stations were signed in 1997 and with Polskie Radio in 1999. Agreements with other commercial premises where music is played were signed starting in 2002, commissions were first distributed to the producers in 1998. In 1998, together with the Foundation for the Protection of Audiovisual Works, in 2000, ZPAV published the first official Polish record chart, OLiS. Airplay monitoring starts when an agreement with Nielsen Music Control is signed in 2006, ZPAV publishes two official album charts, OLiS, a weekly chart based on retail sales data, and Top 100, a monthly chart based on data received from the album companies. It also publishes the Official Polish Airplay Chart, provided by Nielsen Music Control Airplay Services, the first gold and platinum awards were granted by ZPAV in February 1995, gold to Marysia Biesiadna by Maryla Rodowicz and platinum to Three Tenors Live by The Three Tenors. The diamond award was first presented in July 2000 to Kayah i Bregović by Serbian musician Goran Bregović, the current certification thresholds are as follows. The main numbers are for releases since July 2005, and the thresholds for releases prior to that are in parenthesis, ZPAV also awards multiple Platinum awards, up to the amount which rewards a Diamond award. For boxed sets, each piece in the set counts as one unit, the awards also take into account digital downloads, where ten downloads of any title in the album count as an album sold. An archive of all the awarded by ZPAV is available at the website. Note that the thresholds above were set some time in the 2000s, for instance, at last until August 2003 there were no different thresholds for foreign and Polish material. Furthermore, the threshold for albums at least until September 2001 were different, the Fryderyk is the annual award in Polish music. Its status in the Polish public can be compared to the American Grammy, the Fryderyk was established by ZPAV in 1994 and presented for the first time in 1995. Since 2007 it is organized by STX Records, since 2010 ZPAV also awards a Digital Song of the Year award, which is awarded to the best selling digital song in two categories, Polish songs and foreign songs
24.
Billboard (magazine)
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Billboard is an American entertainment media brand owned by the Hollywood Reporter-Billboard Media Group, a division of Eldridge Industries. It publishes pieces involving news, video, opinion, reviews, events and it is also known for its music charts, including the Billboard Hot 100 and Billboard 200, tracking the most popular singles and albums in different genres. It also hosts events, owns a publishing firm, and operates several TV shows, Billboard was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegens interest in 1900 for $500, in the 1900s, it covered the entertainment industry, such as circuses, fairs and burlesque shows. It also created a service for travelling entertainers. Billboard began focusing more on the industry as the jukebox, phonograph. Many topics it covered were spun-off into different magazines, including Amusement Business in 1961 to cover outdoor entertainment so that it could focus on music. After Donaldson died in 1925, Billboard was passed down to his children and Hennegans children, until it was sold to investors in 1985. The first issue of Billboard was published in Cincinnati, Ohio, on November 1,1894 by William Donaldson, initially, it covered the advertising and bill posting industry and was called Billboard Advertising. At the time, billboards, posters and paper advertisements placed in public spaces were the means of advertising. Donaldson handled editorial and advertising, while Hennegan, who owned Hennegan Printing Co. managed magazine production, the first issues were just eight pages long. The paper had columns like The Bill Room Gossip and The Indefatigable, a department for agricultural fairs was established in 1896. The title was changed to The Billboard in 1897, after a brief departure over editorial differences, Donaldson purchased Hennegans interest in the business in 1900 for $500, to save it from bankruptcy. That May, Donaldson changed it from a monthly to a paper with a greater emphasis on breaking news. He improved editorial quality and opened new offices in New York, Chicago, San Francisco, London and he also re-focused the magazine on outdoor entertainment like fairs, carnivals, circuses, vaudeville and burlesque shows. A section devoted to circuses was introduced in 1900, followed by more prominent coverage of events in 1901. Billboard also covered topics including regulation, a lack of professionalism, economics and it had a stage gossip column covering the private lives of entertainers, a tent show section covering traveling shows and a sub-section called Freaks to order. According to The Seattle Times, Donaldson also published articles attacking censorship, praising productions exhibiting good taste
25.
International Standard Book Number
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The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
26.
Wayback Machine
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The Internet Archive launched the Wayback Machine in October 2001. It was set up by Brewster Kahle and Bruce Gilliat, and is maintained with content from Alexa Internet, the service enables users to see archived versions of web pages across time, which the archive calls a three dimensional index. Since 1996, the Wayback Machine has been archiving cached pages of websites onto its large cluster of Linux nodes and it revisits sites every few weeks or months and archives a new version. Sites can also be captured on the fly by visitors who enter the sites URL into a search box, the intent is to capture and archive content that otherwise would be lost whenever a site is changed or closed down. The overall vision of the machines creators is to archive the entire Internet, the name Wayback Machine was chosen as a reference to the WABAC machine, a time-traveling device used by the characters Mr. Peabody and Sherman in The Rocky and Bullwinkle Show, an animated cartoon. These crawlers also respect the robots exclusion standard for websites whose owners opt for them not to appear in search results or be cached, to overcome inconsistencies in partially cached websites, Archive-It. Information had been kept on digital tape for five years, with Kahle occasionally allowing researchers, when the archive reached its fifth anniversary, it was unveiled and opened to the public in a ceremony at the University of California, Berkeley. Snapshots usually become more than six months after they are archived or, in some cases, even later. The frequency of snapshots is variable, so not all tracked website updates are recorded, Sometimes there are intervals of several weeks or years between snapshots. After August 2008 sites had to be listed on the Open Directory in order to be included. As of 2009, the Wayback Machine contained approximately three petabytes of data and was growing at a rate of 100 terabytes each month, the growth rate reported in 2003 was 12 terabytes/month, the data is stored on PetaBox rack systems manufactured by Capricorn Technologies. In 2009, the Internet Archive migrated its customized storage architecture to Sun Open Storage, in 2011 a new, improved version of the Wayback Machine, with an updated interface and fresher index of archived content, was made available for public testing. The index driving the classic Wayback Machine only has a bit of material past 2008. In January 2013, the company announced a ground-breaking milestone of 240 billion URLs, in October 2013, the company announced the Save a Page feature which allows any Internet user to archive the contents of a URL. This became a threat of abuse by the service for hosting malicious binaries, as of December 2014, the Wayback Machine contained almost nine petabytes of data and was growing at a rate of about 20 terabytes each week. Between October 2013 and March 2015 the websites global Alexa rank changed from 162 to 208, in a 2009 case, Netbula, LLC v. Chordiant Software Inc. defendant Chordiant filed a motion to compel Netbula to disable the robots. Netbula objected to the motion on the ground that defendants were asking to alter Netbulas website, in an October 2004 case, Telewizja Polska USA, Inc. v. Echostar Satellite, No.02 C3293,65 Fed. 673, a litigant attempted to use the Wayback Machine archives as a source of admissible evidence, Telewizja Polska is the provider of TVP Polonia and EchoStar operates the Dish Network
27.
Music Week
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Music Week is a trade paper for the UK record industry. Founded in 1959 as Record Retailer, it relaunched on 18 March 1972 as Music Week, on 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to Music & Video Week. The rival Record Business, founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983, later that year, the offshoot Video Week launched and the title of the parent publication reverted to Music Week. Since April 1991, Music Week has incorporated Record Mirror, initially as a 4 or 8-page chart supplement, later as a supplement of articles, reviews. By May 2001, all newsletters closed, in 2003, Music Week relaunched its website of daily news, features, record release listings and UK sales, airplay and club charts. In early 2006, a separate site for the Music Week Directory listed 10,000 contacts in the UK music industry. In mid-2007, the magazine was redesigned by London company This Is Real Art, in October 2008, another redesign led to major changes. In June 2011, Music Week was sold to Intent Media, as of issue 30 July 2011, UBM is still named as publisher, as the new publisher Intent Media took over on 1 August 2011. In the first edition under new ownership it was announced that the title would switch its day of publication Monday to Thursday with immediate effect and it also includes background on sales and airplay analysis from Alan Jones. Music Week compiles and publishes weekly club charts from chart returns supplied by DJs in nightclubs Upfront Club Top 40, Commercial Pop Top 30, Music Week publishes a weekly Cool Cuts chart compiled from DJ feedback and sales reports from independent record shops. Music Week is published weekly by Intent Media and it is available as a B4-sized printed magazine and a PDF digital edition. The website musicweek. com had 63,904 monthly unique browsers for the audited period 1–31 October 2008, by 2009, the website had been deregistered with ABC. UK Singles Chart UKChartsPlus Hit Music Record Retailer Official website
28.
I Knew You Were Waiting (For Me)
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I Knew You Were Waiting is a Grammy Award-winning number-one song performed by Aretha Franklin and George Michael as a duet in 1987. It was written by Simon Climie and Dennis Morgan and it also stands as Franklins biggest hit at the Adult Contemporary chart, spending several weeks at number two. The official music video for the song was directed by Andy Morahan and it begins with George Michael and two bodyguards entering a dark room. There is a viewing screen on the wall showing Aretha Franklin preparing for George Michael. Over the course of the video, the two are together, and shown performing the song both in front of the screen and on it. At the end of the video, Aretha winks at the camera, the song was a one-off project that helped Michael achieve his ambition to sing with one of his favorite artists, and it reached number-one in both the UK Singles Chart and Billboard Hot 100. The song was Franklins first and only UK number-one hit, and only her fourth top ten achievement in the country since I Say a Little Prayer and this was also the last of Franklins seventeen top 10 hits in the Billboard Hot 100. For Michael, it became his third consecutive number-one in the UK since going solo, following 1984s Careless Whisper, in the US, it was Michaels fourth number-one hit, counting his Wham. days. The single was the first Michael had recorded that he had not written himself, the co-writer, Simon Climie, was unknown at the time, although he later had success as a performer with Climie Fisher in 1988. A live version of the song was featured on the Bucks Fizz album Live at the Fairfield Hall, a cover of I Knew You Were Waiting was recorded in 2001 by HearSay as the B-side to their single Everybody. Michael McDonald covered it in 2008 on his album Soul Speak, a cover version of the chorus of I Knew You Were Waiting featured in Welcome Back, a 3-minute-long British TV commercial for telecommunications company T-Mobile which first aired on October 29,2010. The song was performed as a duet by Joshua Ledet and Jessica Sanchez on the season of American Idol during top 8 week. The song was performed as a duet by CJ Harris. Crystal Lewis and Michael English covered the song for Englishs 2012 project, lyrics of this song at MetroLyrics
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